Hardcover. NY, George Braziller, 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in gilt, in a black cardboard slipcase. Color illustrations throughout. This powerful and breathtakingly beautiful Book of Hours was designed in the fifteenth century by one of the greatest masters of expressionism in France at the time, and executed by him (together with members of his workshop) for a royal patron. A relatively unknown masterpiece, it emerged from artistic obscurity in 1904 to widespread acclaim and critical appreciation.As Millard Meiss points out in his Introduction: "The Rohan Master cared less about what people do than what they feel. . . .Whereas his great predecessors, the Boucicaut Master and the Limbourgs, excelled in the description of novel aspects of the natural world, he explored the realm of human feeling." Clean copy.

Hardcover. NY, New Directions, 1st, 1050, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in yellow. No dust jacket. Clean copy. Published in 1950, his first novel was acclaimed by Gore Vidal as "splendidly written, precise, short, complete, and fine." It is the story of a wealthy, fiftyish American widow recently a famous stage beauty, but now "drifting." With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo.

Hardcover. NY, Frederick A. Stokes, 1st illust thus, Book: Very Good, Dust Jacket: None, Hardcover, geen cloth with 4 color decoration on front and spine. Color frontispiece, numerous black and white illustrations by Gordon Browne, No date (circa 1910). Tight, clean copy.

New York, Viking Press, Book Club, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. Black & white illustrations by David Rook. Dust jacket spine slightly faded otherwise very good.

Hardcover. London, Chatto & Windus, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, purple and black boards with black lettering on the spine label. 162 pages, b&w frontispiece by Ray Garnett (his first wife, Rachel 'Ray' Garnett). Top edge gilt. Tells the fictional story of the racism and hostility experienced by an interracial couple in Victorian Dorset. Clean copy.

Hardcover. NY, Books of Wonder, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. With twelve glowing color plates and over one hundred black-and-white drawings by Oz artist John R. Neill, this is a beautiful reproduction of the rare 1915 first edition. Afterword by Peter Glassman.

Softcover. Padova Italy, Editrice Antenore, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, cream color wrappers with black and blue type, 141 pages with index. Foreword by author. English text. Name on front fly leaf, light pencil marking to 10 pages.

Hardcover. NY, Doubleday, Doran & Company, 1st, 1931, Book: Very Good, Dust Jacket: None, Four hardcover volumes. Original blue cloth spines, title printed in black on paper label affixed to spines. Blue paper-covered boards with H.G. Wells's facsimile signature in gilt on covers. Top edges gilt. Solid text blocks, rubbed corners, sunning to spines, a very good set. Internally bright with numerous in-text illustrations and diagrams. The frontispiece of each volume contains a colorful illustration in a theme related to the subject matter of the work. A limited edition set, number 526 of 750 signed copies. Signed by H.G. Wells, Julian Huxley, and G.F. Wells on the limitation page. Many illustrations and diagrams. Iconic work from the thirties on all things biological from two of the greatest exponents of science in the 20th century, along with Well's' son and zoologist, George Wells. Clean set, minor shelf wear. DOMESTIC SHIPPING ONLY.

Hardcover. NY, William Sloane Associates, 2nd pr., 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 256 pages. Bright, clean copy in a lightly soiled dust jacket. A man crossing a London street is killed. He is carrying four blackmail letters. Mostly set in France, the basis for the 1968 MGM film directed by Richard Thorpe.

Hardcover. NY, Grosset & Dunlap , 1st thus, ND (1924), Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, blue cloth binding with black lettering. Black and white plate frontispiece, black and white plates throughout featuring scenes from the 1924 film starring Milton Sills, rear panel of dust jacket shows scenes from the photoplay of Scaramouche, starring Alice Terry and Roman Novarro. Inscription on front fly leaf, otherwise a clean copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, lavender cloth with black lettering and design. End papers show the Dana girls reading a letter printed in dark green. Nancy Drew titles listed to The Mystery of the Brass Bound Trunk. Clean, bright copy.

Softcover. NY, Grove Press, 1st thus, 2011, Book: Very Good, Dust Jacket: None, Four-volume paperback box set represents Beckett's major works in prose, drama, poetry, and criticism edited by Paul Auster. The cardboard slipcase is Fine. 2047 pages. 6 1/2 x 8 1/2 " tall. Includes "Waiting for Godot," "Endgame," and "Happy Days." Samuel Beckett was one of the most important and influential figures of twentieth-century literature. His radically minimalist language, black humor, and surreal situations unleashed a brilliant vision uniquely Beckett's own and, in the process, forever changed literature. Still in publisher's shrink wrap. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Seabury, 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 154 pages. Black & white illustrations by Anne Dalton. Clean copy.

Hardcover. Evanston IL, Northwestern University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The latest collection from award-winning poet Vievee Francis, The Shared World imagines the ideas and ideals and spaces of the Black woman. The book delves into inherited memories and restrictions between families, lovers, and strangers and the perception and inconvenient truth of Black woman as motherwith or without child. Francis challenges the ways in which Black women are often dismissed while expected to be nurturing.

Hardcover. NY, New Directions, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, putty color cloth with spine stamped in black and blue. 1st printing with no additional printings on copyright page. Light tanning to endpapers, mild shelf wear, clean copy. Bowles first novel.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with black lettering in a bright dust jacket with edgewear and chipping, 335 pages. Rear dj lists to Wild Horse Mesa. Name on front fly leaf, otherwise clean.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 326 pages. Bound in original dark red cloth with lettering in black.

Softcover. NY, Oxford University Press, repriny, 1989, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself.Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system forinterpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. Clean copy.

Hardcover. London, Methuen & Co. Ltd, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, pale yellow boards with black stamping, 196 pages. One of the wonderful series of Chiang Yee's city books where here he describes and depicts aspects of Edinburgh. Illustrated throughout with drawings and 20 full-page color plates. Bookplate on inside front cover, otherwise clean.

Hardcover. NY, W W Norton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. Author, artist, and poet Chiang Lee found in San Francisco the poetic beauty similar to his much-loved Chinese landscape. His view is keen and original as he wanders with his notepad and records his quizzical, quiet observations. Illustrated with 16 of the author's full color paintings, and over 50 of his black and white drawings, Clean copy.

Hardcover. NY, Farrar & Rinehart, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red lettering. The acclaimed crime writer's last book (he died in 1930), a collection of courtroom stories featuring Colonel Braxton, "great lawyer, great detective, and gallant gentleman ", and set in Virginia in the 1850's. Both Howard Haycraft and Ellery Queen considered Post second only to Poe as an American writer of detective fiction. Clean, square copy.

Hardcover. NY, Julian Messner, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. A German story retold by Erich Kastner and translated by Richard & Clara Winston. Illustrated in color and b&w throughout by Horst Lemke. Story of a little town called Schilda and the people who lived there- who did everything wrong. They built a three cornered town hall, burned down a house to catch a mouse, etc. They are the SIMPLETONS!! No dust jacket, clean copy.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. NY, Capricorn Books/G. P. Putnam's Sons, reprint, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with $2.50 on flap, 255 pages. Edited by Harvey Wish. Originally written by Olmsted in the 1850s as a series of articles in the New York Times, these essays became "the most important source of information about the life & customs of the slaveholding states of the South." Bookplate on inside front cover otherwise clean.

Hardcover. NY, Pantheon Books, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, light tan boards with pictorial cover in red and black. Sequence of events in Carroll's life and bibliography in back of book. B&w drawings by David Levine. Bright, clean copy, lacks dust jacket.

Softcover. NY, Charter Books, reprint, 1962, Book: Very Good, Dust Jacket: None, Softcover, 350 pages. With a new introduction by the author. Presents the story about coming of age in America by way of the baseball diamond. Lefthander Henry Wiggen, six feet three, a hundred ninety-five pounds, and the greatest pitcher going, grows to manhood in a right-handed world. Written in Henry's own words, this funny novel follows his eccentric course from bush league to the World Series. First published in 1953. Price blacked out on front fly leaf, otherwise a tight, clean copy.

Hardcover. Birmingham AL, The Legal Classics Library , reprint, 1985, Book: Very Good, Dust Jacket: None, Hardcover, handsomely bound in black leather lettered and decorated in gilt, blind stamping, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A compilation Pound's most influential works: The Spirit of the Common Law (1921), Law and Morals (1924), Interpretations of Legal History (1923) and "The Call For a Realist Jurisprudence" (1931). Clean, bright copy.

Softcover. Toronto CA, McClelland and Stewart, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 264 pages, 125 color, 135 black & white. Published in conjunction with an exhibition. "A major study of the artistic traditions of Canada's Native peoples and of their place in the cultures and belief systems in which they originated. Here, for the first time, is Native Canadian work from museums and private collections around the world. The works, and the essays that describe their contexts, bring to life the spiritual and aesthetic identity of the craftspeople and their societies. From richly ornamented costumes displaying the wealth of their owners to practical techologies that enabled the peoples to thrive in their environments, these treasures reflect Native life at the time of contact with Europeans." Clean copy.

Softcover. NY, Random House/Vintage Contemporaries, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 1st printing of the first American trade edition SIGNED by Ford on the title page with a black pen. No inscription. A trade paper original with glossy card covers. March Date: 1986. First edition is stated on the copyright page. Mild shelf wear, clean copy.

Hardcover. London, Merrell, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages, color and b&w plates. This book collects Willoughby's candid photographs from the sets of various great films since the 1950s. Also included are filmographies of the directors with whom he has worked. As the subtitle indicates, he really has collaborated with many of the great cinema luminaries. Beginning with Vincente Minnelli, they include Orson Welles, William Wellman, George Stevens, Mike Nichols, William Wyler, Alfred Hitchcock, and others. The most interesting aspect of this book is indisputably the photos (most of them black and white), many of which were shot in informal settings, showing directors and actors in seemingly unguarded moments. He made himself seem invisible, Willoughby said, by blending in with the movie crew, once he realized they were invisible to the actors.

Hardcover. London, Cresta House, 1st, nd, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards in color, 24 full page color illustrations by Angi Petrescu Tiparescu with the story printed in black on half-size sturdy yellow paper & bound in the center of the book. Printed in Romania. No date but appears to be 1970s. Clean copy.

Hardcover. Philadelphia, John C. Winston Company, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth stamped in gilt. beautifully illustrated with color & black lithographs and numerous text illustrations by the Petershams. Gilt lettering on spine faded.

Hardcover. NY, Privately Printed, 1st, 1934, Book: Very Good, Dust Jacket: None, Two hardcover volumes, original two-tone cloth (dark green spines and light green sides). Gilt titles and decorations. Top edge gilt. Memoir of a successful banker and financial businessman. Notable for his his World War 1 recollections and numerous accounts of sporting trips: trolling for lake trout and moose hunting in Quebec, dove shoots in Georgia, trout fishing and elk hunting in Yellowstone, duck shooting in Minnesota, salmon fishing in Newfoundland, grayling fishing in Yukon, black bass fishing in Canada, fishing for sailfish and dolphin off Florida. Clean bright set.

Hardcover. Philadelpha, J. B. Lippincott, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 56 pages illustrated in color. Red cloth stamped in black with $1.50 on front dj flap. No date but appears to be the 1946 edition. Back flap of jacket advertises Sambo and the Twins with blurb describing this as "this new Little Black Sambo story". Child's name on front fly leaf otherwise clean.

Hardcover. Philadelphia, David McKay Company, 1st, 1931, Book: Fair, Dust Jacket: None, 59 pages. Hardcover with chipped pictorial boards. Previous owner's scribbled markings on a few pages, end papers. Pages 39-42 have chunk torn from pages on bottom about an inch wide.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, full black leather with ornate gilt design on cover. all edges gilt, ribbon marker, marbled endpapers, raised bands. This is a facsimile of the 1932 first edition. Considered a 'sophisticated country lawyer', Darrow remains notable for his wit; he was quoted as saying, 'The trouble with law is lawyers.' Here, his autobiography, together with the additional 59-pg. Darrow's Plea, written in his own defense to the jury that exonerated him of the charge of bribery at Los Angeles, August, 1912. Clean, bright copy.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1930, Book: Very Good, Dust Jacket: None, Hardcover. black cloth with color illustration on cover label. 347 pages. 10 color plates by Peter Hurd, including the illustrated title page. Front hinge cracked, bookplate on half-title page. Otherwise clean.

Hardcover. NY, Charles Scribner's Sons, 1st illust thus, 1931, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with pictorial paper label to front cover, gilt stamping to spine. Six color plates, title page design and 2-color endpapers art by Peter Hurd. 279 pages. Some fading tospine gilt, light shelf wear, clean copy.

Hardcover. New York, G. K. Hall & Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 225 pages, minor dust jacket edge wear, otherwise, spotless and tight copy.

Softcover. Kingston, Ian Randle Publishers, 1st pbk, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 434 pages with index. The book traces the African ancestral line of Black Jamaicans through to the influence of Asian, European & Spanish rule of the island throughout the ages, culminating with early English white settlers, forging 2-types of Jamaican People. Clean, like new.

Hardcover. NY, Farrar Straus & Giroux, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust dacket with light fading to spine. Jeremiah, a middle- aged proboscis monkey feels life is passing him by. Wonderful black and white illustrations by the author. Clean copy.

Hardcover. NY, Doubleday, Doran & Co, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black, no dust jacket. Second mystery "The Curious Case of Callista" begins on page 133, b&w illustrations by Genevieve Foster. Front cover has fading/discoloration to green cloth, inside clean.

Hardcover. NY, Macmillan, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, color pictorial boards with yellow cloth spine and black lettering, black and white illustrations throughout in art deco style by Frank MacIntosh. Coatsworth won the Newbery Award in 1931. Previous owner's inscription on front fly leaf, otherwise clean and bright. No dust jacket.

Softcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Softcover. New York, W. W. Norton & Company, 1st, 2010-11-01, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Hardcover. NY, Grove Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages, in a lightly worn and price-clipped dust jacket. A novel by the African American poet and essayist set in the American South.