Architecture

Hardcover. Baton Rouge LA, Louisiana State University Press., reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover, large oblong book. Contains 134 printed pages of text with color photographs throughout. From the Greek Revival grandeur of Belle Helene, to the Moorish fantasy of Longwood, to the simplicity of Rosella, the plantation homes of Louisiana and the Natchez was powerfully recall the brief flowering of the unique civilization of the Old South. Clean copy in a bright dust jacket.

Softcover. Massachusetts, MIT Press, 1st, 1982, Book: Good, Dust Jacket: None, 135 pages. Softcover. B/w and color illustrations throughout. Wrapper has some age wear. Clean inside, binding tight. In good condition.

Softcover. University of Virginia Press, 2nd pr., 2003, Book: Very Good, Dust Jacket: None, Softcover, 196 pages. Slight wear to wraps, previous owner's signature on front fly leaf, otherwise, clean and tight copy.

Hardcover. Gloucester, Rockport Publishers, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 132 pages. Scarce hardcover. Features full color photography and illustrations. Fold-out pages. Clean, bright copy.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.

Softcover. NY, Princeton Architectural Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, b&w photos throughout. A portfolio of the small buildings designed by the author with a handwritten note laid in. Tectonically beautiful and intricate, his work represents some of the finer points of simple thought in architecture. His own commentary and a conclusion by Turner Brooks allow a clear and concise understanding of the projects. Clean, bright copy.

Hardcover. NY, Clarkson Potter, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages illustrated with color and b&w photographs by Pildas. text by Lucinda Smith. Dust jacket with minor edgewear, price-clipped. Commemorating the vanishing architecture of classic film theatres with a foreword by King Vidor and chapters on: The Movie Palaces / The Survivors / Notes on the Theatres. With an Index of the Theatres.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Taschen's Domus collection is a major publishing achievement and a must-have item for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. /// The first half of the 1990s represented a generational change in architecture and design.//// This title covers the years 1990-1994 - the next generation. The first half of the 1990s, this volume's focus, marked a shifting of the generations in architecture and design. "domus" - up to date as always - documented the work of this new generation with elaborate articles and reports. The architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron made their debuts in domus during this period. In addition, established architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, Santiago Calatrava, and Zaha Hadid were also featured. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison as well as the brothers Fernando and Humberto Campana appeared in the spotlight.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1987, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 1 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 243 page book with historic photographs and home plans. Clean copy.

Softcover. Liverpool Univeristy Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, pages. In 1916 Thomas Wallis founded a new practice, Wallis, Gilbert & Partner, primarily to collaborate with an American company in the design of factories to be constructed of reinforced concrete. Designing factories was not then popular among architects and many manufacturers regarded the employment of an architect a wanton extravagance. Wallis's move could be seen as a reckless gamble, but his and his partners' subsequent achievements suggest that his choice had been well considered; some of the best known inter-war industrial building - Firestone, Hoover, The Gramophone Company, Glaxo Laboratories - were their work. In Form and Fancy, Dr Skinner looks first at the biographical background of Wallis, at the history and organisation of the partnership he founded, and at the many factors that contributed to its reputation in the inter-war years. She then offers a perspective on architectural thought and activity in that period, and of the attitudes and influences on factory design. Designs by the partnership for over one hundred factories and factory buildings have been discovered and at the core of the book is a third chapter which analyses and assesses them. Dr Skinner concludes with an evaluation of the design philosophy of Wallis, Gilbert & Partners, the aim of which was to contribute to the successful pursuit of business by the companies that commissioned them.

Hardcover. NY, Corinthian Publications, 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated, illustrated with over 50 b&w photogravures, many full page. Foreward and captions by E. Milby Burton.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 9 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 248 page book with historic photographs and home plans. Light soil to fore-edge of text block. Otherwise clean.

Hardcover. San Francisco, Chronicle Books, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a bright. lightly worn dust jacket. 240 pages illustrated in color. A full-color survey of the architectural firm of Greene & Greene that almost single-handedly defined the Arts & Crafts aesthetic in America in the first decades of the 20th century. An in-depth tour of 25 magnificent homes examines the creative evolution of their style as well as surveying their greatest works. Light tape repair to spine of dust jacket.

Hardcover. Singapore, Times Editions-Marshall Cavendish, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 335 pages. The Temples of Lhasa is a comprehensive survey of historic Buddhist sites in the Tibetan capital of Lhasa. The study is based on the Tibetan Heritage Fund`s official five-year architectural conservation project in Tibet, during which the author and his team had unlimited access to the buildings studied. The documented sites span the entire known history of Tibetan Buddhist art and architecture from the 7th to the 21st centuries The book is divided into thirteen chapters, covering all the major and minor temples in historic Lhasa.

Hardcover. Layton UT, Gibbs Smith, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages, illustrated in color and b&w. Like new condition in a bright dust jacket.

Softcover. Santa Monica CA, Arts & Architecture Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 172 pages. Building in the hills is an enterprise full of unpleasant surprises and traps just waiting to snare the inexperienced. Arthur Levin, a structural engineer and architect who has been involved in more than 2,000 hillside projects, offers a distillation of his 35 years of experience that will help the uninitiated to avoid the otherwise inevitable pitfalls and traps. The book has many real life examples of the unexpected encounters with unstable land, surface drainage problems, subterranean water, demanding owners, uncooperative building inspectors, inexperienced contractors, and other examples of the author's triumphs and occasional enlightening failures. All of these brief histories are instructive and guaranteed to be of invaluable help to the first or second time hillside designer and builder. More than 110 line drawings illuminate the text.

Hardcover. Alexandria VA, Cypress Communications, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages. The charm and diversity of lighthouses are captured in this elegant pictorial history. W&w photos throughout. Clean copy.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1988, Book: Very Good, Dust Jacket: None, 390 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Hardcover. New York, Collins Design, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages, profusely illustrated throughout in color. Spotless and tight copy.

NY, Praeger, revised ed., 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover,192 pages. Illustrated in color, b&w. Dust jacket with light edgewear, soil. Small quarter-size stain to front cover.

Hardcover. New York, Rizzoli/Frank Lloyd Wright Foundation, 1st, 1995, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 352 pages, edited by Bruce Brooks Pfeiffer. Illustrated mostly in b&w, some color. In publisher's shrinkwrap. This volume contains the last ten years of the writings of Frank Lloyd Wright (1869-1959)-including the famous works "The Natural House" (1954), "A Testament" (1957), and "The Living City" (1958)-which are a mixture of rehashed ideas, the reworkings of earlier published pieces, and fanciful explorations into the concepts of truth and beauty. Little new is revealed to the Wrightian scholar by these later works. Yet this last volume cannot be dismissed. As one reads these essays, earlier thoughts and beliefs of Wright, first discovered in the earlier volumes, regularly reemerge and remind the reader of Wright, great influence in art and architecture. Ultimately, this book's value lies in its comprehensiveness (even the banal is included).

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages, profusely illustrated. This title covers the years 1985-1989 - the eighties in full force. The many styles of architecture and design that became prominent in the second half of the 1980s are the focus of this volume. Along with Postmodernism - represented by buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and the Arquitectonica firm - it was the buildings of the High-Tech Style which dominated. The most prominent examples are the Head Office of the Hong Kong & Shanghai Banking Corporation in Hong Kong, designed by the architectural firm Foster Associates, and the Lloyds Building by Richard Rogers in London. In publisher's shrink wrap.

Hardcover. New York, William T. Comstock, 5th, 1889, Book: Very Good, Dust Jacket: None, 44 pages. Hardcover. Green cloth with gilt titles on spine and cover. Fifth edition. Light rubbing to cover edges, corners. Clean, unmarked.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1987, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 3 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 248 page book with historic photographs and home plans. Clean copy.

Softcover. Thousand Oaks CA, Sage Publications, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 182 pages, b&w illustrations. In 1960, Kevin Lynch wrote The Image of the City, which transformed the way design professionals and social scientists dealt with the urban form and design. The Evaluative Image of the City follows the work of Lynch and further explores the role of human evaluations of the cityscape. This book describes how to assess, plan, and design the appearance of cities to please inhabitants. It presents a series of studies on evaluative images, discusses methodologies, findings, and applications to design and planning at various stages. Urban designers and planners, architects, business people, and the general public will find this book a valuable guide for improving the image of their surroundings. Clean copy.

Softcover. Shelburne VT, Nice Nietzsche Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. A catalog offering 7 possibilities of homes built with basic materials like shipping containers, garage doors and prefab roof systems. All drawn in line plans by Kalkin. Mild wear to wrappers.

Softcover. NY, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color photos. Charles Rose embraces the vast and varied panorama of the American landscape. The profile of his award-winning Paintrock Camp in Hyattville, Wyoming, follows the contours of a nearby canyon; Roses's adaptive reuse of an industrial structure in New York City's Chelsea neighborhood preserves the existing streetscape while creating a seamless flow between inside and out; and the shape of his United States Port of Entry project in Del Rio, Texas, was determined by the scorching Texan sun and features sustainable landscapes. With surprising use of volumes, materials, and geometries, agile movement of spaces, and an active language of planes and lines, Rose creates dynamic, expressive architecture that reminds us that buildings can be both sensitive to their locale and embrace the timeless principles of geometry, material, light, and shadow. Clean copy.

Softcover. Italy, Instituto E Museo Di Storia Della Scienza, 1st, 1970, Book: Good, Dust Jacket: None, 54 pages. Softcover. Color and b/w illustrations throughout. Foxing on edges and preliminary/back pages. Does not affect text or illustrations. Wrapper in good condition.

Hardcover. NY, Farrar, Straus and Giroux, 3rd pr., 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. Wendy Lesser's You Say to Brick: The Life of Louis Kahn is a major exploration of the architect's life and work. Kahn, perhaps more than any other twentieth-century American architect, was a "public" architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks.

Hardcover. London, Weidenfeld and Nicolson, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 72 pages, illustrated throughout in b&w. Light edge wear and creases to dust jacket. Previous owner's signature on front flyleaf. Otherwise, clean and tight copy.

Softcover. Richmond VA, Allen & Ginter, 1890, Book: Very Good, Dust Jacket: None, Softcover, stiff cardboard covers illustrated in color, string bound. 12 leaves, color lithographs on one side only. Oblong 9 1/2 x 6".

Hardcover. Bologna, Calderini, 1st, 1982, Book: Very Good, Dust Jacket: Good, 125 pages. ITALIAN TEXT. Hardcover with dust jacket. Light foxing to pages, Edge wear on cover boards, otherwise clean tight copy. Dust jacket small tears on rear.

Hardcover. New York, Princeton Architectural Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. Minor soiling to front cover of dust jacket. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. A tight copy. "A collection of exquisite large-format pen-and-ink watercolor renderings of all of Palladio's villas."

Hardcover. London, Thames and Hudson, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages, 34 color and 126 b&w gravure photographs by Alexander Zielcke. Dust jacket with light wear.

Hardcover. New York, Henry Holt & Co, 1st, 1991, Book: Very Good, Dust Jacket: Good, Hardcover, 205 pages, illustrated throughout. Minor dust jacket edge wear, otherwise, very clean and tight copy. An examination of rooftop designs for living spaces, conservatories, studios, conference rooms, tea houses, and pool rooms includes floor plans and discusses building and zoning codes

Hardcover. NY, Chartwell, 2000, Book: N, Hardcover, 448 pages. Virtually every structure that Wright built is represented in this extensive survey of his life's work. His genius at architectural design enable him to work out extremely complex buildings in his head and translate them on to paper in a matter of hours, as the famous story of his design presentation of Falling Water illustrates. His work continues to draw great admiration and interest to this day. His often tempestuous and sometimes tragic life and career are given full coverage in this book. Hundreds of photos, both archival and recent chart his amazing work and influence on all who followed. This concise consideration of Wright's life and work not only offers new insights into the character of this complex, powerful and at all times confident personality, but also the architectural legacy he left behind and which exists to this day in the vast number of homes and public buildings photographed mainly by the author himself.

Hardcover. New York, Princeton Architectural Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, color and b&w photos by Heinrich Helfenstein, b&w illustrations, plans. Like their compatriot Peter Zumthor, the Swiss architects Marianne Burkhalter and Christian Sumi are dedicated to an exploration of the nature of materials and construction. In the last fifteen years, they have built a series of remarkable buildings in wood and stone in Germany, Austria, and Switzerland. Their work is a thoughtful pursuit of the fundamentals of architectural construction-a style that, like that of Zumthor's buildings, might be called Alpine minimalism. Their interest in simple forms and shapes, in luminous color, in the natural grain patterns of wood, and in the opportunities afforded by joinery and other forms of craftsmanship are evident in every aspect of their built work. This comprehensive monograph includes an in-depth look at 25 of Burkhalter and Sumi's projects, including their most famous built work, the Hotel Zurichberg. Essays by Eugene Asse, Detlef Mertins, Steven Spier, and Lynnette Widder, based respectively in Moscow, Toronto, London, and New York, explore their unique style and demonstrate the growing international acknowledgement of their practice.

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1966, Hardcover, white embossed cloth with gilt lettering on the spine. 115 pages profusely illustrated throughout in color and bw. Introduction by Henry Russell Hitchcock. Fifty-one color plates with plans cover all of Johnson's major buildings. In addition, relevant plans and drawings complement Hitchcock's text. The volume is completed by a thorough chronology of all of Johnson's architecture and bibliography of writings by and about the architect up to 1966. Mild darkening to cloth cover, otherwise clea copy. Lacks dust jacket.

Hardcover. New York, G. P. Putnam, 1st, 1853, Book: Good, 366 pages. Leather cover with raised bands and ornate decoration. Gilt all edges and marled endpapers. B&w frontispiece with tissue-guard and b&w and color illustrations with tissue guards throughout. Color illustrations on tipped-in plates. Rubbing and wear to cover edges and some light foxing throughout. Else a clean, good copy.

New York, Brockhampton/William R. Scott, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 40 pages. Many black & white and color detailed illustrations of buildings by the Leacrofts. Dust jacket with mild wear. Clean copy.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 16 of the Architectural Treasures of Early America. From material originally published as the Georgian Period edited by Professor William Rotch Ware. 224 page book with historic photographs and home plans. Clean copy.

Softcover. Dallas TX, Southern Methodist University, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 221 pages, 202 b&w plates, 20 in color. Historical and cultural history of religious, popular and folk architecture of colonial New Spain. Clean copy.

Hardcover. New York, Monacelli Press, Inc., 1st US, 2003, Book: Very Good, Dust Jacket: Good, 276 pages. Hardcover. Illustrated with full color photographs. Dust jacket with fading along spine and edges. Light wear. Clean, tight copy.

Hardcover. New York , Rizzoli, Revised Ed., 2009, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages, roughly 420 color and 110 b&w plates. Like new in publisher's shrink-wrap.

Hardcover. NY, Whitney Library of Design, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, color plates. A collection of fine color illustrations and text describing conversions of a variety of structures (a barn, firehouse, power station, martello tower...) to residential use. Exciting and refreshingly different homes. Great ideas in a charming book.

Hardcover. NY, British Heritage Press, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages, 64 color plates by Helen Allingham. A nice reprint of a book first published in 1909 in the UK. Clean copy.

Hardcover. Periplus Editions, 1st, Hardcover in a bright, lightly worn dust jacket. 224 pages illustrated in color. The New Malaysian House is a collection of 25 contemporary houses that demonstrate a remarkable flowering of Malaysian design talent that has been germinating since the mid- 1980s. The houses range from luxury detached bungalows set in extensive tropical gardens to weekend retreats in the forest, from the gated communities springing up throughout Malaysia to extended family homes. All are distinguished by a singular quality of innovative design as the architects sought to explore new approaches for designing with the climate and in the cultural context of Malaysia. Clean copy.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.

Hardcover. Newtown CT, The Taunton Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 266 pages. The past has left behind only scattered clues that, on their own, provide little insight into how the people of early America lived and the details of their daily lives. The photographs in this book, the deeply informed narrative that accompanies them, and the eyewitness accounts of daily life that the author weaves throughout, provide a fresh perspective on our early American ancestors and the places they called home. This book is about how their houses and their life in them, from the wealthy to the impoverished, from New York City to the small farms and plantations of the South, from coastal fishing towns to the Western frontier of Indiana and Kentucky. The stories focus on the remarkably vivid differences from one part of the country to the next, class and culture, and the realities of everyday life for American families. These stories twine around a wide selection of HABS photographs of early houses, covering the variety and evolutions of house styles -- not by labeling the style but by explaining the style in the context of everyday life. Richly illustrated with handsome black-and-white photography of old houses from the Library of Congress Historic American Building Survey (HABS) collection and supplemented with period woodcuts, engravings, drawings, paintings, artifacts, and maps, the book is printed on a 4-color press for a depth of tone. Sidebar excerpts from diaries, journals, and letters inject graphic eyewitness descriptions, adding an additional layer of insight. The book also includes sidebars called Still Standing that traces the history of specific houses, from their origins to the present and includes information on the original family, how the house has evolved over the centuries, and how it's used today.