Softcover. Los Angeles, Augustan Reprint Society, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 48 pages with a fold-out plan, 2 other b&w plates. A facsimile reproduction of the 1745 publication. Introduction by Morris R. Brownell. Clean copy.

Softcover. Chicago, American Planning Association, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 210 pages. Color illustrations. Above and Beyond takes an aerial view to conclusively demonstrate how suburban sprawl is forever changing the look of America -- and how that can be avoided. Alex MacLean's photographs -- many of them combined with computer simulations to illustrate how landscapes are transformed over time -- show how traditional development patterns produce more compact cities and towns. In conjunction, the authors introduce communities that have successfully fought sprawl, invigorated their town areas, and overcome the car-culture mentality of sprawl development. The case they make, and the examples they offer, will inspire planners, officials, and concerned citizens everywhere. Clean copy.

Hardcover. Kehrer, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. All across the world a uniform, homogeneous model of development, inspired by Los Angeles style urban sprawl--consisting of massive freeways, parking lots, shopping malls, and large-scale master-planned communities with golf courses--is being stamped onto the earth's topography. This globalized model of architecture does not respect or adapt itself to the natural or cultural environment onto which it is implanted. German American photographer Robert Harding Pittman began working on this project in Los Angeles ten years ago. Since then he has been photographing the spread of "L.A. style development" in Las Vegas, Spain, France, Germany, Greece, Dubai, and South Korea.

Softcover. New Haven, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. This gorgeous volume was published in conjunction with the Metropolitan Museum of Art exhibition "Art and the Empire City: New York, 1825-1861." Its 636 pages include a stunning array of prints and photographs. A painted overlook of New York City wraps around the front and back cover. The front cover has a small crease at the top left edge. On page 240, type is slightly out of register but remains readable.

Hardcover. London, Frances Lincoln, 1st, 2011, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 255 pages, illustrated in color and b&w. Brenda Colvin (1897-1981) ranks with Sylvia Crowe and Geoffrey Jellicoe as a pioneer of twentieth-century landscape design in Britain. This first full account of her life and work demonstrates her importance. Early in her career Colvin visited the USA to see the new civic landscaping projects, especially the parkways. In England she transformed the landscapes of power stations, reservoirs, industrial sites, new towns and national parks and worked on private gardens. Her simple planting style and her ecological approach had enormous influence. NOTE: There is a very mild ripple/wave throughout the pages, otherwise a clean, bright copy. DOMESTIC SHIPPING ONLY.

Softcover. Brattleboro VT, Brattleboro Museum & Art Center, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 59 pages with bibliography. B&w photos, 5 landscape planns laid in rear pocket. Traveling exhibition featuring the work of Beatrix Farrand; Fletcher Steele; James Rose; A. E. Bye; and Dan Kiley.

Softcover. US, Stichting Kunstboek/DAP, 1st, 2005-03-15, Book: Very Good, Dust Jacket: None, Softcover, 160 pages with 120 color plates. Like new in publishers shrink-wrap. Founded in Berlin in 1989, Buro Kiefer is one of today's most important, innovative and respected international landscape design firms. Combining both a mathematic and aesthetic logic, Buro Kiefer's work responds to the ever-expanding responsibilities of landscape design: interaction with the fields of architecture, urban and regional development, and even the cultural tradition of garden art. Presented in this book are many of the firm's important projects, each of which shows a seamless blending of town and landscape, and a contemporary understanding of urban space.

Softcover. US, Stichting Kunstboek, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 160 pages with 120 color plates. Like new in publishers shrink-wrap. Founded in Berlin in 1989, Buro Kiefer is one of today's most important, innovative and respected international landscape design firms. Combining both a mathematic and aesthetic logic, Buro Kiefer's work responds to the ever-expanding responsibilities of landscape design: interaction with the fields of architecture, urban and regional development, and even the cultural tradition of garden art. Presented in this book are many of the firm's important projects, each of which shows a seamless blending of town and landscape, and a contemporary understanding of urban space.

Hardcover. Vilnius, Baltos Lankos, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 69 duotone plates, images taken by the Lithuanian photographer Jozef Chechowicz (1819-1888). Mostly landscapes of the city and it's buildings, some with people. Beautifully produced volume, limited to 2000 copies. Light edgewear to dust jacket.

Hardcover. Boston, Bulfinch, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 382 photographs and sketches, 152 in color. 9 3/4 x 10 5/8 inches. 224 pages. Dan Kiley has influenced generations of landscape designers, and his work has heightened our awareness of our surroundings through his lifelong tenet that the actions of people are integral to nature and its course. Despite his international renown, no comprehensive monograph has ever been published on Dan Kiley. Produced in close collaboration with the architect, this is the definitive book on the man and his oeuvre, from early projects to his most recent works. Remainder line to bottom edge, otherwise clean.

Hardcover. NY, Norton, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. A tribute to the barn by the master documentarian of our time. As an elemental part of our landscape and our history, barns evoke childhood memories for many of us, recollections of a simpler way of life. Regardless of their size or shape, their forms follow their functions. They are honest. They are beautiful. And they are rapidly vanishing. Across the land we see abandoned farms with barns falling down, being torn down, and only occasionally being converted to other uses. As urban sprawl eats up the countryside and food-producing Goliaths put small farmers out of business, the need for old barns has diminished. For most of his life as a photographer, David Plowden has admired and photographed barns. In recent years, as their disappearance accelerated, he made it his mission to document these beautiful structures, before they too are lost. The result is this beautiful book, his hymn to the American barn. 130 duotone photographs.

Hardcover. Benteli Verlags , 1st, 2017, Book: Very Good, Dust Jacket: None, Oblong hardcover with a pictorial label, 192 pages. The faded remnants of a glorious past are captured in all their morbid beauty, in images that manifest the ephemeral and go beyond all conventional associations and conceptions of the American South: Days Gone By combines carefully crafted photographs from the past ten years with a cultural history of the region's social and structural changes. With an unflinching gaze, Jorg Rubbert presents the demise of countless small towns between Georgia, Mississippi and Texas, their suffering particularly tangible following the financial crisis. Rural towns, idyllic at first glance, are soon revealed as forgotten relics of times long past.

Softcover. Berkeley CA, University of California Press, 1st, Book: Very Good, Dust Jacket: None, Softcover. 314 pages, b&w illustrations. In 1930 the Olmsted Brothers and Harland Bartholomew & Associates submitted a report, "Parks, Playgrounds, and Beaches for the Los Angeles Region," to the Los Angeles Chamber of Commerce. After a day or two of coverage in the newspapers, the report dropped from sight. The plan set out a system of parks and parkways, children's playgrounds, and public beaches. It is a model of ambitious, intelligent, sensitive planning commissioned at a time when land was available, if only the city planners had had the fortitude and vision to act on its recommendations. "Parks, Playgrounds, and Beaches" has become a highly valued but difficult-to-find document. In this book, Greg Hise and William Deverell examine the reasons it was called for, analyze why it failed, and open a discussion about the future of urban public space. In addition to their introduction and a facsimile reproduction of the report, Eden by Design includes a dialogue between Hise, Deverell, and widely admired landscape architect Laurie Olin that illuminates the significance of the Olmsted-Bartholomew report and situates it in the history of American landscape planning. Clean copy.

Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardecover in a bright dust jacket, 492 pages. In a letter to Sir Thomas Browne about his proposed magnum opus on gardens, John Evelyn stated his purpose: "to refine upon some particulars, especially concerning the ornaments of Gardens, which I shal endeavor so to handle that persons of all conditions and faculties, which delight in Gardens, may therein encounter something for their owne advantage."In his Elysium Britannicum, or The Royal Gardens, Evelyn indeed produced a rich document, an assemblage of the horticultural knowledge and wisdom of the seventeenth century. An intriguing intellectual whom many have called a virtuoso, Evelyn was a garden designer, a noted author and translator of garden books, and a founding member of the Royal Society in 1660, where experimental science was at the heart of intellectual debate. Interlacing in his work practical, literary, and philosophical approaches to landscape architecture, Evelyn created the first large-scale encyclopedic work on the science and art of gardening. Evelyn never saw his great work published. Until now, the entire Elysium Britannicum, or The Royal Gardens has never appeared in print. In an impressive transcription, John E. Ingram makes the document--of which only a single folio volume remains--accessible to a wide range of scholars. Complete with Evelyn's extensive marginalia, interlineations, and tipped-in addenda, the manuscript is expertly organized by Ingram to preserve the meaningful complexity of Evelyn's original. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Princeton NJ, Princeton Architectural Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 326 pages, illustrated with b&w photographs, several color plates and architectural drawings by Vitale. Foreword by Horace Havemeyer III. Ferruccio Vitale is America's forgotten landscape architect. Though his works like Skylands and Longwood Gardens are well known, his name has been eclipsed by his contemporary, Frederick Law Olmsted, Jr. Yet Vitale's influence on the modern direction of landscape design and his promotion of it as a profession is arguably more significant than Olmsted's. His unique designs and philosophy, which challenged the then-dominant pictorial mode of landscape architecture, influenced generations of followers, and is still felt today. Vitale (1875-1933) developed his rationale designs, based on the principles of composition from the fine arts and architecture, in both civic commissions and, most notably, at the country estates of captains of industry and finance. He introduced an idealized and abstracted type of formal design that created beautiful spaces, structured large sites, and reflected informal and relaxed plant compositions. Ferruccio Vitale tours over 40 of his masterworks, photographed by some of the best landscape photographers of the time, including Samuel Gottscho. It recounts the compelling story of a life in the early twentieth century, influenced by immigrant dreams, social clubs, and professional connections, and its culmination in some of the greatest landscapes of the 20th century.

Hardcover. New York, G.P. Putnam's Sons, 1st, 1922, Book: Very Good, Dust Jacket: Very Good, 131 pages. Hardcover with scarce dust jacket. Light edgewear to covers, and pages. Light foxing throughout. Tight copy.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously with the hardcover. In publisher's shrink wrap.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. SIGNED BY BOTH MOSHER AND MILLER on the half-title page. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Wandering the streets of Harlem for the past forty years, Camilo Vergara has noticed and miraculously recorded those moments of great human invention that have been largely overlooked by the official chronicles of architecture and urban history. For this reason, his photographs are unique and indispensable.

Hardcover. NY/Boston, Bulfinch Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 203 pages. Introduction by Alan Trachtenberg. 170 duotone illustrations, chronology. Published in conjunction with a series of retrospective exhibitions chronicling forty years of the author's photographs of industrial and rural landscapes. Clean copy.

Softcover. New York, New-York Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 172 pages, illustrated in b&w and color. Clean, unmarked copy with only minor wear to wrappers. Nearly sixty-five years ago the New-York Historical Society acquired its first landscape painting by Jasper F. Cropsey. Since then additional works by the distinguished Hudson River school painter have supplemented the Society's holdings. Published on the occasion of a special exhibition.

Hardcover. Washington DC, Dumbarton Oaks Research Library, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 310 pages. John Evelyn (1620-1706), an English virtuoso and writer, was a pivotal figure in seventeenth-century intellectual life in England. He left an immensely rich literary heritage, which is of great significance for scholars interested in garden history and the histories of intellectual life and architecture. Evelyn is perhaps best known for Sylva, a compilation of thoughts on practical estate management, gardening, and philosophy, and the first book published by the Royal Society in London. As one of the group of learned men who founded the Royal Society in 1660 to promote scientific research, discussion, and publications, John Evelyn was at the center of many of the vital intellectual currents of the time. "Elysium Britannicum," Evelyn's unpublished manuscript of almost a thousand pages of densely packed drafts, rewrites, and projects, was perhaps something of an enigma to his contemporaries, who nevertheless urged its publication. It remains for scholars today a treasure-trove of fascinating insights on Evelyn and his milieu. Clean copy.

Hardcover. San Francisco, CA, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 298 pages. Dark blue cloth covers, embossed titles to spine, dark blue dust jacket with photographic illustration, profusely illustrated with gorgeous color photographs. Light rubbing to dust jacket, small nick to dust jacket at mid-spine, pages crisp and unmarked, clean boards; a beautiful book in great condition. Author Harvey H. Kaiser spent ten years exploring the historic architecture of the Western National Parks, from the rain forrests of the Olympic Peninsular to the awesome wonder of the Grand Canyon, and from rough-hewn travelers' cabins to Yosemite's spectacular Ahwahnee Hotel and Mount Hood's Timberline Lodge. Organized by region and park, and rich with historic detail.