Hardcover. NY, Rizzoli International, 1st US, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 228 pages, illustrations in color and b/w. Photography by Roberto Schezen. This was the first book to present all of Loos's 180 works and an essay on this architect's relation to the society of his time. Embossed stamp to prelim page, otherwise clean.

Softcover. New York, Princeton Architectural Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, Softcover, 184 pages, b&w illustrations. Albert Kahn's contribution to North American industrial architecture is best characterized by a simplicity of expression in his designs of flexible spaces for manufacturing and production. Working in Detroit, Kahn began a long and fruitful collaboration with the automobile mogul Henry Ford, that was based on a shared vision of modernism and industry. Kahn rapidly established himself as an architect capable of responding to the new demands of mass production by employing the patented system of reinforced concrete developed by his brother, an engineer. Guided by functionalist principles and a sense of manufacturing organizations, Kahn anticipated assembly line operations and developed innovative typological characteristics for the modern factory. His projects included Ford Motor Company River Rouge Plant, Dearborn, Michigan; Burroughs Adding Machine Company, Detroit, Michigan; Tractor Plant, Stalingrad, Russia; General Motors Building, Chicago World's Fair; and Kellogg Company, Battle Creek, Michigan. Through incisive text, Albert Kahn - part of a growing series with Adalberto Libera and Adolf Loos - brings to light the novelty of Kahn's designs and his advancement of the machine aesthetic. Over ninety black-and-white photographs and drawings illustrate the extensive number of projects realized by "the architect of Ford."

NY, Praeger, revised ed., 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover,192 pages. Illustrated in color, b&w. Dust jacket with light edgewear, soil. Small quarter-size stain to front cover.

Hardcover. London, Country Life, 1st, 1922, Book: Very Good, Dust Jacket: None, Two volumes complete, large folio (15" X 12"). 344 and 361 pages plus 100 appendix and index pages. pale green cloth with gilt lettering and design, top edge gilt. Color frontispiece in Volume II, profusely illustrated with about 700 b&w illustrations, plans and drawings. Clean, bright set. First edition of Arthur T. Bolton's monumental monograph on the architecture of Robert (1728-1792) and James Adam (1732-1794), two Scottish brothers who were renowned neoclassical architects, interior and furniture designers.

Hardcover. New York , Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 240 pages. Photographer Ian Macdonald-Smith has captured more than forty of the most characteristically innovative extant houses designed by M.H. Baillie Scott (1865-1945), as well as their gardens, in color photographs that express the craftsmanship and planning of this early-20th-century master. Like new in publisher's shrink-wrap.

Hardcover. New York , Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, color photographs. Like new in publisher's shrink-wrap. The North Fork is the roughly sixty-mile-long spit of New York's Long Island that runs from Riverhead to Orient Point. With the fairly well protected Long Island Sound on the North and Peconic Bay on the South, it was a logical place for some of the earliest English immigrants to settle and build barns. It is still home to more working farms than any other part of the island. And from the timber-frame barns of the British farmers of the seventeenth century to the pole barns of the twentieth, the variety is stunning. In a survey sponsored by the Old House Society in Cutchogue, Mary Ann Spencer spent the last few years making a comprehensive inventory and photographing more than six hundred barns on the North Fork. Two hundred of them are still in use, although their fate is by no means certain. Here in their glory (and sometimes less than that) are the most interesting barns,which reveal, among other things, their functional development, their often haphazard fenestration, their soft patina of age, and their fit in the landscape. Spencer's complete survey forms a second part of this book, which provokes feelings of nostalgia and raises our fears for the future of these wonderful structures. More than 150 color photographs.

Hardcover. Larkspur Landing, Lapis Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 157 pages. Hardcover. Illustrated with full color and black & white photographs. Wrinkling to bottom right corner of page 147/148. Dust jacket with light wear along edges. Clean, tight copy.

Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.

Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.

Hardcover. NY, Harper & Row, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 295 pages with b&w & color illustrations. A nice, bright copy. Illustrated throughout with interiors, exteriors and floor plans. Short closed tears to dust jacket.

Softcover. New York, Rizzoli, 1st, 1993, Book: Very Good, Dust Jacket: None, 305 pages, illustrated throughout in color and b&w. Light edgewear and sun-fade to spine. Previous owner's signature on front end paper. Clean, tight copy. Briefly traces the career of this contemporary American architect and shows examples of his houses, apartment buildings, libraries, museums, schools, hotels, churches, and conference centers.

Softcover. NY, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color photos. Charles Rose embraces the vast and varied panorama of the American landscape. The profile of his award-winning Paintrock Camp in Hyattville, Wyoming, follows the contours of a nearby canyon; Roses's adaptive reuse of an industrial structure in New York City's Chelsea neighborhood preserves the existing streetscape while creating a seamless flow between inside and out; and the shape of his United States Port of Entry project in Del Rio, Texas, was determined by the scorching Texan sun and features sustainable landscapes. With surprising use of volumes, materials, and geometries, agile movement of spaces, and an active language of planes and lines, Rose creates dynamic, expressive architecture that reminds us that buildings can be both sensitive to their locale and embrace the timeless principles of geometry, material, light, and shadow. Clean copy.

Softcover. Gloucester MA, Rockport , 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Softcover, 136 pages. Color illustrations. Clean copy.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1986, Book: Very Good, Dust Jacket: None, 317 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1989, Book: Very Good, Dust Jacket: None, 358 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1988, Book: Very Good, Dust Jacket: None, 390 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Hardcover. Chicago, University Of Chicago Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 397 pages, illustrated throughout in b&w. Slight crease to dust jacket front flap, slight dent to rear cover upper corner, else a clean, unmarked copy in excellent condition.

Hardcover. New York, Rizzoli, 1st Edition, 1993, Book: Very Good, Dust Jacket: Very Good, 312 pages. Hardcover. Color illustrations throughout including interiors and exteriors of projects, as well as blue prints. Red endpapers. Cover boards bound in charcoal cloth, gilt title on spine, all excellent. Dust jacket unclipped, very good. Pages clean and unmarked. Top edge has some light soil. Binding tight, spine straight. In beautiful condition. This extraordinary book presents thirty-eight of the most renowned and significant buildings of America's premier architect, from his early Prairie work in Oak Park, IL, in the 1890's to his daring creations of the 1940's and 1950's.

Hardcover. New York, Monacelli, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 616 pages, profusely illustrated in color and b&w. In a bright, unclipped dust jacket. 10.2 x 2 inches. Profusely illustrated with stunning photos, plans, sketches, models of his complete works and projects, project register, biography, exhaustive bibliography, and illustration credits. This first major monograph on Gehry's work contains more than 250 buildings and projects designed throughout his 40-year career.

Hardcover. New York , Quantuck Lane Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Oversized hardcover, 168 pages. A stunning collection of photographs immortalizing one of the most ambitious efforts at historic preservation ever undertaken. In the 1970s, Adelaide de Menil and Ted Carpenter began acquiring, restoring, and moving to their East Hampton property historically significant buildings of Long Island. Four decades later the eighteen buildings were moved several miles away, where architect Robert A. M. Stern interconnected and reinterpreted the buildings as East Hampton's Town Hall. 36 four-color and 63 black-and-white photographs

Hardcover. San Francisco, Chronicle Books, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a bright. lightly worn dust jacket. 240 pages illustrated in color. A full-color survey of the architectural firm of Greene & Greene that almost single-handedly defined the Arts & Crafts aesthetic in America in the first decades of the 20th century. An in-depth tour of 25 magnificent homes examines the creative evolution of their style as well as surveying their greatest works. Light tape repair to spine of dust jacket.

Hardcover. Chicago, University of Chicago Press , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Photographer Camilo Jose Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood's urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing--some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara's own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

Hardcover. NY, Delano Greenidge Editions, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 396 pages, lavishly illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Guimard is the pre-eminent architect of Art Nouveau in France. He influenced French architecture and design in the first half of the 20th century. He was also the architect of a number of Paris Metro entrances. He was regarded as an architect who wielded the greatest influence on the popular imagination in Paris during the late 19th- and early 20th centuries.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages 231 illustrations 60 in color with 274 plans and drawings. Biography. Like new in publisher's shrink-wrap. Josef Paul Kleihues (1933-2004) was one of the most prolific architects of postwar Germany, famous both as the Director of the International Building Exhibition Berlin in 1987 and for his design for the Museum of Contemporary Art in Chicago. He was also known for his sensitive interventions into older buildings, an instance of which is the former Hamburger Bahnhof--now the Museum fur Gegenwart--in Berlin, where Kleihues intermixed glass walls and light installations by the American Minimalist Dan Flavin with the building's original nineteenth-century Neoclassical design. (His reconstruction was widely deemed to rival or even surpass Gae Aulenti's overhaul of the interior of the Musee d'Orsay in Paris.) This first volume of a three-part monograph presents projects up to 1980, including the highly acclaimed Berlin Sanitation Department and the Neukolln Hospital. Even in these early works, Kleihues' practical, problem-solving approach is already evident, indicating his readiness to reflect on the traditional approaches of Modern architecture and his capacity to expand them in interesting ways. This very generously illustrated volume was designed by Kleihues himself, just before his death in 2004.

Hardcover. New York, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. 200 illustrations in color. Foreword by Jennifer B. Lee, Performing Arts Curator, Rare Book and Manuscript Library, Columbia University. Index. Clean, unmarked copy with only minor wear to dust jacket. Joseph Urban is a lavish celebration of this prolific artist, architect, and designer, whose accomplishments include magnificent Art Deco buildings, spectacular Ziegfeld Follies productions, and dramatic sets for the Metropolitan Opera. Joseph Urban (1872-1933) began his career as an architect and artist in Vienna before moving to America in 1911. In 1914 he moved to New York, where he ultimately signed on as set designer of the Metropolitan Opera. He also became immersed in an astonishing array of outside projects, designing nightclubs, hotel lounges, skyscrapers, theaters, stage and film sets, and even children's books. Though his creative output was immense, little remains of his work except the Mar-a-Lago in Palm Beach, and the New School and the base of the Hearst Tower in New York.

Hardcover. Cambridge MA, MIT Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages, illustrated with mostly b&w plates, 8 color pages. Small remainder stamp on bottom edge. "Tiege was at one and the same time both an agent provocateur and seismograph, at once provoking action and debate and yet simultaneously reacting with the utmost sensitivity to the shifting political spectrum of his time."--from the introduction by Kenneth FramptonKarel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances.

Hardcover. NY, Phaidon Press, 1st, 2008, Book: Very Good, Dust Jacket: None, This slip-cased, oversized book, weighing 20 pounds and containing over 2000 illustrations, summarizes the life and work of the most important modern architect of the 20th century: the legendary, controversial, and confrontational Le Corbusier. Le Corbusier was not exclusively an architect but an artist (painter and sculptor), urbanist, author, furniture designer, world traveler, and media figure. What is most impressive in this volume are the huge-scale photographs drawn from the Le Corbusier archives at the Fondation Le Corbusier in France. These photographs are personal, professional, indicative, anecdotal, illustrative, and symbolic of the entire saga of Le Corbusier's life and career over 60 years. They make this book an absolute gold mine for anyone wanting to understand and steep themselves in the spirit and character of this greatest modern architect of the last century. The written material is also first-rate: Jean-Louis Cohen, France's best-known historian of modern architecture, contributes an informative introduction, and Tim Benton, a well-known British architectural historian, writes opening texts for individual chapters. Recommended for architecture and art libraries as well as public libraries with serious art collections.--Peter S. Kaufman, Boston Architectural Ctr. NOTE; DUE TO SIZE AND WEIGHT THIS VOLUME CANNOT BE SHIPPED OUTSIDE THE U.S.

Hardcover. San Francisco, Chronicle Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, More than 200 illustrations in color and in black & white. 224 pages. Analyzes in detail Scottish architect Charles Rennie Macintosh's greatest work, the Glasgow School of Art, with commentaries discussing the school's place in the development of architecture. Clean copy.

Softcover. Princeton Architectural Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 234 pages, color illustrations. David Miller and Robert Hull created the Pacific Northwest style which is energy-conscious, structural expressive and uses local materials. This book has 29 projects. Miller/Hull's energy-conscious designs combine with a love of local materials and structural expressiveness to define the essence of the Pacific Northwest style. Here, where climate plays such a critical role, each Miller/Hull building responds with simple but inventive forms, straightforward plans, sensible siting, and careful detailing. Miller/Hull is the only comprehensive monograph of the architects' practice, which spans civic buildings, office and retail structures, educational and institutional projects, and their award-winning houses. Clean copy.

Hardcover. Ontario CA, Vanwell Publishing St. Catherines, Ontario, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, color illustrations throughout. Highlights structures, both in the planning and executed stages, designed in the 1990s by the firm of Philip Johnson/Alan Ritchie Architects, that demonstrate the firm's sculptural achievements, including Da Monsta and the Glass House in New Canaan, Connecticut. Introduction by Paul Goldberger. In a bright dust jacket, clean.

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1966, Hardcover, white embossed cloth with gilt lettering on the spine. 115 pages profusely illustrated throughout in color and bw. Introduction by Henry Russell Hitchcock. Fifty-one color plates with plans cover all of Johnson's major buildings. In addition, relevant plans and drawings complement Hitchcock's text. The volume is completed by a thorough chronology of all of Johnson's architecture and bibliography of writings by and about the architect up to 1966. Mild darkening to cloth cover, otherwise clea copy. Lacks dust jacket.

Hardcover. New York, Metropolitan Museum of Art, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 293 pages. Hardcover with dust jacket. Sunfading to spine. Price sticker to rear jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. The photographer Edouard Baldus, a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s....This book, the first to chronicle the life and career of this important artist, brings his work once more before the public. The superb quality of the reproductions captures the subtle tones and soft matte surfaces of the original prints, many of which are published here for the first time.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.

Hardcover. US, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Hardcover. US, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Softcover. New York , Rizzoli, 1st, 1989, Book: Very Good, Dust Jacket: None, 288 pages, softcover edition. Edited by Sarah Mollman Underhill. Introductory Essay by Stanley Tigerman. Afterword by John Hejduk. Illustrated with color and black-and-white drawings, photographs and plans.

Hardcover. New York, Monacelli Press, Inc., 1st US, 2003, Book: Very Good, Dust Jacket: Good, 276 pages. Hardcover. Illustrated with full color photographs. Dust jacket with fading along spine and edges. Light wear. Clean, tight copy.

Softcover. Pound Ridge NY, self-published, 1st, Book: Very Good, Dust Jacket: None, Softcover, 24 page booklet in color, 9 1/2 X 9 1/2", stapled wrappers. A nice overview of this Macedonian architect's modern house designs, Clean copy.

Hardcover. NY, Rizzoli, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 252 pages illustrated in color. With nearly one thousand commissions executed between 1879 and 1912, McKim, Mead & White was the architectural firm of choice of the most prestigious projects of the era, including the redesign of the White House and the Mall in Washington, D.C., and the campuses of Harvard and Columbia Universities. Among its residential clients were many of the most powerful figures of the Gilded Age-Vanderbilts, Whitneys, Pulitzers-for whom the firm built splendid summer cottages in Newport and throughout Long Island and the Hudson valley and sumptuous town houses in Boston, Washington, Baltimore and New York. More than thirty houses are presented here, their exteriors and interiors elegantly recorded in lush new color photographs. The book also provides the first look at the recent restoration of the Isaac Bell house in Newport and newly reinstalled Venetian room at the Payne Whitney house, now the French Cultural Services, in New York City. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Chartwell, 2000, Book: N, Hardcover, 448 pages. Virtually every structure that Wright built is represented in this extensive survey of his life's work. His genius at architectural design enable him to work out extremely complex buildings in his head and translate them on to paper in a matter of hours, as the famous story of his design presentation of Falling Water illustrates. His work continues to draw great admiration and interest to this day. His often tempestuous and sometimes tragic life and career are given full coverage in this book. Hundreds of photos, both archival and recent chart his amazing work and influence on all who followed. This concise consideration of Wright's life and work not only offers new insights into the character of this complex, powerful and at all times confident personality, but also the architectural legacy he left behind and which exists to this day in the vast number of homes and public buildings photographed mainly by the author himself.

Softcover. Chicago, Ludowici-Celadon Co., 1st, 1929-1932, Book: Very Good, Dust Jacket: None, 26 softcover brochures, approx. 24 pages each. Illustrated with b&w photographs and drawings. Issues from 1929 to 1932. Very good condition.

Hardcover. New York, Five Ties Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 163 pages. Like new in publishers shrink-wrap. Contains 93 color photos spanning 25 years of the photographer's work; Includes photos of Exeter Cathedral, the Millenium Dome, Lloyds of London, Washington National Gallery, the Louvre, and many more.

Hardcover. New York, Five Ties Publishing, 1st, 2006-11-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 163 pages. Like new in publishers shrink-wrap. Contains 93 color photos spanning 25 years of the photographer's work; Includes photos of Exeter Cathedral, the Millenium Dome, Lloyds of London, Washington National Gallery, the Louvre, and many more.

Hardcover. New York , Rizzoli, Revised Ed., 2009, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages, roughly 420 color and 110 b&w plates. Like new in publisher's shrink-wrap.