Hardcover. NY, Knopf, 1st, 1955, Book: Very Good, Dust Jacket: Very Good, Illustrations in color and black & white by Goodenow. Shows minor wear. Dust jacket shows light soiling and chipping at edges. Hardbound.
Hardcover. Washington DC, Counterpoint, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 286 pages, Hardcover with dust jacket. SIGNED BY NIXON on title page, also INSCRIBED on opposite page.
Hardcover. Toronto, McClelland & Stewart, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED, dated on title-page by author. In a bright, unclipped dust jacket.
Hardcover. New York, Macmillan, 1st, 1938, Book: Good, Dust Jacket: None, Hardbound, tan cloth stamped in blue. Color illustrations by the De Leeuws. Previous owner's signature in pencil front endpaper. Soiling to endpapers, covers. The tale of a Javanese boy who has dreams of becoming an acrobat performer.
Hardcover. New York, Pantheon Books, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, 179 pages. Hardcover with dust jacket. Black and white illustrations by Maurice Sendak. Cloth covers with gilt stamped decoration on front. gilt lettering on spine. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Pantheon Books, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, 179 pages. Hardcover with dust jacket. Black and white illustrations by Maurice Sendak. Cloth covers with gilt stamped decoration on front. gilt lettering on spine. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. NY, F. A. Stokes, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, decorated red cloth cover with a yawning hippo and bright gilt lettering on front, spine lettering faded. Slight cock to spine. 12 photography plates by Elwin R. Sanborn, Official Photographer for the New York Zoological Society. 72 b&w drawings by the author. INSCRIBED BY BREARLEY on front fly leaf. Clean copy.
Hardcover. New York, Platt & Munk, 1st, 1942, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Full color and black & white illustrations by Harrison Cady. Previous owners inscription on front endpaper. Dust jacket shows light wear with short closed tears along edges. Clean, bright copy.
Softcover. Berkeley CA, Ata Books, 1st pbk, 1993, Book: Very Good, Dust Jacket: None, Softcover, 303 pages. A fictionalized account of the relationship between Italian revolutionary Giuseppe Garibaldi and Anita Ribeiro de Duarte, the fiery Brazilian girl who left her husband to fight beside Garibaldi in South America and Italy. Clean copy.
Hardcover. Garden City, New York , Doubleday & Company, 1st US, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages, 1-color illustrations by Edward Ardizzone. dust jacket with edgewear, small tears.
Hardcover. Toronto, Ryerson Press, reprint, 1944, Book: Good, Dust Jacket: Good, Hardcover in a tape-repaired dust jacket, 326 pages. Bookplate on front fly leaf, several pages in front and rear with homilies written in ink. Interior pages clean and bright.
Hardcover. US, Unbridled Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 418 pages. INSCRIBED BY EDITOR. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. NY, Macmillan , Reprint, 1925, Book: Very Good, Dust Jacket: None, 431 pages. Black & whiite illust and color frontis and title page by F.D. Bedford. Some browning to end-papers. Front and spine of yellow cloth cover with black illust. Clear mylar dust jacket.
Hardcover. NY, Macmillan , Reprint, 1925, Book: Very Good, Dust Jacket: None, Hardcover, 431 pages. Black & white illustrations and color frontis and title page by F.D. Bedford. Some browning to end-papers. Front and spine of gray cloth cover with black and red design. Clean copy.
Hardcover. Boston, Little Brown , 1st, 1890, Book: Very Good, Dust Jacket: None, 194 pages. Hardcover, no dust jacket. B&W Illustrations by Reginald Birch & Charles Copeland. Slight slant to spine o/w bright, clean copy w/ elaborate gilt decorated covers.
Softcover. Book: Very Good, Dust Jacket: None, A draft of Beattie's 1995 novel bound in black plastic spiral binding. No date, no markings. 500 pages, doubled-spaced.
Hardcover. NY, Harper and Brothers, reprint, 1893, Book: Very Good, Dust Jacket: None, Hardcover in dark green cloth covers, 438 pages plus ads. B&W frontis. illustration, Gilt lettering on spine with Collins's facsimile signature in gilt on cover. A volume from the author's collected works. Antonina was begun in April 1846, delayed for a year during the writing of The Memoirs of William Collins, R.A., and published in 1850. It is written in a laborious, deliberately florid style using detail from Gibbon's Decline and Fall of the Roman Empire and modelled on Bulwer-Lytton's The Last Days of Pompeii (1834). The plot is challenging, with many passages reading like a cross between a guide book to ancient Rome (based on Collins's visit in 1837) and a description of his father's paintings. Other sections, particularly the more horrific and violent, are vividly written and there are already indications of Collins's interest in physical handicap and abnormal states of mind, and his dislike of all forms of extremism. The conflict between the imaginative and artistic Antonina and her stern father is reworked to better effect in Collins's next novel, Basil. Antonina received good reviews, sold consistently and was reprinted throughout Collins's lifetime and well into the twentieth century. Exceptionally bright, clean copy.
Hardcover. NY, Knopf, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 498 pages. This novel was the basis for the PBS Mini-series of the same name that's a lifetime story of Logan Mountstuart that was played by three different actors.
Hardcover. NY, Harper & Brothers, 1st, 1948, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Publisher's $2.50 price at the top of the front flap; previous owner's name and address on front fly leaf, otherwise clean. Short tape repairs to verso of dust jacket.
NY, Viking Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 315 pages. Collection of 12 stories previously published in separate volumes. Gutter split from hinge at title-page. Dust jacket price clipped.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 327 pages, clean copy. Few diseases have exercised the Western imagination as chronically as hysteria--from the wandering womb of ancient Greek medicine, to the demonically possessed witch of the Renaissance; from the "vaporous" salon women of Enlightenment Paris, through to the celebrated patients of Sigmund Freud, with their extravagant, erotically charged symptoms. In this fascinating and authoritative book, Mark Micale surveys the range of past and present readings of hysteria by intellectual historians; historians of science and medicine; scholars in gender studies, art history, and literature; and psychoanalysts, psychiatrists, clinical psychologists, and neurologists. In so doing, he explores numerous questions raised by this ever-growing body of literature: Why, in recent years, has the history of hysterical disorders carried such resonance for commentators in the sciences and humanities? What can we learn from the textual traditions of hysteria about writing the history of disease in general? What is the broader cultural meaning of the new hysteria studies? In the second half of the book, Micale discusses the many historical "cultures of hysteria." He reconstructs in detail the past usages of the hysteria concept as a powerful, descriptive trope in various nonmedical domains, including poetry, fiction, theater, social thought, political criticism, and the arts. His book is a pioneering attempt to write the historical phenomenology of disease in an age preoccupied with health, and a prescriptive remedy for writing histories of disease in the future.
Softcover. Minneapolis, Minn., Milkweed Editions, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 195 pages. SIGNED BY AUTHOR on title page. Wraps with slight edge wear. Otherwise, clean and tight copy.
Softcover. Minneapolis, Milkweed Editions, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps. Paperback original. Winner of the Milkweed National Fiction Prize. Signed by author on title page. Clean copy.
Hardcover. New York , Dodge Publishing Co., na, Book: Very Good, Dust Jacket: None, Hardcover, 435 pages, color frontispiece and title page, 130 line illustrations. Bright blue cloth covers with gilt, red and white design. Clean, bright copy.
Hardcover. NY, Macmillan, 1st, 1928, Book: Very Good, Dust Jacket: None, 234 pages. Hardcover with no dust jacket. Brick cloth covered boards with gilt titles & gilt compartment lines to spine. Small tear to crown & heel of spine. Light toning to pages throughout, tight binding, a few pages with small spots to gutter, else clean.
Hardcover. New York, Minton, Balch and Co, 1st, 1935, Book: Good, Dust Jacket: None, Hardbound, 84 pages. Illustrated by Erick Berry. Stamp on front end paper. Illustrated endpapers. Rear hinge cracked. Soiling to covers, edges. Edgewear. Bottom corners bumped.
Hardcover. Boston, Little Brown & Co, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy.
Softcover. London, Hard Case Crime, 1st thus, 2020, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Paul Mann. When the beautiful young videographer offered to join his campaign, Senator Lee Rogers should've known better. But saying no would have taken a stronger man than Rogers, with his ailing wife and his robust libido. Enter Barton Brock, the senator's fixer. He's already gotten rid of one troublesome young woman--how hard could this new one turn out to be?Pursued from Washington D.C. to the streets of Paris, 18-year-old Fanny Cours knows her reputation and budding career are on the line. But what she doesn't realize is that her life might be as well...Like new.
Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth with black lettering, dust jacket with edgewear and chipping, 310 pages. Rear dj lists to Wild Horse Mesa. Name, date on front fly leaf, otherwise clean.
Hardcover. New York, A. S. Barnes and Company, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, 341 pages, with illustrations by H. Burgess, gilt titles and illustrated cover. Minor corner and edge wear, light foxing on edges, and previous owner's signature on front fly leaf, otherwise, clean, bright and tight copy.
Hardcover. Boston, Houghton Mifflin, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 198 pages. SIGNED BY LEAVITT on title page. Excellent condition.
Hardcover. Leipzig, BernhardTauchnitz, 1866, Book: Very Good, Dust Jacket: None, Two hardcovers, 3 volumes bound in 2), green cloth with black calf spines, raised bands, gilt lettering. 341, 350, 346 pages. Minor scuff to raised bands on second volume. otherwise clean copies.
Hardcover. NY, St. Martin's Press , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclpped dust jacket. The hideously disfigured body was found in the atrium. The only clues are a blood-soaked cloak, and, carved into the stone at the corpse's feet, the word Sparta. The murdered man was the overseer of Marcus Crassus's estate, apparently killed by two runaway slaves bent on joining Spartacus's revolt. In response to the murder, the wealthy, powerful Crassus vows to honor an ancient law and kill his ninety-nine remaining slaves in three days. Now Gordianus the Finder has been summoned from Rome by a mysterious client to find out the truth about the murder before the three days are up.
Hardcover. New York, F. Tennyson Neely, 1st, 1896, Book: Very Good, Dust Jacket: None, 278 pages + publishers ads. B&w illustrations. Blue cloth, gilt titles and decorations to front and spine. Faint foxing to top edge, light wear to covers and spine, else a very nice, tight copy.
Hardcover. London, Cassell & Company , 2nd, 1892, Book: Good, Dust Jacket: None, 248 pages, hardcover. Gilt titles and embossed decoration to spine. Children's book on English history. Pasted color illustration to front panel. Heavy bumping and chipping to front and rear panels, mostly to fore edge and corners. Pasted advertisement to rear panel. Minor fading and bumping to spine. Small stain to lower right front panel. Moderate age toning to prelim pages. Age toning to text block edges. Black-and-white illustrations throughout. Scarce. A tight copy.
Hardcover. London, Palazzo Editions, reprint, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages. Illustrated in color by Robert Ingpen. Around the World in Eighty Days is an evocation of an era when all travel was an adventure - and Jules Verne's tale of a race against the clock has never lost its power to thrill. Set in 1872, Mr. Phileas Fogg, a gentleman of precision and predictability, and his manservant, the ever resourceful Passepartout, ride through India on an elephant, sail the South China Sea in the teeth of a typhoon and cross the snow-covered plains of the American Wild West in order to fulfill a wager that the journey can be completed in just eighty days. Clean copy.
Hardcover. New York, Simon & Schuster, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages, SIGNED BY AUTHOR on title page. Minor dust jacket edge wear and fade, otherwise, very clean and tight copy.
Hardcover. New York, Simon & Schuster, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 283 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy. In Joanna Scott's breakthrough novel Arrogance, the Austrian artist Egon Schiele comes to prismatic life in a narrative that defies convention, history, and identity. A self-professed genius and student of August Klimt, Scott's Schiele repeatedly challenges the boundaries of early twentieth-century Europe. Thrown in jail on charges of immorality, Schiele's Mephistophelean reputation only grows in stature until at the age of twenty-eight, the artist dies in the Great Flu Pandemic. Told from a crosscurrent of voices, viewpoints and times, this stunning novel won Scott a nomination for the 1991 PEN/Faulkner Award.
Hardcover. New York, Simon & Schuster, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages, SIGNED BY AUTHOR on title page. Minor dust jacket edge wear and fade, barcode sticker on back dust jacket cover, otherwise, very clean and tight copy.
Hardcover. Chapel Hill, Algonquin Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A lot of remarkable things have happened in the life of Sam Pulsifer, the hapless hero of this incendiary novel, beginning with the ten years he spent in prison for accidentally burning down Emily Dickinson's house and unwittingly killing two people. emerging at age twenty-eight, he creates a new life and identity as a husband and father. But when the homes of other famous New England writers suddenly go up in smoke, he must prove his innocence by uncovering the identity of this literary-minded arsonist. Clean copy.
Hardcover. New York, Hyperion Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 278 pages. SIGNED BY AUTHOR. Very good in very good dust jacket. Stated first American edition with all numbers starting with 1.
Hardcover. NY, Hyperion Books, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, very good in a bright, unclipped dust jacket.
Hardcover. New York, Ticknor & Fields, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, SIGNED BY AUTHOR on title page, spotless and tight copy.
Hardcover. New York, Doubleday, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy in a bright dust jacket. Philip is in love with Alice. As the novel opens, he is beginning to lose her. Not to another man, as he fears, but to, literally, nothing. Alice is a physicist, and a team at the University where both she and Philip work has created a hole, a vacuum, a doorway of nothingness inside the laboratory. They call it "Lack." Alice becomes obsessed with Lack, as Philip is obsessed by Alice.The novel is at the same time an astute and wise portrait of unrequited love (albeit of a very unusual kind) a hilarious academic parody, a novel of ideas and a social satire. It is utterly original, but in the school of Thomas Pynchon, Don DeLillo, Katherine Dunn, and David Foster Wallace.