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Softcover. UK, Dale Tuggy, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. This is a facsimile reprint of: In A Discourse In Vindication of the Doctrine of the Trinity: with an Answer to the late Socinian Objections against it from Scripture, Antiquity and Reason. And a Preface concerning the different Explications of the Trinity, and the Tendency of the present Socinian Controversie. (1697) Stillingfleet (1635-1699) here enters a controversy that had begun in 1687 with the publication of Stephen Nye's A Brief History of the Unitarians, and had been stoked by many later controversial pamphlets and books, including The Faith of the One God, published by Thomas Firmin. Stillingfleet defends traditional formulas about the Trinity from unitarians' charges of contradiction and poor fit with the Bible and early Christian tradition. Clean copy.

Hardcover. UK, Oxford at the Clarendon Press, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 301 pages. This edition is edited by D. Daiches Raphael, with a 47 page introduction by him. The title-page of the third edition, 1787, is reproduced after the introduction. Small name and date on front fly leaf, otherwise bright and clean.

Hardcover. Hoboken NJ, Wiley, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 508 pages.Take a dazzling journey through the Gilded Age, the period from roughly the 1870s to 1914, when bluebloods from older, established families met the nouveau riche headlong-railway barons, steel magnates, and Wall Street speculators-and forged an uneasy and glittering new society in New York City. The best of the best were Caroline Astor's 400 families, and she shaped and ruled this high society with steel. A Season of Splendor is a panoramic sweep across this sumptuous landscape, presenting the families, the wealth, the balls, the clothing, and the mansions in vivid detail-as well as the shocking end of the era with the sinking of the Titanic. Clean copy.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 132 pages. A facsimile reprint of the 1738 edition. Clean copy.

Hardcover. Edinburgh, Edinburgh University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. Thomas Reid (1710-96) is increasingly being seen as a highly significant philosopher and a central figure in the Scottish Enlightenment. This edition of Reid's classic philosophical text in the philosophy of mind at long last gives scholars a complete critically edited text of the Inquiry. The critical text is based on the fourth life-time edition (1785). A selection of related documents showing the development of Reid's thought, textual notes, bibliographical details of previous editions, and a full introduction by the editor makes this an important contribution to the study of this increasingly respected philosopher.Key Features:*Complete, critically edited text of the Inquiry accompanied by a judicious selection of manuscript evidence relating to its composition.*Comprehensive Introduction providing an historical and philosophical account of the formation of the Inquiry.*Detailed textual notes which include bibliographical details and allusions, translations, references to secondary literature and selected passages from Reid's MSS. Clean copy.

Softcover. Amsterdam, North - Holland Publishing, 2nd pr., 1957, Book: Very Good, Dust Jacket: Very Good, Thin card covers in a lightly sunned dust jacket, 122 pages. Remarkable work in which the author aimed to collect some of the data available in the state of science of Bochenski's times and to arrange them in a kind of outline, which showed forth some of our indebtedness to Greek Logicians, and allowed the reader to see how their results were reached.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 249 pages. Berkeley's Essay towards a New Theory of Vision (1709), his first substantial publication, revolutionized the theory of vision. His approach provided the framework for subsequent work in the psychology of vision and remains influential to this day. Among philosophers, however, the New Theory has not always been read as a landmark in the history of scientific thought, but instead as a halfway house to Berkeley's later metaphysics. In this book, Margaret Atherton seeks to redress the balance through a commentary on and a reinterpretation of Berkeley's New Theory. Clean copy.

Hardcover. NY, Octagon Books, reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt stamping, 224 pages. First published in 1933. Name on front fly leaf, otherwise bright and clean.

Softcover. Lewiston ME, Bates College, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 40 pages illustrated in color. A twenty year retrospective, May 20-August 26, 1990, Museum of Art, Olin Arts Center, Bates College, Lewiston, Maine. Clean, bright copy.

Hardcover. NY, DK Publishing, 1st, 2017, Book: Very Good, Hardcover, glossy pictorial boards, 72 pages. Embark on an amazing, visually dazzling adventure across the Golden Age of DC Comics history! The Golden Age heralded the birth of the Super Hero, and DC Comics paved the way. From the big bang debut of Superman in 1938 to the sensational arrival of the Amazon Princess, Wonder Woman in 1942, the face of comics books was to change forever. Profusely illustrated in color. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages illustrated in b&w. This volume of Craig's crime and horror work collects comics stories he wrote and drew for Vault of Horror, Shock SuspenStories, and Crime SuspenStories, as well as the complete collection of all his "Dateline" stories from Extra!. In our title story, a reporter stranded in a Louisiana bayou seeks shelter in a seemingly abandoned mansion, only to discover and fall in love with a beautiful woman living there. He wants to be with her, and she wants to be with him; there's only one way that can happen. Also: Craig's murder masterpiece, "Understudies," in which two lovers conspire to remove their respective spouses, in a twisted twist recalling The Postman Always Rings Twice and Double Indemnity; and his signature horror story "...All Through the House" (twice adapted to film - for 1972's Tales From the Crypt movie and HBO's 1989 Tales From the Crypt pilot episode). Plus, the debut of EC's enigmatic horror hostess, Drusilla, and a look at the work of EC artists Harry Harrison, Howard Larsen, Sheldon Moldoff (Moon Girl) as well. Thirty-one stories in all, with essays and commentary by EC experts. Introduction by Grand Master crime novelist Max Allan Collins. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 379 pages. As religious leaders, ministers are often assumed to embody the faith of the institution they represent. As cultural symbols, they reflect subtle changes in society and belief-specifically people's perception of God and the evolving role of the church. For more than forty years, Douglas Alan Walrath has tracked changing patterns of belief and church participation in American society, and his research has revealed a particularly fascinating trend: portrayals of ministers in American fiction mirror changing perceptions of the Protestant church and a Protestant God. From the novels of Harriet Beecher Stowe, who portrays ministers as faithful Calvinists, to the works of Herman Melville, who challenges Calvinism to its very core, Walrath considers a variety of fictional ministers, including Garrison Keillor's Lake Woebegon Lutherans and Gail Godwin's women clergy. He identifies a range of types: religious misfits, harsh Puritans, incorrigible scoundrels, secular businessmen, perpetrators of oppression, victims of belief, prudent believers, phony preachers, reactionaries, and social activists. He concludes with the modern legacy of nineteenth- and early-twentieth-century images of ministers, which highlights the ongoing challenges that skepticism, secularization, and science have brought to today's religious leaders and fictional counterparts. Clean copy.

Hardcover. Barcelona Spain, Galaxia Gutenberg, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets, housed in a cardboard slipcase. ALL TEXT IN SPANISH. 1.368 and 1.454 pages. Clean set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harper & Brothers , 1st, 1903, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth, 369 pages, cover design by Decorative Designers, 12 b&w illustrations by Lucius Hitchcock. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 2nd pr., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with fading to spin, 530 pages. After the composition of the Decameron, and under the influence of Petrarch's humanism, Giovanni Boccaccio(1313-1375) devoted the last decades of his life to compiling encyclopedic works in Latin. Among them is Famous Women, the first collection of biographies in Western literature devoted exclusively to women. The 106 women whose life stories make up this volume range from the exemplary to the notorious, from historical and mythological figures to Renaissance contemporaries. In the hands of a master storyteller, these brief biographies afford a fascinating glimpse of a moment in history when medieval attitudes toward women were beginning to give way to more modern views of their potential. Famous Women, which Boccaccio continued to revise and expand until the end of his life, became one of the most popular works in the last age of the manuscript book, and had a signal influence on many literary works, including Chaucer's Canterbury Tales and Castiglione's Courtier. This edition presents the first English translation based on the autograph manuscript of the Latin. Clean copy.

Hardcover. Alexandria VA, Art Service International / Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Comprehensive treatment of Grandma Moses, her life, work, significance, and with a Catalogue of her work. Illustrated in color. Designed for a major traveling exhibition of Moses' work, the hardcover copies were distributed by Yale. Clean copy.

Hardcover. Munich/NY, Prestel, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 143 pages with 100 color and 79 b&w illustrations. In 1750 the Venetian painter Giambattista Tiepolo arrived in Wurzburg, capital of the small German principality of Franconia. Its ruler, Prince-Bishop Carl Philipp von Greiffenclau, had commissioned him to decorate the Kaisersaal, one of the state rooms in his palace, the Residenz. Later extended to include the decoration of the Residenz's staircase, the commission resulted in a series of frescos that are numbered among the greatest glories of Baroque painting. Created by the last major representative of the Venetian tradition in painting, the frescos in the Wurzburg Residenz are a truly epochal work of art. They form the culmination of a venerable tradition of fresco decoration initiated by Giotto over four hundred years earlier and, in their marriage of mythological and historical subject-matter, constitute a monument to the dying age of absolutism. In his highly readable text Peter O. Kruckmann tells the story of how Tiepolo came to receive the commission, explores in detail the thematic and artistic intricacies of the frescos, and documents their genesis as a continuous process, from the preliminary sketches to the finished works. Clean copy.

Softcover. NY, Feral House, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover. 224 pages. The book Horizontal Collaboration encompasses the Jazz Age, Depression, World War and Occupation, and Liberation. It concludes with the shuttering of the licensed brothels in 1946, which some Parisian intellectuals thought was the final "destruction of French civilization". The term "Horizontal Collaboration" refers to the sexual liaisons between French civilians and German occupiers from 1940 to 1944. These were extremely widespread and included both individual wartime relationships in addition to prostitution. As Allied armies swept across the French countryside, thousands of young women?and some men?were savagely punished by the authorities or by vigilante crowds, becoming a source of deep national shame. Author Gordon redefines the pejorative term to mean something much broader: French men and women "horizontally collaborated" to overcome all social obstacles, divisions, and regulations. These obstacles include married and unmarried couples, straights and homosexuals, foreigners and locals, gun-toting soldiers and their vanquished subjects. The natural yearning for sexual pleasure equally corrupted all cohabitating partners. Clean copy in publisher's shrinkwrap.

Hardcover. Oxford UK, Clarendon Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with light fading to dj spine. 139 pages of text, 124 b&w plates in rear section. This is the second volume of Edgar Wind's selected papers, a companion to The Elegance of Symbols. Of all the scholars associated with the early development of the Warbur Institute Edgar Wind was the first to apply different theoretical principles to the study of English Art, above all in his early study of English portraiture, now a classic art history text. As the seminal essay, it gives title to the present volume, and is here translated into English for the first time. In this essay, which marked a change of direction in Wind's own development, he argues that two opposing styles of portraiture, exemplified in the art of Gainsborough and Reynolds, can be related to the different notions of humanity subscribed to by the philosophers David Hume and James Beattie. Other important studies, also reprinted here, make this volume an excellent resource to Wind's tremendous contributions to art history. Clean copy.

Hardcover. Edinburgh, Edinburgh University Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with fading to spine, 230 pages. The author substantially revises the view that Hume's main intellectual debts are to Newton and Hutcheson. The book traces the deep and pervasive influence of Cicero on Hume's thought and the impact of French philosophers such as Malebranche. Name on front fly leaf, otherwise clean.

Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.

Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.

Softcover. Rutland VT, Charles E. Tuttle, 1st, 1959, Book: Very Good, Dust Jacket: None, Thick card covers with integral color printed dust jacket, 32 pages, on thick art paper, 12 large tipped-in plates - 2 b/w and 10 color. Clean, bright copy.