Hardcover. Prescott, AZ, Gladstone Publishing Ltd., 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Fortieth anniversary edition of Uncle Scrooge compilation. With storybook paintings by Norman McGary and commentary by Geoffrey Blum. Black covers with gilt lettering on front and spine. Small abrasion to rear bottom spine edge, otherwise unmarked, clean and tight copy with light wear to dust jacket.
Hardcover. UK, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy.
Softcover. Berkelry CA, Last Gasp, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover First Edition R. Crumb color front cover, 8 page b&w strip by R. Crumb, Mode O'day. Other b&w strips.
Softcover. Berkeley CA, Last Gasp, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 44 pages, created by Robert Crumb, his wife Aline, and others; with a color front and rear cover by Crumb, work entitled Uncle Bob's Mid-Life Crisis (eight pages), Robert Williams, a photo piece called Slaves Of The Comicbook Factory, Jeff John, Trashman by the legendary Spain, Dori Seda, C.P.Grimsley, and others; this true first printing, in stapled wrappers.
Softcover. Berkeley CA, Last Gasp, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover First Edition. The Winter, 1986-87 issue of this comics series created by Robert Crumb, his wife Aline, and others; this issue features a wonderful, full color cover by Crumb, and contributors such as Mark Zingarelli, Kim Deitch, Stephen Calt, Frank Stack, S.Clay Wilson, Penny Moran, a superb, five page story by Robert Crumb, entitled Mother Hulda, and a wonderful letter from Harvey Pekar; this copy is very good plus in stapled wrappers .
Softcover. Berkeley CA, Last Gasp, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover The Summer, 1982 issue of the famed Weirdo comics series, created by Robert Crumb, his wife Aline and others, featuring a beautiful, color collage front cover with a border of "girlie" photos and a full color rear drawing by Aline Kominsky Crumb; contributors include Terry Boyce, Norman Dog, a fabulous, four page piece by Robert, entitled Trash:What Do We Throw Away, a funny 4-page, photo piece called Untamed Passion For Pasta, Jeff John, Fried Nuts by Robert, and a terrific Drew Friedman piece called Joe Franklin Is A Dream Walkin' and Old Bud Abbott, also by Drew; a wonderful issue, this is the true first printing, in stapled wrappers.
Softcover. Berkeley CA, Last Gasp, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover unpaginated, [44 pages including covers], glossy color wraps, $2.25 cover price, b/w interior. Contributors include D. Worden, Dori Seda, Robert Armstrong, Drew Friedman, Elinore Nofflus, Terry Boyce, Kaz, Tom Bertino, B.N. Duncan, Jay Kinney reporting on the First Annula World SubGenius Convention, R. Crumb's "I Remember the Sixties." Photo-illustrated stories featuring Crumb in "Beauty and the Pest" and with wife Aline Kominsky-Crumb in "The Unfaithful Husband and La Malisma Tentadora!." Saddle stapled, magazine sized comic book.
Hardcover. New York, Pantheon, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover with a lightly worn, unclipped dust jacket. SIGNED BY KOREN on title-page. A collection of his New Yorker drawings.
Hardcover. NY, Bloomsbury, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. "In this neurotic spin on the classic alphabet book, longtime New Yorker staff cartoonist Chast shares a few of her least favorite things, with each letter suggesting a horror that you may never have even considered worrying about before: G for general anesthesia, K for kites, S for spontaneous human combustion, V for vision loss... Chast's funny, fuzzy-lined drawings make even the most mundane object send chills of unease down your spine... hypochondriacs and fans of Chast's twisted sense of humor will especially rejoice." -Library Journal
Hardcover. Montreal, Drawn and Quarterly, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. How do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry's compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry's first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: "The ordinary is extraordinary."
Softcover. Kansas City, Andrews McMeel Publishing, 1st, 1989, Book: Very Good, Dust Jacket: None, 176 pages. Softcover. Clean, unmarked copy with only minor wear to wrappers. Oliphant's cartoon talents are marvelously displayed in this satire of the past year's news events. It's a hilarious look at life and the scandals that shape our political environs. Pulitzer Prize winner.
Hardcover. New York, E.P. Dutton, 1st, 1954, Book: Very Good, Dust Jacket: Fair, Hardcover, yellow boards stamped in black. Light edgewear, o/w very good. The wonderful world of 1950s cartoons! A "carnival" of cartoons compiled by This Week magazine editors, including work by Bil Keane, Chon Day, Ronald Searle, Ton Smits, Charles Pearson. Gives brief bios of some of the cartoonists with photos. Dust jacket worn, tape repairs.
Hardcover. New York, Harper and Brothers, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 146 pages. A collection of Mauldin's political cartoons from the late 50s and early 1960s. Dust jacket with light wear, price-clipped.
Hardcover. NY, Bloomsbury Publishing, 2nd pr., 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with orange cloth spine. 232 pages. From the prize-winning author of The Three Escapes of Hannah Arendt, a stunning graphic narrative of newly discovered stories from Jewish teens on the cusp of WWII.When I Grow Up is New Yorker cartoonist Ken Krimstein's new graphic nonfiction book, based on six of hundreds of newly discovered, never-before-published autobiographies of Eastern European Jewish teens on the brink of WWII-found in 2017 hidden in a Lithuanian church cellar. These autobiographies, long thought destroyed by the Nazis, were written as entries for three competitions held in Eastern Europe in the 1930s, just before the horror of the Holocaust forever altered the lives of the young people who wrote them.
Softcover. UK, PS Artbooks, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. A facsimile reprint from 1941, 68 pages. Color art by C.C. Beck, Pete Costanza, Charles Sultan, Binder Studio et al. Another classic pre-war issue of Fawcett's #1 title, where Captain Marvel and all these other characters got their start. CM goes after a Nazi commander to rescue Whitey and Mr. Morris. Classic cover! Back-up strips include Doctor Voodoo, Ibis, Golden Arrow, Spy Smasher, Lance O'Casey.
Softcover. UK, PS Artbooks, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. A facsimile reprint from 1940, 68 pages. Color art by C.C. Beck, Pete Costanza et al. The origin and first adventures of Captain Marvel (issue #1 was an ashcan). Young Billy Batson discovers the magical word that transforms him into the mighty Captain Marvel. Includes the first appearance of these back-up strip stars, most who would get their own title: Spy Smasher, Ibis, Golden Arrow, Dan Dare, Scoop Smith and Lance O'Casey. First appearance of arch villain Sivana. Clean, like new.
Softcover. PS Artbooks, reprint, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. From December, 1941. Art by Mac Raboy, C. C. Beck et al. A key issue, with Captain Nazi jumping over from the pages of Master Comics to fight CM and it all brings about, right here, the origin of Captain Marvel, Jr. Capt. Nazi attacks a young boy and leaves him crippled, which can't be reversed. But CM goes to his mentor Shazam and agrees to give some of his power to the boy, so that when Freddy says "Captain Marvel" he turns into the super-powered Captain Marvel, Jr. CM then sends him back to Master Comics (yes, really) to aid Bulletman in his own battle with Captain Nazi. All of this is part of a 3-part origin story. CM Jr. immediately became the long running cover feature of Master Comics.
Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.
Hardcover. New York, Bloomsbury, 1st US , 2010, Book: Very Good, Dust Jacket: Very Good, 359 pages, hardcover. 16 pages of color illustrations. Extensive b&w illustrations and photographs. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, DC Comics, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages in color. Like new in publisher's shrink-wrap. The Spirit returns for the third volume in this archival series! In it, Will Eisner's classic crimefighter of the 1940s continues to face off against enemy agents on the homefront. This volume includes an appearance by the sultry Silk Satin, as well as the Spirit's developing relationship with Police Commissioner Dolan and his beautiful daughter Ellen.
Hardcover. NY, Nantier Beall Minoustchine, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Explore the life of Will Eisner, one of the most influential artists in the history of comics through the most appropriate medium: a graphic novel! From his immigrant roots and childhood in New York, starting his own comics studio and business, and the creation and publication of his beloved comic, The Spirit, through inventing the term ' graphic novel' to convince a general trade publisher to publish the groundbreaking A Contract with God, you'll follow along in Eisner's life journey. With the most prestigious comics awards named after him, Will Eisner is forever celebrated not only in what he created but his unerring belief in comics' capacity to be better, to reach higher, to be a full art form in its own right. This is the life of this man of vision who helped to put comics on the map. Clean copy.
Hardcover. NC, TwoMorrows Publishing, 2nd printing, 2015, Book: Very Good, Dust Jacket: None, 254 pages. Hardcover no dust jacket. Clean, unmarked copy in excellent condition. Color and black and white illustrations. Explores the fascinating life of Will Eisner , detailing a more than 70-year career in which he spearheaded comics for adult readers and created the first widely accepted graphic novel, A Contract with God.