Hardcover. New York, Museum of Art New York, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Dust jacket unclipped. Color and b/w illustrations throughout. In excellent condition, clean inside and out.

Hardcover. Chicago, University Of Chicago Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 397 pages, illustrated throughout in b&w. Slight crease to dust jacket front flap, slight dent to rear cover upper corner, else a clean, unmarked copy in excellent condition.

Hardcover. New York, Rizzoli, 1st Edition, 1993, Book: Very Good, Dust Jacket: Very Good, 312 pages. Hardcover. Color illustrations throughout including interiors and exteriors of projects, as well as blue prints. Red endpapers. Cover boards bound in charcoal cloth, gilt title on spine, all excellent. Dust jacket unclipped, very good. Pages clean and unmarked. Top edge has some light soil. Binding tight, spine straight. In beautiful condition. This extraordinary book presents thirty-eight of the most renowned and significant buildings of America's premier architect, from his early Prairie work in Oak Park, IL, in the 1890's to his daring creations of the 1940's and 1950's.

Hardcover. Chicago, University of Chicago Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. The City of Refuge complex--commissioned by the Salvation Army as part of its program to transform social outcasts into spiritually renewed workers--represents a significant confluence of design principles, technological experiments, and attitudes on reform. It also provides rare insights into the work of one of the twentieth century's greatest architects, Le Corbusier. Brian Brace Taylor draws on extensive archival research to reconstruct each step of the architect's attraction to the commission, his design process and technological innovations, the social and philosophical compatibility of the Salvation Army with Le Corbusier's own ideas for urban planning, and finally, the many modifications required, first to eliminate defects and later to accommodate changes in the services the building provided. Throughout, Taylor focuses on Le Corbusier's environmental, technological, and social intentions as opposed to his strictly formal intentions. He shows that the City of Refuge became primarily a laboratory for the architect's own research and not simply a conventional solution to residents' requirements or the Salvation Army's program.

Hardcover. NY, The Monacelli Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages. Debate and banter between the irascible Philip Johnson and the equally articulate and opinionated Robert A. M. Stern generates a provocative combination of astute commentary and personal observation on the state of architecture in the twentieth century. Philip Johnson's multifaceted career as an architect, curator, and collector extended from the early 1920s to his death in 2005. Captivated by the work of the European modernists Gropius, Le Corbusier, and Mies van der Rohe, Johnson assembled the seminal exhibition "Modern Architecture--International Exhibition" at the Museum of Modern Art in 1932. Among his most notable achievements are the famous Glass House in Connecticut, designed for his own use, and the Seagram Building in New York, in association with Mies van der Rohe.Recognized as the dean of American architecture, Johnson had a profound influence on the next generation of architects, including Robert A. M. Stern. Stern has conducted a series of ten interviews with Johnson, each covering a decade of his life, that provide an illuminating assessment of a significant period of American architecture. No dj issued.

Hardcover. Zurich, Scheidegger and Spiess, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth, 210 pages, 164 color and 76 b/w illustrations. Le Corbusier (1887-1965) is one the most influential architects of the twentieth century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914-1973). Their collaboration on Le Corbusier's pavilion for the 1937 Paris World Exhibition sparked Jorn's lifelong fascination with the great architect and with architecture more broadly as an inherently public form of art. At the same time, Le Corbusier started working in the visual arts and began to move from a rational, technological approach to architecture towards a more poetic, materialist approach. Published in collaboration with the Museum Jorn, Silkeborg, What Moves Us? focuses specifically on the reception of Le Corbusier in Scandinavia, with the relationship between Jorn and Le Corbusier as a thematic thread. The book first highlights the architect's change of direction and subsequently takes readers through his influence on the young artist. The book's distinguished contributors explore the relationships that emerged among their artistic theories and practices, including Jorn's later critique of Le Corbusier. Essays also explore the wider influence of Le Corbusier on Scandinavian architecture and urbanization and consider Le Corbusier alongside the Danish architect Jorn Oberg Utzon and the Aarhus Brutalism movement.