Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.

Hardcover. Hatje Cantz, 1st, 2008-08-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.

Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt.

Hardcover. Goteborg SW, Steidl/Hasselblad Foundation, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black cloth-covered boards with title stamped in silver on spine; with photographically illustrated dust jacket. Photographs by Ernest Cole. Edited and with text by Gunilla Knape. Essays by Struan Robertson and Ivor Powell. Includes technical notes and a selected bibliography. 264 pp., with 116 duotone plates.Like new in publishers shrink-wrap.

Hardcover. US, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Like new in publisher's shrink-wrap. This book will for the first time enable Ernest Cole to be seen in the perspective of international photography where he surely deserves an honored place, not simply for his remarkable courage and determination in the face of state oppression but for the perceptiveness of his seeing eye and his ability to put what he saw into photographs of remarkable rigor, subtlety and elegance. These qualities were often subordinated to the need for the strongest possible anti-apartheid statement in his acclaimed book House of Bondage, published in 1967. Many of the photographs have never been published before and others, which were cropped in the book for their maximum political effect, will now be seen un-cropped for the first time. Ernest Cole the Photographer accompanies an exhibition with the same title, produced by the Hasselblad Foundation. Ernest Cole, born 1940 in Eersterust, South Africa, started working as an assistant at Drum magazine in 1958. As a freelance photographer he began his seminal essay on what it meant to be black under apartheid in 1959. In 1966 he left his country with the dream of making a book that he knew was impossible to do in South Africa. House of Bondage, published in 1967, was immediately banned in South Africa, and so was he. He died in exile, in New York in 1990.