Hardcover. Milwaukee WI, Amadeus, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 406 pages, illustrations. INSCRIBED by co-editor Malcolm Crocker. A rare, revealing look at the composer, written by his granddaughter Tatiana. Featuring a wealth of correspondence and photographs from his family's archives, this book provides new, fascinating details about the composer's life, work, and relations with close friends and colleagues, including Borodin, Mussorgsky, and Tchaikovsky. It also sheds new light on his wife, Nadezhda Purgold, an accomplished composer and pianist who helped her husband with his own compositions. Many letters involve Rimsky-Korsakov's other family members and important figures in art, history, literature, and music of the late 19th and early 20th centuries. Clean copy.
Hardcover. Boston, Northeastern University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 426 pages, b&w photographs. Bright, clean copy. This engaging biography of Harold Arlen charts the course of his brilliant career, from band leader in his native Buffalo, New York, to songwriter and vocalist in vaudeville, to composer of Broadway musicals and revues at Harlem's Cotton Club, to writer of the everlasting music in The Wizard of Oz and other films. Drawing on a treasure trove of family documents and memorabilia, Edward Jablonski vividly describes Arlen's life, including his loving but troubled marriage to Anya, the strained relationship with his father and brother, his alcoholism and illnesses, and his friendship with Marlene Dietrich. Populated with such greats as Johnny Mercer, George and Ira Gershwin, E. Y. Harburg, Bert Lahr, and Judy Garland, the book also captures the spirit of Arlen's times and conveys a sense of the inner workings of the music business.
Hardcover. London, Polygon, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 347 pages. Hardcover with dust jacket. Clean, tight copy. Harlem, 1969, and the vibrant community around 125th Street is rife with creative innovation. Troubled genius Donny Hathaway, bandleader King Curtis, and Miles Davis and his visionary wife Betty Mabry are reinventing black music. Jimi Hendrix is staging a benefit concert in support of the Biafran famine victims, and helping him behind the scenes is flamboyant indie label owner and heroin kingpin, Fat Jack Taylor. The Apollo Theater is bringing the best of soul music to the crowded streets, and at the height of a blistering summer Harlem plays host to Black Woodstock, a series of free concerts starring Sly and the Family Stone, Stevie Wonder and Nina Simone.Meanwhile, a city-wide raid has led to the arrest of twenty-one members of the Black Panther Party - and ultimately to one of the most controversial trials of the era - and a heroin epidemic is spiralling out of control. Young people are dying on the streets of Harlem faster than the body count in Vietnam. Stuart Cosgrove's critically acclaimed trilogy began with Detroit 67 and was followed by Memphis 68, which won the Penderyn Prize for Music Book of the Year in 2018. Harlem 69 brings his epic story of sixties soul to its triumphant conclusion.
Softcover. San Francisco, Backbeat Books, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 271 pages, b&w illustrations. Chasin' That Devil Music has the feel of a documentary about the making of a thrilling motion picture. The main focus is on the Delta blues singers of the early 20th century--artists such as Charley Patton, Tommy Johnson, Son House, and Blind Lemon Jefferson who've achieved near-mythic status in blues circles. In addition, many of the articles gathered in this splendidly illustrated volume capture the process and people involved in tracking long-lost recordings nearly as elusive as the performers who made them. Here, for example, is the story of author/blues scholar Gayle Dean Wardlow's three-year hunt for the death certificate of Robert Johnson, the celebrated Mississippi bluesman and a figure whose legend has grown greater with each year since his much-debated death in 1938. The text here is nearly as raw in spots as the music that sparked it, but, as with those sounds (which can be heard on a terrific CD sampler included with the book), enthusiasts will find Chasin' That Devil Music riveting. Clean, bright copy.
Softcover. Kila MT, Kessinger, reprint, Book: Very Good, Dust Jacket: None, Softcover, blue pictorial wrappers. This is an unchanged, high-quality reprint of the original edition of 1895, originally published by Swan Sonnenschein & Co., London, 13 illustrations, 2 maps. Clean copy.
Hardcover. NY, The Viking Press, reprint, 1956, Book: Very Good, Hardcover, tan cloth covers with brown lettering, 187/189 pages. Lyrics with music and a preface of the songs. Two volumes in one. No dust jacket. Inscription on front fly leaf, otherwise clean.
Hardcover. NY, Broadway Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 289 pagesGreen turns his expert hand to the artistic qualities that make an extraordinary musician. He culls advice from dozens of interviews with legends including Joshua Bell, Dave Brubeck, Jeffrey Kahane, Bobby McFerrin, Christopher Parkening, Doc Severinsen, Frederica von Stade, the Harlem Boys Choir, and the Turtle Island String Quartet. Green organizes the ineffable virtuoso quality that the greats possess into ten characteristics, such as confidence, passion, discipline, creativity, and relaxed concentration, and discusses specific ways in which all musicians, composers, and conductors can take their skills to higher levels. Foreword by Mike Stryker.
Softcover. NY, Limelight Editions, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. A "fakebook" is a collection of melodies with the chord changes that allows jazz musicians to read the tunes instead of playing solely by ear and memory. It is, then, a place to start, a structure upon which jazz improvisation, "faking," builds. As a young man, the author, a jazz saxophone player, tried to make a living at what he loved most. He failed, gave up jazz and became a college English professor. Today he is playing his saxophone again, at weekend gigs, rediscovering the unending challenge and the fulfillment that jazz brings him. This journey of self-discovery demonstrates the power of both jazz and superbly crafted writing. Clean, bright copy.
Softcover. Baton Rouge, Louisiana State University , Revised Ed., 2002, Book: Very Good, Dust Jacket: None, Softcover, 105 pages. Interviews with the jazz drummer, known for his wild style of drumming, who recounts his life and adventures playing with some of the best known jazz musicians and bands of his time. Includes additional reading and selected recordings. 6 leaves of b&w photo plates. Bright and clean, but with the light odor of a smoker-owned book.
Hardcover. Milwaukee WI, Backbeat Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with spiral binding, 304 pages. The Fiddle Handbook is a treasure trove of information spanning the whole range of fiddle playing. It looks in detail at the most commonly played styles among today's fiddlers. From America, there's old time, bluegrass, Cajun, Western swing, country, blues, rock, klezmer, and jazz, while from the British Isles there's Irish, Scottish, and English. There is also a quick romp through Eastern Europe and beyond, from the spike fiddles of Africa and Asia to the Chinese Erhu, the fabulous Indian Sarangi, and the mysterious Norwegian Hardingfele. A wealth of musical examples - ornaments, bowing patterns, scales, modes, exercises and complete tunes - are faithfully reproduced on the accompanying CDs, to give you a taste of each style. Clean copy.
Softcover. Gweru, Zimbabwe, Mambo Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 153 pages, copiously illustrated throughout. Minor corner and edge wear, previous owner's signature on front endpaper, otherwise, very clean and tight copy.
Hardcover. Boston, Oliver Ditson Co., 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover. Black & white frontis. portrait of author. Preface by Booker T. Washington. Ex-lib with small bookplate, residue to rear end paper, light marking. Top edge gilt. 127 pages.
Hardcover. NY, Farrar Straus and Giroux, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 308 pages, in a bright, unclipped dust jacket. The inside story of the chamber music group, the Guarneri Quartet.
Hardcover. London, Ernest Benn, 11th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 656 pages. 10,000 musical themes indexed for easy reference.
Hardcover. NY, Dutton, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 516 pages. SIGNED BY AUTHOR on front fly leaf. The enduring appeal of the music of George and Ira Gershwin has spawned several biographies of the talented brothers who created more than 700 popular songs before George's untimely death at age 39 in 1937--Ira died in 1983 at age 87. But never before has the collaboration itself been the subject of such intelligent and fruitful scrutiny as in this intriguing study. Rosenberg, chair of the musical theater program of the Tisch School of the Arts at New York University, has a gift for making scholarly points in accessible, albeit mundane language. Readers require no particular musical background in order to enjoy and respond to her original theories about the connections between George's music and Ira's lyrics. Points of comparison are frequently illustrated with side-by-side measures of music, and the striking thematic relationships between such songs as Embraceable You and The Man I Love are also compared dramatically to George's orchestral composition, including the well-known Rhapsody in Blue. This is a rich feast for music historians, musicians and connoisseurs of musical theater as well as inveterate hummers who like a Gershwin tune. Clean copy.
Hardcover. San Diego, Thunder Bay Press , 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages. From singer-songwriters like Billy Joel and the Bee Gees to folk artists like John Denver and James Taylor to the rock legends Aerosmith and Led Zeppelin, you won't find a more complete list of albums that defines the '70s music scene. Each listing features the full-color, original sleeve artwork, and is packed with information about the musician lineup, track listings, and number-one singles that resulted. A celebration of this funky era. Clean, bright copy.
Hardcover. NY, Rodale Books , 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Robert Hilburn's storied career as a rock critic has allowed him a behind-the-scenes look at the lives of some of the most iconic figures of our time. He was the only music critic to visit Folsom Prison with Johnny Cash. He met John Lennon during his lost weekend period in Los Angeles and they became friends. Bob Dylan granted him his only interviews during his "born-again" period and the occasion of his 50th birthday. Michael Jackson invited Hilburn to watch cartoons with him in his bedroom. When Springsteen took to playing only old hits, Hilburn scolded him for turning his legendary concerts into oldies revues, and Springsteen changed his set list. In this totally unique account of the symbiotic relationship between critic and musical artist, Hilburn reflects on the ways in which he has changed and been changed by the subjects he's covered; Bono weighs in with an introduction about how Hilburn's criticism influenced and altered his own development as a musician.
Hardcover. Berkeley, University of California Press, 3rd pr., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 279 pages, b&w photos. Sophisticated Giant presents the life and legacy of tenor saxophonist Dexter Gordon (1923-1990), one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. Reading like a jazz composition, the blend of research, anecdote, and a selection of Dexter's personal letters reflects his colorful life and legendary times. It is clear why the celebrated trumpet genius Dizzy Gillespie said to Dexter, "Man, you ought to leave your karma to science." Clean copy.
Softcover. NY, Stein and Day, 2nd pr., 1974, Book: Good, Dust Jacket: None, Softcover, laminated card wraps, 112 pages, b&w illustrations. Ex-library copy with light stamping and bookplate on inside front cover. On the African influences on blues and jazz.
Softcover. Berkeley CA, University of California Press, 1st pbk, 2007, Book: Very Good, Dust Jacket: None, Softcover, 398 pages. Alex Stewart's excellent book tackles a subject which has been hidden in plain sight: the central importance of the big band, not as dead artifact of the Swing Era, but as a seminal and nurturing force through the entire history of jazz down to our own time. Through an attractive blend of ethnographic participant-observation, historiography, and formal analysis, Stewart puts the big band at the center of jazz, arguing for its indispensability as a locus of instrumental training and rehearsal, composition, legitimation, and professional networking. Informed and enriched by his own experience as a performer in those worlds. Light crease to front cover, clean copy.
Hardcover. Philadelphia, Chilton Book Co, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 176 pages, profusely illustrated in b&w. Clean copy.
Hardcover. San Francisco, Panjandrum/Aris Books, 1st, April 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 251 pages plus index, b&w photographs. Light edge wear, rubbing to dust jacket. Else a clean, tight copy.
Hardcover. Chapel Hill, University of Carolina Press , 1st, 1936, Book: Very Good, Dust Jacket: None, 321 pages. Green cloth without a dust jacket. Minor sun-fade to spine. Clean, tight copy.
Hardcover. Solana Beach, CA, Santa Monica Press LLC, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A very clean, unmarked copy. Color and black & white photographs throughout.
Hardcover. Germany, PPVMedien, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 220 pages profusely illustrated in color. The story of Taylor Guitars from small San Diego company to a company producing over 70000 quality guitars a year. Showcases many rare guitars, including instruments made by Bob Taylor before the company's founding, standard production models and custom built instruments. Clean copy.
Softcover. San Diego, Harcourt Brace,, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 839 pages, contains two glossy black and white plates sections. This major work, the result of years of careful study and analysis, places Wolfgang Amadeus Mozart's life and music in the context of the intellectual, political and artistic currents of eighteenth-century Europe. The result is a fresh interpretation of Mozart's genius, as Robert Gutman shows the great composer in a new light. With an informed and sensitive handling, Mozart emerges as an affectionate and generous man with family and friends, self-deprecating, witty, and winsome but also an austere moralist, incisive and purposeful. The major genres in which Mozart worked-chamber music, liturgical, theater and keyboard compositions, concertos, operas, symphonies, and oratorios-are unfolded to reveal a man of luminous intellect. Mozart is an extraordinary portrait of a man and his times and a brilliant distillation of musical thought.
Hardcover. NY, Henry Holt, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket. 192 pages including index. Traces the life and career of the influential jazz musician from the 1920s to his death in 1991. Profusely illustrated with b&w, some color photos.
Hardcover. NY, Warner/Amistad, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright. unclipped dust jacket. Wonderful, inspiring stories of dozens of black women in opera and classical music. Features in-depth portrais of such notables as Sissieretta Jones, Elizabeth Taylor-Greenfield, Marie Selika, Marian Anderson, Flora Batson, Dorothy Maynor and many more. 236 pages including index. B&W photos. Inscription on front fly leaf, otherwise clean.
Softcover. NY, Vintage Books, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 264 pages, b&w illustrations. In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance. In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues. Originally published in 1976. Name on front fly leaf, otherwise clean with mild shelf wear.
Softcover. NY, Oxford University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 414 pages. Contains a wealth of jazz profiles he has written for The New Yorker during the past twenty-seven years. He gives us, in this spectacular volume, his famous early portraits of Pee Wee Russell, Red Allen, Earl Hines, and Mary Lou Williams, written in their brilliant twilight. Clean, like new.
Softcover. Lanham MD, Scarecrow Press, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 203 pages. Using over 90 original interviews, as well as his extensive research in a variety of New Orleans' archives, Dr. Kennedy deftly explores the role public school teachers had in the formative years of jazz, as well as the influence they continue to have on the musical life of one of America's foremost musical cities. As jazz and music mentors, these teachers employed creativity, innovation, and dedication in propelling some of the world's finest musicians forward into brilliant careers. Chord Changes on the Chalkboard includes a foreword by jazz legend Ellis Marsalis, Jr. and is a must for jazz fans and historians, music libraries, and for collections supporting the study of popular culture and African-American history. Bright, clean copy.
Hardcover. Woodstock NY, The Overlook Press, 1st US, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 136 pages. A comprehensive and well researched account of the evolution of instruments and the role of the musician through the ages by first describing and illustrating those instruments bequeathed to us by the civilizations of Greece and Rome. Then, through the dark ages and on to the successive stages which shows the gradual changes to the instruments, how they were played and the music of he era. Clean copy.
Hardcover. Neptune NJ, Paganiniana Publications, 1st, 1977, Book: Very Good, Dust Jacket: None, 176 pages, maroon cloth covers with gilt lettering, design. Scarce book by a master teacher. No dust jacket issued.
Hardcover. Boston, Charles S. Nutter, 1st, 1892, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages. Black & white illustrations. Cloth covers show light rubbing at corners and edges. Clean, tight copy.
Hardcover. New York, Hyperion Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages, illustrated in color and b&w. A complete visual history of the rock group. The Doors are rock royalty. Jim Morrison, Ray Manzarek, Robby Krieger, and John Densmore reinvented rock 'n' roll in the 60s, and their influence can be felt even today. Now, for the first time, the living members of the band are opening up their personal archives to their fans, telling their story in their own words. This book is filled with untold anecdotes and never-before-seen photos from their private collections. Fans can learn first-hand what really went on in America's most enigmatic and mythical band.
Softcover. US, H.S. Wake, 1st, 1975, Book: Good, Dust Jacket: None, Non-paginated. Report cover style binding. Fold-out plans, diagrams, etc. throughout. A set of full-scale working drawings for a violin cello and the mold on which it is built, together with plans for a collapsible travel 'cello Light wear and soil to plastic cover. Pages lightly soiled.
Softcover. Berkeley CA, University of California Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 232 pages. "Professor DeNora's achievement in placing Beethoven, and the reception of Beethoven's music, in social context is all the more impressive because it goes so much against the grain of conventional habits of thought. In illuminating how changing social institutions created opportunities for Beethoven to gain contemporary and posthumous recognition, and, in so doing, created new forms for thinking and talking about musical achievement-the author at once provides fresh insights into the institutional origins of 'classical' music and offers an exemplary contribution to the sociological study of the arts." Clean copy.
Hardcover. University Of Iowa Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages. Using jazz as the key metaphor, Porter refocuses old interpretations of Ellison by placing jazz in the foreground and by emphasizing, especially as revealed in his essays, the power of Ellison's thought and cultural perception. Clean copy.
Softcover. NY, Da Capo Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 301 pages, b&w photos. Sarah Vaughan possessed the most spectacular voice in jazz history. In Sassy, Leslie Gourse, the acclaimed biographer of Nat King Cole and Joe Williams, defines and celebrates Vaughan's vital musical legacy and offers a detailed portrait of the woman as well as the singer. Revealed here is "The Divine One" as only her closest friends and musical associates knew her. By her early twenties Sarah Vaughan was singining with Dizzy Gillespie, Charlie Parker, and Billy Eckstine, helping them invent bebop. For forty-five years thereafter, she reigned supreme in both pop and jazz, with several million-selling hits (among them "Broken Hearted Melody," "Make Yourself Comfortable," and "Misty"). But life offstage was never smooth for Sarah Vaughan. Her voluptuous voice was matched by her exuberant appetite for excess: three failed marriages, financial difficulties through many changes in management, late-night jam sessions, liquor, and cocaine. Remainder line on bottom edge, otherwise clean.
Softcover. NY, Quadrangle /New York Times Book Co., 2nd pr., 1977, Book: Very Good, Dust Jacket: None, Softcover, 251 pages; Music and lyrics for TV advertising songs pre-1070's. Remember Brush Your Teeth with Pepsodent; Ajax, the Foaming Cleanser; It's the Real Thing, I'm Chiquita Banana, and so many more? They're all here, over 120 jingles with musical arrangements. Clean copy.
Hardcover. NY, Da Capo Press, reprint, 1979, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with silver gilt lettering. First published in 1962 Jazz Panorama presents roughly forty short articles from the pages of The Jazz Review from the late 1950s and early 1960s, selected by respected jazz historian Martin Williams, the magazine's co-founder (with Nat Hentoff). This is the type of book that one can dip into from time to time and always find something both enjoyable and educational. Written in clear, understandable prose, the book collects short essays, record reviews (usually of multiple LPs), and two interviews. A wide range of jazz styles and movements is covered here, everything from Dixieland to "third stream" and the avant-garde of Ornette Coleman.The jazz musicians included for discussion range from King Oliver and Jelly Roll Morton to Bix Biederbecke. Louis Armstrong, Billie Holiday, Stan Getz, and Miles Davis. 318 pages, clean copy. No dust jacket.
Softcover. NY, Berkeley Boulevard Books, 1st thus, 1998, Book: Very Good, Dust Jacket: None, Softcover, 325 pages, b&w illustrations. Brimming with concert information, the histories of their songs, profiles of band members, tour highlights, Phish-filled anecdotes, articles by fans and editors, and more, this book is the ultimate guide to this popular band. Clean, bright copy. Like new.
Softcover. Ventura CA, Pathfinder Publishing, 1st, 1990, Book: Good, Dust Jacket: None, Softcover, 214 pages, b&w illustrations. The story of the career, music, and life of the man who made drums a solo instrument, symbolized the swing era, and is still internationally recognized as "the world's greatest drummer." Book was once owned by a smoker and has odor.
Hardcover. Chicago, University of Chicago Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence's Lounge, in the heart of Chicago's South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog's debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer's memoir of a life immersed in the blues--and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it's like to work with the greats of the blues. It's a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America's music to life in the clubs of Chicago's South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience.
Softcover. US, Academy Books, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 89 pages. Signed by Johnnie Francis and Judith Porter Sargent on front end paper. Clean, tight copy.
Hardcover. New York, Harry N. Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. UK, Cambridge University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 492 pages, b&w photos. In a lightly worn dust jacket, clean copy. Otto Klemperer was one of the great conductors of the century, best known in the last years of his life for his performances and recordings of the classical symphonic repertory from Mozart to Mahler. Volume 1 only.
Hardcover. New Haven CT, Yale University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 398 pages. From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music-classical, popular, and jazz-and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness. Leer menos
 "Harold Arlen: Rhythm, Rainbows, and Blues by: Jablonski, Edward")
 "The Mastery of Music: Ten Pathways to True Artistry by: Barry Green")
 "Twenty-Four Negro Melodies - Transcribed for the Piano by S. Coleridge-Taylorby: Coleridge-Taylor, S.")
 "Indivisible by Four A String Quartet in Pursuit of Harmony by: Steinhardt, Arnold")
 "A Dictionary of Musical Themes by: Sam. Barlow, Harold and Morgenstern")
 "100 Best-selling Albums of the 70sby: Hamish Champ")
 "Menuhins: A Family Odysseyby: Rolfe, Lionel Menuhin")
 "Folksongs of Mississippi and Their Backgroundby: Hudson, Arthur Palmer")
 "Doors, Theby: Doors, The (with Ben Fong-Torres)")
 "A Strad Model Cello Plansby: WakeH.S.")
 "Bitten by the Blues: The Alligator Records Storyby: Bruce Iglauer / Patrick A. Roberts")
 "Irving Berlin's Show Business: Broadway - Hollywood - Americaby: Leopold, David")
 "Otto Klemperer: His Life and Times: 1885-1933 (Volume 1)by: Heyworth, Peter")
