Hardcover. NY, Macmillan, reprints, 1913/1914, Book: Very Good, Dust Jacket: None, Two matching hardcover volumes, blue cloth with gilt lettering on spines, top edge gilt. Vol. 1: 1850-1854, 506 pages, title page dated 1913. Vol. 2: 1854-1860, 541 pages, title page dated 1914. NOTE: These are the first two volumes of what became an 8-volume set. Name on front fly leaf in both copies, otherwise lean bright copies.

Hardcover. Boston, Bulfinch / Little Brown, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover. Large folio in color printed thick glossy boards in color printed thick glossy card box. LaChapelle offers readers insight into the book and his photographic process: "And when people come for a photo session with me, they are giving themselves over, sort of checking in. When you stay at a hotel you're living for one day in a place where you don't normally live. That feeling can be true with photographs, too." LaChapelle's photographs can be spotted a mile away. If you read magazines, you know his work: it jumps out like none other with the expertly created environments and alternate realities in which he places his subjects. These universes are complete and constantly evolving to fit dynamic personalities. Hotel LaChapelle is filled with a celebrity cast as well as what LaChapelle calls "characters on the peripheries." The colors are as vibrant and inorganic as the settings that encapsulate his models. In this world, heads are sewn onto different-colored bodies, a nurse holds a face with a pair of tweezers, Marilyn Manson works as a school crossing guard, Madonna is a Krishna goddess, Leonard DiCaprio becomes Marlon Brando, and Ewan McGregor's face peers into a dollhouse while his body bleeds from a gunshot wound fired from Barbie's diminutive gun. The list goes on, and what it says about LaChapelle's vision is that excess is never too much. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, A. S. Barnes & Company, reprint, Book: Very Good, Dust Jacket: None, Hardcover, green boards stamped in black and red, red cloth spine, 401 pages with b&w illustrations, 3 color plates. Enlarged edition with selected readings. Latest date on copyright page is 1888. Previous owner's name, notation on blank prelim page, otherwise clean.

Hardcover. NY, Random House, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket with "1/66" code on front flap, $5.95 on the dust jacket. Stated First Printing on copyright page. Maroon cloth covers with gilt stamping. Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved.

Hardcover. NY, Pantheon, 1st, 2004, Book: Very Good, Dust Jacket: None, Tall vertically oblong folio (14 1/2" ) board book. Speigelman addresses his personal experiences in New York during the attack on the twin towers as he, his wife and daughter walked in New York. He decided on this large format, almost elephant folio sized, board book in his unique graphic illustrated style. A unique attempt at coming to grips with the tragic and frightening events of nine eleven. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. Lincoln NE, University of Nebraska Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 167 pages. A previously unpublished photo series by Irwin Klein of northern New Mexican counterculture communes from 1967-1971 blended with modern essays on the topic. Dropouts, renegades, utopians. Children of the urban middle class and old beatniks living alone, as couples, in families, or as groups in the small Nuevomexicano towns. When photographer Irwin Klein began visiting northern New Mexico in the mid-1960s, he found these self-proclaimed New Settlers and many others in the back country between Santa Fe and Taos. His black-and-white photographs captured the life of the countercultures transition to a social movement. Clean copy.

Hardcover. Philadelphia, George W. Jacobs & Co., 1907, Book: Very Good, Dust Jacket: None, Two matching hardcover volumes in maroon cloth with gilt-lettered spine titles. [1], xi, [1 blank], 658; [2], vi, 590 pages, as issued, with plates and folding maps. Jay Cooke was an American financier who helped finance the Union war effort during the American Civil War and the postwar development of railroads in the northwestern United States. He is generally acknowledged as the first major investment banker in the United States and creator of the first wire house firm. Over 75 illustrations, including foldouts. NOTE: Unlike most sets offered online, this one does not have blue cloth or top edge gilt. The copyright page states Published October, 1907. No other printings noted. No date on title page, so suspected reprint. Bookplate on inside front covers, otherwise clean and tight set.

Softcover. Santa Barbara CA, At Speed Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover. Flat-signed in black ink on the title page by the photographer, Jesse Alexander. Fully-illustrated B&W wrappers. With 47 B&W photo illustrations on semi-glossy stock. Jesse Alexander [1929-2021] was an American photographer who covered motorsports, portraits, birds and travel. One of his first photo expeditions was in 1953 to the Carrera Panamericana race in Mexico. Since 1954, he covered large European races such as 24 Hours of Le Mans in France, and the Mille Miglia and Targa Florio of Italy. He served as the European editor for Car and Driver magazine. Clean copy.

Softcover. Self Published, 1st, 1936, Book: Very Good, Dust Jacket: None, Softcover, 153 pages, light tan wrappers with black lettering. An account of the Holland Purchase in Western New York. The Holland Land Company was a group of Dutch investors who bought over three million acres of land in Western New York. The Western New York land, consisting of the modern day counties of Allegany, Cattaraugus, Chautauqua, Erie, Genesee, Niagara, Orleans, and Wyoming, was purchased in 1792 and 1793. The company surveyed the land from 1798 to 1800, dividing it into the system of townships, ranges, and lots which is still used today. Previous owner's name, address on a blank prelim page. Otherwise tight and clean, 4 b&w illustrations.

Hardcover. Minneapolis MN, Walker Art Center, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, publisher's light-brown cloth over boards, stamped lettering, and illustration to the spine, and boards. Richly illustrated in black-and-white and color throughout. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography." Clean copy.

Hardcover. Boston, New York Graphic Society, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 202 pages. A collection of 188 portraits of world leaders, artists, writers, and celebrities by Armenian-Canadian photographer, Yousuf Karsh . With portraits of Muhammad Ali, Winston Churchill, Albert Einstein, Ernest Hemingway, John F. Kennedy, Martin Luther King, Jr. and numerous other twentieth-century luminaries. 12 in color. Small nick to dj cover at bottom edge, previous owner's inscription on verso of front fly leaf, otherwise a clean, very good copy.

Hardcover. UK, Oxford University Press, 2nd pr., 1926, Book: Good, Dust Jacket: None, Hardcover, pale orange cloth with title on spine label. Former copy belonging to COUNTEE CULLEN (1903-1946), with his signature on the front fly leaf. Cullen was an American poet, novelist, children's writer, and playwright, particularly well known during the Harlem Renaissance. 248 pages, b&w frontis. Small paper scars to front endpapers, otherwise clean.

Hardcover. Tulia TX, Y-8 Publishing Company, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, faux brown leather with orange gilt lettering to the front and spine. 100 pages, 15 full page color reproductions of Wyatt's paintings interspersed with themed quotes from many authors. Clean copy.

Softcover. Amherst MA, University of Massachusetts Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 323 pages, b&w illustrations. Award-winning sportswriter Marty Dobrow examines the lives of six minor leaguers-Brad Baker, Doug Clark, Manny Delcarmen, Randy Ruiz, Matt Torra, and Charlie Zink-all struggling to make their way to "The Show." What links them together, aside from their common goal, is that they are all represented by the same team of agents-Jim and Lisa Masteralexis and their partner Steve McKelvey-whose own aspirations parallel those of the players they represent. The story begins during spring training in 2005 and ends in the fall of 2008, followed by a brief epilogue that updates each player's fortunes through the 2009 season. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. Meticulously and lovingly restored, this Eisner Award-nominated series showcases one of the most renowned and celebrated comic strips in the art form's history. This exquisite, generously sized volume finishes up the 1920s collecting the acclaimed and groundbreaking Krazy Kat Sunday strips in an archival hardcover edition. Volume 5 in the series. Mostly b&w, some color. A bright, clean copy.

Hardcover. NY, Alfred A. Knopf, 1st US, 1932, Book: Good, Dust Jacket: None, Hardcover, First American Edition. 327 pages, orange cloth boards. Green and black stamping to spine, black lettering on front cover. Shelf worn copy with some light rippling to the cloth on spine and rear cover. The final novel by English author D. H. Lawrence, which was first published privately in 1928, in Florence, Italy, and in 1929, in Paris, France. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial. This is the sanitized "Authorized Abridged Edition". Clean copy.

Hardcover. London, J M Dent and Sons, 1st, 1955, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth, gilt lettering on spine. 191 pages, color frontis, endpaper map and b&w drawings by Marcia Lane Foster. Some charming and ordinary youngsters visit an aunt in Beirut, where the general mystery of the Middle East is heightened by ghost music, defective servants, hostile villagers, and a few unsavory characters. Hinges cracked, name on front fly leaf, otherwise a clean copy

Softcover. NY, Callaway Editions, 1st, 2000, Book: Very Good, Dust Jacket: None, First edition. Softbound oversize book housed in publisher's slipcase. Clean, still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. NY, McGraw-Hill, 3rd pr., 1917, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 153 pages. First Edition, 3rd impression, b&w illustrations throughout. Designed to be used with or without the guidance of a teacher, the book is divided into three parts: Part I: Introduction - Covers essential tools, materials, and techniques necessary for mechanical drawing, including geometric constructions and the use of conventional lines. Part II: Examples and Problems - Provides a range of practical problems arranged by difficulty, covering projections, developments, intersections, isometric drawings, and machine details. Part III: Tables - Contains useful tables and general information frequently referenced by draftsmen, such as standard sizes for bolts, nuts, screws, and keys. Clean, tight copy.

Hardcover. NY, Aperture, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 118 pages with b&w plates. From Italy, France, Spain, Greece, Macedonia, Turkey, Tunisia, Syria, and Jordan, Jodice's luminous photographs evoke a vision of Mediterranean civilization that is a conflation of history and mythology. His dramatic yet ethereal images refuse both classical and contemporary boundaries in a fusion of the topographical and the intimate. Ruined temples, lost cities, heroic landscapes, gods and goddesses, vistas of Vesuvius and of the omnipresent sea transcend the constraints of their historical context in terms of both time and space. Clean copy.

Softcover. Berkeley CA, University of California Press, reprint, Book: Very Good, Dust Jacket: None, Softcover, 372 pages. Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, is one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, which depicts a court life whose drama and pathos is of Shakespearean proportions. Presented in its social, cultural, and historical contexts, this complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily pre-occupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and of how the genre of autobiography fared in pre-modern times. Clean copy.

Hardcover. San Francisco, Viz, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 167 pages illustrated in color. This volume tells the entire story of the hit Disney animated feature film, directed by Hayao Miyazaki, and features color stills from the film. Clean copy.

Softcover. NY, Oxford University Press, reprint, Book: Very Good, Softcover, 103 pages illustrated in b&w and color by Victor Ambrus. Geraldine McCaughrean retells the story for young adults of the crazed Captain Ahab and his relentless hunt for the great white whale. Clean copy.

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. NY, Platt and Munk, Revised Ed., 1932, Book: Fair, Dust Jacket: None, Hardcover, blue cloth with large cover label illustration featuring Humpty Dumpty. Illustrated in color and b&w by Eulalie and Lois Lenski. Copyright page states 30th Edition with the latest date being 1932. Covers worn, spine cloth frayed with a short tear to bottom edge. Binding a little loose, fragile. Inside illustrations bright and clean.

Hardcover. NY, The Museum of Modern Art, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong format, 123 pages. Monograph published to accompany a show that started at MOMA and traveled to Boston, Detroit, and San Francisco. Introduction by Peter Galassi, Includes 5 text illustrations and 85 tritone plates. Clean copy.

Hardcover. NY, Harper & Brothers, 13th pr., Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with red stamping, 239 pages. Color frontis and b&w illustrations by Helen Sewell and Mildred Boyle. With 10/7 Thirteenth Edition D-V on copyright page. Previous owner's bookplate, mild residue on front endpapers, otherwise clean. Nice early reprint of this classic.

hardcover. Austin, TX, Texas Monthly Press, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. A collection of black & white documentary photos taken in Texas in the 1940's. 149 pages. The photographs are from the Standard Oil Company archive, compiled under the direction of Roy Stryker, and now housed at the University of Louisville. Dust jacket unclipped. Clean copy.

Hardcover. Los Angeles, Getty Research Institute, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. From 1940 to 1990, Los Angeles rapidly evolved into one of the most populous and influential industrial, economic, and creative capitals in the world. During this era, the region was transformed into a laboratory for cutting-edge architecture. Overdrive: L. A. Constructs the Future, 1940 - 1990 examines these experiments and their impact on modern design, reframes the perceptions of Los Angeles's dynamic built environment, and amplifies the exploration of the city's vibrant architectural legacy. The drawings, models, and images highlighted in the Overdrive exhibition and catalogue reveal the complex and often under-appreciated facets of Los Angeles and illustrate how the metropolis became an internationally recognized destination with a unique design vocabulary, canonical landmarks, and a coveted lifestyle. Clean copy. In publisher's shrinkwrap.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 100 pages. No dust jacket issued. Eugene Atget, Jacques Henri Lartigue, Andre Kertesz, Brassai, Henri Cartier- Bresson, Robert Doisneau? -some of the greatest photographers of Paris? were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to conceiving the photographic image. In the 1920s and 1930s, the generation of photographers after Atget responded not only to the physical city itself but also to a new sensibility of time as a spontaneous act. Masterworks by these now-famous visionaries of the medium are featured in this elegant book of photographs of Paris from the 1850s to the 1950s, drawn from the remarkable collection of the Art Institute of Chicago. Clean copy.

Softcover. Glens Falls NY, Adirondack Mountain Club, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 280 pages with index, b&w drawings by Herbert Kates. Originally published in 1927. Clean copy.

Hardcover. Santa Fe NM, Arena Editions, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages. 125 erotic images used in research at the Kinsey Institute. Preface by Betsy Stirratt and Jeffrey Wolin. Very good in bright, unclipped dust jacket.

Hardcover. NY, Norton, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 464 pages. An autobiography from this important photographer. Includes numerous color and black and white images. A record of the photographic career of David Douglas Duncan, LIFE photographer and chronicler of wars from 1939 to Vietnam. From Picasso's private life and his unknown paintings to never-photographed treasures in Moscow's Kremlin, to America's historic 1968 Presidential Convention (also NBC's first photo-news one-man report), the results of Duncan's exuberance and keen eye are finally assembled in Photo Nomad. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 352 pages. The ultimate comprehensive survey of Smith's brilliant work. DOMESTIC SHIPPING ONLY.

Hardcover. London, Thames and Hudson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, green cloth, gilt lettering, 144 pages. Discovered in Paris in 1987, these 80 color and 30 b&w photographs, taken about 1910-14, are artistic studies of the expressionist Russian writer, his family and friends, his home, and the countryside around St. Petersburg. Includes a biographical essay and a review of the Lumiere autochrome photographic process. Mild wear to top of dj spine, otherwise a clean, tight copy.

Softcover. Buffalo NY, White Pine Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 181 pages. INSCRIBED BY AUTHOR on the title page. Immigrant writer Novakovich records his journeys to find his roots, some to his native Croatia, some no farther than Cleveland, where he searches for the grave of his grandmother, who refused to return to Croatia with the rest of her family. This moving collection reflects the joys and the difficulties in returning to a homeland left behind. Clean copy.

Softcover. Milano, Arte Contemporanea, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog of the Italian sculptor's work. Limited to 777 copies. Text in English and Italian with an essay by Enrico Gariboldi and a poem by Pier Carlo Bontempi. Includes numerous color illustrations. Clean copy.

Hardcover. Washington DC, Structural Clay Products Institute, 1939, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering, 400 pages. Illustrated with b&w drawings. Mild residue on inside front cover where bookplate removed. Otherwise clean, related business cards laid in.

Hardcover. NY, John Wily & Sons, 2nd Ed., 1909, Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on spine. 808 pages, b&w illustrations, charts. This comprehensive vintage guide offers a detailed overview of water supply systems, including their design, construction, and operation. It covers the various types of water sources, treatment methods and distribution networks. A valuable resource for engineers, planners, and policy makers dealing with water supply and sanitation issues. A dozen or so checks or short notations in text, name on front fly leaf.

Hardcover. Twayne Publishers, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 177 pages. Perhaps the most significant and influential figure in this century's wave of American realism, Raymond Carver (1938-1988) is credited not only with reviving the short story as an artistically legitimate form, but also with perfecting minimalist fiction. Moving chronologically through Carver's complete short fiction canon and examining key stories in depth, Ewing Campbell traces the author's development through and beyond literary minimalism, into the tradition of tragic allegory. He explores Carvers persistent use of myth and archetype; motifs of the grotesque; religious iconography; and oppressed, spiritually paralyzed characters. From the earliest stories through the latest, Campbell illuminates Carvers constant fascination with the way individuals connect or fail to connect with one another. Clean copy.

Hardcover. NY, McGraw-Hill, 4th Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on the spine, 454 pages, B&w diagrams, illustrations. This book provides a comprehensive guide to the construction of reinforced concrete structures, from design to implementation. It covers topics such as the properties of concrete and steel, the various forms of reinforcement, and the principles of beam and column design. A practical and informative resource for engineers and architects alike. Light marking to inside front cover, otherwise clean.

Hardcover. NY, William Morrow, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY THE AUTHOR on the title page. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. Clean copy.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Robert Capa: Photographs is a major retrospective of one of the century's greatest photographers. Drawing upon hundreds of previously unseen images, this collection reveals Capa as one of the great poets of the camera. In these photographs, we see the world through the eyes of a driven humanist who was also a documentarian of the highest caliber. While previous volumes on Capa have focused on his role as a war photographer, Robert Capa: Photographs shows us the remarkable range of his work: the sufferings as well as the tenderness, humor, and wonder of his subjects. The extraordinary book includes poignant comments by Capa's close friend Henri Cartier-Bresson and by Cornell Capa (Robert's younger brother and the Founding Director of the International Center of Photography), as well as a historical essay by Robert Capa biographer Richard Whelan. The dramatic collection of images in Robert Capa: Photographs shows that he captured-through the events of history-the very heart of humanity.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Robert Capa: Photographs is a major retrospective of one of the century's greatest photographers. Drawing upon hundreds of previously unseen images, this collection reveals Capa as one of the great poets of the camera. In these photographs, we see the world through the eyes of a driven humanist who was also a documentarian of the highest caliber. While previous volumes on Capa have focused on his role as a war photographer, Robert Capa: Photographs shows us the remarkable range of his work: the sufferings as well as the tenderness, humor, and wonder of his subjects. The extraordinary book includes poignant comments by Capa's close friend Henri Cartier-Bresson and by Cornell Capa (Robert's younger brother and the Founding Director of the International Center of Photography), as well as a historical essay by Robert Capa biographer Richard Whelan. The dramatic collection of images in Robert Capa: Photographs shows that he captured-through the events of history-the very heart of humanity.

Hardcover. London/NY, Phaidon, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, square format. Original photo-illustrated cover and spine, back cover black cloth, with white and black lettering on cover and spine. Contains nine hundred and thirty-seven photographs selected by Capa's brother Cornell Capa and Richard Whelan, Capa's biographer. The chronologically arranged photographs constitute a documentation of twenty-two years (1932-1954) of Capa's work, featuring many catastrophic and dramatic events with brief commentaries. Risking his life over and over again Robert Capa is considered the greatest combat and adventure photographer in history. He was the cofounder of Magnum Photos in 1947, an international photographic cooperative, and was awarded the Medal of Freedom by Dwight D. Eisenhower in 1947 for his work recording World War II. No dust jacket issued. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with translucent dust jacket. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs. The book was originally published by Yugensha in Tokyo in 1972. Remainder mark to top edge, dust jacket edgeworn, chipped. No marking, clean.

Hardcover. New York, Scalo Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated in b&w, some color. A hardcover exhibition catalog for a show that opened at the National Gallery of Art in Washington, DC. This comprehensive volume presents the works of the Swedish photographer, and includes five essays which analyze different aspects of Frank's photographs, films and videos. DOMESTIC SHIPPING ONLY.

Softcover. Tokyo, Parco Publishing, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, wrapped in a clear acetate cover with no printing. Unpaginated. 72 photographs including several color prints that were among the first ever collected in book form. Many portraits, including Patti Smith, Ken Moody. Text in English and Japanese. Clean copy.

Softcover. NY, St Martin's Press, 3rd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, 9 3/4 " - 12" tall. Foreword by Ntozake Shange. 91 full-page plates in black-and-white by Robert Mapplethorpe; from the inside of the front cover: "Mapplethorpe's exquisitely printed pictures of both gay and straight males are explicit and erotic. In their use of flattering lights and lavish deep-toned printing, they openly declare their bold belief in the esthetic equality of the male as model. But Mapplethorpe's pictures ironically confirm the Kenneth Clark doctrine: despite their smart, gleaming finish, they hail the body divine in the most traditional manner--with the sexes swapped." Clean copy

Softcover. Museo de Arte Contempaneo de Monterrey, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Numerous full page b&w photographs. Essay by Elena Poniatowska. Text in English and Spanish. Translated by John Page. Early 1900s portraits by a Mexican photographer in Guanajuato. Mild shelf wear, clean copy.