Hardcover. NY, Farrar Straus Giroux, 1st , 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover. Author's third book, very good in a bright, unclipped dust jacket.
Softcover. Louisiana State University, reprint, 1974, Book: Very Good, Dust Jacket: None, Softcover, 654 pages with index. After more than half a century, Origins of the New South is still recognized both as a classic in regional historiography and as the most perceptive account yet written on the period which spawned the New South. Historian Sheldon Hackney recently summed it up this way: "The pyramid still stands. Origins of the New South has survived relatively untarnished through twenty years of productive scholarship, including the eras of consensus and of the new radicalism. . . . Woodward recognizes both the likelihood of failure and the necessity of struggle. It is this profound ambiguity which makes his work so interesting. Like the myth of Sisyphus, Origins of the New South still speaks to our condition." Light rubbing to wrappers, clean copy.
Softcover. Mexico City, Asociacion Mexicana de Orquideologia A.C., 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 190 pages. Illustrated in b&w and color. A publication devoted to the study of orchid flora in Mexico and Central America. Text in English and Spanish.
Softcover. Mexico City, Asociacion Mexicana de Orquideologia A.C., 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, pages 155-417. Illustrated in b&w and color. A publication devoted to the study of orchid flora in Mexico and Central America. Text in English and Spanish. Tape repair to bottom of spine where paper chipped off. Still sound, clean.
Hardcover. Boston, Houghton, Mifflin, 1st, 1905, Book: Very Good, Dust Jacket: None, 354 pages. Black & white illustrations. Previous owners bookplate on inside front cover. Gilt illustration on front cover. Spine cloth slightly age darkened. Light rubbing at top of spine. A very nice copy.
Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.
Hardcover. London, England, Karl Baedeker, 2nd Edition, REvised and Augmented, 1894, Book: Good, Dust Jacket: None, 444 pages. Hardcover (flexible cloth). "With 17 Maps, 44 Plans, and a Panorama of Jerusalem". B/w and color illustrated maps, some fold out. Red fabric cover boards with gilt title on spine (faded) and front cover board. Banded design blind stamped on boards and spine. Fabric ribbon bookmark attached at top of spine. Age wear to covers (see images). Former library book with expected labels, marks, stamps and other identifying characteristics (see images). Decorated marbled edges. Front cover has bump to top right corner (see image). Charming, old, pocket-sized travel book that will tell you everything you ever wanted to know about turn-of-the-century Palestine and Syria.
Hardcover. NY, Dutton, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 256 pages, Index. Maroon cloth, stamped in gilt. Copiously illustrated with watercolors by Karl Bodmer. Map on endpapers. The Firsthand Account of Prince Maximilian's Expedition Up the Missouri River, 1833-34. Wonderful color plates by Swiss-born Bodmer accompany extracts from Maximilian's text, enhanced by historical background from Thomas and Ronnefeldt. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, Neale Publishing Co., 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, 324 pages, dark blue cloth with gilt lettering on spine. An account of a Civil War battle fought in Missouri. Tight, clean copy.
Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.
Hardcover. London, Jonathan Cape, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover in a bright, pictorial boards. Approximately 100 pages of cartoon strips in black and white. Paper tanning slightly, clean copy.
Hardcover. New Haven CT, Yale University Press, 2nd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 519 pages, illustrated in color and b&w. This enthralling book views the lives and greatest works of the Renaissance masters through the prism of their ardent rivalry. Rona Goffen, one of the most highly respected scholars of the Italian Renaissance today, brings Michelangelo, Leonardo, Raphael, and Titian to life in this lively account of their passionate strivings to outdo both living competitors and the masters of antiquity.?Who would have thought that the serene masterpieces of the High Renaissance owed so much of their vitality to backstage brawling? Only Rona Goffen knows enough to trace these labyrinthine rivalries. In her book the artists take on cinematic vitality, making us see the artifacts produced by such creative brawlers in entirely new ways. Clean, bright copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.
Hardcover. Toronto, Trafalgar Press, 1st, 1986 , Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright "(Skillfully traces the causes of the Crimean War and sketches a vivid picture of an age which made possible 'the world's most curious and unneccesary struggle'. Troubetzkoy ingeniously weaves together the varied developments in diplomacy, trade, nationalistic expression and personality conflict in the decade which led to the hostilities. The armies of the belligerents are described (and the) reader is introduced to the principal personages of the drama - Napoleon III, Marshal St. Arnaud, Lord Raglan and the great Russian engineer, Todleben, who, apart from Florence Nightingale, was the only one to earn true distinction during the War. Vividly described are Nicholas I and the Russian Empire." Clean copy.
Softcover. Buffalo / NY, Albright-Knox / Abbeville Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 156 pages, illustrated throughout in color and b&w. Shows nearly a hundred of the American artist's paintings, includes an interview with Motherwell, and discusses the development of his career. Red pictorial stiff wrappers. Slight wrinkle to back cover and minimal wear to edges, else like new.
Hardcover. New York , Harry N. Abrams, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 229 pages, illustrated in b&w and color. Autobiography, bibliography. Book designed by Rauschenberg. Acetate dust jacket with chip to top of spine, small tear to rear panel at bottom. Otherwise crisp, clean copy.
Hardcover. NY, Henry Holt , 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 738 pages, Illustrations. Notes. Bibliography. Index. Auguste Rodin (1840-1917) was arguably the world's greatest sculptor, known for such works as "The Thinker, The Kiss, The Hand of God" and dozens of others. Beautifully written and illustrated, "Rodin" is the definitive biography of a man whose influence on sculpture was as profound as Michelangelo's. Clean copy.
Hardcover. NY, Holt, Rinehart & Winston, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. A young adult mystery set off the coast of Spain featuring a parrot named Alice. Clean copy. Dust jacket art by Emily MCCU1lly.
Hardcover. London, George Routledge & Sons, Ltd., 1st, 1929, Book: Very Good, Dust Jacket: None, 330 pages. Engravings and illustrations throughout, some in color. Minor cover and corner edge wear and soiling. Previous owner's inscription on front flyleaf. Minor stain on bottom corner from page 305 to rear endpaper. Otherwise, all pages clean and binding tight.
Hardcover. Baden, Lars Muller, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Non-Paginated. Full color examples of optical illusions. Features center fold-out, and 3-D glasses and Reflector in rear pouch. Small abrasion on front of dust jacket. Clean, bright copy.
Hardcover. NY/Munich, Prestel, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. This book is the culmination of an advertising campaign by the exclusive design company Vitra, which had the idea of photographing famous personalities sitting on Vitra chairs. The resulting photographs collected are remarkable in their portrayal of world-famous personalities from the fine and performing arts commenting on the link between style and status.
Softcover. Paris, Pierre Seghers, 1st, 1953, Book: Very Good, Dust Jacket: None, 54 pages. INSCRIBED BY AUTHOR ON HALF TITLE PAGE. Hand stamped #35 of 300. Maroon paper covers with paste down titles on spine and front cover. Clean, tight copy.
Hardcover. NY, E.P. Dutton, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, price-clipped dust jacket. B&w cartoons about life in 60's suburbia first published in the Saturday Evening Post.
Hardcover. Baltimore, The John Hopkins Press, 3rd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on spine. No dust jacket, clean copy.
Softcover. NY, W. W. Norton & Company, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 447 pages, b&w illustrations. Sylvia Beach ran a bookshop in Paris in the 1920s and 30s and was at the heart of the literary world there which also included Hemingway, Pound, Flanner, Gide, and of course Joyce whose novel "Ulysses" she published. Clean, bright copy.
Hardcover. San Francisco, Chronicle Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. First work of longer fiction (although still a brief one) by this Virginia-born poet and short story writer. A moving story of jazz and an old muscian brought back to the United States as a 'museum project' to capture his creative process and preserve his music. Clean copy.
Hardcover. Boston, New York Graphic Society, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright Surveys the work of 131 contemporary artists, lavishly illustrated. 100 color, and 297 black and white plates. Bibliography, index. Clean, bright copy.
Hardcover. Boston , David R. Godine , reprint , 1992, Book: Very Good, Dust Jacket: Very Good, 110 pages, hardcover. Color illustrated dust jacket with blue cloth covers. Extensive color and black and white illustrations though out. Illustrated end pages and flyleaves. (Originally published in 1984). Previous owner's notation on half-title page otherwise clean, minor wear to dust jacket.
Softcover. London, Routledge, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 325 pages with index, b&w illustrations. An outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge.Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. Clean, bright copy.
Hardcover. NY, Parents' Magazine Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. The story of an industrious little boy who listens to too many peoples' advice! Set in Ireland. Color and 2-color illustrations throughout by Ervine Metzl. Dj price blacked out, mild soil to rear of jacket otherwise clean.
Softcover. Houston, TX, Museum of Fine Arts Houston, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 93 pages, illustrated throughout in color and b&w. White stiff wrappers, black/red titles. Light wear to edges and spine, front cover slightly sunned, small tear to spine, else a very nice, clean, tight copy.
Hardcover. Belgium, Brepols , 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 696 pages, 34 b/w illustrations.The rise of modern science and European colonial and imperial expansion are indisputably two defining elements of modern world history. James E. McClellan III and Francois Regourd explore these two world-historical forces and their interactions in this comprehensive and in-depth history of the French case in the Old Regime presented here for the first time. The case is key because no other state matched Old-Regime France as a center for organized science and because contemporary France closely rivaled Britain as a colonial power, as well as leading all other nations in commodity production and participating in the slave trade. Based on extensive archival research and vast primary and secondary literatures and sharply reframing the historiography of the field, this landmark volume traces the development and significance for early-modern history of the Colonial Machine of Old-Regime France, an unparalleled agglomeration of institutions geared to the success of the French colonial enterprise, including the Royal Navy, the Academie Royale des Sciences, the Jardin du Roi, and a host of related specialist institutions working together at home and overseas. Mainly supported by the French state, the Colonial Machine reveals itself through its actions from the time of Colbert and Louis XIV as it grappled with fundamental problems facing contemporary European colonialism. SIGNED LETTER from co-author McClelland laid in. Clean copy.
Softcover. Ithaca NY, Cornell University Press, 1st pbk, 1973, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. The spirit of an event consecrated in anarchist legend is captured in these documents. Eyewitness reports, accounts of participants, and archival documents are used by Dr Edwards to illustrate the many facets of the seventy-three-day Paris Commune of 1871, the largest urban insurrection in modern history. Each section of the book is preceded by an explanatory note, and footnotes clarify contemporary references The introduction to the documents provides a general survey of the origins and events of the Commune. Bright, clean copy.
Hardcover. University Park PA, Pennsylvania State University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages illustrated in b&w and color. Beginning in the 1730s, Heather Minor tells us, Rome "began to resemble one huge construction site," with a series of ambitious and expensive new building campaigns that transformed the face and substance of the city. From renovations of the Santa Maria Maggiore and San Giovanni in Laterano and the restoration of the Arch of Constantine to the creation of the Capitoline Museum and the establishment of the papacy's Calcografia, the push for reform not only renewed papal and Church identity but also revived Italian culture as a whole. Based on extensive archival research and full of fascinating stories about the often stormy theological and intellectual debates central to the attempts at reform, The Culture of Architecture in Enlightenment Rome brings to life the personalities of architects, theologians, and intellectuals and links the extensive architectural programs with powerful shifts in the intellectual climate of the time. Clean, bright copy.
Hardcover. Boston, Little, Brown and Company, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Ruth Sanderson. Three princes go on a quest to the Heart of the World to save their drought-ravaged kingdom.. Clean copy.
Softcover. Middletown CT, Wesleyan University Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 225 pages. First published in 1930 and untranslated until now, this is one of the minor classics of French historical literature. The author relates the bizarre beginnings of the Third Republic during the presidency of Adolphe Thiers (1871-1873), when an assembly dominated by monarchists groped uncertainly toward the establishment of a republican government.
Hardcover. NY, Amphoto, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly edgeworn dust jacket. 192 pages with 80 color pages and over 80 black and white illustrations. This book goes behind the scenes in the fascinating world of fashion photography. It shows how the illusion of fashion photographs is created--shows the people, planning, and hard work behind these striking and sensual images. A combination of finished fashion photos, background shots, and interviews with top people in fashion, Moves step-by-step through the intricate process of producing a fashion photograph for a major magazine, newspaper, or catalog. Minor wear to dust jacket, clean copy.
Hardcover. NY, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the worlds most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it-Francis Ford Coppola, then only thirty-two years old-reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzos novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppolas original notebook. Clean, bright copy.
Hardcover. Cambridge UK, Cambridge University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 296 pages, b&w illustrations. This is the first full scholarly study of the Great Wall of China to appear in any language, and it challenges many deeply held ideas about Chinese history. Drawing both on primary sources and on the latest archaeology, the book first demonstrates that the standard account of the Great Wall is untrue and misleading and then presents a convincing new account. It begins by tracing the various walls and systems of frontier defences that existed in early Chinese history, and shows how the greatest of these achieved a mythical symbolic stature which long survived the Wall itself. A striking concluding chapter traces how the true history of the Wall was lost in the early twentieth century as it was gradually transformed into a Chinese national symbol explained through historical myth. The book is an important contribution to the history of China's defensive policy, and her ideological attitudes, and will be of interest both to students of Chinese history and of international relations in the pre-modern world. Clean, bright copy.
Hardcover. Kennebunkport ME, Cider Mill Press , 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 448 pages illustrated in color. SIGNED BY CO-AUTHOR CHRISTIE on title page. The handbook of stouts and porters is the ultimate, complete, and definitive guide to some of the most complex and original beers available in the market today. It has an extensive history of the two styles, has all the up-to-do info on the current brewing trends, and has hundreds of reviews, along with profiles and other food and tasting tips. Bright, clean copy.
Hardcover. NY, Knopf, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn and chipped dust jacket, 496 + maps. Chunk of dj gone from rear panel at top. A clean, tight copy.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1941, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, soiled dust jacket. Bright blue cloth covers with spine label. 257 pages. Frontispiece, 9 black and white illustrations. The Mysterious Science of Law was based on Boorstin's Yale SJD thesis. (He also held an Oxford BCL and was admitted to the Inner Temple.). It was the first of many important books by Boorstin, who went on to became a prominent historian and, from 1975 to 1987, Librarian of Congress. Appears to se SIGNED on the inside cover and dated Dec., 1941. Otherwise a clean copy.
Tulsa OK, Thomas Gilcrease Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with black lettering, 255 pages, b&w plates throughout. Thomas Moran (1837-1926) from Bolton, England was an American painter & printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. This catalog features 129 prints with extensive notes. Bibliography and index. Bright, clean copy.
Hardcover. London, Phaidon Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages. 120 plates and 106 B&W text illustrations. Portrait frontispiece. Light brown cloth cover. Foxing to edges. Otherwise, a clean, tight copy.
Hardcover. NY, Harcourt, Brace, Jovanovitch, 1st, 1972, Book: Good, Dust Jacket: Good, Hardcover in a bright dust jacket. A nine-year-old girl recounts the changes in her family's life after a young Navajo girl comes to stay with them. Ex-lib with light stamping, endpapers have scarring.
Hardcover. Londo, Longmans, Green, and Co. , 1892, Book: Good, Dust Jacket: None, Hardcover in embossed brown cloth, gilt lettering on spine, 328 pages plus publisher's ads in rear. A collection of historical essays from English historian, James Anthony Froude. Titles include: The Spanish Story of the Armada, Antonio Perez: An Unsolved Historical Riddle, Saint Teresa, The Templars, The Norway Fjords, and Norway Once More. Written by James Anthony Froude, an English historian, biographer, novelist, and editor of Fraser's Magazine, a general and literary journal published from 1830 to 1882. Repair to cloth on spine which shows edgewear, fading. Owner's stamp om front fly leaf, otherwise clean.
Hardcover. NY, Bantam Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover ina bright, unclipped dust jacket. Conceived by Mikhail Baryshnikov. Written and directed by Peter Anastos. Photographs by Arthur Elgort. Introduction by Jean Poniatowski. A humorous takeoff of the classical ballet conceived by a classical ballet dancer. 80 unnumbered pages. Clean copy.
Hardcover. New York, Taylor & Francis, Inc./Garland, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, 343 pages, b&w illustrations. A very clean, tight copy.
Hardcover. London, Jonathan Cape, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Frontiepiece photograph of the author as Lord Beaconsfield. 392 pages. Autobiography dealing with the author's life up to the mid 1930s. He was the brother of A E Housman, and was well-known in his own right as a writer of plays, as well as being active in the women's suffrage campaign and in the pacifist movement. A prolific writer with around a hundred published works to his name, Housman's output eventually covered all kinds of literature from socialist and pacifist pamphlets to children's stories. He wrote an autobiography, The Unexpected Years (1937), which, despite his record of controversial writing, said little about his homosexuality, the practice of which was then illegal. Mild shelf wear. Clean copy.