Hardcover. Baton Rouge, Louisiana State University, 1st, 1987, Book: Good, Dust Jacket: Fair, Hardcover in a lightly worn dust jacket, 227 pages, b&w illustrations. In this penetrating study, Carl Brasseaux looks beyond long-standing mythology to provide a critical account of early Acadian culture in Louisiana and the reasons for its survival. He convincingly dispels many received notions about the routes Acadians traveled from Nova Scotia to Louisiana, their original settlement sites, and the patterns of their subsequent migrations within the state, and closely examines the relations of Louisiana's Acadians with their black, Spanish, Indian, and Creole neighbors. In adapting to subtropical Louisiana, with its turmoil of alternating French and Spanish regimes, the Acadians exhibited industry, pragmatism, individualism, and the ability to close ranks in the face of a general threat. As Brasseaux reveals, Acadians' cohesiveness and insularity preserved the core elements of their culture and helped them adjust to new physical and social demands. Names, inscription to front fly leaf, interior clean and bright.

Hardcover. London, Rider & Co., 1st, 1928, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, black lettering on spine, 143 pages. A spiritual guidebook that explores the four major initiations of the human soul. The book delves into the spiritual journey of the soul and its evolution through the four initiations: Birth, Baptism, Transfiguration, and Resurrection. Conroy draws on the teachings of ancient wisdom traditions and modern spiritual practices to provide readers with a comprehensive understanding of these initiations and their significance in the spiritual path. The book is written in a clear and accessible language and provides practical exercises and meditations to help readers deepen their spiritual practice. Name on front fly leaf, inscription on dedication page. Otherwise a clean, tight copy.

New York, Farrar, Straus and Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, hardcover, 108 pages. Black & white illustrations by William Geldart. In a nice dust jacket.

Lawrence, KS, Spencer Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, 158 pages. Black & white illustrations throughout. No dust jacket.

Hardcover. NY, Alfred A. Knopf, 1st, 1933, Hardcover, black cloth stamped with gilt title and design, 68 pages. Gilt lettering on spine with light fading. This is the first printing with 1933 on title page and First Edition stated on copyright page. Illustrated with seven drawings on glossy stock by Gibran and two facsimile manuscript pages, all present and intact. Previous owner's signature on front fly leaf, mild wear to covers, faint foxing to endpapers, otherwise clean.

Hardcover. NY, Hugh Lauter Levin, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 100 pages. Hardcover with dust jacket. The planning and sketches for the famous installation that took place in 2005. Many black and white and color photographs. Bibliography.

Softcover. Rutland VT, self-published, 2nd Ed., 1909, Book: Very Good, Dust Jacket: None, Softcover, red paper covers stamped with a black title and cartoon portrait of author. Yankee humor in the form of short sketches originally published in the Rutland Herald. The author (pictured in a photo on the first inside page) was a member of the Vermont legislature. Several cartoons by George Randall embellish the 90 pages of text. Ads in rear. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 303 pages. Eighty percent of everything ever built in America has been built since the end of World War II. This tragic landscape of highway strips, parking lots, housing tracts, mega-malls, junked cities, and ravaged countryside is not simply an expression of our economic predicament, but in large part a cause. It is the everyday environment where most Americans live and work, and it represents a gathering calamity whose effects we have hardly begun to measure. In The Geography of Nowhere, James Howard Kunstler traces America's evolution from a nation of Main Streets and coherent communities to a land where everyplace is like noplace in particular, where the city is a dead zone and the countryside a wasteland of cars and blacktop. Now that the great suburban build-out is over, Kunstler argues, we are stuck with the consequences: a national living arrangement that destroys civic life while imposing enormous social costs and economic burdens. Kunstler explains how our present zoning laws impoverish the life of our communities, and how all our efforts to make automobiles happy have resulted in making human beings miserable. Name on front fly leaf, otherwise like new.

Hardcover. Seattle, Fantagraphics, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, This new deluxe hardcover collects full-sized Sunday newspaper comics from 1919 through 1921 in a handsome archival collection. As the surreal comic strip continues into the 1920s, the likes of Joe Stork, Blind Pig, and Bum Bill Bee settle into the mesas of Coconino County. Brand-new readers and Herriman aficionados alike will find out what happens when Ignatz the Mouse's brick supplier runs out of stock, how Krazy Kat fares after taking up boxing, and what happens when a new "Katnippery" opens providing libations to the locals. Krazy & Ignatz 1919-1921 (Vol. 2) includes photographs, artwork, and introductory text by comic historians Bill Blackbeard and Michael Tisserand. Black & white illustrations. 184 pages.

Hardcover. NY, Viking Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated red paper covered boards over black cloth spine; illustrated endpapers. Illustrated stylistically in black and white by Richard M. Powers. 64 pages, "the exaggerated nonsense, the bellylaugh humor, and the colorful salt-water lingo of Miss Ritchie's story clearly stem from the well-loved American traditional tale. But it is also as modern as today, and Richard M. Powers has designed and illustrated it with the bold, freewheeling vigor of our times." Clean copy.

Hardcover. NY, Dutton, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 69 pages. Black & white illustrations by Alan E. Cober. A young adult fantasy about a frozen land, written in second person.

Hardcover. NY, Scholastic, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Those shackles didn't rob us of being black, son, they robbed us of being human."This is the story of one family. A family whose history saw its first ancestor captured, shackled, and brought to this country from Africa. A family who can still see remnants of the shackles that held some of its members captive -- even today. It is a story of pride, determination, struggle, and love. And of the piece of the land that holds them together throughout it all. Clean copy.

Hardcover. NY, Harper & Brothers, 1957, Book: Very Good, Dust Jacket: Good, Hardcover in yellow and black cloth illustrated in black and with yellow spine lettering. 222 pages Illustrated with drawings by Williams from The New Yorker accompanied by the text they decorated from authors such as Robert Benchley, Corey Ford, Edward Streeter, Laurence McKinney, David McCord, and Ralf Kircher. Book is very good, clean. The dust jacket has tears with tape repair on reverse. Light soil.

Hardcover. Taschen , reprint, 2020, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. As special photographer on the sets and locations of Francis Ford Coppola's The Godfather trilogy, Steve Schapiro had the remarkable experience of witnessing legendary actors giving some of their most memorable performances. Schapiro immortalized Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton in photos that have since become iconic images, instantly recognizable and endlessly imitated. Gathered together in this book are Schapiro's finest photographs from all three Godfather films, lovingly reproduced from the original negatives. With contextual essays and interviews covering the trilogy in its entirety, this book contains over 300 color and black-and-white images. Schapiro's images take us behind the scenes of this epic and inimitable cinematic saga, revealing the director's working process, capturing the moods and personalities involved, and providing insight into the making of movie history. This book is a smaller edition of the 2010 Taschen edition. Still in publisher's shrinkwrap.

Hardcover. NY, Dial, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Lois and Wilma are proud of their father's brand-new gold Cadillac, and excited that the family will be driving it all the way from Ohio to Mississippi. But as they travel deeper into the rural South, there are no admiring glances for the shiny new car; only suspicion and anger for the black man behind the wheel. For the first time in their lives, Lois and her sister know what it's like to feel scared because of the color of their skin.

Hardcover. London, John Lane, 1st thus, 1900, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with with 41 gold X's and 40 gilt butterflies stamped on the cover, no dust jacket, top edge gilt, untrimmed edges. With the date of 1900 on the title page, but with a John Lane Copyright 1899, The University Press U.S.A. on the CR page. With 18 Maxfield Parrish black & white plates. Previous owner's bookplate on inside front cover, name on front fly leaf, otherwise clean.

Hardcover. San Francisco, Encounter Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. SIGNED BY AUTHOR ON HALF TITLE PAGE. Clean, unmarked copy. Black and white pictures in center. Goodyear was an entrepreneur who actually made good on the ever-popular claim that his company would change the world. Korman, senior editor of Engineering News-Record, dryly traces the life of the rubber pioneer and American industrial legend in this part scientific history lesson and part American business story. Goodyear (1800-1860) became an inventor not out of any great scientific thirst; he was self-taught and wanted to make money. He earned success, but endured continual patent monopoly battles and numerous trips to debtors' prison as he steadfastly and compulsively held onto his dream of using rubber to change just about every aspect of life. (According to Korman, Goodyear frequently wore a coat made of rubber in his early inventing days to underscore the versatility of his product.) Korman waxes scientific at times, offering in-depth descriptions of how Goodyear cooked rubber and sulfur compounds, yet his technical discourses are not so esoteric that they will turn away amateurs. His book is also valuable for its accurate portrayal of factory life in the 1830s and '40s; his accounts of the aproned men who chopped rubber with axes and knives and the machines that ground it are lively examples of industrial age America. Clean copy.

Hardcover. San Francisco, Encounter Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. Clean, unmarked copy. Black and white pictures in center. Goodyear was an entrepreneur who actually made good on the ever-popular claim that his company would change the world. Korman, senior editor of Engineering News-Record, dryly traces the life of the rubber pioneer and American industrial legend in this part scientific history lesson and part American business story. Goodyear (1800-1860) became an inventor not out of any great scientific thirst; he was self-taught and wanted to make money. He earned success, but endured continual patent monopoly battles and numerous trips to debtors' prison as he steadfastly and compulsively held onto his dream of using rubber to change just about every aspect of life. (According to Korman, Goodyear frequently wore a coat made of rubber in his early inventing days to underscore the versatility of his product.) Korman waxes scientific at times, offering in-depth descriptions of how Goodyear cooked rubber and sulfur compounds, yet his technical discourses are not so esoteric that they will turn away amateurs. His book is also valuable for its accurate portrayal of factory life in the 1830s and '40s; his accounts of the aproned men who chopped rubber with axes and knives and the machines that ground it are lively examples of industrial age America. Clean copy.

Hardcover. NY, Portland House, reprint, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 100 full-page color plates, each with multiple patterns; additional black & white figures. Originally published in 1867 by S. & T. Gilbert of London. Folio.

NY, Simon & Schuster, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 609 pages, b&w illustrations. They say that history is written by the victors. But not in the case of the most famous dissenter on the Supreme Court. Almost a century after his death, John Marshall Harlan's words helped end segregation and gave us our civil rights and our modern economic freedom. But his legacy would not have been possible without the courage of Robert Harlan, a slave who John's father raised like a son in the same household. After the Civil War, Robert emerges as a political leader. With Black people holding power in the Republican Party, it is Robert who helps John land his appointment to the Supreme Court. At first, John is awed by his fellow justices, but the country is changing. Northern whites are prepared to take away black rights to appease the South. Giant trusts are monopolizing entire industries. Against this onslaught, the Supreme Court seemed all too willing to strip away civil rights and invalidate labor protections. So as case after case comes before the court, challenging his core values, John makes a fateful decision: He breaks with his colleagues in fundamental ways, becoming the nation's prime defender of the rights of Black people, immigrant laborers, and people in distant lands occupied by the US. Harlan's dissents, particularly in Plessy v. Ferguson, were widely read and a source of hope for decades. Thurgood Marshall called Harlan's Plessy dissent his "Bible"--and his legal roadmap to overturning segregation. In the end, Harlan's words built the foundations for the legal revolutions of the New Deal and Civil Rights eras.

Hardcover. London, The Folio Society, reprint, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 261 pages indexed, with black slipcase. Striking Folio Society edition of Bell's revised 1952 account of the Great Fire of London, describing the state of the city prior to the inferno; the cause of the blaze and accounts of its spread throughout London, as well the immediate and long term aftermath. With color images and maps to end-papers.

Hardcover. Boston, Ginn and Company, reprint, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with silver lettering, 525 pages with index. B&w maps, illustrations. A historical interpretation of the semi-arid Short grass Country, the so called Cattle Kingdom. A well written book with a long chapter on the cattle industry. Copyright page states 1931, but titles listed in front date to 1937. Name on front fly leaf, mild musty odor.

Hardcover. NY, W. W. Norton & Company, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 24-foot-long black-and-white drawing printed on heavyweight accordion-fold paper and packaged in a deluxe hardcover slip-case. From "the heir to R. Crumb and Art Spiegelman" (Economist) comes a monumental, wordless depiction of the most infamous day of World War I.Launched on July 1, 1916, the Battle of the Somme has come to epitomize the madness of the First World War. Almost 20,000 British soldiers were killed and another 40,000 were wounded that first day, and there were more than one million casualties by the time the offensive halted. In The Great War, acclaimed cartoon journalist Joe Sacco depicts the events of that day in an extraordinary, 24-foot- long panorama: from General Douglas Haig and the massive artillery positions behind the trench lines to the legions of soldiers going "over the top" and getting cut down in no-man's-land, to the tens of thousands of wounded soldiers retreating and the dead being buried en masse. Printed on fine accordion-fold paper and packaged in a deluxe slipcase with a 16-page booklet, The Great War is a landmark in Sacco's illustrious career and allows us to see the War to End All Wars as we've never seen it before. Clean copy.

Hardcover. UK, Sutton Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 244 pages, b&w photos. In 1908 talented black US fighter Jack Johnson won the heavyweight championship of the world from the Canadian Tommy Burns. There was an immediate storm of protest. Writers, including Jack London, and politicians feared the accession of the fearless and outspoken Johnson would threaten white supremacy. It was predicted that his reign would lead to civic unrest and race riots. Over the next seven years, more than 30 white fighters tried to beat Jackson, lured by the prospect of fame and a quick buck. It was not until 1915 that Jackson lost his crown, and during the years in between an extraordinary human drama was played out on the boxing world stage. Clean copy.

Hardcover. NY, The Dial Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red gilt lettering on cover and spine. No dust jacket. It was the year the Babe hit 60 and Lou Gehrig hit 47 home runs and drove in 175 runs. Plus the team had Bob Meusel, Tony Lazzeri, Earle Combs, Herb Pennock, Urban Shocker, and manager Miller Huggins. The team won 110 games (in a 154 game season) and won the pennant by 19 games. Inscription on front fly leaf otherwise clean.

Softcover. NY, Avon, 1st pbk, 1947, Book: Good, Dust Jacket: None, Paperback, Avon Murder Mystery Monthly #46, digest size with pictorial wraps. 124 pages. Hardboiled detective novel by Black Mask author about a guy released from prison for a crime he didn't commit & determined to go out after the big shot criminals who prey on the little guys. Mild creasing, soil to covers.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 189 pages. Roy DIllon seems too handsome and well-mannered to be a professional con man. Lilly Dillon looks too young--and loves Roy a little too intensely--to be taken for his mother. Moira Langtry is getting too old to keep on living off the kindness of male strangers. And Carol Roberg seems too innocent to be acquainted with suffering. This was filmed in 1990 by Stephen Frears, with a screenplay by Donald E. Westlake and starring Anjelica Huston, John Cusack and Annette Bening. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1924, Book: Very Good, Hardcover, black cloth with gilt title on spine partially faded. A collection of lectures given by the future Supreme Court judge in the early 20s. INSCRIBED BY CARDOZO on the front fly leaf: "To the Reverend Dr. Stephen S. Wise/With the ever constant/ friendship of/ Benjamin N. Cardozo/ December 1924". Stephen Samuel Wise (March 17, 1874 - April 19, 1949) was an early 20th-century American Reform rabbi and Zionist leader in the Progressive Era. Joining U.S. Supreme Court Justice Louis Brandeis, Felix Frankfurter, and others, Wise laid the groundwork for a democratically elected, nationwide organization of 'ardently Zionist' Jews, 'to represent Jews as a group and not as individuals'.[7] In 1917 he participated in the effort to convince President Woodrow Wilson to approve the Balfour declaration in support of Jewish settlement in Mandate Palestine.[8] In 1918. In 1932, President Herbert Hoover appointed Cardozo to the Supreme Court to succeed Oliver Wendell Holmes Jr. Cardozo served on the Court until his death in 1938, and formed part of the liberal bloc of justices known as the Three Musketeers.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Describes the life of herring gulls and great black-backed gulls on Smuttynose Island, one of the two largest gull rookeries along the New England coast. B & w photographs by Sweet. 63 pages.

Hardcover. New Haven CT, Yale University Press., 4th pr., 1955, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth covers, black lettering on spine, 342 pages. Endpapers map, foreword by the author; includes: caste and class, religion, sex relations & home life, politics and economcs, and modern Haiti, notes & bibliography, index. Clean copy.

Hardcover. NY, D. Appleton and Company, reprint, 1901, Book: Good, Hardcover, terra-cotta cloth with red and black lettering and illustrations on front cover and spine. Six b&w plates by B. West Clinedinst. Title page dated 1901, copyright page dated 1899. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. NY, Random House, reprint, 1947, Book: Very Good, Dust Jacket: None, Hardcover, green cloth cover with black stamping, 343 pages. No date on title page and no statement of first printing. Clean, tight copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. First published in 1928, The Missing Chums is the fourth book in the Hardy Boys series. This appears to be a 1950s reprint. Follow Frank and Joe Hardy as they grapple with the unexplained disappearance of their closest friends, Chet and Biff, during a motorboat trip. The stakes are high, as Baldy Turk's gang think they've kidnapped Frank and Joe and, in a letter received by the Hardy Boys' Aunt Gertrude, are demanding ransom for their return. An investigation leads them to the mysterious Blacksnake Island, where they, too, are captured by the gang of criminals. Not only is the local bank robbed, but two of the Hardy boys' pals mysteriously disappear after a masquerade party. Are the events related? How the Hardy boys use all their courage and skill to outwit the criminals provides an exciting climax to one of the most baffling mysteries the young detectives have ever encountered. Clean copy, paper tanning.

Softcover. Cambridge MA, Harvard University Press, 3rd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 541 pages. It wasn't all black or white. It wasn't a vogue. It wasn't a failure. By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States. What has been missing from literary histories of the time is a broader sense of the intellectual context of the Harlem Renaissance, and Hutchinson supplies that here: Boas's anthropology, Park's sociology, various strands of pragmatism and cultural nationalism--ideas that shaped the New Negro movement and the literary field, where the movement flourished. Hutchinson tracks the resulting transformation of literary institutions and organizations in the 1920s, offering a detailed account of the journals and presses, black and white, that published the work of the "New Negroes." This cultural excavation discredits bedrock assumptions about the motives of white interest in the renaissance, and about black relationships to white intellectuals of the period. Clean copy.

Hardcover. NY, Dodd, Mead and Co. , 1st, 1932, Book: Fair, Hardcover, green cloth stamped in black. First Edition of the author's second book. 8vo. 290 pages. Pale green endpapers have pencilled numbers, front hinge starting. Shelf-worn copy.

Hardcover. Boston, Ginn and Co., reprint, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering on cover. A bright reprint of the book originally printed in 1921. Color frontis and b&w drawings throughout by Herford. Clean copy.

Hardcover. Newton Abbot UK, David & Charles, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. SIGNED BY AUTHOR ON TITLE PAGE. Illustrated with black & white photographs and drawings. Dust jacket with moderate wear. Clean, tight copy. Hill shepherds are the unsung heroes of British rural life. As indispensable to the nation's economy as the flocks they tend, these tough, gifted men and women deserve our recognition and gratitude. Edward Hart, an ex-farmer, has lived and worked with shepherds for many years. Originator of the idea for a Shepherd of the Year award, he now describes the life of a typical hill shepherd, including the daily round, seasonal changes, home life, hobbies and events. There are practical sections on the shepherd's work, his tools and their uses, whilst entertaining chapters cover the annual sales and shows, crafts such as crook-making and social pleasures.

Hardcover. NY, Dodd, Mead & Company, 1st, 1893, Book: Good, Dust Jacket: None, Hardcover, 190 pages. Frontis illustration loose but present. Illustration and gold embossed title on cover. Some discoloration to spine, otherwise good. Black & white Illustrations by J.O.B.

Hardcover. Edinburgh, T & T Clark, Revised Ed., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 606 pages. Volume 2 ONLY. A New English Edition revised and edited by Geza Vermes, Fergus Millar and Matthew Black. Clean copy.

Hardcover. Edinburgh, T & T Clark, Revised Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 704 pages. Volume 3/Part 1 ONLY. A New English Edition revised and edited by Geza Vermes, Fergus Millar and Matthew Black. Critical presentation of the whole evidence concerning Jewish history, institutions, and literature from 175 BC to AD 135; with updated bibliographies. Name on front fly leaf, otherwise clean.

Hardcover. Edinburgh, T & T Clark, Revised Ed., 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages 705-1015. Volume 3/Part 2 ONLY. A New English Edition revised and edited by Geza Vermes, Fergus Millar and Matthew Black. Critical presentation of the whole evidence concerning Jewish history, institutions, and literature from 175 BC to AD 135; with updated bibliographies. Clean copy.

Hardcover. Netherlands, Anthropological Publications, reprint, 1968, Book: Very Good, Dust Jacket: None, Two volumes complete, reprint of a book first published in 1914. Vol. I: 400 pages plus 22 pages of b&w plates. Vol. II: 610 pages including index and fold-out map. Red cloth covers with black and gilt title on spine. Cllean, no marking.

Hardcover. NY, Creative Age Press, 2nd pr., 1944, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 368 pages, red cloth, black border and gilt title on upper cover. Black label with gilt title on spine. Second printing copy of this detailed look at FDR's New Deal. Jacket art by C.B. Falls. Some tape repair to dj, name on inside front cover hidden by dj flap. Otherwise a clean copy,

Hardcover. Museums of San Francisco/ DelMonico Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In 1974 the photojournalist and art photographer Steve Kahn began a series of provocative black-and-white Polaroids of porn-industry models posing in seedy Hollywood apartments. What began as an exploration of staged photography and portraiture evolved over the next three years into "The Hollywood Suites," a multi-faceted conceptual project in which Kahn turned his lens away from the models to deconstruct their seemingly mundane and monotonous surroundings. Endlessly fascinating, Kahn's series touches on myriad themes including bondage, containment, isolation, and the poetics of absence. This volume includes more than 100 works arranged in chronological groupings based on the original Polaroid film sessions and features essays that offer a scholarly assessment of a groundbreaking work. Published on the occasion of the exhibition "Steve Kahn: The Hollywood Suites" at the de Young museum, San Francisco, from September 9, 2018 to March 31, 2019.

Hardcover. Museums of San Francisco/ DelMonico Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In 1974 the photojournalist and art photographer Steve Kahn began a series of provocative black-and-white Polaroids of porn-industry models posing in seedy Hollywood apartments. What began as an exploration of staged photography and portraiture evolved over the next three years into "The Hollywood Suites," a multi-faceted conceptual project in which Kahn turned his lens away from the models to deconstruct their seemingly mundane and monotonous surroundings. Endlessly fascinating, Kahn's series touches on myriad themes including bondage, containment, isolation, and the poetics of absence. This volume includes more than 100 works arranged in chronological groupings based on the original Polaroid film sessions and features essays that offer a scholarly assessment of a groundbreaking work. Published on the occasion of the exhibition "Steve Kahn: The Hollywood Suites" at the de Young museum, San Francisco, from September 9, 2018 to March 31, 2019.

Hardcover. NY, Doubleday and Co., 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth with titles in black and blue on spine, no dust jacket, 317 pages. These are the life and times of Col. John R. Stingo, fabulous figure of track and ring. The Colonel who Was a raconteur In The Grand Tradition; He shares his tales Oo rainmaking, horse racing, newspaper writing; and other exploits of his long and kaleidoscopic career. Paper tanning slightly but a clean copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 43 pages. Black & white and color illustrations by Garrett Price. Blue dust jacket scuffed at corners and top and bottom spine. Otherwise very good.

Hardcover. New York, Charles Scribner's Sons, reprint, 1896, Book: Very Good, Dust Jacket: None, 181 pages. Hardcover. B/w frontispiece with tissue guard, and illustrations (plates) throughout. Brown cover boards (light agewear) with black design on front cover board and spine. No dust jacket. Some tanning and smudges to pages and edges from age. In very good condition. Original owner's inscription on front fly leaf.

Hardcover. NY, McClure, Phillips & Company, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover in red cloth with gilt tiles on front cover and spine, 287 pages. Illustrated in black and white, color frontispiece. Previous owner's inscription on title page. Otherwise clean.

New York, World Publishing, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 134 pages. Black & white illustrations by Victor Ambrus. Novel about a magnificent white stallion.