Hardcover. Boston , Little Brown, 1st, 1922, Book: Good, Dust Jacket: None, 316 pages. Hardcover with no dust jacket. Red covers with white stamped lettering, with some smudging and decoration on front. Illustrations by Ernest Fuhr. Black & white frontispiece. Front hinge torn on preliminary page. Light edge wear to covers, previous owner's markings on front end paper.

Hardcover. Chapel Hill NC, Algonquin Young Readers, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 124 pages illustrated in b& w and color by Jon Klassen. Badger is a quiet, solitary geologist intent on his important rock work. Skunk is an outgoing, friendly, unwelcome new roommate. They have nothing in common. Aunt Lula must have been crazy to suggest it-this is never going to work out. But, the more time they spend together, the more they learn about each other. Maybe they have more in common than they realized, and maybe being roommates is just what they both needed. And who knew chickens were such conversationalists and story lovers? In a classic odd-couple pairing, Badger and Skunk show how opposites attract and that making friends means opening yourself up to possibilities.

Hardcover. New York , Harcourt, Brace & World, Inc. , 1st, 1963 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 62 pages, illustrated in B&W by Douglas Gorsline. dust jacket with light edgewear, price clipped. Clean copy.

Hardcover. NY, Paris Review Editions/Doubleday, 1st, 1969, Hardcover in a lightly worn, unclipped dust jacket, 284 pages. The first of only two published novels by this Kansas-born author (1930-2008), a ribald satire that became a small-scale literary cause celebre after an excerpt published in The Paris Review in 1967 ignited a somewhat bizarre censorship attempt in the Long Island town of South Farmingdale, N.Y.; in the course of the kerfuffle, TPR editor George Plimpton interceded to speak out against the censorship, and subsequently agreed to published the full novel under the Paris Review Editions imprint. Better known as a poet and essayist, Wiebe enjoyed a long teaching career at the University of Cincinnati; at least one critic has declared his work to be in the same darkly comic literary vein as that of Laurence Sterne, Franz Kafka, William S. Burroughs and Flannery O'Connor. Clean copy.

Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 1st, 1958, Book: Very Good, Dust Jacket: None, 191 pages. Paperback. Gold Metal Book #s817. Light creasing to paper wrappers.

Hardcover. New York, Random House, 1st, 2015, Book: Very Good, Dust Jacket: None, 238 pages. Hardcover with no dust jacket. A very clean, signed copy with only minor wear to cover edges. A tight copy. Front cover has diecut with "signed first edition" sticker on front.

Softcover. New York, Vintage, 1st paperback., 1999, Book: Very Good, Dust Jacket: None, 213 pages, softcover uncorrected proof. SIGNED BY AUTHOR on title page. Minor corner wear, otherwise, very clean and tight copy.

Hardcover. NY, Simon & Schuster, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover. 78 pages. Black & white illustrations by Laszlo Kubinyi. Dust jacket with edgewear, rubbing. Remainder mark bottom edge.

Hardcover. Woodstock, VT, Foul Play Press, 1st U.S., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.

Hardcover. NY, Delacorte Press, 5th pr., 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with $5.95 on flap with the number 8021 underneath it, and the number 0369 on the bottom rear flap, indicating a true first edition jacket. Stated fifth printing June 1969. Light blue boards, gold and red titles on spine, gold facsimile signature on front board. There is tanning and light soil to the dust jacket. No markings. Slaughterhouse-Five, an American classic, is one of the world's great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber's son turned draftee turned optometrist turned alien abductee.

Hardcover. New York, Delacorte Press, 5th pr., 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 186 pages, stated 5th printing. Dust jacket unclipped with light tanning. ($5.95 on front flap; 0369 on back flap). INSCRIBED/SIGNED BY VONNEGUT on the half-title page. Appears to inscribed by Vonnegut to a third party; "Earle F. Hiscock/ May 27, 1969 from RCH & Lynn SH/ Kurt Vonnegut Jr." Related newspaper clippings laid in at front.

Hardcover. NY, William Morrow, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright dust jacket, 285 pages. Historical novel for young adults about a slave doctor in the West Indies in the 1680s. Originally published in the Netherlands in 1965. Dust jacket with light rubbing, edgewear.

Hardcover. NY, Harper & Row, 1st US, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. David Cleveland, the official investigator for the English Jockey Club, is sent to Norway to help investiagte the disappearance of an English steeplchase jockey.

Softcover. London, Faber and Faber, Uncorrected proof, 1970, Book: Good, Dust Jacket: None, Softcover, 81 pages, b&w drawings by Karen Usborne, INSCRIBED BY WILSON to Irving and Joyce (Adler) on the title page and dated August 1970. Wilson has also added 3 titles to the list of his previously published books on the opposite page. Joyce Adler wrote several books on Caribbean literature and Harris. She has marked up this book in pencil and pen with underlining and marginal notes. This edition published before the hardcover printing. Peach color wrappers faded..

Hardcover. London, Faber and Faber, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 81 pages, with drawings by Karen Usborne throughout. Minor dust jacket edge wear, otherwise, very clean and tight.

Softcover. Boston, Otter Books, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, color illustrations by Michael Foreman. Clean, bright copy.

Hardcover. NY, Schocken Books, 1st US, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket 128 pages, color illustrations by Michael Foreman.

Hardcover. NY, Knopf, 1st , 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 271 pages. Clean.

Hardcover. NY, Random House, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 151 pages. Small name, date on front fly leaf, otherwise clean.

Hardcover. NY, Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 192 pages. By "the most original, tactile, luminous voice in Russian prose today" (Joseph Brodsky), Sleepwalker in a Fog is a collection of seven stories and a novella set in contemporary Russia. Here is Denisov, who fears his greatest accomplishment in life will be the treatise he wrote and tore up. He is betrothed to Lora, an incessant talker who dreams of having a fluffy tail. We also read of Natasha, who searches Leningrad and her memory for her lost love; of Dmitry Ilich's elaborate seduction of Olga Mikhailovna; and more. In the tradition of such writers as Gogol and Chekhov, Tatyana Tolstaya transforms ordinary lives into something magical and strange. Like new.

Hardcover. Alburquerque, University of New Mex, 1st, Book: Very Good, Dust Jacket: Very Good, Conversations w/ Walter Satterthwait & Ernie Bulow. Hardcover in a bright, unclpped dust jacket. In addition to the fun of eavesdropping on the unmistakable camaraderie of these two friends, readers will enjoy the several Satterthwait short stories included here--one of his African series, one featuring his latter-day version of Dashiell Hammett's Continental Op in a New Mexico setting, and one previously unpublished masterpiece of comic horror that, as Ernie Bulow points out, was influenced by nothing so much as E-C comics, the popular horror books of the early 1950s.

Hardcover. NY, Little, Brown and Company, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Francis X. Loughlin is an aging police detective haunted by a twenty-year-old homicide involving a young female doctor. A man named Julian Vega was put away for that crime, possibly without sufficient evidence, when he was seventeen. As Blauner's novel opens, Vega has just been released from prison, on a technicality, when Loughlin is called to investigate a crime that bears an uncomfortable resemblance to the earlier murder. Though the book sometimes takes the easy way out (the climactic twist feels both generic and arbitrary), it is elevated by Blauner's surefooted characterization of Julian. Newly free, struggling to find his way, dependent on the (somewhat tenuous) kindness of strangers, he is both sympathetic and tough; his portrait has a complexity that few authors could achieve. Clean, bright copy.

Hardcover. New York, Putnam, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages. Light edgewear, rubbing to dust jacket; in brodart. Spine slightly cocked. Else a clean, tight copy.

Softcover. Princeton NJ, Princeton University Press, 1st US, 2018, Book: Very Good, Dust Jacket: None, Softcover, 276 pages, b&w illustrations. Wry political fairy tales from a nineteenth-century politician that speak to our current times. Edouard Laboulaye (1811-1883), one of nineteenth-century France's most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye's most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today. Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye's deceptively entertaining stories explore the relationships between society and the ruling class. Clean copy.