Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Softcover. Authors Choice Press, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations, 216 pages. Originally published in 1973 and covers the early and essential years of her life and career. The story of a shy girl from Mississippi who became a world opra star told in a sympathetic light.

Hardcover. New York, Felicie, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Lavishly Illustrated with 300 color and 50 black & white plates. Previous owners stamp embossed on title page. Light sun fading along top edge. Otherwise clean, tight copy.

Softcover. Paris, Mercvre de France, 1st, 1958, Book: Very Good, Dust Jacket: None, 265 pages. INSCRIBED TO ROGER SHATTUCK BY AUTHOR ON FRONT ENDPAPER. With black & white illustrations by: Pablo Picasso, Jean Bazaine, Jacques Villon, Antoni Clave, and others. Spine paper with light sun fading. Clean, tight copy.

Hardcover. New York, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 595 pages, with black & white photographs. Minor dust jacket edge wear, otherwise, very clean and tight. In the course of his flamboyant career as an all-purpose activist, Saul Alinsky went from organizing working-class ethnics in one of Chicago's most blighted neighborhoods to mapping out strategies for the civil rights and antiwar movements of the 1960s. He enlisted allies-from Catholic clergymen to labor unionists and black activists-in battles waged against opponents from slumlords to the Eastman Kodak corporation. The range of Alinsky's activities, the intensity of his beliefs, and his exhilarating mixture of crudeness and calculation almost vibrate off the pages of this passionate and inspiring biography.

Hardcover. Boston, Houghton Mifflin, 3rd pr., 1960, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine. 471 pages, Walker Evans photos up front. In the summer of 1936, Agee and Evans set out on assignment for "Fortune" magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941. "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century. The time is the mid-1930s, in the depths of the Great Depression. Tenant farmers down South are struggling with deepening debt, chronic illnesses in their families (NO health care), land suffering from drought and the hopeless, grinding poverty much of America suffered through in that era. Clean copy. Lacks the dust jacket.

Hardcover. NY, Doubleday & Company, 1st, 1952, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. Book is very good, blue boards stamped in black. Lovely b&w photos by the author illustrate this volume celebrating the wildlife found in a brook. Clean copy.

Grand Rapids, The Fideler Company, 1st, 1951, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. 128 pages, endpapers map. Illustrated with black & white photographs.Clean copy.

Hardcover. NY, McClure Co., 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, red and white decoration on blue cloth covers, 206 pages. Black & white illustrations by Frederic Dorr Steele. Previous owner's signature front end paper. Light spine wear, rubbing to covers. No dust jacket.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, light brown cloth w/ black lettering on spine., 237 pages. Lightest of edgewear to dj. A collection of 42 letters written between 1769 and 1777 by Eddis, a young Englishman, loyal to the Crown. The correspondence offers unique insights into a critical point in American history, especially around the Cheapeake area where he was a resident. Name on front fly leaf, otherwise clean.

Softcover. London, Hamish Hamilton Ltd., Reprint, 1988, Book: Very Good, Dust Jacket: None, 454 pages. Softcover with moderate wear to edges, creases to cover & spine. Light foxing throughout & to top edge. Toning to edges. Includes drawings in bw by the author, decorating his letters, memoirs. Over 20 additional portraits in black & white. Clean copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 1974-1981, Book: Very Good, Dust Jacket: Very Good, All six volumes. Hardcover with dust jackets. Release dates range from 1974-1981. All first editions. Volume six has clipped dust jacket. Light fraying to dust jackets otherwise, clean, tight copies. Decorative staining on top text block. Black and white dust jacket.

Hardcover. UK, Frederick Warne, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Profusely illustrated in black and white and color . Charming collection of personal letters written by beloved author Beatrix Potter. The collection begins with an 1893 letter to a young friend, Noel Moore, when the youngster was ill; Potter would go on to write many letters, most often to children (particularly to the family of her former governess, Annie Moore), told funny anecdotes about her pets and her holidays, and copiously illustrated them with witty drawings. Clean copy.

Hardcover. Boston, University of Massauchusetts Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 267 pages. Hardcover with dust jacket. Clean, tight copy with black and white photographs in center. Little to no wear to edges.

NY, Walker, 1st , 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos by Hine. 156 pages. Related material laid-in: exhibition card and newspaper article by author on Hine. Previous owner's stamp front fly leaf, old ink price on flap. Light edgewear, soil to dust jacket otherwise VG/VG

Softcover. US, Kitchen Sink Press, reprint, 1988, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Softcover. US, Kitchen Sink Press, reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Softcover. US, Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1990, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Hardcover. Cincinnati OH, George Conclin, 6th Ed., 1841, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, 9 b&w woodcut illustrations. Sixth edition, first published in 1838. Tan cloth, paper label on spine, label is chipped, worn in areas. Covers with light soil. Still, internally a tight, clean copy with light foxing.

Softcover. Vermont, Consulting Archaeology Program, 1st, 2003, Book: Very Good, Dust Jacket: None, 316 pages. Brown glossy wrappers, slight rubbing and edge wear on fore edge. Front paper wrapper turns up slightly. Black & white photographs and map laid in. Clean and tight internally.

Softcover. Burlington VT, Consulting Archaeology Program, 1st, 2003, Book: Very Good, Dust Jacket: None, 316 pages. Brown glossy wrappers, slight rubbing and edge wear on fore edge. Front paper wrapper turns up slightly. Black & white photographs and map laid in. Clean and tight internally.