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Hardcover. NY, Farrar Straus Giroux, 1st , 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover. Author's third book, very good in a bright, unclipped dust jacket.

Softcover. Louisiana State University, reprint, 1974, Book: Very Good, Dust Jacket: None, Softcover, 654 pages with index. After more than half a century, Origins of the New South is still recognized both as a classic in regional historiography and as the most perceptive account yet written on the period which spawned the New South. Historian Sheldon Hackney recently summed it up this way: "The pyramid still stands. Origins of the New South has survived relatively untarnished through twenty years of productive scholarship, including the eras of consensus and of the new radicalism. . . . Woodward recognizes both the likelihood of failure and the necessity of struggle. It is this profound ambiguity which makes his work so interesting. Like the myth of Sisyphus, Origins of the New South still speaks to our condition." Light rubbing to wrappers, clean copy.

Softcover. Mexico City, Asociacion Mexicana de Orquideologia A.C., 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 190 pages. Illustrated in b&w and color. A publication devoted to the study of orchid flora in Mexico and Central America. Text in English and Spanish.

Softcover. Mexico City, Asociacion Mexicana de Orquideologia A.C., 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, pages 155-417. Illustrated in b&w and color. A publication devoted to the study of orchid flora in Mexico and Central America. Text in English and Spanish. Tape repair to bottom of spine where paper chipped off. Still sound, clean.

Hardcover. Boston, Houghton, Mifflin, 1st, 1905, Book: Very Good, Dust Jacket: None, 354 pages. Black & white illustrations. Previous owners bookplate on inside front cover. Gilt illustration on front cover. Spine cloth slightly age darkened. Light rubbing at top of spine. A very nice copy.

Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.

Hardcover. London, England, Karl Baedeker, 2nd Edition, REvised and Augmented, 1894, Book: Good, Dust Jacket: None, 444 pages. Hardcover (flexible cloth). "With 17 Maps, 44 Plans, and a Panorama of Jerusalem". B/w and color illustrated maps, some fold out. Red fabric cover boards with gilt title on spine (faded) and front cover board. Banded design blind stamped on boards and spine. Fabric ribbon bookmark attached at top of spine. Age wear to covers (see images). Former library book with expected labels, marks, stamps and other identifying characteristics (see images). Decorated marbled edges. Front cover has bump to top right corner (see image). Charming, old, pocket-sized travel book that will tell you everything you ever wanted to know about turn-of-the-century Palestine and Syria.

Hardcover. NY, Dutton, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 256 pages, Index. Maroon cloth, stamped in gilt. Copiously illustrated with watercolors by Karl Bodmer. Map on endpapers. The Firsthand Account of Prince Maximilian's Expedition Up the Missouri River, 1833-34. Wonderful color plates by Swiss-born Bodmer accompany extracts from Maximilian's text, enhanced by historical background from Thomas and Ronnefeldt. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Neale Publishing Co., 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, 324 pages, dark blue cloth with gilt lettering on spine. An account of a Civil War battle fought in Missouri. Tight, clean copy.

Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.

Hardcover. London, Jonathan Cape, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover in a bright, pictorial boards. Approximately 100 pages of cartoon strips in black and white. Paper tanning slightly, clean copy.

Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.

Hardcover. Toronto, Trafalgar Press, 1st, 1986 , Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright "(Skillfully traces the causes of the Crimean War and sketches a vivid picture of an age which made possible 'the world's most curious and unneccesary struggle'. Troubetzkoy ingeniously weaves together the varied developments in diplomacy, trade, nationalistic expression and personality conflict in the decade which led to the hostilities. The armies of the belligerents are described (and the) reader is introduced to the principal personages of the drama - Napoleon III, Marshal St. Arnaud, Lord Raglan and the great Russian engineer, Todleben, who, apart from Florence Nightingale, was the only one to earn true distinction during the War. Vividly described are Nicholas I and the Russian Empire." Clean copy.

Softcover. Venice FL, Mill Pond Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, light gray wrappers with gilt lettering. 109 pages. 6.5 x 9.5 inches. Illustrated in color with Bateman's wonderful wildlife paintings. Faint soil to covers, otherwise clean.

Softcover. Buffalo / NY, Albright-Knox / Abbeville Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 156 pages, illustrated throughout in color and b&w. Shows nearly a hundred of the American artist's paintings, includes an interview with Motherwell, and discusses the development of his career. Red pictorial stiff wrappers. Slight wrinkle to back cover and minimal wear to edges, else like new.

Hardcover. New York , Harry N. Abrams, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 229 pages, illustrated in b&w and color. Autobiography, bibliography. Book designed by Rauschenberg. Acetate dust jacket with chip to top of spine, small tear to rear panel at bottom. Otherwise crisp, clean copy.

Hardcover. NY, Henry Holt , 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 738 pages, Illustrations. Notes. Bibliography. Index. Auguste Rodin (1840-1917) was arguably the world's greatest sculptor, known for such works as "The Thinker, The Kiss, The Hand of God" and dozens of others. Beautifully written and illustrated, "Rodin" is the definitive biography of a man whose influence on sculpture was as profound as Michelangelo's. Clean copy.

Hardcover. NY, Holt, Rinehart & Winston, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. A young adult mystery set off the coast of Spain featuring a parrot named Alice. Clean copy. Dust jacket art by Emily MCCU1lly.

Hardcover. London, George Routledge & Sons, Ltd., 1st, 1929, Book: Very Good, Dust Jacket: None, 330 pages. Engravings and illustrations throughout, some in color. Minor cover and corner edge wear and soiling. Previous owner's inscription on front flyleaf. Minor stain on bottom corner from page 305 to rear endpaper. Otherwise, all pages clean and binding tight.

Hardcover. Baden, Lars Muller, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Non-Paginated. Full color examples of optical illusions. Features center fold-out, and 3-D glasses and Reflector in rear pouch. Small abrasion on front of dust jacket. Clean, bright copy.

Hardcover. NY/Munich, Prestel, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. This book is the culmination of an advertising campaign by the exclusive design company Vitra, which had the idea of photographing famous personalities sitting on Vitra chairs. The resulting photographs collected are remarkable in their portrayal of world-famous personalities from the fine and performing arts commenting on the link between style and status.

Softcover. Paris, Pierre Seghers, 1st, 1953, Book: Very Good, Dust Jacket: None, 54 pages. INSCRIBED BY AUTHOR ON HALF TITLE PAGE. Hand stamped #35 of 300. Maroon paper covers with paste down titles on spine and front cover. Clean, tight copy.

Hardcover. NY, E.P. Dutton, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, price-clipped dust jacket. B&w cartoons about life in 60's suburbia first published in the Saturday Evening Post.

Hardcover. Baltimore, The John Hopkins Press, 3rd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on spine. No dust jacket, clean copy.