Softcover. Marquette University Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 429 pages. Spanish Jesuit philosopher and theologian Suarez (1548-1617) commented on Aristotle's work by asking and answering a series of questions that it raises. Doyle (Saint Louis U.) translates Suarez's preface to the 1597 edition, his introduction, the Index of questions through the 12 books, and an index of the disputations. He also includes corresponding Latin texts and an index of people mentioned. Clean, bright copy.

Softcover. Raleigh NC, TwoMorrows, 1st, 2024, Book: Very Good, Softcover, staoled, 80 pages. Issue devoted to Edmond Hamilton, science fiction author. "Writer of Two Worlds" by Glen Cadigan. Iiiustrated in color and b&w. Clean copy.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 268 pages. A facsimile reprint of the 1690 edition. One of 9 volumes in More's collected works. Name on front fly leaf otherwise a clean, bright copy.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 385 pages. A facsimile reprint of the 1655 Second Edition. One of 9 volumes in More's collected works. Light pencil marking to front fly leaf otherwise a clean, bright copy.

Softcover. NY, Liberal Arts Press, 1st, 1956, Book: Very Good, Softcover, 615 pages. Translated with an introduction by Merritt H. Moore. Some light fading to edges of yellow wrappers, name on front fly leaf, otherwise clean. Out of print and uncommon.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 570 pages. A facsimile reprint of the 1660 edition. One of 9 volumes in More's collected works. Pencil marking to 3 pages, otherwise a clean, bright copy.

Hardcover. Mineola NY, Calla Editions, reprint, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Designers, collectors, and Art Nouveau aficionados will treasure this original collection of 100 plates of decorative full-color graphics. These authentic images are reproduced from the now extremely hard-to-find periodical La decoration artistique, which was published in Paris during the decade before World War I. They constitute some of the rarest and best material printed during the Art Nouveau period, and these uncommonly graceful and appealing illustrations are now available in this beautifully designed hardcover edition. The dazzling array of images includes headpieces, typographical banners, and other sinuous designs bursting with parrots and peacocks, vines and flowers, and other natural motifs. Examples include storefront signage for bakeries and cafes; decorative friezes of theatrical masks and grapevines; borders of flowers, books, and birds; stenciled decorations for fire screens; and corner and ceiling ornaments. An essential acquisition for any library or collector of Art Nouveau graphics and illustration, this volume promises to provide a lasting source of inspiration and pleasure. Clean copy.

Softcover. New Haven CT, Yale University Press, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, Softcover, 450 pages. The rise of atheism in the modern world is a religious phenomenon unprecedented in history, both in the number of its adherents and in the security of its cultural establishment. How did so revolutionary a conviction as this arise? What can theological reflection learn from this massive shift in religious consciousness? In this book, Michael J. Buckley investigates the origins and development of modern atheism and argues convincingly that its impetus lies paradoxically in the very attempts to counter it. Although modern atheism finds its initial exponents in Denis Diderot and Paul d'Holbach in the eighteenth century, their works bring to completion a dialectical process that reaches back to the theologians and philosophers of an earlier period. During the seventeenth century, theologians such as Leonard Lessius and Marin Mersenne determined that in order to defend the existence of god, religious apologetics must become philosophy, surrendering as its primary warrant any intrinsically religious experience or evidence. The most influential philosophers of the period, Rene Descartes and Isaac Newton, and the theologians who followed them accepted this settlement, and the new sciences were enlisted to provide the foundation for religion. Clean, bright copy.

Softcover. NY, Little, Brown & Company, reprint, 2014, Book: Very Good, Dust Jacket: None, Softcover, 207 pages. Orinally published as a paperback by Lion Books in 1953. From the beginning, Jim Thompson knew he was going to catch hell no matter what he did. And during a childhood spent at the mercy of a father whose schemes put him on the wrong side of the law as often as the right, and a grandfather who knew the bad parts of town like the back of his hand, young Jim learned sin better than any writer had before. From his rabble-rousing adolescencein the American Midwest, to wasted teenage years in the seedy underbelly of the hotel industry, to Thompson's chilling encounter with the real-life inspiration of THE KILLER INSIDE ME, BAD BOY offers a fascinating glimpse at the formative years of the man who would become one of the most famous authors of modern American Noir, in the autobiography-as-novel that follows the birth of the legend himself in the signature style Thompson made famous. Clean, unread copy.

Hardcover. Oxford UK, Clarendon Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 313 pages. The Consolations of Philosophy by Boethius, whose English translators include King Alfred, Geoffrey Chaucer, and Queen Elizabeth I, ranks among the most remarkable books to be written by a prisoner awaiting the execution of a tyrannical death sentence. Its interpretation is bound up with his other writings on mathematics and music, on Aristotelian and propositional logic, and on central themes of Christian dogma. Chadwick begins by tracing the career of Boethius, a Roman rising to high office under the Gothic King Theoderic the Great, and suggests that his death may be seen as a cruel by-product of Byzantine ambitions to restore Roman imperial rule after its elimination in the West in AD 476. Subsequent chapters examine in detail his educational programme in the liberal arts designed to avert a threatened collapse of culture and his ambition to translate into Latin everything he could find on Plato and Aristotle. Name on front fly leaf, otherwise bright and clean.

Hardcover. NY, St. Martin's Press, 1st US, 1985, Book: Very Good, Dust Jacket: None, Hardcover, olive green boards, gilt lettering on spine. Illustrated with B&W plates and maps; Large 8vo 9' - 10' tall; 686 pages; 'Allen's work deals primarily with the human elements of the forgotten war waged between the doomed empires of Great Britain and Japan in Southeast Asia between 1941 and 1945. The author's familiarity with Japanese sources enables him to strike a balance unusual in Western accounts. Allen's Japanese are as much prisoners of their culture as the British are of theirs. They are victims of incompetent command and inadequate logistics. They do not want to die, but their ready acceptance of death lends a special horror to Allen's descriptions of some of the century's most vicious fighting.' Clean bright copy, no dust jacket.

Hardcover. UK, Oxford University Press, reprint, 2003, Hardcover in pictorial boards, 309 pages. Byzantine philosophy is an almost unexplored field. Being regarded either as mere scholars or as primarily religious thinkers, Byzantine philosophers have not been studied on their own philosophical merit. The eleven contributions in this volume, which cover most periods of Byzantine culture from the 4th to the 15th century, for the first time systematically investigate the attitude the Byzantines took towards the views of ancient philosophers, to uncover the distinctive character of Byzantine thought. Clean, bright copy.

Softcover. Asheville NC, Bright Mountain Books, 2nd Ed., 2008, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 224 pages, b&w photos. Cabins & Castles was first completed in 1981, a joint effort of the Historic Resources Commission and the North Carolina Division of Archives and History. The book became enormously popular with natives, tourists, historians, and preservationists as a primary source of knowledge about the richly historic Buncombe County. Cabins & Castles contains a historical overview, as well as the specific record of individual properties built in the area, primarily those constructed prior to 1930. Historical sketches of Buncombe County and Asheville written by John Ager and Talmage Powell are followed by editor Douglas Swaim's essay on local architectural history. Rapid development in the urban and rural areas of Buncombe County makes this record timely and valuable. Clean copy.

Softcover. UK, Cambridge University Press, 1st pbk., 1987, Book: Very Good, Dust Jacket: None, Softcover, 692 pages. Charles Darwin's On the Origin of Species is unquestionably one of the chief landmarks in biology. The Origin (as it is widely known) was literally only an abstract of the manuscript Darwin had originally intended to complete and publish as the formal presentation of his views on evolution. Compared with the Origin, his original long manuscript work on Natural Selection, which is presented here and made available for the first time in printed form, has more abundant examples and illustrations of Darwin's argument, plus an extensive citation of sources. Name on title page otherwise a clean, sharp copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear, 670 pages. This sweeping and eminently readable book is the first synthetic history of Calvinism in almost fifty years. It tells the story of the Reformed tradition from its birth in the cities of Switzerland to the unraveling of orthodoxy amid the new intellectual currents of the seventeenth century.As befits a pan-European movement, Benedict's canvas stretches from the British Isles to eastern Europe. The course and causes of Calvinism's remarkable expansion, the inner workings of the diverse national churches, and the theological debates that shaped Reformed doctrine all receive ample attention. The English Reformation is situated within the history of continental Protestantism in a way that reveals the international significance of English developments. A fresh examination of Calvinist worship, piety, and discipline permits an up-to-date assessment of the classic theories linking Calvinism to capitalism and democracy. Benedict not only paints a vivid picture of the greatest early spokesmen of the cause, Huldrych Zwingli and John Calvin, but also restores many lesser-known figures to their rightful place. Ambitious in conception, attentive to detail, this book offers a model of how to think about the history and significance of religious change across the long Reformation era. Name on front fly leaf, otherwise clean.

Softcover. UK, Oxford University Press, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 435 pages. Cicero's Topica is one of the canonical texts on ancient rhetorical theory. This is the first full-scale commentary on this work, and the first critical edition of the work that is informed by a full analysis of its translation. Marcus Tullius Cicero was a Roman philosopher, politician, lawyer, orator, political theorist, consul, and constitutionalist. He came from a wealthy municipal family of the Roman equestrian order, and was one of Rome's greatest orators and prose stylists. Name on front fly leaf otherwise clean.

Hardcover. NY, Oxford University Press, 2nd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 493 pages. Truth is one of the most debated topics in philosophy; Wolfgang K?nne presents a comprehensive critical examination of all major theories, from Aristotle to the present day. He argues that it is possible to give a satisfactory 'modest' account of truth without invoking problematic notions like correspondence, fact, or meaning. The clarity of exposition and the wealth of examples will make Conceptions of Truth an invaluable and stimulating guide for advanced students and scholars. Kunne expounds and engages with the ideas of many thinkers, from Aristotle and the Stoics, to Continental analytic philosophers like Bolzano, Brentanoand Kotarbinski, to such leading figures in current debates as Dummett, Putnam, Wright, and Horwich. He explains many important distinctions (between varieties of correspondence, for example, between different conceptions of making true, between various kinds of eternalism and temporalism) which have so far beenneglected in the literature. Kunne argues that it is possible to give a satisfactory 'modest' account of truth without invoking problematic notions like correspondence, fact, or meaning. And he offers a novel argument to support the realist claim that truth outruns justifiability. Clean, bright copy.

Hardcover. Oxford UK, Cambridge University Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. Much has been written about John Constable and his innovative paintings that inspire every succeeding generation of naturalistic artists, but there are few straightforward accounts of this English artist's life and works. Cormack's monograph links biographical detail and scholarly appraisal together in a way that goes beyond the previously most pertinent biography, Graham Reynold's Constable (London: Grenada, 1977). He focuses on the growth of Constable's career rather than new revelations. The book benefits from the inclusion of almost 300 illustrations, with one-third in color. All the major works are shown, plus many that have not been published much in the past. A few flaws are noted: some color reproductions are overbright, there is no chronology to assist readers. Yet this is a solid work and should be considered for large public and all academic libraries covering 19th century art and/or British painting. Clean copy.

Hardcover. NY, The New Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 547 pages, b&w illustrations. The product of years of research and debate, Customs in Common describes the complex culture from which working class institutions emerged in England - a panoply of traditions and customs that the new working class fought to preserve well into Victorian times. In a text marked by both empathy and erudition, Thompson investigates the gradual disappearance of a range of cultural customs against the backdrop of the great upheavals of the eighteenth century. Name on front fly leaf, 20 pages with light pencil notations.

Hardcover. Leiden, Brill, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with bright gilt lettering on spine and front cover. 621 pages, Volume I only of a 2-volume set. Critical Edition with Introduction, English Translation and Commentary by Harm-Jan van Dam. Clean, tight copy, no dust jacket.

Hardcover. Leiden, Brill, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with bright gilt lettering on spine and front cover, pages 623-1103. Volume 2 only of a 2-volume set. Critical Edition with Introduction, English Translation and Commentary by Harm-Jan van Dam. Clean, tight copy, no dust jacket.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. Berkeley, University of California Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 947 pages. Complete in one volume. Revised and annotated by Charles S. Singleton. Singleton preserves the genius of Payne's language and style, but removes the Victorianisms that intrude upon the enjoyment of contemporary readers. He adds essential annotation and original interpretation to round out this unexcelled English edition of Boccaccio's great work. Clean copy.

Hardcover. NY, Columbia University Press, reprint, 2000, Hardcover, red cloth with gilt lettering, 466 pages. Marsilius of Padua is one of the few truly revolutionary figures in the history of political philosophy. The first to propound the separation of Church and State, he is considered the precursor to subsequent political thinkers, from Machiavelli to Marx.The Marsilian revolution consisted not only in a radical change in the theory of the relations between religion and politics that culminated in the Protestant Reformation and other central developments of the modern era, but, even more importantly, it had an effect on the whole conception of human beings - their nature, acts, values, and sociopolitical relations. As Cary J. Nederman writes in the foreword to this new edition, "Marsilius continues to speak to many of the salient issues of modern political life, expressing his doctrines in a language that has resonance and relevance. Whether in addressing the role of citizenship as a buffer between individual and community, or in explicating the foundations of religious toleration, the Defensor pacis (and Marsilius' other writings) affords a distinctive theoretical perspective that rivals that of any of the great thinkers of the Western political tradition." Name and date on front fly leaf, otherwise clean.

Hardcover. NY, The New Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 280 pages. Dedicated readers and fans of Theodor Seuss Geisel, or Dr. Seuss, know of Seuss's fascinating, long-forgotten career as a political cartoonist for the New York daily newspaper PM during World War II. Dr. Seuss, however, was only one of a number of distinguished cartoonists whose work appeared in PM. In Dr. Seuss & Co. Go to War, we discover an astonishing treasure trove of over three hundred incisive political cartoons by Seuss as well as a cohort of other legendary cartoonists of the time, including Saul Steinberg, Al Hirschfeld, Arthur Szyk, Carl Rose, and Mischa Richter. These fascinating cartoons offer a totally different picture of the war, both at home and abroad. Sure to fascinate and surprise readers across the generations, Dr. Seuss & Co. Go to War lets readers ?time travel to a remarkable time when editorial cartoons really mattered". Clean copy.

Softcover. IDW/Idea & Design Works, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, the smaller (8 1/4 X 12") Artisan Edition. Collects more than 140 EC covers by their best and brightest talents. The luminaries included in this elegant tome include: Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more. Each cover in this collection has been scanned from the original art. While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteoutall of these and more are clearly visible. Clean, bright copy.

Hardcover. Baltimore, John Hopkins University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. Biography of Edward Gibbon, who wrote arguably the most famous work of history ever, The Decline and Fall of the Roman Empire (1776-1789). Clean copy.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 319 pages. A facsimile reprint of the 1656 edition. One of 9 volumes in More's collected works. Name, light pencil marking to front fly leaf otherwise a clean, bright copy.

Hardcover. UK, Oxford University Press/Sandpiper, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with fading to spine and spine edge. 391 pages. "This study of the Byzantine philosopher George Gemistos Plethon includes the first complete translation of his treatise, On the Differences of Aristotle from Plato, and summarizes all his other works. Woodhouse emphasizes Plethon's controversy with George Scholarios on the respective merits of Plato and Aristotle and his important impact on the Italian humanists during the Council of Union at Ferrara and Florence in 1438-9. Though Plethon's ambition to create a new religion based on Neoplatonism was never realized, his ideas had a significant influence on the western Renaissance."

Hardcover. Holland/Boston, D. Reidel Publishing, 1dt, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a blue dust jacket, 186 pages. A criticism of Fideism, the view that religious faith should not seek the support of reason. Clean, bright copy.

Hardcover. UK, Cambridge University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 484 pages. In this wide-ranging and challenging book, Ruth Smith shows that the words of Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realized. She sheds new light on the oratorio librettists and explores literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for eighteenth-century thought and sensibility. This book enriches our understanding of Handel, his times, and the relationships between music and its intellectual contexts.

Softcover. NY, Little, Brown & Company, reprint, 2014, Book: Very Good, Dust Jacket: None, Softcover, 332 pages. Fargo has spent his life engaging in almost every vice imaginable--and his only regret is that he once stole a horse. His son Grant, a shiftless dandy with a resemblance to Edgar Allan Poe, is conducting an affair with his voluptuous and volatile cousin. And behind everyone's back, Grandmother Pearl has just signed the family property over to the Almighty. In the literature of the American prairie, few families are as brawling, as benighted, or as outrageously vital as the Fargos of Verdon, Nebraska. And when Jim Thompson chronicles their life and times, the result suggest Willa Cather steeped in rotguut--and armed with a .45. Clean, unread copy.

Hardcover. NY, Simon & Schuster , 5th Ed., 1953, Book: Very Good, Dust Jacket: None, Hardcover, blue glossy boards with gilt lettering, beige cloth spine, 319 pages. No dust jacket. Lavishly illustrated with color, black and white photographs. Many rooms illustrated were by well-known interior designers and belonged to the rich and famous of the 1940s. Valuable reference for movie or live theatre sets featuring interiors in the 50's, whether traditional or modern. Clean, bright copy.

Softcover. Urbana IL, University of Illinois Press, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 83 pages. In Humanism of the Other, Emmanuel Levinas argues that it is not only possible but of the highest exigency to understand one's humanity through the humanity of others. In paperback for the first time, Levinas's work here is based in a new appreciation for ethics and takes new distances from phenomenology, idealism, and skepticism to rehabilitate humanism and restore its promises. Painfully aware of the long history of dehumanization that reached its apotheosis in Hitler and Nazism, Levinas does not underestimate the difficulty of reconciling oneself with another. The humanity of the human, Levinas argues, is not discoverable through mathematics, rational metaphysics, or introspection. Rather, it is found in the recognition that the other person comes first, that the suffering and mortality of others are the obligations and morality of the self. Clean copy.

Hardcover. UK, Oxford University Press , 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 163 pages. INSCRIBED BY THE AUTHOR on the front fly leaf. We subject others and are ourselves subjected to risk all the time - risk permeates life. Despite the ubiquity of risk and its imposition, philosophers and legal scholars have devoted little of their attention to the difficult questions stimulated by the pervasiveness of risk. When we impose risk upon others, what is it that we are doing? What is risking's moral significance? What moral standards govern the imposition of risk? And how should the law respond to it? This book highlights these important but neglected questions and offers novel answers to them in a systematic way, constructing a normative framework of risk imposition that draws upon a wide range of insights from diverse sources within philosophy and legal theory. Clean copy.

Hardcover. Phillipsburg NJ, P & R Publishing, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 724 pages. Vol. 2 only. Francis Turretin (1623-87) has been called "the best expounder of the doctrine of the Reformed Church" (Samuel Alexander), "a marvelous synthesizer" (Roger Nicole), and "a towering figure among the Genevan Reformers (Leon Morris). His Institutio Theologiae Elencticae, first published In 1679-85, was the fruit of some thirty years' teaching at the Academy of Geneva. A very insightful work for those seeking clarification on several theological issues such as free will, sanctification and good works, the person of Christ, and sin.Clean copy.

Hardcover. Phillipsburg NJ, P & R Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 724 pages. Vol. 2 only. Francis Turretin (1623-87) has been called "the best expounder of the doctrine of the Reformed Church" (Samuel Alexander), "a marvelous synthesizer" (Roger Nicole), and "a towering figure among the Genevan Reformers (Leon Morris). His Institutio Theologiae Elencticae, first published In 1679-85, was the fruit of some thirty years' teaching at the Academy of Geneva. A very insightful work for those seeking clarification on several theological issues such as free will, sanctification and good works, the person of Christ, and sin.Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st thus., 1972, Two hardcover volumes in bright dust jackets. Folio. [4], v-xl, [2], 1-547, [3]; [7], 548-916 pp. Black cloth with silver lettering on the spine. Illustrated with a facsimile frontispiece portrait of Isaac Newton, taken from the 1726 edition of Newton's Principia. Also illustrated with 67 in-text diagrams, from the original editions. Facsimile half-title, title, and text pages as well, all taken from the first three published editions of Newton's Principia. Assembled and edited by Alexandre Koyre and I. Bernard Cohen with the assistance of Anne Whitman. This edition of Isaac Newton's Principia is the first edition that enables the reader to see at a glance the stages of evolution of the work from the completion of the manuscript draft of the first edition in 1685 to the publication of the third edition, authorized by Newton, in 1726. A series of appendices provides additional material on the development of the Principia; the contributions of Roger Cotes and of Henry Pemberton; drafts of Newton's preface to the third edition; a bibliography of the Principia, describing in detail the three substantive editions and all the known subsequent editions; an index of names mentioned in the third edition; and a complete table of contents of the third edition. Previous owner's name on front fly leaf of both volumes. Otherwise a bright, clean set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. UK, Oxford University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 409 pages. This is the first critical edition of the literary and historical writings of John Locke (1632-1704): poems, orations, a plan for a play, a guide to compiling a commonplace book, rules for societies, writings on the liberty of the press, and a memoir of Locke. Vol. 23 of The Clarendon Edition of the Works of John Locke. Clean copy.

Hardcover. UK, Clarendon Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 314 pages. Presents a close discussion of each of the several topics arising in the chapter on the Paralogisms in Kant's Critique of Pure Reason: the mind's immateriality, simplicity, substantiality, relation to embodiment and the external world, identity, immortality, freedom, and ideality.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. Hobbes's extreme political views have commanded so much attention that they have eclipsed his work on language and mind, and on reasoning, personhood, and group formation. But this work is of immense interest in itself, as Philip Pettit shows in Made with Words, and it critically shapes Hobbes's political philosophy. Pettit argues that it was Hobbes, not later thinkers like Rousseau, who invented the invention of language thesis--the idea that language is a cultural innovation that transformed the human mind. The invention, in Hobbes's story, is a double-edged sword. It enables human beings to reason, commit themselves as persons, and incorporate in groups. But it also allows them to agonize about the future and about their standing relative to one another; it takes them out of the Eden of animal silence and into a life of inescapable conflict--the state of nature. Light pencil notations on front fly leaf, otherwise clean.

Softcover. Carbondale IL, Southern Illinois University, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 114 pages. In this engrossing double volume, the work and thought of Nicolas Malebranche is examined through the eyes of Simon Foucher and Dortous de Mairan. Part 1 consists of Richard A. Watson's translation of the first published critique, by Simon Foucher, of Malebranche's main philosophical work, Of the Search for the Truth. In the second part, Marjorie Grene presents a meticulous translation of the long correspondence between Malebranche and Jean-Jacques Dortous de Mairan that ended shortly before Malebranche's death. Both Watson and Grene provide insightful introductions to their translations. Clean copy.

Hardcover. London, The Cresset Press, 1st UK, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. 3rd volume of the autobiography of this celebrated thinker and writer on philosophical and metaphysical matters. The greater part deals with the period he spent in England, in Oxford, Cambridge and elsewhere, and his circle of brilliant friends and acquaintances.

Hardcover. NY, The Open Field, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Born in Cold War Czechoslovakia, Paulina Porizkova rose to prominence as a model, appearing on her first Sports Illustrated Swimsuit Issue cover in 1984. As the face of Estee Lauder in 1989, she was one of the highest-paid models in the world. When she was cast in the music video for the song "Drive" by The Cars, it was love at first sight for her and frontman Ric Ocasek. He was forty at the time, and Porizkova was nineteen. The decades to come would bring marriage, motherhood, a budding writing career; and later sadness, loneliness, isolation, and eventually divorce. Following her ex-husband's death--and the revelation of a deep betrayal--Porizkova stunned fans with her fierce vulnerability and disarming honesty as she let the whole world share in her experience of being a woman who must start over. Remainder dot to bottom edge otherwise like new,

Softcover. NY, Little, Brown & Company, reprint, 2014, Book: Very Good, Dust Jacket: None, Softcover, 271 pages. San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better. Now and on Earth, Jim Thompson's first novel, draws on personal experience to depict a hardscrabble life in the sun-soaked streets of mid-20th century California. Chronicling the birth of a writer and the plight of the working man, it prefigures the American classics that followed, in a deeply-felt, autobiographical tale that shows a writer just coming into his own. Clean, unread copy.

Hardcover. Boston, David R. Godine, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 391 pages, b&w illustrations. INSCRIBED BY PAYNE on half title page and SIGNED again on title page. The first biography of the writer/naturalist, and one of the leading founders of the modern environmental movement, Henry Beston. Scholar Daniel Payne-granted unrestricted access to the writer's archives and drawing on interviews with friends and family-has crafted a scrupulously researched narrative; one presenting a masterful portrait that traces the intellectual growth and tumultuous life of a vital American writer whose work and thought have exerted a tremendous pull on poets, naturalists, and novelists alike. This is the story of a life, at once hidden and transparent, that is here finally revealed. Clean copy.

Hardcover. NY, Farrar Straus & Giroux, 1st US, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 588 pages, several color plates. Before Picasso became Picasso-the iconic artist now celebrated as one of France's leading figures-he was constantly surveilled by the French police. Amid political tensions in the spring of 1901, he was flagged as an anarchist by the security services-the first of many entries in an extensive case file. Though he soon emerged as the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Academie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma-as a foreigner, a political radical, and an avant-garde artist. Picasso the Foreigner approaches the artist's career and art from an entirely new angle, making extensive use of fascinating and long-overlooked archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Remainder dot to top edge, otherwise a bright, clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. This beautiful book examines the art of Pieter de Hooch, one of the most famous and innovative painters of Holland's Golden Age. It discusses de Hooch's position in Dutch genre painting, his favorite themes and their cultural context, his artistic development, and his approach to narration. The book was the catalogue for an exhibition at the Wadsworth Atheneum in Hartford. A 75-page text covering the artist's life and techniques and themes of his work is followed by nearly 100 pages presenting plates of works in the show; eight entries bring the catalog raisonne up to date. Sutton has achieved the rare feat of creating a work that is both a significant addition to scholarship and a reader-friendly introduction for those not already familiar with the artist. Clean copy.

Hardcover. UK, Oxford University Press, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 406 pages. Based on a fresh survey of the work, this revised edition of the late E. R. Dodds's standard edition of Plato's Gorgias includes two major manuscripts, collated here for the first time, and examines new papyri. A full introduction by E. R. Dodds, who was for many years Regius Professor of Greek at Oxford, supplements the text, explaining the subject and structure of the dialogue, its characters and historical setting, the real date of composition, and background to Plato and Athens at the time of composition. Text is in Greek and English. Special Edition for Sandpiper Books. Clean copy.

Hardcover. UK, Oxford University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 238 pages. The Laws is Plato's last and longest dialogue. Although it has been neglected (compared to such works as the Republic and Symposium), it is beginning to receive a great deal of scholarly attention. Book 10 of the Laws contains Plato's fullest defence of the existence of the gods, and his last word on their nature, as well as a presentation and defence of laws against impiety (e.g. atheism). Plato's primary aim is to defend the idea that the gods exist and that they are good - this latter meaning that they do not neglect human beings and cannot be swayed by prayers and sacrifices to overlook injustice. As such, the Laws is an important text for anyone interested in ancient Greek religion, philosophy, and politics generally, and the later thought of Plato in particular. Robert Mayhew presents a new translation, with commentary, of Book X of the Laws. His primary aim in the translation is fidelity to the Greek. His commentary focuses on philosophical issues (broadly understood to include religion and politics), and deals with philological matters only when doing so serves to better explain those issues. Knowledge of Greek is not assumed, and the Greek that does appear has been transliterated. It is the first commentary in English of any kind on Laws X for nearly 140 years. Light pencil notations to about 15 pages.