Hardcover. NY, Moffat, Yard and Company , 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, illustrated endpapers. Beige linen cloth over boards. Previous owner gift inscription on verso of frontispiece. No bumping or soiling. Bright gold foil titling, and double circle with illustration pasted on front cover. images by Jessie Willcox Smith on each page plus a color frontispiece and six color plates all by Smith.

Hardcover. Boston, Little, Brown, and Company, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth boards decorated in darker green and gilt on cover and gilt on spine, top edges gilt, 105 pages. Forty-five children's tales from the prolific Boston author. Light residue to inside rear cover otherwise bright, clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover,48 pages. The Augustan Reprint Society Number 230. Orig. tan card wrappers, stapled binding. Two 18th century poems dealing with the working class of the time. Clean copy.

Hardcover. NY, Library of America, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 594 pages. W. C. Heinz (1915-2008) was one of the most distinctive and influential sportswriters of the last century. Though he began his career as a newspaper reporter, Heinz soon moved beyond the confines of the daily column, turning freelance and becoming the first sportwriter to make his living writing for magazines. In doing so he effectively invented the long-form sports story, perfecting a style that paved the way for the New Journalism of the 1960s. His profiles of the top athletes of his day still feel remarkably current, written with a freshness of perception, a gift for characterization, and a finely tuned ear for dialogue. Jimmy Breslin named Heinz's 'Brownsville Bum"a brief life of Al 'Bummy" Davis, Brooklyn street tough and onetime welterweight champion of the world'the greatest magazine sports story I've ever read, bar none." His spare and powerful 1949 column, 'Death of a Race Horse," has been called a literary classic, a work of clarity and precision comparable to Hemingway at his best. Remainder dot to bottom edge otherwise clean.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. A facsimile reprint of a satirical play written in 1700. Name on front cover, otherwise clean copy.

Hardcover. NY, Jewish Publication Society, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover in black cloth, lacks dust jacket, 256 pages. A major treatise of Levi ben Gershom of Provence (1288-1344), one of the most creative and daring minds of the medieval world. It is devoted to a demonstration that the Torah, properly understood, is identical to true philosophy. Volume 1 ONLY. Clean copy.

Hardcover. NY, Jewish Publication Society, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 278 pages. A major treatise of Levi ben Gershom of Provence (1288-1344), one of the most creative and daring minds of the medieval world. It is devoted to a demonstration that the Torah, properly understood, is identical to true philosophy. Volume 2 ONLY. Clean copy.

Hardcover. NY, Jonathan Cape, reprint, 1929, Book: Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 256 pages.Foreword by John Galsworthy. Traveler's Library edition. Bookplate on inside front cover.

Hardcover. Glencoe IL, The Free Press, 1st, 1957, Book: Good, Dust Jacket: None, Hardcover, brown cloth, 382 pages. Dust jacket flaps laid in, name inside front cover. Light pencil marking to about 10 pages. Ancient civilizations and medieval Europe had no "economies" -- no fixed prices for commodities, no production for markets. People have always exchanged goods, of course, but in the pre-modern world, exchange between individuals was most often done through social networks, always with a non-economic motivation. Scarcity, "entrepreneurship", the universal self-regulating market with fixed prices for goods, and the system of trade as we know it, and economics as the fundamental driving sector for all of society --- are all unique to the modern West.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. A facsimile reprint from the pages of the author's Miscellaneous Works (pages 285-348) published in 1751. Clean, bright copy.

Hardcover. NY, G. P. Putnam's, 1st US, 1925, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in gilt, 246 pages. With Illustrations in color and black and white by Charles Simpson. Small ownership signature on front fly otherwise clean, bright copy.

Softcover. Los Angeles, The Augustan Reprint Society, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover. Facsimile reprinting of various 17th and 18th century editions, 70 total pages. Pamphlets that extolled the virtues of the Indian people as opposed to the English stereotyping of a heathen race. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover, facsimile reprint of the 1682 edition, 80 pages. Introduction by Diane Dreher. An early historical play about Anne Boleyn, second queen of Henry VIII. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 280 pages. The burgeoning popularity of Mickey Mouse on the screen and in the daily newspaper comics made the 1932 addition of a full-color Sunday strip inevitable. The first surprise in this collection of the initial four years of Sunday installments is that in this early color incarnation, Mickey's face was pink rather than white! But, more significantly, each Sunday strip comprised about a dozen panels, not the measly four panels of the dailies, permitting a different pace: gags could be extended longer, and story lines unwound at their leisure. Unlike the dailies, which featured stories that went on for weeks, the Sundays mixed serialized adventures--in this volume, Mickey visits the Wild West, fights a giant in a fairy tale he tells his nephews, and scales a mountain to win a $1,000 prize--with single-episode gag strips, all drawn in a charmingly old-fashioned style. The high-spirited, adventure-seeking mouse in these vintage strips--a far cry from today's bland, domesticated version--makes it clear why Mickey captivated Depression-era America.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages, b&w illustrations. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker residue on rear panel.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 286 pages. A focused investigation of Whistlers watercolors that introduces readers to a rarely seen aspect of the artists creative output In the 1880s, James McNeill Whistler (1834-1903) reinvented himself through the medium of watercolor. At the time, excellence in watercolor was most often associated with British artists, and most notably with the work of J. M. W. Turner (1775-1851). Whistlers embrace of watercolor allowed the expatriate artist to present himself as an heir to the great Turner, while at the same time creating easily portable works that could supply an American market and, the artist hoped, help secure his art-historical legacy in his home country. Indeed, it was the American Gilded Age industrialist Charles Lang Freer who would amass the largest collection of Whistlers watercolors, eventually bequeathing them to the Smithsonian in 1906. This publication is the first systematic study of Freer's amazing treasure trove of more than 50 watercolors by Whistler and includes figures, landscapes, nocturnes, and interiors. Still in publisher's shrinkwrap. DUE TO WEIGHT DOMESTIC SHIPPING ONLY.

Hardcover. Dobbs Ferry NY, Morgan and Morgan / Amon Carter Museum, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, pric-clipped dust jacket, 158 pages. Complete with a List of Photographs, Preface, Introduction, a long presentation of the photographs of William H. Jackson, Chronology and full Bibliography. Over 100 of Jackson's finest photographs in black-and-white and duotone. With a critical essay by William L. Broecker. Ink inscription on front fly leaf otherwise clean.