Softcover. Boston, The Horn Book , 1st, 1971, Book: Very Good, Softcover, 95 pages. Reference of books and reading for children and young people. Featuring: 'Newbery and Caldecott Acceptance Speeches by Betsy Byars and Gail E. Haley, 'In Literary Terms' by John Rowe Townsend, 'A Second Golden Age? In a Time of Flood?' by Virginia Haviland and more. Light marking or library stamp on cover. Black & white illustrations. Interior clean and bright.

Hardcover. NY, Clarion Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A young Jewish girl from a middle-class Russian family recalls the events of her childhood, both good and bad, in a small village just before the Revolution of 1917. Though classed as fiction, this reads more like a vivid memoir of the author's childhood. B&w drawings by Gennady Schikarioff.

Hardcover. NY, Balzer & Bray, 3rd pr., 2014, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, color art by Jim McMullan. "This boisterous story pays homage to the importance of fire fighters-and their engines-while maintaining plenty of action and a sense of fun." -- School Library. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 213 pages. Light bump to lower edge of spine, else a lovely copy of the author's first book. Blurbs by Andre Dubus, Richard Ford, Wright Morris & Larry Woiwode on back cover.

Hardcover. Seattle, Fantagraphics Books, Revised Ed., 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 272 pages. The definitive retrospective of Dan DeCarlo, the great Archie Comics artist -- a fitting tribute to the life and art of one of the world's all-time best cartoonists, lavishly designed and now expanded with nearly 350 illustrations, including rare cartoons and strips, and of course, lots of those fabulous DeCarlo ladies!Dan DeCarlo worked mostly on wholesome all-American features like Archie's Girls Betty and Veronica and My Friend Irma, but he populated these innocent stories with his irresistibly attractive women. His unique blend of hilarious homespun humor and libido-sparking art made DeCarlo's work outshine the competition. Though best known as the definitive Archie Comics artist and creator of Josie and the Pussycats and Sabrina the Teenage Witch, DeCarlo also brought his unique style to dozens of other characters including Millie the Model, Big Boy, Batman, and The Simpsons.Fan, friend, and fellow cartoonist Bill Morrison has produced the ultimate book on this remarkable artist, lavishly designed with nearly 350 illustrations. Included are rare World War II-era cartoons, original Humorama pinups, seldom-seen newspaper strips, examples of his justly famous commercial comics work, and of course, lots and lots of those fabulous DeCarlo ladies! Full color and black-and-white illustrations and photographs throughout. First published in 2006 with 40 fewer pages, this is the new, revised and expanded edition. Clean, bright copy.

Hardcover. NY, McGraw-Hill, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a price-clipped dust jacket with light wear, 293 pages, b&w illustrations. Nowhere is the complex and destructive painter Jackson Pollock (1912-1956) revealed with more compassion and insight than in this exemplary biography. Friedman, a friend of Pollock's and active in the art world, shows him to be a brilliant man tormented by his relationship to his family; an artist who worked hard through years of poverty to achieve his controversial painting technique; the first American painter to gain an international reputation for himself and for what has been variously called Action Painting or Abstract Expressionism; and a man who struggled with alcohol and the tension between gentleness and violence. Light tape repair to dust jacket on reverse. Otherwise clean.

Hardcover. Athens GA, University of Georgia Press, 2nd pr., 1967, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 182 pages, 5 pages with red underlining. Brookes examines how Harris drew on his extensive knowledge of African American folklore and culture to create the characters in his work. Brookes classifies the Uncle Remus books under seven major categories: trickster tales, other "creeturs," myths, supernatural tales, proverbs, dialect, and songs.

Hardcover. NY, St. Martin's Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 309 pages. b&w illustrations. In this meticulous and witty work, Stanley Olson uncovers the complex nature of Sargent's life and stunning career. Probable ex-lib with label on spine but no other markings.

Softcover. Athens GA, University of Georgia Press, reprint, 2001, Softcover, clean, unmarked pages. 415 pages, followed by a short Index. Fanny Kemble offers a gripping, first-hand account of life on a Southern plantation before the Civil War. Combining a keen observational style with a candid narrative voice, Kemble lays bare the complexities of plantation life, including the stark realities of slavery and the socio-economic hierarchies of antebellum Georgia. The journal entries provide an intimate glimpse into the daily lives of both the enslaved and the plantation owners, reflecting her deep moral convictions and growing abolitionist sentiments against a backdrop of genteel Southern culture. Fanny Kemble, a British actress and writer, was thrust into the world of the Southern elite through her marriage to a plantation owner, which provided her with unprecedented access to the intricacies of plantation management and its social fabric.

Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards with a red cloth spine, color plates. Master cartoonist Charles Burns has never hidden his passion for comic books and pop culture from the 1950 and 1960s. Inspired by the romance, horror, and sci-fi comics of his youth, as well as the 1960s American underground, the author of Black Hole has created a collection of 80 original comic book covers that, through his own inimitable aesthetic, present an alternate universe of stories that never were, but that you will wish existed. The covers - some with otherworldly titles in alien letterforms, and others that riff on classic genres (Throbbing Hearts, Unwholesome Love) and eras (Drug Buddy, Huss) - each inspire a multitude of interpretations, build entire worlds, and suggest entire narratives that lie within their non-existent guts. This is Burns at his most playful, imaginative, and suggestive, using the format of the comic book to continue to explore many of the themes that run through all his longer-form work. Clean copy

Hardcover. Camden ME, Down East Books, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color illustrations by Dawn Peterson. Inscription on front fly leaf, otherwise clean.

Softcover. NY, John Wiley & Sons, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover,452 pages, b&w illustrations. Harlow Unger's Lafayette is a remarkable and dramatic account of a life as fully lived as it is possible to imagine, that of Gilbert de Motier, marquis de Lafayette. To American readers Unger's biography will provide a stark reminder of just how near run a thing was our War of Independence and the degree to which our forefathers' victory hinged on the help of our French allies, marshaled for George Washington by his 'adopted' son, Lafayette. But even more absorbing and much less well known to the general reader will be Unger's account of Lafayette's idealistic but naive efforts to plant the fruits of the American democracy he so admired in the unreceptive soil of his homeland. Short inscription to half-title page, otherwise a clean, bright copy.

Hardcover. NY, Bloomsbury , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with wrap-around dust jacket band with title. 403 pages, color and b&w illustrations. Claude Monet's water lily paintings are among the most iconic and beloved works of art of the past century. Yet these entrancing images were created at a time of terrible private turmoil and sadness for the artist. The dramatic history behind these paintings is little known; Ross King's Mad Enchantment tells the full story for the first time and, in the process, presents a compelling and original portrait of one of our most popular and cherished artists. Clean, bright copy.

Hardcover. NY, Henry Holt and Co., 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Warm, expressive paintings make this picture book a joyful experience. A human mother (Mama Inside) elaborates on the days that she spends awaiting the arrival of her baby, while a bluebird (Mama Outside) awaits her little ones. The author relates the similar experiences of the two expectant mothers-and fathers-as they prepare for the days ahead. When the babies arrive, there is time for song, food, rocking, and a good deal of growing. This heartwarming look at families is irresistible. Clean copy.

Softcover. NY, Ballantine Books, reprint, 1988, Softcover, 544 pages, b&w illustrations. The Chicago Tribune claimed that this 'the liveliest most astringent and eminently readable biography of Frank Lloyd Wright yet written'. It traces the full span of Wright's career. Clean copy.

Hardcover. NY, Atheneum, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Matthew Wheelock, Jerusha's great-great grandfather, creates an enduring legacy for his descendants as he clears his fields and uses the stones to create a marvelous stone wall. Gorgeous watercolor art by Ted Lewin.

Hardcover. NY, Alfred A Knopf, 1st US, 1981, Book: Very Good, Dust Jacket: Fair, Hardcover in a lightly worn, unclipped (13.95) dust jacket that has fading to spine and a 2 X 3" chunk gone from bottom of spine and rear panel. Midnight's Children chronicles modern India through the lives of the one thousand and one children born within the country's first hour of independence on August 15, 1947. First edition of the author's Booker Prize-winning novel, also acclaimed as the Booker of Bookers. Stated First Edition, preceding the English edition which was made up from the American sheets. NOTE: Publisher's remainder stamp to bottom edge. Otherwise clean.

Hardcover. Boston, Houghton Mifflin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red and black design, 44 pages illustrated in color by Burton. Mike and his trusty steam shovel, Mary Anne, dig deep canals for boats to travel through, cut mountain passes for trains, and hollow out cellars for city skyscrapers -- the very symbol of industrial America. But with progress come new machines, and soon the inseparable duo are out of work. Mike believes that Mary Anne can dig as much in a day as one hundred men can dig in a week, and the two have one last chance to prove it and save Mary Anne from the scrap heap. Bright, clean reprint of this classic, lacks dust jacket.

Hardcover. NY, Frederick A. Praeger, 1st US, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. 208 indexed illustrations. Several full color reproductions. Translated from the French by Thomas Walton. 255 pages. "Elgar has made use of valuable information from Mondrian's contemporaries in his account of this dedicated artist.The plates show all the phases through which Mondrian's art passed, from the traditional landscapes and still lifes of his early years, through the more personal and more abstract works conceived in series, to the eventual emergence of his fully mature style." Three color plates/postcards of his art laid / paster on inside covers. Small name on front fy leaf. Otherwise clean.

Hardcover. NY, Viking, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 970 pages illustrated with color, b&w illustrations. Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in the history of popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl on stage and winning the Oscar for that performance on film. Then came a long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she's found in her marriage to James Brolin. Clean copy.

Hardcover. Cambridge MA, Candlewick Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, lovely color plates by Pamela Paparone. INSCRIBED BY LINDBERGH on the half-title page. Born a century ago, Bessie Coleman worked in the cotton fields and dreamed of flying. As a young African-American woman in the 1920s, her chances of leaning to fly were slim. But Bessie never let her dream die and instead became the first licensed African-American aviator in the world. Written by the daughter of aviator Charles Lindbergh. Clean copy.

Hardcover. NY, G. Howard Watt, 1st, 1925, Book: Good, Dust Jacket: None, Hardcover, light blue cloth stamped with black lettering and dog's profile. Color frontis by Charles Livingston Bull, 302 pages. Mystery novelist's scarce first book, chronicling the adventures of a German Shepherd living in the Canadian Northwest. Bookplate on inside front cover, front fly leaf missing. Light shelf wear.

Hardcover. Oslo, Aschehoug & Co., 2nd Ed., 1996, Book: Very Good, Dust Jacket: Good, Large hardcover in a bright dust jacket with light edgewear. Foreword by Donald Kuspit. Illustrated throughout in color with reproductions of the paintings plus many close-up details. 11" square, 346 pages with approximately 130 color and 65 b&w illustrations. Translated by Francesca M. Nichols. Old Master Existensialism: Odd Nerdrum's Paintings: Nerdrum paints isolated figures ensconced in their isolation. His style is at once completely modern with aspects of the surreal subtlety evident, yet he is reminiscent of the old masters for his superb draftsmanship and the dark earth colors he uses. There are 3 short tears repairs to rear dj panel, taped on reverse. Otherwise a bright, clean copy. DOMESTIC SHIPPING ONLY.

Softcover. NY, Picador, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 318 pages. Calvin Tomkins first discovered the work of Robert Rauschenberg in the late 1950s, when he began to look seriously at contemporary art. While gazing at Rauschenberg's painting Double Feature, Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that "for the last forty years it's been [his] ambition to write about contemporary art not as a critic or a judge, but as a participant." Tomkins has spent many of those years writing about Robert Rauschenberg, whom he rapidly came to see as "one of the most inventive and influential artists of his generation." So it seemed natural to make Rauschenberg the focus of Off the Wall, which deals with the radical changes that have made advanced visual art such a powerful force in the world.Off the Wall chronicles the astonishingly creative period of the 1950s and 1960s, a high point in American art. In his in his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Clean, bright copy.