Hardcover. West Plains MO, Russ Cochran, 1st, 1982, Book: Very Good, Hardcover Very Good+ Two volume set in a slipcase. Volumes entitled: Weird Science-Fantasy No. 23-29 and Incredible Science Fiction No. 30-33. Black and white reproductions of the comics with color reproductions of the covers. Featuring tales by Frank Frazetta, Wally Wood, Al Williamson, Reed Crandall, and Joe Orlando.

Softcover. NY, Watson-Guptill, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. For the aspiring artist who wants to become an expert comic book inker, The DC Comics Guide to Inking Comics is the definitive, one-stop resource!Americas leading comic book publisher brings its superstar creators and classic characters to the third in an authoritative series of books on how to create comics. Legendary comic book inker Klaus Janson uses DCs world-famous characters-including Batman, Superman, and Wonder Woman-to demonstrate an array of inking techniques, covering such topics as using textures, varying line weights, creating the illusion of three-dimensionality, and working with light and dark. Jansons lively, step-by-step instructions are informative, exciting-and clear enough for even beginners to follow. In addition, every technique shown in this guide conforms to actual industry standards.The perfect how-to on everything from basic inking materials to storytelling techniques, this one-stop sourcebook is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring comic artist.

Hardcover. New York, Duell, Sloan & Pearce, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, unpaginated. A collection of original Partch cartoons all about hunting, fishing, golf and other sports. Introduction by Gurney Williams, cartoon editor at Collier's. Clean copy, light wear, mild fading to edges of cover.

Hardcover. Montreal, Drawn and Quarterly, reprint, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 48 pages in color by Clowes. Teen outcast Andy is an orphaned nobody with only one friend, the obnoxious-but loyal-Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can, and as he learns the extent of his new powers, he discovers a terrible and seductive gadget-a hideous compliment to his seething rage-that forever changes everything. The Death-Ray utilizes the classic staples of the superhero genre-origin, costume, ray gun, sidekick, fight scene-and reconfigures them in a story that is anything but morally simplistic. With subtle comedy, deft mastery, and an obvious affection for the bold pop-art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche. Originally published as a paperback in Eightball #23 in 2004, here beautifully reproduced on heavy stock with new end paper illustrations and a new cover.

Hardcover. NY, NBM, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Early b&w comic strips. Mutt and Jeff was the first successful daily comic strip; before it, the funnies were Sunday features. It debuted in 1907, however, as A. Mutt, limning the follies of lanky racetrack gambler Augustus Mutt. Diminutive sidekick Jeff appeared the following year to form a partnership that lasted until the strip's overdue demise in 1983. Mutt and Jeff was the first strip to essay weeks-long story lines, such as a trip to Mexico to join Pancho Villa's revolution. Compared to better-remembered strips of the era, Mutt and Jeff was crudely drawn, yet it captured the nation's fancy. Despite its significance in comics history, Mutt and Jeff is scantly regarded today. By the mid-1920s, Fisher handed creative duties over to ghosts to free up time for the playboy lifestyle that the strip's sizable revenues allowed him. Clean copy.

Hardcover. London, Dark Horse, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The infamous EC Comics pre-trend crime classic is beautifully reprinted in full color and collected into a deluxe hardcover edition. Presenting tales of horrific crimes, grisly murders, and bizarre homicide cases featuring the titanic artistic talents of Johnny Craig, Sheldon Moldoff, H. C. Keifer, Ed Walden, Ann Brewster, and Stan Ashe. EC's "Pre-Trend" titles were published by M.C. Gaines, and then William Gaines after his father's death in 1947. Collects Crime Patrol issues #7-#11.

Softcover. Auburn CA, Rip Off Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.25 cover price. Color art by Selton inside -"The Idiots Abroad", part 3. Clean, bright copy.

Softcover. Auburn CA, Rip Off Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.95 cover price.

Softcover. San Francisco, Rip Off Press, 1st, 1977, Book: Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, 75 cents cover price. B/w art by Selton inside. Some chipping to the topof the spine cover.

Softcover. San Francisco, Rip Off Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Color art by Selton inside- "The Idiots Abroad", part 1. Clean, bright copy.

Softcover. San Francisco, Rip Off Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Color art by Selton inside- "The Idiots Abroad", part 1. Clean, bright copy.

Softcover. Auburn CA, Rip Off Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Color art by Selton inside- "The Idiots Abroad", part 2. Clean, bright copy.

Softcover. San Francisco, Rip Off Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, staplebound with $2.95 cover price. 32 pages illustrated in color by Shelton. Clean, bright copy.

Softcover. San Francisco, Rip Off Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, staplebound with $2.95 cover price. 32 pages illustrated in color by Shelton. Clean, bright copy.

Softcover. London, Knockabout Comics, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 624 pages. Illustrated wraps. Color and b&w art by Shelton. The definitive collection of the classic underground comic strip.

Softcover. Seattle, Fantagraphics, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. The Farewell Song of Marcel Labrume is Fantagraphics' first entry in its planned Micheluzzi library, which will reprint all of his most significant works. Micheluzzi is one of the most iconic graphic stylists of the European comics scene known for his elegant line and stunning draftsmanship. He drew many graphic novels between 1974 and 1990, mostly of adventurous stories grounded in historical reality with a patina of romanticism, in the tradition of Milton Caniff and Hugo Pratt. Micheluzzi's artwork in these Fantagraphics editions have been meticulously and lovingly restored by the artist's daughter Agnese Micheluzzi and will be the finest reproductions in the artist's career. The first act of this thrilling two-part adventure tale takes place in Beirut in 1941, when renegade journalist Marcel Labrume crosses paths with the beautiful and mysterious American millionaire Carol Gibson, who the Germans suspect of being a spy. Clean copy.

Hardcover. NY, Artabras Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. A review of all the Batman comics features 224 covers, ranging from the first issue of Detective Comics in 1939 to the mid-1950s.

Hardcover. NY, Taschen, reprint, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 416 pages in color. In June of 1938, Action Comics debuted with a new kind of comic book character on its cover: a costumed man with two identities, who possessed extraordinary strength and powers-a man able to protect the public when ordinary measures would not do. He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter.Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics. The single most comprehensive book on the subject, this volume traces the company's first decades, from its pulp origins up to the comic book burnings of the McCarthy '50s in more than 400 pages bursting with comics, art, comics, photographs, and more comics. Also included is an exclusive interview with legendary artist Joe Kubert. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, TASCHEN's series on DC Comics explores the origins of comics' most enduring legends and the behind-the-scenes, era by era. In a reader-friendly size, the books feature updated essays by author Paul Levitz and thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles to bring the story lines, the characters, and their creators to vibrant life. A bright, clean copy that has a light smoker's odor.

Hardcover. NY, Taschen, reprint, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 416 pages in color. In June of 1938, Action Comics debuted with a new kind of comic book character on its cover: a costumed man with two identities, who possessed extraordinary strength and powers-a man able to protect the public when ordinary measures would not do. He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter.Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics. The single most comprehensive book on the subject, this volume traces the company's first decades, from its pulp origins up to the comic book burnings of the McCarthy '50s in more than 400 pages bursting with comics, art, comics, photographs, and more comics. Also included is an exclusive interview with legendary artist Joe Kubert. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, TASCHEN's series on DC Comics explores the origins of comics' most enduring legends and the behind-the-scenes, era by era. In a reader-friendly size, the books feature updated essays by author Paul Levitz and thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles to bring the story lines, the characters, and their creators to vibrant life.Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. NY, HarperCollins, 1st illust thus, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The second volume of a glorious two-volume, four-color graphic novel adaptation of Neil Gaiman's #1 New York Times bestselling and Newbery and Carnegie Medal-winning novel The Graveyard Book, adapted by P. Craig Russell and illustrated by an extraordinary team of renowned artists. Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Galen Showman, Scott Hampton, and David Lafuente lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel. Volume Two includes chapter six to the end of the book. The concluding volume of the graphic novel adaptation of the book about a boy, raised by the inhabitants of the local graveyard who rally to protect him from a league of villains named Jack that seeks to destroy him. Clean copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 24-foot-long black-and-white drawing printed on heavyweight accordion-fold paper and packaged in a deluxe hardcover slip-case. From "the heir to R. Crumb and Art Spiegelman" (Economist) comes a monumental, wordless depiction of the most infamous day of World War I.Launched on July 1, 1916, the Battle of the Somme has come to epitomize the madness of the First World War. Almost 20,000 British soldiers were killed and another 40,000 were wounded that first day, and there were more than one million casualties by the time the offensive halted. In The Great War, acclaimed cartoon journalist Joe Sacco depicts the events of that day in an extraordinary, 24-foot- long panorama: from General Douglas Haig and the massive artillery positions behind the trench lines to the legions of soldiers going "over the top" and getting cut down in no-man's-land, to the tens of thousands of wounded soldiers retreating and the dead being buried en masse. Printed on fine accordion-fold paper and packaged in a deluxe slipcase with a 16-page booklet, The Great War is a landmark in Sacco's illustrious career and allows us to see the War to End All Wars as we've never seen it before. Clean copy.

Hardcover. US, W. W. Norton & Company, 1st, 2013-11-04, Book: Very Good, Dust Jacket: Very Good, Fold-out in slipcase. Like new in publisher's shrink-wrap. Launched on July 1, 1916, the Battle of the Somme has come to epitomize the madness of the First World War. Almost 20,000 British soldiers were killed and another 40,000 were wounded that first day, and there were more than one million casualties by the time the offensive halted. In The Great War, acclaimed cartoon journalist Joe Sacco depicts the events of that day in an extraordinary, 24-foot- long panorama: from General Douglas Haig and the massive artillery positions behind the trench lines to the legions of soldiers going "over the top" and getting cut down in no-man's-land, to the tens of thousands of wounded soldiers retreating and the dead being buried en masse. Printed on fine accordion-fold paper and packaged in a deluxe slipcase with a 16-page booklet, The Great War is a landmark in Sacco's illustrious career and allows us to see the War to End All Wars as we've never seen it before.

Hardcover. Taschen, 2nd pr., 2021, Book: Very Good, Dust Jacket: None, Huge oversized hardcover, 16x11", 596 pages. The full, fascinating story of this fabled company, written and designed by EC-expert Grant Geissman. Even the most die-hard EC Fan-Addicts will find something new within these pages, with the Gaines family archives providing over 100 rarities that have never seen print. Cover images are reproduced from Gaines file copies. 1,000 illustrations include the rarest and most notorious covers, interior pages and panels, rare photos, vintage original artwork, and some of the most celebrated stories ever to be printed in four colors. Author Grant Geissman was a customer in Bud Plant's San Jose comic book store in 1968-69, long before he became a recording star and EC expert. Grant has written several books on EC and, in my mind, is the foremost authority on both Mad and EC. He generously did a special bookplate for us, which reproduces a "fantasy" cover for Incredible Science Fiction that he commissioned from Angelo Torres. It's in full color and signed by Grant.

Hardcover. NY, Super Genius, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 180 pages. Everyone knows Superman, but not everyone knows the story of two youngsters from Cleveland who created Superman. Based on archival material and original sources, "Truth, Justice, and the American Way: The Joe Shuster Story" tells the story of the friendship between writer Jerry Siegel and illustrator Joe Shuster, and puts it into the wider context of the American comicbook industry. Told in graphic novel format in color.