London, Morley & Mitchell Kennerley, 1st, n.d., Book: Very Good, Dust Jacket: None, Hardcover, green cloth, 3 black & white plates. 32 pages. Green cloth covers.

Hardcover. Hanover NH, Dartmouth College, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, 387 pages plus ads. Illustrated with black & white photographs and drawings. Minor rubbing at top and bottom of spine. Clean, tight copy.

Hardcover. Chicago, Stanton and Van Vliet Co, 1st, 1918, Book: Good, Dust Jacket: None, 403 pages + glossary with illustrations, photos and fold-out charts in b&w. Light wear and fraying to black covers with a few small holes through the cloth. Internally very good.

Hardcover. New York, Doubleday , Reprint, 1922, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover. Green cloth covers with intact full color pastedown to front, and cover and spine titles in black. A new translation by V. S. Vernon-Jones with an introduction by G. K. Chesterton, and 13 full color tissue guarded plates and many black & white drawings by Arthur Rackham. Clean, unmarked pages.

Hardcover. New York, Harper & Brothers, 1st, 1927, Book: Good, Dust Jacket: None, 194 pages. Black cloth with color pictorial label on cover. 101 full page and half page illustrations by Louis Rhead. 1/2" tear in spine edge.

Hardcover. NY, Alfred A. Knopf, 1st US, 1935, Book: Very Good, Dust Jacket: None, Hardcover, 337 pages, Index. Black & white photographic illustrations. Cream cloth with red & black illustration and lettering. The exciting story of the author's travels by car with Paris Benga, the famous Negro dancer, on a tour which zigzagged through the French colonies, the French and British mandates, and the Gold Coast to study the native dances in the districts most remote from civilization. This is also a study of the government and religion, the sex-life and marriage ritual, habits and customs, and the emotional and mental character of these West African Negroes. Mild stain to corners of front cover, not affecting the interior. Otherwise clean and tight copy.

Hardcover. Westport CT, Negro Universities Press , reprint, 1970, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on the spine. Originally published in 1852 this is an in depth study of the African people , both in Africa and in America. A great deal of material on slavery and the South, as well as early material on Liberia. Presented in a series of "conversations", this is an in-depth history of the African continent's peoples, the colonization of Africa, and subsequent African American slavery in the United States. Clean copy.

Hardcover. Boston, Little Brown/Bulfinch, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Introduction by Judith Jamison. Beautifully clean, new-looking condition. Really nice black & white photos by Ritts. Remainder line bottom edge. Hardbound, dust jacket. Unpaginated, but about 140 pages with some leaves printed one side only. Oblong, 14-1/2 by 12-1/4 inches. Seventy-five duotone photograph reproductions of people, landscapes and animals of Africa. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Babcock Galleries, 1s, 2010, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color. Published in conjunction with the exhibition of the same name; Includes images of and images by African-Americans, including William Sidney Mount, Thomas Worth, Edward Mitchell Bannister, Lyell E. Carr, Sol Eytinge, Eastman Johnson, Sheldon Orrin Parsons, and others. Clean copy.

Softcover. Providence RI, John Carter Brown Library, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 62 pages illustrated in b&w. Clean copy.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 133 pages. William Collins is very handsome, very polite, and very friendly. He is also dangerous when aroused. Now Collins, a one-time boxer with a lethal "accident" in his past, has broken out of his fourth mental institution and met up with an affable con man and a highly arousing woman, whose plans for him include kidnapping, murder, and much, much worse. Clean copy.

Hardcover. Berkeley, University of California Press, Revised 2nd, 1975, Book: Very Good, Dust Jacket: Good, 201 pages. Hardcover. Black & white illustrations. Dust jacket with moderate wear, closed tear. Previous owners name on front endpaper. Clean, tight copy.

Hardcover. New York, McDowell, Obolensky, 1st, 1958, Book: Very Good, Dust Jacket: Good, Volume 1 - 432 pages. Illustrated with black & white photographs and drawings by Tomi Ungerer. Dust jacket worn with chipping and small tears along edges. Clean, tight copy. Volume 2 - 488 pages. Dust jacket with light rubbing and small closed tears along edges. Clean, tight copy.

Hardcover. MIT Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in black cloth stamped with silver lettering. an autobiography in pictures, 400 pages. Ai Weiwei is China's most celebrated contemporary artist, and its most outspoken domestic critic. In April 2011, when Ai disappeared into police custody for three months, he quickly became the art world's most famous missing person. Since then, Ai Weiwei's critiques of China's repressive regime have ranged from playful photographs of his raised middle finger in front of Tiananmen Square to searing memorials to the more than 5,000 schoolchildren who died in shoddy government construction in the 2008 Sichuan earthquake. Against a backdrop of strict censorship, Ai has become a hero on social media to millions of Chinese citizens. This book, prohibited from publication in China, offers an intimate look at Ai Weiwei's world in the years after his return from New York and preceding his imprisonment and global superstardom. The photographs capture Ai's emergence as the uniquely provocative artist that he is today. There is no more revealing portrait of Ai Weiwei's life in China than this. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Jump At The Sun/Hyperion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. SIGNED BY ANN GRIFALCONI AND JERRY PINKNEY ON TITLE PAGE. 1st edition/1st printing. Full color illustrations by Jerry Pinkney. A bright, clean copy.

Hardcover. Reading, Mass., Addison Wesley, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 284 pages. Dust jacket unclipped, with minor edge wear and laminate peeling. Otherwise, clean and tight copy.

Hardcover. Chicago, Follett, 1st, 1961, Book: Very Good, Dust Jacket: Good, 159 pages. Hardcover with dust jacket. Story of a boy in Bali. Black & white drawings by George Kraynak. INSCRIBED BY FALK on front fly leaf. Dust jacket edgeworn, chipped.

Hardcover. NY/Chicago, Fleming H. Revell, 10th pr., 1915, Book: Very Good, Dust Jacket: Fair, Hardcover. Black & white frontis photograph of Muir (repeated on dust jacket). 11 other plates plus map. Dust jacket worn, chipped (about half of spine missing).

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 190 pages, Includes chronology, footnotes, selected bibliography, list of exhibited works, index. Profusely illustrated with color and b&w prints. This beautifully illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism's greatest innovators, Josef Albers (1888-1976) and Laszlo Moholy-Nagy (1895-1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists' separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice--Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America.

Hardcover. New York, Abrams, 1st, 1974, Book: Very Good, Dust Jacket: Good, 360 pages. Hardcover. Illustrations in full color and black & white. Previous owners name at top right corner of front endpaper. Maroon streaks along bottom edge of pages 355-356 due to printers error. Dust jacket with moderate wear. Clean, tight copy.

Hardcover. London, Neville Spearman, 1st, 1972, Book: Good, Dust Jacket: Good, 285 pages. Hardcover with dust jacket. Dj has tape repair on top edges, chipping, fraying and rubbing throughout dust jacket. Cover boards show medium wear on corners, as well as spine. Light foxing to fore edge text block. Black and white illustrations.

Hardcover. New York, Scribner, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to edges. Color and black & white images throughout. Tight copy.

Hardcover. Norman, OK, University of Oklahoma Press, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 270 pages illustrated throughout with photographs in sepia and drawings in b&w. Autobiography of a Canadian-born sculptor of Western subjects, considered one of the best sculptors of horses in the world. Black cloth spine with red paper boards, no dust jacket. Black pictorial slipcase with light wear. Beautiful copy. Like new.

Hardcover. Edison, Knickerbocker Press, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.