Softcover. New York, Associated American Artists, 1st, 1985, Book: Very Good, Dust Jacket: None, 12 pages. Exhibition catalog. Stiff beige stapled wrappers, complete catalogue of exhibition, 9 b&w plates, short biographical essay, price list of exhibition pieces laid-in. Clean wrappers, pages crisp and unmarked; a very clean, tight copy.
Hardcover. London, Stainer and Bell, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 131 pages, hardcover with dust jacket. A study of a broad spectrum of arts in Britain during the period of the First World War. With black-and-white illustrations throughout. Mild age toning to top text block edge. light rubbing to dust jacket. Light spotting to front and rear endpapers. Previous owner's name on front flyleaf. Bright and clean; a tight copy.
Softcover. Unknown, Unknown, 1st, Unknown, Book: Very Good, Dust Jacket: None, Yellow covers virtually free from wear, line illustration on front. Staple wrappers are tight, with very light wear. Short work describes the design and construction of Trinity church, including dimensions. Pamphlet from a Reverend of the church included inside the front cover. Pages are clean and crisp. 15 pages.
Hardcover. New York, Rizzoli, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 160 pages. Over 350 illustrations with 16 pages in color. Traces the development of chair design between 1850-1950 as seen in the work of over 60 craftsmen. Gray faux cloth, gilt lettering to spine. Dust jacket with slight edgewear, otherwise clean and tight copy. Large and heavy book requires extra shipping for international orders.
Softcover. Ithaca, New York, Herbert F. Johnson Museum of Art, Cornell University, 1st, 1978, Book: Very Good, Dust Jacket: None, Exhibition catalog. White stapled wrappers with color illustration to front, foreword by Thomas W. Leavitt, essay by Nancy Neuman Press, profusely illustrated with b&w plates. Very light rubbing to wrappers, pages crisp and unmarked; a very clean, tight catalog.
Hardcover. Toronto, Canada, Oxford University Press, 1st, 1983, Book: Very Good, Dust Jacket: Good, 121 pages. Color photos throughout. illustrates 93 of the finest pieces of folk art made in communities across Canada over the past two decades. Red leatherette, gilt lettering to spine. Slightly crinkled spine and minor wear to lower tips. In good shape.
Softcover. Hartford, Wadsworth Atheneum, 1st, 1975, Book: Good, Dust Jacket: None, 48 pages. Exhibition catalog. Mostly black-and-white illustrations, with a few color illustrations. Some soiling/staining and shelf-wear on covers. A little edge-wear to front cover. Minor soiling to bottom edge. Good, unmarked copy.
Softcover. New York, Christie's East, 1st, 1999, Book: Very Good, Dust Jacket: None, 221 lots, illustrated in color and b&w. Softcover with light wear to covers, paper-clip marks, else in very good condition.
Softcover. South Bend, IN, University of Notre Dame, 1st, c. 1981, Book: Very Good, Dust Jacket: None, Catalog of newly donated works in the Kress Collection has brown covers, with minor rubbing and marking. Staple wrappers are tight, with some discoloration around the staples. Pages are glossy, clean and crisp. 17 b/w photographic plates of works, all foreign, mainly paintings. Two very brief introductory essays.
Hardcover. CA, Twelvetrees Press, 1st, 1982, Book: Near Fine, Dust Jacket: Near Fine, Original tan linen cloth hardcover in near fine condition and near fine slipcase. Unpaginated. There are 31 pages of color illustrations printed one side only with a blank page interleaved between the latter. Illustrated here are Brice's drawings on four by six inch index cards. The volume reproduces his original sketchbook, each card is sequenced and mounted on the page as they appear in the artist's original sketchbook. these were used to visualize and experiment with compositional elements for his large-scale paintings.
Softcover. New York, Sotheby Parke Bernet, Inc, 1st, 1980, Book: Good, Dust Jacket: None, 238 lots, illustrated in color & b&w. Softcover with light wear and rubbing to covers and spine, small ink-mark to front fly leaf, else in good condition.
Softcover. Roslyn Harbor, Nassau County Museum of Fine Art, 1st, 1983, Book: Very Good, Dust Jacket: None, 40 pages. Illustrated with full color and black & white examples of works by Louise Nevelson and Georgia O'Keefe. Light wear to covers. Minor bump to right top corner. Clean, tight copy.
Hardcover. Arnot Art Museum, rep, 1973, Book: Near Fine, Dust Jacket: None, Catalogue of the permanent collection at the Arnot Art Museum. 175 pages, fully illustrated with color and black/white reproductions of pieces (many full-page). Near fine condition, no visible edge wear or rubbing.
Softcover. Pittsburgh PA, Museum of Art/Carnegie Institute, 1st, 1981, Book: Very Good, Dust Jacket: None, 53 pages, 5 color plates, many b&w illustrations. A complete catalogue of his graphic prints selected by Gene Baro. SIGNED BY HOUSE in pencil on front cover. Exhibition catalog.
Softcover. Wilmington, DE, Delaware Art Museum, 1st, 1988, Book: Good, Dust Jacket: None, 150 pages. Exhibition catalog. Mostly black-and-white, with some color, illustrations. Light sun-fade to spine. A little wear to bottom corner of front cover. Very light creasing to front cover and beginning pages. Good, unmarked copy.
Softcover. New York, Viking Studio, 1st, 1998, Book: Very Good, Dust Jacket: None, 129 pages, color illustrations. Features 40 of the designers posters for the Lincoln Center. Softcover, clean, bright copy.
Softcover. New York, Kenneth Lux Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Exhibition catalog of American paintings. 22 pages; 20 plates in full color. Introduction by Kenneth Lux and Dru Arstark. In very good condition; front cover in full cover.
Softcover. New York, Kennedy Galleries, Inc., 1st, 1982, Book: Good, Dust Jacket: None, Exhibition catalogue of Colleen Browning's paintings. Chronology on inside of back cover. Biographic essay by Gloria-Gilda Deak. 16 pages, 17 paintings (11 color, 6 black and white). Di-cut cover. Cover spotted, inside in very good condition with corners slightly bent.
Hardcover. New York, Harcourt Brace, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, SPECIAL SIGNED COLLECTOR'S EDITION. Color illustrations by Wendell Minor. 154 pages. introduction by Pulitzer Prize winner David McCullough.
Softcover. Toronto , Dragon Lady Press, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 50 pages of b&w newspaper strips from 1969-70. Clean, very good.
Softcover. New York, Perigree Books, 3rd printing, 1975, Book: Very Good, Dust Jacket: None, Unpaginated, ca 200 pages, illustrated throughout in b&w by Edward Gorey. Light wear to edges and spine, else a very neat, tight copy.
Softcover. Smithsonian Institution Press, National Museum of American Art, Washington, D.C., 1983, Book: Very Good, Dust Jacket: None, 69 pages. Exhibition catalog. Blue wrappers with color illustration, perfect binding, statement by Charles C. Eldredge, 16 full page color plates, numerous b&w plates. Light rubbing to wrappers, pages crisp and unmarked; a very neat, tight catalog.
Paperback. Palo Alto, Communication Arts , 1st wraps, 1992, Book: Very Good, Dust Jacket: None, A collection of the year's best graphic design. Color throughout. 324 pages. Paperback. Front cover with light crease otherwise VG.