Hardcover. New York, Beech Tree Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 189 pages. Hardcover with dust jacket. Price sticker on front inside of dj. Internally clean and tight with only light wear to cover boards.

Hardcover. NY, Viking, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY DEAVER on the title page to fellow writer Barry Estabrook. A school bus carrying eight deaf school-girls and their teachers brakes suddenly on a flat Kansas highway. Waiting for them are three escaped convicts with nothing to lose. Now, with the girls as their hostages, they have everything to gain. Clean copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1990, Book: Very Good, Dust Jacket: Good, Hardcover in an unclipped dust jacket with fading to spine and top edge of front panel. Entrusted to transport two prisoners to death row, Cajun detective Dave Robicheaux is wounded when one of them, Jimmie Lee Boggs, escapes, an act that causes Robicheaux to put all of his efforts into revenge.

Hardcover. New York, Farrar, Straus, and Giroux, 1st U.S., 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. Brodsky's second major collection. Navy blue cloth boards and spine with gilt lettering on spine. Color dust jacket with clear plastic guard, photo of author on back. A couple marks on plastic guard. Blue end papers. Tight copy.

Hardcover. NY, Hyperion, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Caught up in the family drama involving his childhood friends, the Sonniers, Cajun sleuth Dave Robicheaux discovers that the family may be involved with the powerful Bobby Earl, a Klansman-turned-politician.

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tragic, comic, and utterly honest, this extraordinary memoir is at once a great family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. It is the story of a boy growing up in the war-torn Jerusalem of the forties and fifties, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was twelve and a half years old, his mother committed suicide, a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen and joins a kibbutz, changes his name, marries, has children, and finally becomes a writer as well as an active participant in the political life of Israel. Clean copy.

Hardcover. NY, William Morrow, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcopver in a bright, unclipped dust jacket. The eighth novel in Block's award-winning and critically-praised crime-thriller series featuring New York private detective and recovering alcoholic, Matt Scudder, this time searching for the psychopath who has vowed to kill him -- after he has murdered any woman with any connection, no matter how small, to the detective. Clean copy.

Hardcover. NY, Harper & Row, 1st Canadian, 1989, Book: Very Good, Dust Jacket: Very Good, 355 pages. Hardcover with dust jacket. SIGNED BY BANKS on the half-title page. Tight copy.

Hardcover. NY, Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, red cloth covers with an acetate dust jacket. 164 pages with 50 illustrations including 24 plates in full color. Text by Deborah Eisenberg. Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish pond) are the trappings of much larger concerns.Clean copy.

Hardcover. NY, Abrams, 5th pr., 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Newbery Medal winner Cynthia Rylant's poetic text, alongside Nikki McClure's stunning, meticulously crafted cut-paper art, makes this book not only timeless but appealing to all ages, from one to one hundred. This lovely book illuminates all the possibilities a day offers--the opportunities and chances that won't ever come again--and also delivers a gentle message of good stewardship of our planet. Clean copy.

Hardcover. NY, St Martins Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 707 pages, b&w illustrations. Born in poverty, and self-educated while working in a print shop, William Lloyd Garrison was one of the United States' greatest crusading editors, putting out a weekly anti-slavery newspaper, The Liberator, for 35 years, beginning in 1831. A product of the rough and tumble political journalism of the day, Garrison wrote with extreme passion and from an uncompromising point of view. Yet the man who emerges from the pages of All on Fire is a deeply thoughtful person who, despite barely escaping lynch mobs himself, had a great sense of humor and a very polite demeanor. Historians have tended to minimize Garrison's impact on America, and some consider him a fringe character. But Henry Meyer, in this hefty biography, places Garrison at the center of his century, noting that Garrison's thought and tactics influenced not only the country's changing view of slavery, but also inspired the incipient feminist movement. The Lincoln administration noted Garrison's influence by inviting him to help raise the flag over the recaptured Fort Sumter. All on Fire goes into great detail on Garrison's life and work, providing the close and copious examination this activist's life fully deserves. Clean copy.

Hardcover. Salem MA, Marine Research Society, 1st, 1930, Book: Very Good, Dust Jacket: Good, Hardcover. 399 pages. B&W portraits of sea captains and ships throughout. Tissue-covered frontispiece. Top edge colored blue. Green pictorial dust jacket with pasted-on color illustration, taping and edgewear. Blue boards with gilt title to spine and stain to front cover. Otherwise, a clean, tight copy. The twenty-first volume in the series of publications by the Marine Research Society.

Softcover. Hershey PA, Bonhams & Butterfields, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 82 pages illustrated in color. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 194 pages. Index, map, biliographies, appendices. Clean copy.

Hardcover. New York, Norton, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, A monograph focusing for the first time exclusively on Kertesz's early Hungarian prints; selected from more than 1,000 contact prints in the artist's estate and reproduced actual size. Photographs by Andre Kertesz; introduction by Bruce Silverstein; essay by Robert Gurbo. 160 pages; 66 duo-toned b&w plates + 11 text illustrations; 5.25 x 5.25 inches.

Hardcover. Philadelphia, J.B. Lippincott, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover with price-clipped dust jacket. Dust jacket shows chipping, and wear on edges. Covered with plastic sleeve. Previous owner's name on front fly leaf,otherwise clean, tight copy.

NY, Random House, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A compulsively readable debut novel about marriage, immigration, class, race, and the trapdoors in the American Dream. The unforgettable story of a young Cameroonian couple making a new life in New York just as the Great Recession upends the economy. Clean copy.

Hardcover. New York, Farrar Straus Giroux, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 115 pages. Hardcover with dust jacket with light foxing and some browning, light edgewear. light fading to cover board top edges. Tight copy.

Hardcover. Boston, Little Brown & Company, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Burke pits a land-hungry oil company against a Blackfeet Indian reservation in a stunning novel that takes detective fiction into new imaginative realms. His Cajun sleuth, Dave Robicheaux, an ex-New Orleans cop featured in two previous novels, attends Alcoholics Anonymous meetings, has recurrent nightmares about his murdered wife, and cares for an adopted El Salvadoran refugee girl. When two American Indian activists disappear, Robicheaux's dogged investigation not only sets him on a collision course with Mafia thugs and oil interests, but also leads him into a romance with Darlene American Horse, his ex-partner's girlfriend. Clean copy.

Hardcover. NY, HarperCollins, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY AUTHOR to fellow mystery author Barry Estabrook on title page. Author's first book, a mystery introducing Long Island detective Joe LaLuna, a "great cop who has hit a bad spot." And then he discovers that the wealthy husband of his former high school sweetheart has been murdered - and she is the most likely suspect. Clean copy

Hardcover. NY, Rizzoli, 1st US, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 351 pages, 60 color, 476 b&w plates. Gathers all of the French painter's posters, lithographs, and book illustrations and provides commentary on Bonnard's style and technique. Select bibliography, list of exhibitions of Bonnard's graphic works, and index. Introduction by Antoine Terrasse. Small stain to foredge of front fly leaf, otherwise bright and clean copy. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Softcover. NY, Stone Street Press, 1st , 1986, Book: Very Good, Dust Jacket: None, Softcover, blue paper wrappers with illustrated label on front. SIGNED BY MCCORMICK on (C) page Lino cut Illustrations, calligraphy & translation by McCormick. #95 of 495 copies. Clean, bright copy.

Hardcover. NY, Russell Sage Foundation, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages, b&w illustrations. Little over a century ago, New York and Budapest were both flourishing cities engaging in spectacular modernization. By 1930, New York had emerged as an innovating cosmopolitan metropolis, while Budapest languished under the conditions that would foster fascism. Budapest and New York explores the increasingly divergent trajectories of these once-similar cities through the perspectives of both Hungarian and American experts in the fields of political, cultural, social and art history. Their original essays illuminate key aspects of urban life that most reveal the turn-of-the-century evolution of New York and Budapest: democratic participation, use of public space, neighborhood ethnicity, and culture high and low. What comes across most strikingly in these essays is New York's cultivation of social and political pluralism, a trend not found in Budapest. Nationalist ideology exerted tremendous pressure on Budapest's ethnic groups to assimilate to a single Hungarian language and culture. In contrast, New York's ethnic diversity was transmitted through a mass culture that celebrated ethnicity while muting distinct ethnic traditions, making them accessible to a national audience. Mild fade to spine of dust jacket, otherwise clean.

Hardcover. London, Jonathan Cape, 1st, 1953, Book: Very Good, Hardcover in black cloth with red heart on front cover, red lettering to spine, stated "First Published 1953" on copyright with no other printings indicated. No dust jacket. Aside from two flaws this copy is a very good-fine copy. There is a light price sticker shadow to front fly leaf. The second flaw is scraping to the bottom fore-edge of front cover., exposing the board underneath. More detailed close-ups available on request. Otherwise a bright, tight copy of the first novel in Ian Fleming's James Bond series.