Hardcover. Washington DC, U.S. Government Printing Office, 1st, 1968, Book: Good, Dust Jacket: None, Hardcover, blue cloth with gilt title to front and spine. 1486 pages. VOL. 3 ONLY. Includes maps, illustrations, and facsimiles of contemporary documents. Edited by William Bell Clark. Forewords by President John F. Kennedy and Lyndon B. Johnson. Introduction by Rear Admiral Ernest McNeill Eller. Illustrations and charts by Commander Dermott V. Hickey and W. Bart Greenwood. Maps on endpapers. Primary documents, letters from the Revolutionary War as it was being fought day by day at sea and in Congress. Letters from Ezra Stiles on the Cannons at Ticonderoga. George Washington to John Hancock on forming the Marines, Master's log of H.M. Nautilus. Philip Schuyler letters Maps. Painting of Ezra Hopkins. Original sketch of the American ship Privateer Washington. Ex-Library copy with tape on spine and embossed stamp on title page. Otherwise a clean, tight copy.
Hardcover. Secaucus NJ, Chartwell Books, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, illustrated throughout in color and b&w. Folio. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Non paginated. Hardcover without dust jacket. Extensive color and b&w illustrations throughout. Slight stains to front cover, otherwise clean, tight copy. Inspired by a real-life incident -getting his tie caught in a moving Moviola editing machine- Gene Deitch, cartoonist, animator, memoirist, renaissance man, created Nudnik, his Everyman character, a cross between Candide and Godot. The star of 12 Paramount-produced animated shorts that ran in theatres as an opening to the main movie in 1964 and 1965, Nudnik was one of Deitch's most creatively personal and commercially successful creations in a long career of innovative and successful work, including the award-winning animated versions of Jules Feiffer's Munro and Maurice Sendak's Where the Wild Things Are. Nudnik is the well-intentioned, kind, cheerful, but bumbling naf, inspired by and reflecting such archetypal characters as Jackie Gleason's Poor Soul, Charlie Chaplin's Tramp, and Charles Schulz's Charlie Brown. He never gets a break, can't do anything right, but somehow muddles through, dignity more or less intact. Nudnik Revealed! finally collects all of Deitch's original drawings, sketches, model sheets, storyboards, and color set-up that he drew during the Nudnik production season of 1964-1965, all reproduced from original art, showcasing his lively pencil line and his slick, authoritative pen and ink work. Deitch, a born storyteller and one of the great raconteurs of comics and animation, accompanies the copious examples of art with a running commentary by turns, funny, spirited, and chock full of historical insights.
Hardcover. NY, Farrar Straus & Giroux, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 311 pages. A perceptive visitor's report of life on the Pine Ridge Indian Reservation, one of the poorest places in the United States. Profiles the Oglala Sioux living there and along the way a female basketball star. Clean copy.
Hardcover. NY, Liveright Publishing , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Published on the centenary of her birth, Patricia Highsmith's diaries "offer the most complete picture ever published" of the canonical author. Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of "our greatest modernist writers" (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks -- posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta--traces the mesmerizing double-life of an artist who "[worked] like mad to be something." Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating "atmosphere of nameless dread" (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations. Remainder dot to top edge, otherwise like new.
Hardcover. NY, Liveright Publishing , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Published on the centenary of her birth, Patricia Highsmith's diaries "offer the most complete picture ever published" of the canonical author. Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of "our greatest modernist writers" (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks -- posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta -- traces the mesmerizing double-life of an artist who "[worked] like mad to be something." Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating "atmosphere of nameless dread" (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations. Remainder dot to top edge, otherwise like new.
Hardcover. NY, University Books, 1sr, 1966, Book: Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 400 pages. Discusses The Nature and State of Possession, Exorcism, and Shamanism. Looks at the history of possession, and its importance to religious psychology. With an appendix on Parapsychology. Traugott Konstantin Oesterreich [1880-1949] was a German psychologist and philosopher at the University Tubingen. He published numerous works on parapsychology and the occult. This is an ex-lib copy with stamping, residue to endpapers. No dust jacket, small sticker on spine, clean interior.
Softcover. San Francisco, Psychedelic Review, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover with color pictorial wrappers, 85 pages. Black and white illustrations throughout. The last issue of the controversial journal on psychedelic substances, originally founded by Timothy Leary and Richard Alpert. Mild wear, light soil, overall very good, no markings.
Hardcover. NY, George Braziller , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 95 pages. Oblong format. 33 color plates of the artist's fresco in the Vatican. Other b&w illustrations. Recognizing the precocious talent of Raphael, then age twenty-six, Pope Julius II commissioned the artist in 1509 to paint four monumental murals and numerous smaller scenes that gave visual form to the enlightened world of the Renaissance. Guided by the leading scholars of his day, Raphael chose themes that glorified the four branches of learning required for a general education, particularly that of a pope: Theology, Poetry, Jurisprudence, and Philosophy. The painting of the latter, perhaps best known today as "The School of Athens," shows Plato and Aristotle striding through a vast, open hallway and flanked by scientists and philosophers of the ancient world; rediscovered in the Renaissance, they hold a convention where they discuss issues that will inspire a new age. Short inscription on front fly leaf, otherwise clean.
Hardcover. NY, Harcourt Brace and World, reprint, 1967, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, unclipped ($4.95) dust jacket. The dramatic color illustrations of Swiss artist Felix Hoffman make this book truly unique. Color pictorial boards matching image on DJ. Yellow cloth spine. Dust jacket with light soil, internal tape repairs. Clean copy.
Hardcover. NY, Asia Society, 1st, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 121 pages, illustrated in b&w, some color. Dust with light edgewear, minor fade to spine. Previous owner's embossed stamp on front fly leaf. Errata pamphlet laid in.
Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY AUTHOR on the title page. What motivates us to reread literary works? How is our pleasure, interpretation, involvement, and evaluation different when we read a literary work and when we reread it? This fascinating book by Matei Calinescu is the first to focus on the implications of rereading for critical understanding. Drawing on literary theory, cultural anthropology, psychology, philosophy, and previous theories of reading, Calinescu describes the dynamics of rereading and explores the sometimes complementary, sometimes sharply conflicting relationships between reading and rereading. Calinescu analyzes fictional works by Borges, Nabokov, Proust, Robbe-Grillet, and Henry James, among others, explaining how reading texts is related both to symbolic play or make-believe and to games with rules. He reviews the history of reading in modern times, discussing, for example, how the Reformation led to rereadings of Scripture and how the proliferation of books during the Enlightenment led to a shift from "intensive reading" to "extensive reading." Calinescu looks at the distinctions between reading and rereading from the perspectives of the age, situation, and gender of the individual reader. He discusses the problems raised by secret or oblique languages and codes - devised to evade censors, communicate with a select audience of "secret sharers," or play games of hide-and-seek with the reader - and shows that they naturally lead to rereading a text. Calinescu argues persuasively that an understanding of rereading is useful in formulating both analytic strategies of practical criticism and a poetics of reading. Clean, bright copy.
Hardcover. NY, Universe Books, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt titles. 196 pages, illustrated throughout in color and b&w. Discusses the history of the movement and shows examples of architecture, sculpture, metalwork, ivories, stained glass, wall paintings, and book illuminations. Clean, tight copy.
Hardcover. Boston, MFA Publications , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages in color and b&w Barbra Streisand, Natalie Wood, Arlene Francis, Diahann Carroll, Joan Rivers, Mamie Eisenhower, Barbara Bush, Louise Nevelson... What these women have in common is that all were dressed by Scaasi. From his meteoric rise on Seventh Avenue in the late 1950s through his heyday in the boom decade of the 1980s, Arnold Scaasi has remained one of the most distinctive and successful designers in American fashion. With his signature combination of elegance, flamboyance, surprising colors and fabrics, and finely honed craftsmanship, Scaasi is both a bold American original and a couturier in the grand European tradition. Arnold Scaasi: American Couturier presents the best of Scaasi's fashions in a handsomely packaged, fluidly organized volume. Alongside sumptuous portraits of more than three dozen outfits, the book features numerous period photographs; sketches, notes and clippings from Scaasi's personal archives, most of them never before published; and interviews with Scaasi's famous clients, such as Joan Rivers, Mary Tyler Moore and Diahann Carroll, conducted specifically for this volume. A feast for fashion watchers and design aficionados alike, American Couturier contains all the glamour and thrill that for decades have been synonymous with the Scaasi label. Clean copy. Still in publisher's shrinkwrap.
Softcover. London, Frank Cass, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 526 pages, b&w illustrations. An Account of the Work of the British Special Operations Executive in France 1940-1944. Maps, appends., sources, index, Updated edition of the HMSO Official History Volume. Originally withdrawn shortly after publication due to threats of legal action by Peter Churchill, then re-released with emendations, Clean copy.
Softcover. New Lebanon NY, Omega Publications, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 234 pages, b&w photos. Everything about Noor Inayat Khan was extraordinary. A great-great-great granddaughter of Tipu Sultan, the Tiger of Mysore, she was born in Moscow to an American mother and an Indian Sufi Muslim father. Due to the unrest in Russia the family moved to London and from there to France where she spent the happiest years of her life studying music, child psychology and writing children's books. In 1940, her father having deserted the family and died in India years before, the family moved once again to England where Noor was trained as a wireless operator with the aim of sending her to German-occupied France to join up with the resistance. Noor was small and delicate, emotional, imaginative, shy, easily flustered and distracted. On the other hand there was her steely determination to serve her country, the desperate need for wireless operators and her perfect French. She was sent on her mission in June 1943. Her biography contains all the elements of an exciting spy novel but it was horrific and deadly reality. Clean copy.
Hardcover. NY, The Century Co., 1st, 1885-86, Book: Very Good, Dust Jacket: None, Hardcover, 12 issues bound in one volume, dark green cloth covers with gilt lettering on spine. 960 pages. A collection of the best juvenile writing and illustration of the day. The premier children's magazine in America at this time, offering a mix of fiction (some of it fantastic), articles, humor and lavish illustrations. Contributors include Palmer Cox, Laura E. Richards, E. P. Roe, J. T. Trowbridge, Alice May, Edward Eggleston, Frances Hodgson Burnett, Daniel C. Beard, and many others. Includes the debut of Burnett's "Little Lord Fauntleroy," which appeared for the first time in St. Nicholas. Clean copy, no library marks. DOMESTIC SHIPPING ONLY.
Hardcover. NY, The Century Co., 1st, 1890, Book: Very Good, Dust Jacket: None, Hardcover. 12 issues bound in one volume, dark green cloth covers with gilt lettering on spine. 1070 pages. A collection of the best juvenile writing and illustration of the day. Clean copy, no library marks. Hinge crack at rear of volume.
Hardcover. NY, The Century Co., 1st, 1884-85, Book: Very Good, Dust Jacket: None, Hardcover, 12 issues bound in one volume, dark green cloth covers with gilt lettering on spine. 958 pages. A collection of the best juvenile writing and illustration of the day. The premier children's magazine in America at this time, offering a mix of fiction (some of it fantastic), articles, humor and lavish illustrations. This volume contains the original serialization of Davy and the Goblin by Charles Carryl, a "delightful Victorian story of how Davy. who didn't believe in fairies, was taken for a Believing Voyage by a coal-eating goblin in a grandfather clock." These issues include stories about tennis, futuristic tricycles and choosing an occupation; also biographies of classical composers such as Beethoven, Bach and Wagner by Agatha Tunis. Includes writings by Frank R. Stockton, Marion Satterlee, George J. Manson and many others. Clean copy, no library marks. Front hinge cracked.
Hardcover. NY, The Century Co., 1st, 1899, Book: Very Good, Dust Jacket: None, Two hardcover volumes, 12 issues bound in two volumes, black calf spines with gilt lettering, pebbled cloth over boards . 1056 pages. A collection of the best juvenile writing and illustration of the day. Includes Chuggins, the Youngest Hero with the Army by H. Irving Hancock; Goops by Gelett Burgess (a few parts); The Sole Survivors by George A. Henty (6 parts); much more. Clean copy, no library marks. Hinges cracked. Light scuffing to top and bottom of leather spines. DOMESTIC SHIPPING ONLY.
Hardcover. NY, The Century Company, 1st, 1883-84, Book: Very Good, Dust Jacket: None, 2 volumes. 12 issues bound in hardcovers, black calf spines with gilt lettering. 984 pages. The top juvenile writers and artists of the day. Each issue of St. Nicholas includes stories, often by well-known authors, as well as dozens of charming illustrations, photos, riddles, poems, letters, and non-fiction articles written for young people. These issues include several stories by Louisa May Alcott and Frank R. Stockton. Also with offerings by Margaret Johnson, Frederic Palmer, Frank M. Bicknell and many others; "conducted" (edited) by noted author Mary Mapes Dodge. This delightful collection of magazines provides an insight into the way of life in the US early in the latter half of the 19th Century. Clean, tight condition. No library markings. DOMESTIC SHIPPING ONLY.
Hardcover. NY, The Century Company, 1st, 1885, Book: Very Good, Dust Jacket: None, Two volumes. 12 issues bound in hardcovers, black calf spines with gilt lettering. 960 pages. The top juvenile writers and artists of the day. These issues include stories about tennis, futuristic tricycles and choosing an occupation; also biographies of classical composers such as Beethoven, Bach and Wagner by Agatha Tunis. Includes writings by Frank R. Stockton, Marion Satterlee, George J. Manson and many others. Also the original serialization of Davy and the Goblin by Charles Carryl, a "delightful Victorian story of how Davy. who didn't believe in fairies, was taken for a Believing Voyage by a coal-eating goblin in a grandfather clock." Clean, tight condition. No library markings. DOMESTIC SHIPPING ONLY.
Hardcover. NY, The Century Co., 1st, 1890, Book: Very Good, Dust Jacket: None, Two hardcover volumes, 12 issues bound in hardcovers, black calf spines with gilt lettering, light scuffing. 1,072 pages. The top juvenile writers and artists of the day. Clean, tight condition. No library markings. DOMESTIC SHIPPING ONLY.