Hardcover. Westport CT, Greenwood Press, reprint, 1970, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, no dj issued, 198 pages including index, 5 maps. The author looks back over the hundred years that have passed since Perry opened up Japan and forward to the future of our relationship with Japan. He deals with the problems of Japan's rearmament and of its economic survival. First published in 1953.

Hardcover. NY, Columbia University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 120 pages. This book probes the origins of Japanese-American postwar relations by looking closely at the people and the thinking that surrounded the final contract for peace.

Hardcover. Athens GA, University of Georgia Press, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with light fading to spine, 305 pages, b&w illustrations. Notes, bibilography, index. Highly informed opinions concerning most of the controversial aspects of the Allied occupation of Japan and the adjustment of Japanese politicians to the democratic process. Name on front fly leaf, otherwise clean.

Softcover. Woodbury NY, Barron's , 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, color illustrations. English language edition. Paintings of France and Holland by Dutch artist, Johan Barthold Jongkind [1819-1891]. A volume in the series, 'Les Carnets de dessins'. Clean copy.

Softcover. Old Westbury NY, The Feminist Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 237 pages, b&w illustrations. A generation after her death, German artist Kathe Kollwitz won a reputation as one of the great graphic artists of the 20th Century. Concentrating on the more 'democratic' media--especially etchings, lithographs, posters, and woodcuts, as well as sculpture and bronze reliefs--Kollwitz always created for the people, rather than for the upper class collector. This original paperback is generously illustrated with many striking, seldom-seen reproductions from private collections, assembled in one volume for the first time. Name on front fly leaf, inscription on title page. Otherwise clean.

Softcover. Seoul Korea, Taewon Publishing , 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 85 pages. McGrane's historical analysis presents a lucid overview of events during the crucial years of Japanese intervention and occupation during the late nineteenth and early twentieth century. Some sunning to wraps, name on front fly leaf, otherwise clean.

Hardcover. Chez Rene' Pean, 1st thus, 1680, Book: Good, Dust Jacket: None, 648 pages. Hardcover. Brown leather bound cover boards (age wear-see images) with faded gilt title on spine and raised bands. Front cover board completely separated from spine with front flyleaf. Previous owner's notes on preliminary page, dated "1694 16 November". Dark brown dyed edges. Tanning to pages (some partially detached from spine) from age. A few stray ink marks on pages. Christian devotions in French text.

Hardcover. Racine WI, Whitman Publishing, 1st, 1945, Book: Good, Dust Jacket: None, Hardcover, pictorial boards, color illustrations by Ben Williams. A Whitman Tell-a-Tale book #2615. Winsome vintage children's book about a young helicopter that saves the day when he rescues a shipwrecked doctor. Wear and chipping to paper at spine, otherwise clean.

Hardcover. London, Constable & Company, 1st, 1962, Book: Very Good, Dust Jacket: Fair, Hardcover in a price-clipped dust jacket, 252 pages including index. Illustrated in b&w and color. Biography of Lucien Pissarro, artist and son of Camille, and his family. With an introduction by John Rewald. Name on inside front cover (behind flap), chunk gone from rear panel of dust jacket.otherwise clean.

Hardcover. Munich, Prestel Verlag, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. "Born Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer who went by the moniker Madame d'Ora was the most acclaimed portraitist of fin de siecle Vienna. After relocating to Paris in the 1920s, she opened one of the most stylish Art Deco portrait studios where her models included Pablo Picasso, Josephine Baker, and Collette, among many others. This book, accompanying the largest exhibition devoted to Madame d'Ora ever presented in the United States, includes sections focusing on the different periods of the photographer's life, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier society portraitist, through her survival during the Holocaust." Still in publisher's shrinkwrap.

Hardcover. Munich, Prestel Verlag, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. "Born Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer who went by the moniker Madame d'Ora was the most acclaimed portraitist of fin de siecle Vienna. After relocating to Paris in the 1920s, she opened one of the most stylish Art Deco portrait studios where her models included Pablo Picasso, Josephine Baker, and Collette, among many others. This book, accompanying the largest exhibition devoted to Madame d'Ora ever presented in the United States, includes sections focusing on the different periods of the photographer's life, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier society portraitist, through her survival during the Holocaust." Still in publisher's shrinkwrap.

Softcover. Hanover NH/ New York, Hood Museum of Art/Hudson Hills Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. with 82 color plates and 270 halftones. Catalogue to accompany the centerpiece exhibition of a year-long celebration commemorating the Hood's 20th anniversary and its permanent collection. Thorough text accompanies each plate, and the essay material includes an overview of the collection. Clean, like new. DOMESTIC SHIPPIG ONLY.

Hardcover. NY, Frederick A Stokes, 1st US, 1938, Book: Very Good, Hardcover, green cloth with faded gilt title on spine, 320 pages. Black and white illustrations and a color frontispiece by Isobel and John Morton Sale. Cloth dulled, faded on spine, otherwise a clean copy.

Hardcover. NY, William Morrow, reprint, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, color illustrations by Marc Simont. A variety of hats afford Martin many adventures. Clean copy, book club edition, no dust jacket.

Softcover. Springfield MA, The George Walker Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. 11 sepia tone plates. Catalog lists and describes 125 works in the exhibition by Parrish. Chronology. Introduction by Donald Reichert, essay extracted from an article by Coy L. Ludwig which appeared in the Art Journal, Winter 1965-66. Published to accompany the exhibition held in Springfield, MA , January 23-March 20.

Hardcover. NY, Pace Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Square quarto, in gray card stock covers stamped in silver and black, 87 pages, color illustrations. Issued in conjunction with several 2013 exhibitions of unique map-based art created by American artist Maya Lin. With essays by Robert Storr and William Fox. Clean copy.

Hardcover. Milan, Silvana Editoriale, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artifacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonization, modernism and globalism. The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here. Text in English and Italian. Short closed tear to dj corner. otherwise like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Prestige Books, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, pictorial paper covered boards, 28 pages. Color illustrations by Virgilio Manahan. A Storytime Book telling the exciting tale of Nippy, the Fire Station Mascot and Hero. Nippy aids the Firefighters in fighting a fire at the big Toyshop in town. While doing so he truly shines, as he rescues a Mother Cat and her Kittens. Minor chip to spine.

Softcover. Cambridge University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 434 pages with b&w illustrations. Unique in its comprehensive coverage, this book describes the major vegetation types from the arctic tundra of Alaska and Canada to the tropical forest of Central America. This original detailed summary provides the reader with a sense of the species composition, architecture and environment of each ecosystem. Each chapter opens with a map of North America that delineates the specific geographic area discussed within the following text. Some basic topics covered include paleobotany, autecological behaviour, nutrient cycling, and productivity. In addition to the basic biology of the ecosystems, environmental issues and management problems are addressed. Notes on areas for future research conclude each chapter. Comprehensive bibliographies provide references to additional details published in the technical literature. Mild crease to front cover and first 5 pages, otherwise very good, clean copy.

Hardcover. Munich, Hirmer Publishers, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 288 pages. Oscar Munoz: Invisibilia is Colombian artist Oscar Munoz's first retrospective in the United States. Addressing the entire span of Munoz's career--from the 1970s to 2020--this exhibition catalog is the most substantive book on Oscar Munoz's work in English to date. Invisibilia includes artworks ranging from Munoz's early charcoal drawings to his later conceptual photographic, video, and installation works. The bilingual catalog includes essays in both Spanish and English from a diverse cadre of scholars who offer fresh takes on Munoz's best-known works and illuminate his more obscure experiments. It also features interviews with the artist as well as a recent text he has written on his practice. A comprehensive chronology charts Munoz's artistic evolution alongside the development of the artistic scene in Cali, Colombia, where he began his career and continues to live and work, rooting the artist's works in their cultural and historical context. Clean, still in publisher's shrinkwrap.

Hardcover. Washington DC /London, Smithsonian/Giles, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 366 pages including index. E. Carmen Ramos addresses the whole issue of the definition of "Latino art" and how this emerged within the context of the Civil Rights movement of the 1960s as American artists of Latino descent (Mexican American, Puerto Rican, Cuban American, and, more recently, Dominican) began to give a tangible face to their culture and history. Highlights include an installation altar by Amalia Mesa-Bains, the "recycled" films of Raphael Montanez Ortiz, and a 1960 geometric painting by Carmen Herrera. Other notable artists include Olga Albizu, Melesio "Mel" Casas, Maria Magdalena Campos-Pons, Margarita Cabrera, Enrique Chagoya, Teresita Fernandez, Ken Gonzales-Day, Luis Jimenez, Ana Mendieta, Pepon Osorio, Sophie Rivera, Freddy Rodriguez, and John M. Valadez, among many others. Color illustrations explore how one group of Latin American artists express their relationship to American art, history and culture. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Softcover. Pittsfield MA, The Berkshire Museum, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 70 pages. Profusely illustrated in color and b&w. Clean copy.

Hardcover. NY, Macmillan, BC Ed., 1972, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, color art by Keats. Archie's cat is missing the day of the pet show - but all turns out well in the end. Vibrant, full-color illustrations fill every page. Oblong format, unpaginated. Clean book club edition.

Hardcover. Machester, England, Manchester University Press, 1st thus, 1931, Book: Very Good, Dust Jacket: None, 250 pages. Hardcover. "Of this edition only 450 copies have been printed for sale...". "Publication of the University of Manchester No. CCIX, English Series No. XX". Pages offset and some untrimmed. Former library volume with bookplate/stamps/labels expected. Green cloth bound cover boards (some agewear), gilt title on spine (slightly faded), cloth separation at spine. Pages and edges have some tanning from age, doesn't affect text. Binding good. Spine straight. Pages unmarked.

Hardcover. NY, William Edwin Rudge, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, red cloth, 46 pages + 51 b&w plates (color frontispiece). Russian artist and diplomatic secretary Paul or Pavel Svinin (1787-1839) toured the northeastern United States in the early 1800s. Here are excerpts of his notes, details about the time and his trip, and 51 BW reproductions of landscapes he rendered along the way. Most of the paintings show scenes from Pennsylvania, New York, New Jersey, Virginia and Maryland. Of interest to both cultural and art historians. With an introduction by R.T.H. Halsey. One of 1000 copies. Ex-lib with stamping, residue to endpapers, gilt lettering on spine faded, otherwise clean.

Hardcover. Cambridge MA, Harvard University Press , 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket with minor tape repairs. 346 pages. A study of the bakufu, or administrative structure of the predominant ruling family in early modern Japan. The achievements of the Tokugawa family, who gave Japan 250 years of peace, are placed in a broad context through comparisons with contemporary institutional developments in other Asian countries and in Europe. Name on front fly leaf, otherwise clean.

Hardcover. Harrisburg PA, The Stackpole Company, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages. Pictorial endpapers. Maroon cover with gilt lettering and affixed picture of a hunter in bright color. Black-and-white illustrations throughout by Fred Everett and four color illustrations in addition to the frontispiece. Clean, bright copy.

Hardcover. Harrisburg PA, The Stackpole Company, 1st, 1952, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages. Pictorial endpapers. Maroon cover with gilt lettering and affixed picture of a fisherman in bright color. Black-and-white illustrations throughout by Fred Everett and three color illustrations in addition to the frontispiece. Clean copy.

Softcover. NY, Viking Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Introduction by Anthony Burgess. Candid shots of the stars off their guard; Romy Schneider, Tom Jones, Dustin Hoffman, Raquel Welsh, Richard Burton, Orson Welles, Alfred Hitchcock, Brigitte Bardot, Mick Jagger, Onassis, Edith Piaf. Many others.

Hardcover. Cambridge, UK, Cambridge University, 1st Edition, 1929, 509 pages. Hardcover. Previous owner's book plate on front flyleaf. Brown cover boards, crease through center of top cover board, but board is straight and unbent. Pages unmarked. Spine straight. Binding good. The lectures are based upon a recurrence to that phase of philosophic thought which began with Descartes and ended with Hume. The philosophic scheme which they endeavour to explain is termed the "Philosophy of Organism".

Hardcover. Zurich, Scalo, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 104 pages. In 1999, acclaimed German multimedia artist Rebecca Horn created Concert for Buchenwald, a large-scale, two-part installation in Weimar/Germany commemorating the horrors of genocide and emigration. This darkly intense work evokes both the shoah and the mass murders in former Yugoslavia. The first part of the installation is set in an abandoned train depot. Its walls are lined with glass panes behind whose shiny surfaces you can make out layer upon layer of ashes. Running alongside one of the walls, railroad tracks are blocked up by densely entangled heaps of various stringed instruments, reminiscent of the piles of corpses that were discovered in Buchenwald. The second part of Concert for Buchenwald is installed in Schloss Ettersburg, an 18th century palatial residence. Here, the humming sound of panicked bees is audible from hives suspended from the ceiling of an opulent ballroom, and suggests memories of expulsion and escape. This book includes several essays that explore various aspects and interpretations of Horn's installation, as well as her own notes tracing the origins of the installation's prominent metaphors. Essays by Doris von Drahten, Boris Groys, Rebecca Horn, Bernd Kauffmann, and Martin Mosebach. Clean copy.

Hardcover. Washington DC, Smithsonian Institution Scholarly Press , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. At least since the Renaissance, artists have created wonderful images of themselves. Some self-portraits are the equivalent of a painter's "signature," while others were inspired by the need to establish social status or gain a commission. In the twentieth century, however, self-representation turned inward, becoming a means by which artists sought to navigate passageways of the mind. In Reflections/Refractions, some of the greatest modern artists--including Andy Warhol, Edward Hopper, Grant Wood, Jasper Johns, Robert Rauschenberg, Jacob Lawrence, Louise Bourgeois, David Hockney, Alexander Calder, and Alex Katz--use sinuous line and gorgeous color to trace the intricacies of their personalities, whether dark and gloomy or bright and fanciful. The book is at once a catalog of twentieth-century self-portraits in the collection of the National Portrait Gallery, Smithsonian Institution, and an exploration of how modern artists view themselves and the world. Eighty color illustrations--drawings and paintings--are accompanied by lively and informative captions, making this volume an endlessly fascinating book. Clean copy.

Hardcover. London, England, j.W. Arrowsmith, 1st Edition, 1898 , Book: Very Good, Dust Jacket: None, 385 pages. Hardcover. B/w frontispiece, illustrations throughout by illustrator, Charles Dana Gibson. Tanning from age throughout, pages untrimmed, deckled. Letter from the author dated "17th Sept: 03" laid in (see image), possibly to William Heinemann. Green cover boards, gilt title on spine, front cover. Some agewear to spine top and bottom. Binding very good, spine straight. Very good condition.

Softcover. Rutland, VT, Rutland Historical Society, 1st Edition, 1978, Book: Very Good, Dust Jacket: None, 179 pages. Softcover. Color and b/w illustrations throughout. Preliminary pages have some light foxing, otherwise unmarked, binding very good. Decorated wrappers. Pictorial history of Rutland, VT.

Hardcover. Philadelphia, PA, J.B. Lippincott & Co., 1st Thus, 1882, Book: Good, Dust Jacket: None, 437 total pages, two volumes. Hardcovers. Domestic shipping only. B/w illustrations throughout (tipped in plates). Gilt top edges. Half leather bound, marble gilt boards, gilt title on leather spine with raised bands (gilt slightly faded). As is with agewear: Volume 1 has front cover board completely detached and cover board of Volume 2 is partially detached, pages unmarked with tanning from age. Previous owner attached (via old style paperclip) a relevant document within. "Edition De Luxe. 500 Copies Printed, of Which This is No. 204". Collection of 34 essays and short stories written by the American author Washington Irving under pseudonym Geoffrey Crayon, Gent. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Random House, 1st, 1979, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glossy boards, 36 pages. The text is illustrated in Charles Schulz's inimitable style, showing Snoopy and Woodstock and the crew involved in various boating activities. Clean copy.

Hardcover. HY, Beginner Books/Random House, reprint, 1990, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 61 pages illustrated in color by P.D. Eastman. Originally published in 1962. A delightful ode to winter. Brrrrr--it snowed! From snowball fights and skiing to fort building and snowman-making, P. D. Eastman and Roy McKie's Snow will have young readers eager for the kind of fun only a wintry-white day can bring. Clean copy.

Hardcover. NY, E.P. Dutton, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 250 pages. One of Hollywood's legendary studio photographers on his long career shooting portraits of all the major Hollywood stars from the 20's to the 70's. 100s of b&w & color portraits. A nice collection. Clean copy.

Softcover. PS Artbooks, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. High-flying action and jaw-dropping stunts as legendary creators Jack Kirby and Joe Simon create an entirely new non-super character. A daredevil stuntman is embroiled in circus stunts and movie directing, and it's all some of S&K's finest Golden Age work. Killer double-page action spreads akin to their work for Captain America in 1941-42. Features " Killer of the Big-Top," "The House of Madness," and "The Crime on Cauliflower Row," all by S&K. Plus "The Furnished Room" by Bill Draut (part of the Simon and Kirby Studio) and an adventure of Junior Genius by J. Keeler, a back up strip. Sadly, Stuntman came along after the war when superheroes were on the way out...even though he was not super-powered, but had more in common with Batman. He lasted for just two issues, and an ashcan third issue. Then his adventures were reprinted in Thrills of Tomorrow #19 and 20, in 1955. #19 even reused this exact cover in an attempted revival just before the Comics Code.

Hardcover. Glitterati , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 228 pages. What do Elmer's Glue, Krylon Spray Paint, and Reese's Peanut Butter Cups have in common? The designer Ted Eron, of course. You may not know his name, but you know Ted Eron. Although he remains largely unknown in the public consciousness, Eron played an integral role in defining the aesthetics of everyday goods and household staples in the 1950s and '60s. In Ted Eron Designed That, Joseph Eron and Elizabeth Eron Roth - Ted's children - chronicle the life and art of their father through a nostalgic tour of the iconic graphic designs that have shaped and revolutionised twentieth-century visual culture. From his humble beginnings painting signs in the basement of a market while attending Cooper Union, to the Eron & Eron Industrial Design years during World War II and beyond, Ted Eron Designed That pays a long overdue tribute to the man behind the iconic designs. Still in publisher's shrink wrap.

Hardcover. Glitterati , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 228 pages. What do Elmer's Glue, Krylon Spray Paint, and Reese's Peanut Butter Cups have in common? The designer Ted Eron, of course. You may not know his name, but you know Ted Eron. Although he remains largely unknown in the public consciousness, Eron played an integral role in defining the aesthetics of everyday goods and household staples in the 1950s and '60s. In Ted Eron Designed That, Joseph Eron and Elizabeth Eron Roth - Ted's children - chronicle the life and art of their father through a nostalgic tour of the iconic graphic designs that have shaped and revolutionised twentieth-century visual culture. From his humble beginnings painting signs in the basement of a market while attending Cooper Union, to the Eron & Eron Industrial Design years during World War II and beyond, Ted Eron Designed That pays a long overdue tribute to the man behind the iconic designs. Still in publisher's shrink wrap.

Hardcover. NY, Harper and Row, reprint, 1962, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 64 pages illustrated in 3-colors by Arnold Lobel. A Science I Can Read Book. Clean copy.

Hardcover. NY, HarperCollins, reprint, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, reprints 4 classical tales: "Harold and the Purple Crayon," "Harold's Fairy Tale," "Harold's Trip To The Sky" and "Harold's Circus." Illustrated throughout in two-colors by Johnson. Previous owner's inscription on front fly leaf, otherwise clean. No dust jacket.

Softcover. NY, Collier Books, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, large format. 175 pages, 82 b&w portraits of film directors including many who were just beginning their careers ie. Scorsese, Coppola, Spielberg and Lucas along with some of the great directors in the history of American film including Cukor, Hitchcock, Wellman and many others. Includes filmographies and some commentaries. DOMESTIC SHIPPING ONLY.

Hardcover. NY, HarperCollins, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. When Alex Massolini's brother is killed in Vietnam, he drops out of Columbia University and leaves his conservative family behind for Capri to become secretary to Rupert Grant, a famous British novelist and poet who dominates the island like a latter-day Prospero. Alex soon finds himself ensnared in a web of love affairs, friendships, and rivalries within the eccentric community that inhabits the idyllic beauty of the isolated Italian island. Clean copy.

Hardcover. Hermes Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature.To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as "perfect... consistent in drawing and humor," Hermes Press is publishing the definitive art monograph on the subject.This book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, Forged in the crucible of the Korean War, and produced by veterans of the Second World War, this volume's eight issues present the brutality and grimness of armed combat by some of Atlas' most notable war artists and future comics stars including Gene Colan, Russ Heath, Joe Maneely, Dave Berg, Jay Scott Pike, Mike Sekowsky, Vern Henkel, Allen Bellman, Pete Morisi and Norman Steinberg.Propaganda abounds from the very first story, published in War Comics #1 in September 1950: "Peril in Korea," a primer explaining why the USA joined the conflict. Other highlights include Colan's "The Chips are Down" and "Victory," Heath's "Alone" and "No Survivors," Maneely's "Stormy Weather," Henkel's "Total Destruction," and Berg's "The Infantry's War."Originally a trial spun off from the publisher's "Men's Adventure" publications, in the nine years to follow, Atlas went on to produce 533 comic book issues with war content, across 34 different titles. War Comics is where it all began - unseen in decades, scanned from the original books, restored and packaged as one large, beautiful hardcover volume. Clean, bright copy.

Hardcover. Barre, Ma, Imprint Society, 1st Edition, 1970, Book: Very Good, Dust Jacket: None, 14 pages. Hardcover. B/w illustration by Paul Revere. Gray cloth cover boards with title paste on. Small bump on spine. Together with a print of the event taken from the plate engraved by Paul Revere, the report from the Boston Gazette, and a note by Dr. Richard Hale. "Nineteen hundred & fifty copies of this presentation book have been printed for the members of Imprint Society. The engraving of the Boston Massacre was pulled by hand from Paul Revere's original copperplate by Anderson-Lamb of Brooklyn. This is copy number 1822."

Hardcover. NY, Hastings House, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 191 pages, b&w illustrations. An unsparing account of the famous massacre of March 5, 1770, when a squad of British soldiers, called out to protect a sentry from a Boston mob, fired on civilians, killing 4, fatally wounding a fifth, and injuring 6 others. Was it a massacre, as Boston called it, or "the first battle of the American Revolution," as some writers styled it, or merely a street brawl, as the testimonies of witnesses seem to indicate? Whatever its character, it had great influence in consolidating colonial opposition to the British Government. This is the story of one of the most famous and controversial murder trials in American history, in which John Adams and Josiah Quince, Jr., confirmed patriots, toiled to get the soldiers acquitted to save Boston from retaliation, against the violent opposition of Samuel Adams, who wanted the soldiers convicted as murderers. Name on front fly leaf, otherwise clean.

Hardcover. NY, W. W. Norton & Company, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 372 pages. The Boston Massacre, known as the Incident on King Street by the British, was an event on March 5, 1770, in which British Army soldiers shot and killed people while under attack by a mob. The British soldiers were put on trial, found guilty of manslaughter and had their thumbs branded with an 'M' for murder as punishment. This book covers the action and the subsequent trial. Name on front fly leaf, otherwise clean.