Hardcover. Garden City, N.Y., Doubleday, 2nd pr., 1976, Book: Very Good, Dust Jacket: Very Good, 280 pages, SIGNED BY AUTHOR on the front fly leaf.. The author's first novel. Clean and tight copy.
Hardcover. Garden City, N.Y., Doubleday, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 280 pages, SIGNED BY AUTHOR on title page. Minor dust jacket edgewear, otherwise, very clean and tight copy.
Hardcover. London, Hodder & Stoughton, 1st Thus, 1913, Book: Good, Dust Jacket: Fair, 138 pages. Hardcover. Illustrated with 7 full color plates by Hugh Thomson. Pages featuring plates are age darkened, with toning in some cases transferred onto bordering pages. Previous owners bookplate on front endpaper. Red cloth covers gilt titles. Dust jacket worn, with chipping, paper missing along edges. Clean, tight copy.
Hardcover. New York, Henry Holt, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover. 200 pages. Black & white illustrations by Helen Finger. Red top edge. Dust jacket with chipping, soiling. Price clipped. Clear plastic protective cover. Quaint story of a little Bavarian town in medieval days.
Hardcover. NY, Greenwillow, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover. 202 pages. Small remainder dot on bottom edge otherwise like new in a bright, unclipped dust jacket. Summary: Still troubled by his older brother's violent suicide, eighteen-year-old Dillon becomes deeply involved in the terrible secret of his friend Jennifer, who feels she can tell no one what her step father is doing to her. Clean, bright copy.
Hardcover. New York , Random House , reprint, 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 114 pages, illustrated in b&w by John Burningham. Book is bound in red cloth with gilt lettering. Edition is not stated, no date on the title page, copyright page states 1964. Contains 111 numbered pages with an additional 3 unnumbered. 16 line dedication. All pages are very clean and the binding is tight. Top edge stained black, dust jacket has light edgewear. Price of $3.50 on the front flap. Would appear to be a second or third printing of the first edition.
Hardcover. Boston, Houghton Mifflin, 1st US, 1935, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red lettering, 292 pages. Super clean, tight copy.
Hardcover. Philadelphia, Lippincott, reprint, n.d., Book: Very Good, Dust Jacket: Good, 147 pages, illustrated with 12 color and 18 b&w plates by Arthur Rackham. Original red cloth cover with black design, a few small areas where red is flaked, leaving white. Illustrated endpapers. Rear end papers have some light foxing. All plates with tissue guards with red lettering. Dust jacket spine darkened but design and lettering still readable., no price on jacket flap. A tight, clean copy of this reprint. No date but would have to be after 1926.
Hardcover. Boston, Houghton Mifflin, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover. 128 pages. Color frontis, black & white illustrations by Louise Roberts. Green cloth covers with red & black decorations, lettering. Light wear to spine bottom edge, corners.
Hardcover. London, HARVILL, 1st UK, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 233 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.
Hardcover. New York, Small Maynard & Co., 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages, 2 color plates by Jessie Wilcox Smith. Maroon cloth with cream and gilt decoration. Previous owner's bookplate on front fly leaf otherwise a clean, bright copy.
NY, Oxford University Press, 1st US, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt. Color frontis. and black & white illustrations by George Morrow. Illustrated end papers. Edgewear and mild soil to covers. No markings.
Hardcover. New York, Limited Editions Club, 1st thus, 1982, Book: Very Good, Dust Jacket: None, 123 pages, SIGNED BY ILLUSTRATOR, Claire Van Vliet, relief etchings throughout, number 794 of a limited 2000 copies. Printed cloth board cover with cloth slipcase, clean, bright and tight copy. No slipcase.
Hardcover. NY, Random House, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 184 pages, a novel about youth gangs in Harlem. Clean copy.
Hardcover. NY, Simon & Schuster, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright unclipped dust jacket. Remainder stamp on bottom edge. Lieberman's fifth novel features Dr. Paul Konig, New York City Chief Medical Examiner, studying the grisly remains of two -- or is it three -- people pulled out of the East River even as he learns his daughter has been kidnapped and he is thrust into a situation beyond all his considerable experience.
Hardcover. New York, Arbor House, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcver, 275 pages. Light edgewear to dust jacket protected by mylar cover. Clean, tight copy.
Hardcover. New York, McGraw Hill, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 171 pages, in a bright, unclipped dust jacket with art by Charles Lilly.
Hardcover. New York, Simon & Schuster, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 423 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy. With "humanism, generosity, and a passionate, beating heart" (The Times, London), Janice Galloway's Clara reignites, from between the lines of history, the great love of Robert and Clara Schumann. In her lifetime, Clara was a celebrated concert pianist and composer, editor and teacher, friend of Brahms -- as well as mother of the eight Schumann children and caretaker of her husband through a series of crippling mental illnesses. In its luminous integrity the novel brings Clara Schumann to life as a woman of genius. Galloway is at once a meticulous researcher of her subjects' remarkable and highly dramatic artistic careers and a virtuoso storyteller whose imagination and empathy lead her to that place off limits to history and biography -- inside the human mind. Distilling the memories, poetry, and musical notes therein, she examines the ways artists divine patterns out of life's chaos. "Passion," writes Galloway of Clara's performance philosophy, "one might take for granted -- its control is the mechanism through which all else flows." Though music may have bent to Clara's will, love served her far more tragically. Dismissing the cliches of Great Art and rejecting the romantic conflation of Madness and Creativity, Clara boldly ventures that in a life marred by alienation and isolation, "Work alone endures."
Hardcover. New York, Harcourt Brace and Co., 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, 323 pages, light blue cloth with black lettering. illustrated in b&w by Frank Beaudouin. Clean and tight.
Hardcover. New York, Harcourt Brace and Co., 1st, 1940, Book: Very Good, Dust Jacket: None, 323 pages, light blue cloth with black lettering. illustrated in b&w by Frank Beaudouin. Light fade to spine. Clean and tight.
Hardcover. New York, Viking, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY WELDON on front fly leaf. Light edgewear to pictorial dust jacket, else a clean, tight copy.
Hardcover. Boston, Little, Brown and Company, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 403 pages. Light shelf-wear to dust jacket and light foxing to edges, else a clean, tight copy.
Hardcover. Boston, Roberts Brothers, 1st, 1888, Book: Very Good, Dust Jacket: None, Hardcover, mustard cloth stamped with gilt lettering and flower blossoms on front cover. 304 pages plus publisher's ads in rear. B&w illustrations by Jessie McDermot, frontis with tissue guard. Small price sticker to front fly leaf, otherwise bright and clean.
Hardcover. NY, Macmillan, 1st, 1932, Book: Good, 352 pages. Hardcover. Pencil marking to preliminary and half title page, some soiling to spine & board edges, and fraying to crown & heel. Red dyed top edge with sunfading. Toning throughout, fingerprint p. 61 and tears to p. 350. Otherwise clean inside. A worn copy that feels comfortable in your hands.
Softcover. New York, Dell Publishing, 1st, 1944, Book: Very Good, Dust Jacket: None, 240 pages. Paperback. Dell Book #61. Minor wear to paper wrappers. Creasing to covers and spine. Cover art by Gerald Gregg. Edgewar creasing to map on back cover.
Hardcover. NY, Harcourt, Brace and Company, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue, 294 pages. Endpapers art and b&w illustrations by Eva A. Watson. A story based on the formation of the Coat-Rolls. New England women were asked to make coats for their men fighting in the War of Independence. Clean copy.
Hardcover. London, UK, Eyre & Spottiswoode, 1st, 1962, Book: Very Good, Dust Jacket: Good, Hardcover, 239 pages. Author's first book SIGNED by him on front end paper. Some edgewear and tanning to white dust jacket else a clean, tight copy.
Hardcover. NY, Atlantic Monthly , 1st US, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY SELF on title page. Clean, tight copy in excellent condition.
Hardcover. San Diego, Harcourt Brace Jovanovich, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 337 pages. unclipped dust jacket protected by mylar cover, with minor rubbing. Remainder mark to top edge. Otherwise, clean and tight copy. The memorable Arkansas town from the perspective of its smallest denizens.
Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with black lettering in a bright dust jacket with edgewear and chipping, 309 pages. Rear dj lists to Betty Zane. Name on front fly leaf, otherwise clean.
Hardcover. London, Herbert Jenkins, 2nd pr., Book: Very Good, Dust Jacket: None, 312 pages plus ads in rear. Hardcover. Orange cloth with black lettering. Stated Second Printing on copyright page. Spine a little cocked otherwise clean, tight copy.
Hardcover. NY, Atlantic Monthly, 1st, 1997, Book: Near Fine, Dust Jacket: Near Fine, 356 pages. Dark blue boards, black cloth spine with orange metallic titles, illustrated dust jacket with mylar protective covering, endpapers decorated with red map of Southern Blue Ridge mountains. Circular sticker to front panel of dust jacket with praise from John Berendt, author of Midnight in the Garden of Good and Evil. No wear to dust jacket or covers, pages crisp and unmarked, stiff binding; an excelptionally clean, tight copy in excellent condition.
Hardcover. London, Secker & Warburg, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages, SIGNED BY AUTHOR on title page. Spotless copy.
Hardcover. NY, Doubleday & Company, 1st, 1958, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket. Bookplate on inside front cover, otherwise clean.
Hardcover. NY, Doubleday & Company, 1st, 1977, Book: Good, Dust Jacket: Good, Hardcover, in a dust jacket with light fading to spine. The author's uncommon first book. Ex-lib with endpapers residue and light stamping. A novel about a high school's star majorette in a small delta town in the South.
Hardcover. New York, Mysterious Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, SIGNED BY DONALD WESTLAKE(STARK) on title page.
Hardcover. London, The Bodley Head, 1st, 1966, Book: Near Fine, Dust Jacket: Near Fine, Dark green cloth covers, gilt lettering on spine, top of spine is light violet. A near fine copy in a bright dust jacket.
Hardcover. Boston, Estes & Lauriat, 1st, 1894, Book: Very Good, Dust Jacket: None, Pages: (1) 312, (2) 321. Hardcovers. 2 VOLUME SET. International Limited Edition Set: #959 out of 1000 printed sets. All volumes: B/w illustrations/plates throughout, each with tissue guard, bound in green cloth (slight fraying at top of spine), paste down title label on spine (some tanning and chipping to labels, but both are in good shape and legible). Gilt top edges. Deckled fore and bottom edges. Tanning to pages and edges due to advanced age. Beautiful collector's item over 120 years old.
Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.
Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.
Hardcover. Boston, Houghton, Osgood and Company, 1st US, 1880, Book: Fair, Dust Jacket: None, 347 pages. Green cloth hardcover. Spine cocked. Rear interior hinge cracked. Some stress to binding threads that hold page sections. Moderate fraying to cloth at bottom of spine. Rubbing to corners of front cover. Clean, unmarked text.
Boston, Little Brown and Company, 1st, 1934, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped with yellow lettering. 286 pages illustrated in b&w by Gordon Grant. Follows the popular The Half Deck, which he wrote in 1933. The Monarch, under Capt. McFarlane, leaves the Firth of Clyde for Africa, the Barbadoes, New Orleans, and back. War is declared while in Africa, and the ship tries to outrun a submarine. Small name on front fly leaf otherwise a clean, tight copy.
Hardcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Vanise Dorsinville is fleeing Haiti while Robert Dubois abandons his life in New Hampshire; a novel of how their lives collide. Continental Drift is the story of a young blue-collar worker and family man who abandons his broken dreams in New Hampshire and the story of a young Haitian woman who, with her nephew and baby, flees the brutal injustice and poverty of her homeland. A powerful literary classic from one of contemporary fiction's most acclaimed and important writers.
Hardcover. NY, Viking Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Hoyt's sixth novel is an international spy thriller that twists the face of the Cold War into a crooked grin when a working model of a small atom bomb falls into the wrong hands and ends up targeted for New York City.
Hardcover. Philadelphia, J.B. Lippincott Co., 3rd pr., 1935, Book: Fair, Dust Jacket: None, 343 pages, hardcover. Illustrated by the author and Helene Carter. Spine cracked at front panel. Heavy edgewear and fading to boards. Water damage to text block. Light soiling to boards. Mild age-toning to text block. Faint foxing and spotting throughout, mostly to preliminary pages. Previous owner's inscription to front flyleaf. A fair reading copy.
Hardcover. Boston, Houghton Mifflin, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in light blue, 318 pages. 1922 on title page so true first. Novel about cowboys and a copper mountain written by an actual cowboy. Spine faded, clean copy.
Softcover. NY, HarperCollins, 1st thus, 2008, Book: Very Good, Dust Jacket: None, Softcover, 186 pages illustrated in color by P. Craig Russell. A first printing of the graphic novel adaptation of the 2002 novel.