Softcover. Princeton, New Jersey, Princeton University Press, 1998, Book: Very Good, Dust Jacket: None, Softcover. Historical and biographical volume on the architect Frank Lloyd Wright. 544 pages. Includes drawings, notes, and writings by Frank Lloyd Wright. Near fine condition; book is still in shrinkwrap that has some tears near the spine and on some corners.
Hardcover. New York, F. W. Dodge Corporation, 2nd pr., 1956, Book: Very Good, Dust Jacket: Very Good, 219 pages. Blue cloth covers, gilt titles to spine, blue dust jacket with color illustration, 75 b&w plates, 109 b&w drawings, sketches, plans, elevations, sections, etc. Clean boards, light rubbing and edgewear to dust jacket, with a few half-inch tears and 3-4" tear to bottom edge of rear dust jacket panel, pages very crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.
Hardcover. Chicago, University Of Chicago Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 397 pages, illustrated throughout in b&w. Slight crease to dust jacket front flap, slight dent to rear cover upper corner, else a clean, unmarked copy in excellent condition.
Hardcover. New York, G.P. Putnam's Sons, 1st, 1922, Book: Very Good, Dust Jacket: Very Good, 131 pages. Hardcover with scarce dust jacket. Light edgewear to covers, and pages. Light foxing throughout. Tight copy.
Softcover. Italy, Instituto E Museo Di Storia Della Scienza, 1st, 1970, Book: Good, Dust Jacket: None, 54 pages. Softcover. Color and b/w illustrations throughout. Foxing on edges and preliminary/back pages. Does not affect text or illustrations. Wrapper in good condition.
Softcover. New York, New-York Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 172 pages, illustrated in b&w and color. Clean, unmarked copy with only minor wear to wrappers. Nearly sixty-five years ago the New-York Historical Society acquired its first landscape painting by Jasper F. Cropsey. Since then additional works by the distinguished Hudson River school painter have supplemented the Society's holdings. Published on the occasion of a special exhibition.
Hardcover. New York, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. 200 illustrations in color. Foreword by Jennifer B. Lee, Performing Arts Curator, Rare Book and Manuscript Library, Columbia University. Index. Clean, unmarked copy with only minor wear to dust jacket. Joseph Urban is a lavish celebration of this prolific artist, architect, and designer, whose accomplishments include magnificent Art Deco buildings, spectacular Ziegfeld Follies productions, and dramatic sets for the Metropolitan Opera. Joseph Urban (1872-1933) began his career as an architect and artist in Vienna before moving to America in 1911. In 1914 he moved to New York, where he ultimately signed on as set designer of the Metropolitan Opera. He also became immersed in an astonishing array of outside projects, designing nightclubs, hotel lounges, skyscrapers, theaters, stage and film sets, and even children's books. Though his creative output was immense, little remains of his work except the Mar-a-Lago in Palm Beach, and the New School and the base of the Hearst Tower in New York.
Hardcover. Cambridge MA, MIT Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 406 pages, Hardcover with dust jacket. B&w illustrations. Clean, tight copy. How Le Corbusier's first trip to the United States shaped his critique of the country and affected both his work and the diffusion of his ideas. Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, Quand les Cathedrales etaient blanches: Voyage au Pays des Timid Personnes (When the Cathedrals Were White: Journey to the Country of Timid People), which faulted America for lacking the courage to adopt his ideas.
Hardcover. NY, Knopf, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 892 pages, in a bright dust jacket. In this first biography of the man, Nicholas Fox Weber writes about Le Corbusier the precise, mathematical, practical-minded artist whose idealism--vibrant, poetic, imaginative; discipline; and sensualism were reflected in his iconic designs and pioneering theories of architecture and urban planning.
Hardcover. Chicago, University of Chicago Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. The City of Refuge complex--commissioned by the Salvation Army as part of its program to transform social outcasts into spiritually renewed workers--represents a significant confluence of design principles, technological experiments, and attitudes on reform. It also provides rare insights into the work of one of the twentieth century's greatest architects, Le Corbusier. Brian Brace Taylor draws on extensive archival research to reconstruct each step of the architect's attraction to the commission, his design process and technological innovations, the social and philosophical compatibility of the Salvation Army with Le Corbusier's own ideas for urban planning, and finally, the many modifications required, first to eliminate defects and later to accommodate changes in the services the building provided. Throughout, Taylor focuses on Le Corbusier's environmental, technological, and social intentions as opposed to his strictly formal intentions. He shows that the City of Refuge became primarily a laboratory for the architect's own research and not simply a conventional solution to residents' requirements or the Salvation Army's program.
Softcover. London, Hamish Hamilton Ltd., Reprint, 1988, Book: Very Good, Dust Jacket: None, 454 pages. Softcover with moderate wear to edges, creases to cover & spine. Light foxing throughout & to top edge. Toning to edges. Includes drawings in bw by the author, decorating his letters, memoirs. Over 20 additional portraits in black & white. Clean copy.
Hardcover. New York, Princeton Architectural Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, color and b&w photos by Heinrich Helfenstein, b&w illustrations, plans. Like their compatriot Peter Zumthor, the Swiss architects Marianne Burkhalter and Christian Sumi are dedicated to an exploration of the nature of materials and construction. In the last fifteen years, they have built a series of remarkable buildings in wood and stone in Germany, Austria, and Switzerland. Their work is a thoughtful pursuit of the fundamentals of architectural construction-a style that, like that of Zumthor's buildings, might be called Alpine minimalism. Their interest in simple forms and shapes, in luminous color, in the natural grain patterns of wood, and in the opportunities afforded by joinery and other forms of craftsmanship are evident in every aspect of their built work. This comprehensive monograph includes an in-depth look at 25 of Burkhalter and Sumi's projects, including their most famous built work, the Hotel Zurichberg. Essays by Eugene Asse, Detlef Mertins, Steven Spier, and Lynnette Widder, based respectively in Moscow, Toronto, London, and New York, explore their unique style and demonstrate the growing international acknowledgement of their practice.
Hardcover. NY, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Morris Lapidus, the famous mid-century architect, outraged the architectural profession and riled critics with an architecture that was popularly embraced. His Miami Beach resort hotels - the Fontainebleau, the Eden Roc, and the Bal Harbour Sheraton - are synonymous with the glamour of Miami Beach in the 50s. Lapidus hotels are infamous as the stomping grounds of the Rat Pack and their fellow movie stars. Yet, during his life he was never published in architectural magazines and was discredited by the architectural profession - before undergoing a renaissance as a prophet of postmodernism. This book establishes the importance of his work and offers private insights into a man who once said why be exotic in private?
Hardcover. New York, Rizzoli, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Clean, tght copy. Color photographs and black and white throughout.
Hardcover. New Haven CT, Yale University Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 438 pages, profusely illustrated in color and b&w. An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner. Clean copy.
Hardcover. Koln GR, Taschen, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, 464 pages. Original publisher's faux wood boards, lettered orange at the spine and front cover. Copiously illustrated in color and black and white throughout. Text in English, German and French. Many photographs By Julius Shulman. Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume.
Hardcover. London, Thames and Hudson, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages, Color photos by Ara Guller. Sinan was the greatest architect of the Ottoman Golden Age of the sixteenth century when the Ottoman Empire reached its zenith of power and magnificence. His style marks the apogee of Turkish art. Under Sleyman the Magnificent and his succcessor Selmi II, Sinan designed hundreds of buildings: mosques, palaces, tombs, mausolea, hospitals, schools, caravanserai, bridges, aqueducts and baths, many of them presented and analysed in this book. In his greatest works, he adapted Byzantine and Islamic styles to produce something quite new: a centralized organization of absolute space unhindered by pillars or columns and covered by a soaring dome. An architect of genius in a dynamic new empire expanding into both Asia and Europe, he was a true man of the Renaissance. Clean, bright copy.
Hardcover. London, Hodder & Stroughton, 1st, 1923, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, blue cloth covers with gilt design. Color frontispiece portrait of the famous English architect. Illustrated with 12 color plates, 91 b&w plates (some fold-outs). Top edge gilt, clean copy with the scarce light blue dust jacket that has light edgewear with coat-of-arms on front panel, title on spine.
Hardcover. NY, Rizzoli, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Through all-new, full-color photography, Stanford White, Architect is the first book to explicitly feature the work of the principal genius of the illustrious American architecture firm of McKim, Mead & White. The firm was also a prime mover in the realm of residential design, with Stanford White as its visionary head. As an architect of opulent houses--in Newport, Rhode Island, along the Hudson, on the Long Island Gold Coast, and elsewhere--Stanford White had few peers. His genius for this form is expressed nowhere more wonderfully than in such personal masterpieces as his country home Box Hill and his city home in Gramercy Park. Along with residential commissions for such eminent American families as the Vanderbilts, Astors, Pulitzers, Paynes, and Whitneys, Stanford White lent his eye and hand to New York's Pennsylvania Station, Brooklyn Museum, The American Academy in Rome, and the Boston Public Library, as well as many diverse commissions, including social clubs, public buildings, churches, monuments, university buildings, and many other forms, each of which is represented in this landmark volume.
Softcover. London, England, Phaidon Press, Reprint, 2000, Book: Very Good, Dust Jacket: None, 524 pages. Softcover, French flaps. Color and b/w illustrations throughout. Wrapper very good, has a few scratches on spine (see image), otherwise great. Pages and edges clean and bright. Binding tight. In beautiful condition. A comprehensive monograph of Ando's work, this book examines over one hundred buildings and projects designed between 1969-94.
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, The Spoils of the Park. In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system--the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted's commentary on issues of the times including federal Reconstruction policy and civil-service reform.
Hardcover. NY, The Monacelli Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages. Debate and banter between the irascible Philip Johnson and the equally articulate and opinionated Robert A. M. Stern generates a provocative combination of astute commentary and personal observation on the state of architecture in the twentieth century. Philip Johnson's multifaceted career as an architect, curator, and collector extended from the early 1920s to his death in 2005. Captivated by the work of the European modernists Gropius, Le Corbusier, and Mies van der Rohe, Johnson assembled the seminal exhibition "Modern Architecture--International Exhibition" at the Museum of Modern Art in 1932. Among his most notable achievements are the famous Glass House in Connecticut, designed for his own use, and the Seagram Building in New York, in association with Mies van der Rohe.Recognized as the dean of American architecture, Johnson had a profound influence on the next generation of architects, including Robert A. M. Stern. Stern has conducted a series of ten interviews with Johnson, each covering a decade of his life, that provide an illuminating assessment of a significant period of American architecture. No dj issued.
Hardcover. NY, Chartwell, 2000, Book: N, Hardcover, 448 pages. Virtually every structure that Wright built is represented in this extensive survey of his life's work. His genius at architectural design enable him to work out extremely complex buildings in his head and translate them on to paper in a matter of hours, as the famous story of his design presentation of Falling Water illustrates. His work continues to draw great admiration and interest to this day. His often tempestuous and sometimes tragic life and career are given full coverage in this book. Hundreds of photos, both archival and recent chart his amazing work and influence on all who followed. This concise consideration of Wright's life and work not only offers new insights into the character of this complex, powerful and at all times confident personality, but also the architectural legacy he left behind and which exists to this day in the vast number of homes and public buildings photographed mainly by the author himself.
Hardcover. NY, Arco Publishing , 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover. Profusely illustrated throughout, some color. 244 pages. A visual survey of much of Adam's work, provides ample material for a critical appraisal of the development of Adam as architect and designer.
Hardcover. Princeton Architectural Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Usonia, New York is the story of a group of idealistic men and women who, following WWII, enlisted Frank Lloyd Wright to design and help them build a cooperative utopian community near Pleasantville, NY. Through both historic memorabilia and contemporary color photos, this book reveals the still-thriving community based on concepts Wright advocated in his Broadacre City proposals. Over the years, thousands of architects, scholars, planners, and students have visited the community, but no book has yet appeared on this remarkable site. Reisley, one of the original members of Usonia (and still a resident), has written the first full account to illuminate the events, problems, and passions of a democratic group of people developing a designed environment an hour from New York City and the ups and downs of working with America's most famous -and most famously volatile-architect.
Hardcover. New Haven CT, Yale University Press, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Two volume set. 575 pages, 63 b&w illustrations. Latrobe (1764-1820), English-born architect of the United States Capitol under Jefferson, Madison, and Monroe, set the course for a vast amount of nineteenth-century American architecture with such works as the Capitol, the Bank of Pennsylvania, and the Baltimore Cathedral. A pioneering engineer as well, he designed the nation"s first comprehensive steam-powered waterworks in Philadelphia. Latrobe combined his professional concerns with an astonishing range of other interests and an acutely ob- servant eye. His papers form one of the finest existing literary and pictorial descriptions of the young republic.
Hardcover. NY, Farrar, Straus and Giroux, 3rd pr., 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. Wendy Lesser's You Say to Brick: The Life of Louis Kahn is a major exploration of the architect's life and work. Kahn, perhaps more than any other twentieth-century American architect, was a "public" architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks.