Hardcover. NY, Hyperion, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY COCKEY title page.
Hardcover. New York, W.W. Norton & Company, 1st, 2020, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with laminated boards. Illustrations by Peter Kuper.
Hardcover. St. Paul MN, Graywolf Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY DIMMICK on the title page. Like a ripped-from-the-headlines episode of TV's Law and Order, this second novel from Dimmick (following In the Presence of Horses) describes the aftermath of a horrendous physical attack at a Rhode Island school. In this particular incident, a knife-wielding student has disfigured teacher Zoe Muir. Unable to return to business-as-usual, she moves to northern Vermont, buys an unfinished house in the woods, and attempts to reconstruct her life. Clean copy.
Hardcover. St. Paul MN, Graywolf Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY DIMMICK on the title page. Like a ripped-from-the-headlines episode of TV's Law and Order, this second novel from Dimmick (following In the Presence of Horses) describes the aftermath of a horrendous physical attack at a Rhode Island school. In this particular incident, a knife-wielding student has disfigured teacher Zoe Muir. Unable to return to business-as-usual, she moves to northern Vermont, buys an unfinished house in the woods, and attempts to reconstruct her life. Clean copy.
Hardcover. NY, Dutton, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover. SIGNED BY AUTHOR ON FRONT END PAPER. Clean, copy with only minor wear to dust jacket.
Hardcover. NY, Harper & Brothers, 1st, 1935, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket with $2.50 on flap, 304 pages. Stated First Edition with M-I code on copyright page. Title-page printed in red and black. Original gray cloth lettered in black, backstrip decorated in red and lettered in black. "George Brush, a traveling textbook salesman, is a fervent religious convert who is determined to lead a good life. With sad and sometimes hilarious consequences, his travels take him through smoking cars, bawdy houses, banks, and campgrounds from Texas to Illinois and into the soul of America itself."
Hardcover. New York , Harper and Brothers, 1st, 1946, Book: Very Good, Dust Jacket: None, 57 pages, illustrated in b&w by Ilonka Karasz, title page and end papers decorated in pink and black. Black cloth covers stamped with with stars and type design. Mild soiling to covers, previous owner's inscription on blank prelim page. No dust jacket.
Hardcover. Boston, W. A. Wilde Company, 1st, 1905, Book: Fair, Dust Jacket: None, Hardcover, brown cloth with 3-color pictorial decoration on the cover. Five b&w plates by Harry Burgess. Covers with edgewear, front hinge cracked, binding shaken but still holding. Dog advntures set in the northern wilds of Canada, told from the dog's viewpoint.
Softcover. NY, Little, Brown & Company, reprint, 2014, Book: Very Good, Dust Jacket: None, Softcover, 332 pages. Fargo has spent his life engaging in almost every vice imaginable--and his only regret is that he once stole a horse. His son Grant, a shiftless dandy with a resemblance to Edgar Allan Poe, is conducting an affair with his voluptuous and volatile cousin. And behind everyone's back, Grandmother Pearl has just signed the family property over to the Almighty. In the literature of the American prairie, few families are as brawling, as benighted, or as outrageously vital as the Fargos of Verdon, Nebraska. And when Jim Thompson chronicles their life and times, the result suggest Willa Cather steeped in rotguut--and armed with a .45. Clean, unread copy.
Hardcover. New York , Armchair Detective Library, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover, 297 pages. Introduction by James Ellroy. Blue cloth covers with silver lettering and design with author cameo on front cover. Spots on back of cover otherwise very clean. Originally published in 1946 and unavailable in any edition for over 50 yrs.
Softcover. Berkeley CA, Black Lizard, reprint, 1984, Book: Very Good, Dust Jacket: None, Paperback, tight and square, clean and bright. Unread mass market reprint of the Thompson classic.
Softcover. London, Hard Case Crime, 1st thus, 2018, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Paul Mann. It isn't easy going to jail for a practical joke. Of course, this particular joke left 20 cars wrecked on the highway and two politicians' careers in tatters--so jail is where Harold Kunt landed. Now he's just trying to keep a low profile in the Big House. He wants no part of his fellow inmates' plan to use an escape tunnel to rob two banks. But it's too late; he's in it up to his neck. And that neck may just wind up in a noose. HELP I AM BEING HELD PRISONER is Donald E. Westlake at his funniest and his most ingenious, a rediscovered crime classic from the MWA Grand Master returning to stores for the first time in three decades. Like new.
Hardcover. NY, McGraw-Hill, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Adapted by Leigh Dean from the original opera libretto. illustrated in color by Milton Glaser. Light edgewear to dust jacket.
Hardcover. NY, McGraw-Hill, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Adapted by Leigh Dean from the original opera libretto. illustrated in color by Milton Glaser.
Hardcover. New York, Doubleday and Co., reprint, Book: Very Good, Dust Jacket: Good, Hardcover, 76 pages, illustrated in color and b&w by De Angeli. Color illustrated map on end papers, color boards with an edgeworn dust jacket with short, closed tears, price-clipped. Appears to be a 1960s reprint.
Hardcover. Boston, Houghton Mifflin, 1st thus, 1905, Book: Very Good, Dust Jacket: None, Hardcover, green boards with design and paste-down illustration on cover. Illustrated by Arthur I. Keller. These are thick pages with glossy color plates on most every page. This edition is the first illustrated edition of the poetry which was first published in 1870 .
Hardcover. NY, Harcourt Brace, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover. 149 pages. SIGNED BY YOLEN on title page. Black & white illustrations by David Wilgus. Some rubbing to dust jacket. Otherwise very good.
Hardcover. Boston, Little Brown, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY EARLEY on the title page during the Breadloaf Writer's Conference in Vermont in 1997.
Hardcover. NY, Simon & Schuster, 1st , 1984, Book: Very Good, Dust Jacket: Good, Hardcover. SIGNED BY SHIELDS on front fly leaf. Small remainder line to bottom edge. Dust jacket edgeworn, chipped. Otherwise clean.
Hardcover. NY, Delacorte Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 135 pages. The irony of the title will haunt readers of this novel as they delve into the mind of a WWII veteran whose face has been blown off by a grenade. After winning a Silver Star for bravery, 18-year-old Francis Cassavant could return home a hero, but he keeps his identity secret in anticipation of murdering a personal enemy and wanders the streets of his hometown as a lone, grotesque figure ("People glance at me in surprise and look away quickly or cross the street when they see me coming"). The man Francis seeks is Larry LaSalle, who was once his mentor and who has also earned a Silver Star. Cormier (Tenderness; In the Middle of the Night) offers two levels of suspense in this thriller. His audience will tensely await the inevitable confrontation between the two men while trying to extract Francis's motive for murder from flashbacks revolving around his high school sweetheart and the Wreck (Recreation) Center, where they spent many happy hours under the direction of LaSalle. Cormier is once again on top of his game, as he constructs intrigue, develops complex characters and creates an unexpected climax. Clean copy.
Hardcover. NY, Crowell, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 186 pages. Jeff tables his dreams of directing movies when his dream girl, who left town to become a theatrical star, returns as an unwed mother. PW called this an "engrossing story of lopsided love," but added that "the term YA is really too elastic; this story requires a reader more mature than a 12-year-old." Dust jacket price-clipped otherwise like new.
Hardcover. NY, Crowell, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 186 pages. Jeff tables his dreams of directing movies when his dream girl, who left town to become a theatrical star, returns as an unwed mother. PW called this an "engrossing story of lopsided love," but added that "the term YA is really too elastic; this story requires a reader more mature than a 12-year-old." Dust jacket price-clipped otherwise like new.
Hardcover. New York, Harper & Row, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Dust jacket shows very minor wear otherwise clean and nice. Color illustrations by Whitney Darrow, Jr. Hardbound.
Hardcover. Boston, Houghton Mifflin , 1st illust. thus, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 8 color, 4 b&w plates by E. Boyd Smith. Brown cloth covers with gilt and black design. Front endpaper split at hinge, otherwise very good.
Hardcover. New York, The Macaulay Company, First Edition, 1922, Book: Very Good, Dust Jacket: None, 290 pages. Hardcover. Frontis illustration in bw, "At the sharp crack of the rifle, Moran stopped short." Brown cloth boards with orange printed titles to cover & spine. Previous owner's signature to front flyleaf. Light foxing to a few pages. Otherwise clean & unmarked.
Hardcover. New York, Crown, 1st , 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 117 pages. INSCRIBED BY VELDE on title-page. Black & white illustrations, color wrap-around dj art by Trina Schart Hyman.
New York, W. W. Norto, 2nd pr., 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 145 pages. Black & white illustrations by Victor Ambrus. Dust jacket with edgewear, price clipped. A mystery for young people set on a desolate island off the Tasmanian coast.
Hardcover. NY, D. Appleton & Co., 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, 300 pages + ads. Color illustrated frontispiece and front cover. Very good condition.
Hardcover. NY, Dunne/St. Martin's, 1st , 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In High Lonesome Road, the third in the Chloe Newcombe series set in the high Arizona desert, the Cochise County Library bookmobile driver is found murdered at one of her stops. When Chloe is called out to assist the woman who discovered the body, she learns that the driver is Erica Hill, an old friend of her brother's from long ago in Venice, California. Erica was beautiful and flamboyant, a former heartbreaker who has changed her life to be a good mother to her sixteen year old son Troy. When Troy is accused of his mother's murder Chloe is convinced he is innocent and sets out to find the real killer , in the process revealing a shocking secret from Erica's past.
Hardcover. New York, Farrar Straus Giroux , 1st U.S., 1988, Book: Very Good, Dust Jacket: Very Good, 214 pages. Hardcover with dust jacket. SIGNED BY O'BRIEN on title page.
Hardcover. New York, Viking, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Mylar cover. Remainder mark to bottom edge, else like new. "A haunting triptych of the dispossessed and the abandoned" - in Africa where a man is recounting his days during the slave trade, in America with a young man serving a sentence of life imprisonment, and in Europe, where a woman, survivor of the Holocaust, realizes that she cannot really escape.
Hardcover. New York, Doubleday Doran, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black design, 297 pages, decorations and endpapers illustration by Frank Dobias. Fading to cloth spine otherwise clean, tight copy.
Hardcover. New York, William Morrow & Co, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 293 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.
Hardcover. New York , Viking , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 245 pages. SIGNED BY TREVOR on half title page. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. New York , Henry Holt & Company, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover,3 46 pages. With occasional Vermont verses by Sarah N. Cleghorn. Maroon cloth with gilt title to front and spine. No dust jacket. Previous owner's inscription on front end paper. Light sun-fade and edgewear to spine and faint foxing to edges. Clean, tight copy.
Hardcover. New York, Dodd, Mead and Company, 1st, 1939, Book: Very Good, Dust Jacket: Good, Hardcover, 149 pages, illustrated by Doris Lee. Dust jacket edge wear, creases and rub, previous owner's signature on front fly leaf, otherwise, very clean and tight copy.
Softcover. Berkeley CA, Black Lizard, reprint, 1987, Book: Very Good, Dust Jacket: None, Mass market sized paperback, originally published in 1954. Clean, bright copy in color wraps.
Hardcover. NY, Charles Scribner's Sons, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. Black & white illustrations by Susan Bennett. Library discard stamp in front end pages, die-cut library stamp on top of title page. Price-clipped dust jacket with very slight chipping to top edge and spine. Otherwise a very nice copy.
Hardcover. NY, Macmillan, 1st U.S., 1892, Book: Very Good, Dust Jacket: None, Hardcover, two-tone cloth stamped in gilt and dark blue, 576 pages. First published in England in 1891. Clean, bright copy.
Hardcover. London, George Routledge, reprint, nd, Book: Very Good, Dust Jacket: None, Green cloth hardback with gilt borders and green lettering to the front and spine. Color frontis, black & white line drawings in text. Corrected and revised by Cecil Hartley, originally published in 3 volumes, 1783-89. This is a modern reprint, probably the 1920s.Clean, bright copy.
Hardcover. London, UK, Frederick Warne , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 446 pages, illustrated throughout in color and b&w. Red leatherette, silver lettering to spine, top edge with red cosmetic stain. Pictorial, price clipped dust jacket. Slight wear to edges and spine, light scratching to covers, else a very nice, tight, clean copy.
Hardcover. London, UK, Frederick Warne , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 446 pages, illustrated throughout in color and b&w. Red leatherette, silver lettering to spine, top edge with red cosmetic stain. Pictorial, price clipped dust jacket. Slight wear to edges and spine, light scratching to covers, else a very nice, tight, clean copy.
Hardcover. NY, Morrow, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BLOCK on title page.
Hardcover. NY, Morrow, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BLOCK on title page.
Hardcover. New York, William Morrow, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy. John Keller is everyone's favorite hit man: a new kind of hero for a new, uncertain age. He's cool. Reliable. A real pro: the hit man's hit man. The inconvenient wife, the aging sports star, the business partner, the retiree with a substantial legacy. He's taken care of them all, quietly and efficiently. Keller's got a code of honor, though he'd never call it that. And he keeps the job strictly business. "What happens is you wind up thinking of each subject not as a person to be killed but as a problem to be solved. Now there are guys doing this who cope with it by making it personal. They find a reason to hate the guy they have to kill. I don't know what's a sin and what isn't, or if one person deserves to go on living and another deserves to have his life ended. Sometimes I think about stuff like that, but as far as working it all out in my mind, well, I never seem to get anywhere."But while Keller might be a pragmatic and crack assassin, he's also prone to doubts and loneliness just like everybody else. There was a psychotherapist once. A dog. Even a woman. And though he's got Dot, his wisecracking contact and sometimes confidante, and his precious stamp collection, these days, it doesn't seem to be enough.