Hardcover. NY, Oxford University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 251 pages profusely illustrated in b&w. In this groundbreaking volume, architect and planner Christopher Alexander presents a new theory of urban design which attempts to recapture the process by which cities develop organically. To discover the kinds of laws needed to create a growing whole in a city, Alexander proposes here a preliminary set of seven rules which embody the process at a practical level and which are consistent with the day-to-day demands of urban development. He then puts these rules to the test, setting out with a number of his graduate students to simulate the urban redesign of a high-density part of San Francisco, initiating a project that encompassed some ninety different design problems, including warehouses, hotels, fishing piers, a music hall, and a public square. This extensive experiment is documented project by project, with detailed discussion of how each project satisfied the seven rules, accompanied by floorplans, elevations, street grids, axonometric diagrams and photographs of the scaled-down model which clearly illustrate the discussion. Clean copy.
Hardcover. NY, Van Nostrand Reinhold Company, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This resource includes hundreds of photographs and interviews tracing the careers of 30 architects who were apprenticed to Frank Lloyd Wright at Taliesin. Amongst those interviewed are Fay Jones, Aaron Green, John Lautner, Anthony Puttman, Paolo Soleri and Edgar Tafel. 256 pages, color illustrations. Laid in is a large color 28 page brochure "Taliesin West". a color guide to the Wright building in Scottsdale Arizona. Clean copy.
Hardcover. NY, Rizzoli International, 1st US, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 228 pages, illustrations in color and b/w. Photography by Roberto Schezen. This was the first book to present all of Loos's 180 works and an essay on this architect's relation to the society of his time. Embossed stamp to prelim page, otherwise clean.
Softcover. New York, Princeton Architectural Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, Softcover, 184 pages, b&w illustrations. Albert Kahn's contribution to North American industrial architecture is best characterized by a simplicity of expression in his designs of flexible spaces for manufacturing and production. Working in Detroit, Kahn began a long and fruitful collaboration with the automobile mogul Henry Ford, that was based on a shared vision of modernism and industry. Kahn rapidly established himself as an architect capable of responding to the new demands of mass production by employing the patented system of reinforced concrete developed by his brother, an engineer. Guided by functionalist principles and a sense of manufacturing organizations, Kahn anticipated assembly line operations and developed innovative typological characteristics for the modern factory. His projects included Ford Motor Company River Rouge Plant, Dearborn, Michigan; Burroughs Adding Machine Company, Detroit, Michigan; Tractor Plant, Stalingrad, Russia; General Motors Building, Chicago World's Fair; and Kellogg Company, Battle Creek, Michigan. Through incisive text, Albert Kahn - part of a growing series with Adalberto Libera and Adolf Loos - brings to light the novelty of Kahn's designs and his advancement of the machine aesthetic. Over ninety black-and-white photographs and drawings illustrate the extensive number of projects realized by "the architect of Ford."
Hardcover. NY, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. This book accompanies a major traveling exhibition that showcases works by some of the most visionary designers and architects, from chairs and tables to jewelry and entire buildings.
Hardcover. New York, Museum of Art New York, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Dust jacket unclipped. Color and b/w illustrations throughout. In excellent condition, clean inside and out.
Hardcover. North Hollywood CA, National Association of Theatre Owners, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, color and b&w illustrations. Lavish and marvelous pictorial on movie theatres and how movies were presented including the publicity and all the hoopla that surrounded the movie going experience from the first nickelodeons to the majestic movie palaces and all the wonderful small neighborhood theatres. Loaded with 100's of b&w photos publicity material and more with many color photos.
Hardcover. New York, NY, Rizzoli International Publications, 1st, 2000, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 197 pages, color photographs throughout. Very clean and tight copy. This is the first book to put together all of the extraordinary houses designed by Antoine Predock. Each of the twelve remarkable private houses featured here--ten from Texas, Arizona, and New Mexico, and two from California--harmoniously blend with their landscape in ways for which Predock is now so renowned. Characterized by environmentally conscious design, the houses display both exquisite refinement and an ingenious level of invention.
Hardcover. New York, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 144 pages, b&w and color illustrations throughout. Light edge wear, fading to dust jacket. Previous price written on front dust jacket flap. Else a very clean, tight copy.
Hardcover. Baltimore, Johns Hopkins University, 1st, 2002, Book: Very Good, Dust Jacket: None, An extraordinary work, unparalleled in its breadth and depth of detail, this three-volume set offers the first comprehensive history of architecture and town planning throughout colonial North America, from Russian Alaska to French Quebec, to Spanish Florida and California, to British, Dutch, and other settlements on the East Coast. Across this vast terrain, James Kornwolf conjures the outlines of the constructed environment as it emerged in settlements and communities, in structures and sites, and in the flourishes and idiosyncrasies of the families and individuals who erected and inhabited colonial buildings and towns. Here as never before readers can observe the impulses and principles of colonial design and planning as they are implemented in the buildings and streets, harbors and squares, gardens and landscapes of the New World. Incorporating more than 3,000 illustrations, Kornwolf's massive work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities-their rivalries and frictions, their outlooks and attitudes-as they extended their hold on the land. His work conveys for the first time the full scale, from intimate to grand, of their enduring transformation of the natural landscape of North America. NOTE: DOMESTIC SHIPPING ONLY.
Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages. Oversized. Still in publisher's shrinkwrap. Some light wear on dust jacket corners. Color photographs throughout. A bright, clean copy. A foreword by Johnson himself, an essay by his biographer Hilary Lewis, and nearly 400 vivid color and b/w photos accompanied by detailed building descriptions presented in chronological order.
Hardcover. London, Country Life, 1st, 1922, Book: Very Good, Dust Jacket: None, Two volumes complete, large folio (15" X 12"). 344 and 361 pages plus 100 appendix and index pages. pale green cloth with gilt lettering and design, top edge gilt. Color frontispiece in Volume II, profusely illustrated with about 700 b&w illustrations, plans and drawings. Clean, bright set. First edition of Arthur T. Bolton's monumental monograph on the architecture of Robert (1728-1792) and James Adam (1732-1794), two Scottish brothers who were renowned neoclassical architects, interior and furniture designers.
NY, Hearst Books International, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white and color photos and illustrations. 191 pages. Light edgewear to dust jacket.
Hardcover. New Haven, Yale University, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 68 pages, b&w illustrations. Introduction by Edmund Pillsbury. INSCRIBED BY BROWN on front fly leaf. Light rubbing to front edge of embossed dust jacket. Published on the occasion of the opening of the building.
Softcover. Munich, Prestel, 1st , 1997, Book: Very Good, Dust Jacket: None, 271 pages. Softcover. Features full color and black & white illustrations. Features the German design groups best work 1965-1997. Clean, unmarked copy with only minor bump to bottom right corner.
Hardcover. Chicago, University Of Chicago Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 110 pages, in a bright dust jacket. Photographer Stanley Greenberg explores the anatomy and engineering of some of our most unusual new buildings, helping us to understand our own fascination with what makes buildings stand up, and what makes them fall down. An historical and critical essay by Joseph Rosa and an afterword by the author.The 80 captivating and thought-provoking images collected here focus on some of the most high-profile design projects of the past decade.
Hardcover. Mesa AZ, PDA Publishers, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages illustrated with color, b&w photos.A portfolio of work the landscape architect executed for various clients. Clean copy.
Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.
Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.
Hardcover. NY, Reagan Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. Through striking illustrations and stunning photographs, Bohemian Modern explores the unique structural and interior designs that have put California's ultra-chic Silver Lake neighborhood at the forefront of a new style phenomenon. One of the country's most renowned modernist architects, Barbara Bestor has fully embraced and perfected Silver Lake's "bohemian modern" style: a practical philosophy that is Californian in origin but achievable anywhere. It is a look that favors raw, authentic materials, brilliant colors, creative space planning, and a natural flow between indoors and outdoors. The results, as Bohemian Modern presents, are striking: a flawlessly restored Neutra house decorated with both whimsy and restraint, a rooftop constructed for viewing the stars, a lavish outdoor garden delicately integrated into the surrounding architecture, a double-sided bookcase that soars three stories and serves as a functional art installation...there is no limit to the creativity and beauty of Silver Lake style.
Softcover. Berkeley CA, University of California Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 220 pages. This book provides a fascinating history of the planning, design, and construction of the six-building Getty Center in Los Angeles, one of the great cultural complexes to be built in our time. Writing with wit and passion, Richard Meier takes us behind the scenes of the thirteen-year-long, one-billion-dollar project.
Hardcover. Salt Lake City, Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 229 pages, profusely illustrated in b&w. In "Building with Nature: Inspiration for the Arts & Crafts Home" Freudenheim weaves together the lives and philosophies of William Morris, John Ruskin, Frederick Law Olmsted, John Muir, Greene & Greene, Irving Gill, Bernard Maybeck, and others with the dramatic economic, social, design and cultural changes that took place in America between 1876 and 1916. Chronicling both intellectual theory and architectural history, this ground-breaking book will appeal to general readers as well as to those enthusiastic about the Arts and Crafts Movement, its architecture and furniture. Freudenheim demonstrates how the "simple life" manifested in the rustic architecture found in Yosemite, English cottages, Japanese barns, and Swiss chalets, became the basis for the design of the American Arts and Crafts home advocated by these pioneering thinkers. Their devotion to simplicity for both the interior and exterior design of these houses also helps to explain why they embraced plain, sturdy Mission Style furniture. Freudenheim points out how numerous individuals, both American and British, helped spread these ideas across America.
Softcover. US, Stichting Kunstboek/DAP, 1st, 2005-03-15, Book: Very Good, Dust Jacket: None, Softcover, 160 pages with 120 color plates. Like new in publishers shrink-wrap. Founded in Berlin in 1989, Buro Kiefer is one of today's most important, innovative and respected international landscape design firms. Combining both a mathematic and aesthetic logic, Buro Kiefer's work responds to the ever-expanding responsibilities of landscape design: interaction with the fields of architecture, urban and regional development, and even the cultural tradition of garden art. Presented in this book are many of the firm's important projects, each of which shows a seamless blending of town and landscape, and a contemporary understanding of urban space.
Softcover. US, Stichting Kunstboek, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 160 pages with 120 color plates. Like new in publishers shrink-wrap. Founded in Berlin in 1989, Buro Kiefer is one of today's most important, innovative and respected international landscape design firms. Combining both a mathematic and aesthetic logic, Buro Kiefer's work responds to the ever-expanding responsibilities of landscape design: interaction with the fields of architecture, urban and regional development, and even the cultural tradition of garden art. Presented in this book are many of the firm's important projects, each of which shows a seamless blending of town and landscape, and a contemporary understanding of urban space.
Softcover. San Francisco, CA, Chronicle Books, 6th pr., 2001, Book: Very Good, Dust Jacket: None, 180 pages. Softcover. Black and white pictures throughout. Clean tight copy.
Softcover. Munich, Prestel/Art Institute of Chicago, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 480 pages, b&w and color illustrations. Published in association with the Art Institute of Chicago and in conjunction with an exhibition presented there in the summer of 1988, as well as in Paris and Frankfurt-am-Main in 1987-88. Contributors to the text include Robert Bruegmann, Sally Chappell, Meredith L. Clausen, Joan E. Draper and others.
Hardcover. Great Britain, Academy Editions, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover. Gilt title on spine. Dust jacket unclipped. Color and b/w illustrations throughout. In excellent condition, clean inside and out.
NY, William Helburn, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, bright blue cloth covers stamped in gilt. 153 b&w plates, mostly photographic. American domestic interiors, homes from New Jersey, Delaware, southeastern Pennsylvania, and Maryland pictured in detail. An exceptional reference book in excellent condition, clean.
Hardcover. London, Conran/Octopus, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 220 pages. Illustrated with full color photographs. Clean, tight copy. Vast, obsolete buildings are now taking on new life as people seek out living space. This work presents an international collection of conversions, including those of architects and designers such as Andree Putman and John Pawson. Through the designs and accompanying text, the reader witnesses how empty shells are transformed into unconventional homes.
Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, More than a century ago, when Abbot Kinney built his Venice-of-America with its network of canals and fanciful buildings, cultural aspirations were high. Over the years, this aura of fantasy and imaginative possibility endured as integral to the zeitgeist of the place. Today, this spirit of innovation and creativity is richly expressed in the vintage bungalows and cottages that have been embraced and brought back to life by homeowners more in love with place than size. Stalwart survivors of the ebb and flow of the area's fortunes over a century, these small homes channel the creative spirit of the place and provide a welcome counterpoint to oversize houses. Color, landscape, treasured collections, personal narrative, contemporary overlays and additions, art and craft, and inventive design--all combine in various ways to produce domestic environments with unique and deeply personal points of view.
Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Sim Van der Ryn is the president of Van der Ryn Architects, a northern California firm known worldwide for its work in sustainable architecture. He taught architecture and design at the University of California, Berkeley for more than thirty years, inspiring a new generation to create buildings and communities that are sensitive to place, climate, and the flow of human interactions. He is the author of six groundbreaking books about planning and design, including Sustainable Communities and Ecological Design. He lives and works in the San Francisco Bay area.
Hardcover. NY, Stewart, Tabori & Chang, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages illustrated in color. A complete guide to using wood in the home offers practical information and hard knowledge about types of wood and their uses, as well as inspiration on the uses for wood, complete with a buying guide and 250 color photos.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 580 pages profusely illustrated in color and b&w. Text in English and Italian.
Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. 792 pages. This volume covers the second half of the 1970s, an era marked by the oil crisis and the related global economic crisis. For the first time, architecture and design dealt with alternative resources, ecological building methods, and recyclable materials. Nevertheless synthetics remained present in many fields, especially in interior design. Examples of projects featured are the postmodern and lightflooded buildings by Richard Meier, the modernistic buildings by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the buildings of the Japanese architects Arata Isozaki and Kisho Kurakawa. The industrial design of modern transport systems, office machines, and electrical appliances is also highlighted.
Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. This volume revisits the early 1980s, a time of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned radically and provocatively the ostensible functionality of design objects. Everyday items were reinterpreted, full of relish and fantasy. Ironic redesigns of historic design classics put their role and contemporary use into question. Within the field of architecture, these new ideas found a counterpart in buildings by Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown. At the same time, the first deconstructivist tendencies were recognizable in the designs of Zaha Hadid. In publisher's shrink wrap.//// Postmodernism in the early 1980s. Everyday items were reinterpreted while questioning the functionality of design objects. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages. The International style of the late 1920's and 1930's is the focal point of this volume. Along with groundbreaking buildings, interior decoration, and furniture by international architects and designers such as Le Corbusier, Ludwig Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Alto, and Richard Neutra, is above all the work of the Italian avant-garde, including names like Giuseppe Terragne, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, that provides precise insight into the formative decade of Modernism. Text in English and Italian. Clean copy.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages, profusely illustrated. This title covers the years 1985-1989 - the eighties in full force. The many styles of architecture and design that became prominent in the second half of the 1980s are the focus of this volume. Along with Postmodernism - represented by buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and the Arquitectonica firm - it was the buildings of the High-Tech Style which dominated. The most prominent examples are the Head Office of the Hong Kong & Shanghai Banking Corporation in Hong Kong, designed by the architectural firm Foster Associates, and the Lloyds Building by Richard Rogers in London. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Taschen's Domus collection is a major publishing achievement and a must-have item for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. /// The first half of the 1990s represented a generational change in architecture and design.//// This title covers the years 1990-1994 - the next generation. The first half of the 1990s, this volume's focus, marked a shifting of the generations in architecture and design. "domus" - up to date as always - documented the work of this new generation with elaborate articles and reports. The architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron made their debuts in domus during this period. In addition, established architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, Santiago Calatrava, and Zaha Hadid were also featured. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison as well as the brothers Fernando and Humberto Campana appeared in the spotlight.
Softcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1950-1954: Architecture of the Avant-Garde. This volume covers the first half of the 1950s, a time characterized by great optimism. The consequences of World War II had largely been overcome, the most urgent needs of the population were satisfied, and economic prospects looked bright. Architecture and design looked for new forms of expression, for new materials and their applications - and the possibilities seemed limitless. Volume III shows contemporary trends of the time through detailed reports on the ninth Triennial in Milan and about designers like Tapio Wirkkala, Finn Juhl, Carlo de Carli, Carlo Mollino, Piero Fornasetti, Marco Zanuso, Harry Bertoia and George Nelson. Via features on Le Corbusier's famous Unite d'Habitation in Marseille, the groundbreaking Case Study Houses by Charles and Ray Eames, the efforts of Richard Neutra in California, the work of Oscar Niemeyer in Brazil, and the futuristic Olivetti Showroom by Studio BBPR in New York. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume concentrates on the architecture and design of the first half of the 1960s, characterized by the coexistence of a number of different styles. The aftermath of the International style and Good Design were still noticeable whereas Organic Design, which had developed in parallel since the late 1940s, gradually lost its influence. From the early 1960s onwards, a new force took its place, geared toward Pop Art and popular culture, leading to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood, pointing the way to completely new designs. Volume V documents this with examples of designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. On the architectural side, the impressive buildings of Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and others./// Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume focuses on the architecture and design of the first half of the 1960s. A new force lead to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1965-1969: A Break from the Past, a Nod to the Future. The late 1960s, when a radical change took place in the fields of architecture and design, are the focus of this volume. Old values such as functionality, elegance, and faithfulness to materials, which had been relevant for nearly half a century, lost their importance and made space for the ideas of pop culture and the sociocritical experiments of a new generation of architects and designers who no longer wanted to live within the styles of their fathers and grandfathers. Groups of architects and designers like Archizoom and Archigram questioned long-established status symbols, fashion, and consumption and created provocative alternative designs, which were reflected in Anti and Radical Design. Volume VI in the domus series features designs by Joe Colombo, Ettore Sottsass, Gae Aulenti, Olivier Mourgue, Achille and Pier Giacomo Castiglioni, Verner Panton, Kenzo Tange, Luigi Moretti, Oscar Niemeyer, and Gio Ponti.
Hardcover. Taschen, reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Though her work has often been overshadowed by that of her peers such as Le Corbusier and Marcel Breuer, Irish designer, lacquer-artist, and architect Eileen Gray (1878-1976) is now widely recognized as a designer of great talent and individuality. She first excelled in the exacting craft of lacquer, creating screens, panels, furniture, and objects of technical virtuosity and poetic strength. Eileen Gray then developed an interest in architecture, designing two houses, ?E-1027? (completed 1929) and ?Tempe a Pailla? (completed 1934) in the south of France, which are seminal examples of the spirit of the Modern movement. This book analyses and illustrates the full range of her furniture, interiors, and completed architectural projects. Reprint of the edition of 1993.
Hardcover. New York, Charles Scribner's Sons, 1st, 1923, Book: Good, Dust Jacket: None, 198 pages. Hardcover. Detailed b/w illustrations throughout. Covers bound in green fabric with gilt title and design on spine (faded) and front cover. Former owner's signature on front endpaper. Covers show some agewear with fading, a bit of soil from handling and shelf wear, and a touch of fraying to edges of spine and corners of covers. Pages and edges are age-yellowed, but binding still quite tight and all in good condition considering age.
Hardcover. UK, Parragon Publishers, reprint, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. A comprehensive cross section of the work of C.R. Mackintosh, including paintings from the last period of his life. It also includes photo's and renderings of the built 'House for an Art Lover' in Scotland (originally an entry for a competition) and their reconstructed, relocated own home. The controlled proportion of text to images, and the (sometimes more than) full page photo's and renderings, make it the ideal means to transport you to the world C.R. Mackintosh (and his wife, Margaret McDonald) created.
Softcover. Columbus OH, Wexner Center for the Arts , 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 278 pages, color and b&w illustrations. Completed in 1992 in Lexington, Kentucky, the Miller House stands as architect Jose Oubrerie's most notable accomplishment in the United States. Among the last members of Le Corbusier's Paris atelier, Oubrerie is best known for his collaborations with Le Corbusier on projects including the Venice Hospital and the church of St. Pierre de Firminy-Vert. The Miller House, with its deft synthesis of modernist elements with American vernacular construction and an array of historical sources, marks a highly original swerve from modernist orthodoxy and a landmark achievement in American architecture. Clean copy.
Hardcover. NY, The Monacelli Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped in black. SIGNED BY STERN on the hslf-title page. Robert A. M. Stern is the founding partner of Robert A. M. Stern Architects and dean of the Yale School of Architecture. He is the author of the monumental five-volume history of New Yorka??s architecture and urban development, culminating with New York 2000. Major current architectural projects include the new residential colleges at Yale University and the George W. Bush Presidential Center in Dallas. 400 pages; well illustrated with black and white as well as color images. No dust jacket issued.
Softcover. Massachusetts, MIT Press, 1st, 1982, Book: Good, Dust Jacket: None, 135 pages. Softcover. B/w and color illustrations throughout. Wrapper has some age wear. Clean inside, binding tight. In good condition.