Hardcover. Ciudad de Mexico, Frente de Afirmacio?n Hispanista, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages, 23 overhead transparencies in an envelope laid in. Text in English and Spanish. Translated by Henry Hinds. Introduction by Fredo Arias De La Canal. Color plates throughout,

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy in excellent condition. For 35 years, Hal Foster created epic adventure and romantic fantasy in his legendary Sunday strip, Prince Valiant. Realistic in its visual execution and noble in its subject, depicting a time in which the fabled warriors of history and legends fought together for the greater good, it remains one of the great masterpieces of the medium. In this second volume, Prince Valiant helps his father reclaim his throne in kingdom of Thule; fights alongside King Arthur; is made a knight of the Round Table; battles the Huns; sets off with Sir Gawain and Tristam of Arthurian legend fame; and is thrown off-course from Sicily; adventure follows him everywhere. Fantagraphics is proud to present these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were originally published 70 years ago. Foster's work, painterly and sweeping, is finally treated to the grand depiction it deserves.

Hardcover. New York, Skira/Rizzoli, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages, 86 color, 252 b&w illustrations. A clean, bright copy in a similar dust jacket. Slipcased. The book delivers on its title, covering various printmaking techniques from the 15th century to the present. An excellent reference.

Hardcover. Detroit MI, Detroit Institute of Arts , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages. In coordination with an exhibition held at Yale, Detroit Institute of Arts and The High Museum in Atlanta during 1993-1994, similar to an earlier exhibition but focuses on the art the Manoogian's had in their home.

Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. New York, New York University Press, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover. 246 illustrations in black & white. 6 full page, full color illustrations. Red cloth covers with gilt titles to spine. Bright dust jacket with tears to edges. Clean, unmarked copy.

Softcover. New York, Universe, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition. The chapters cover: jeans & pants; T-shirts & hoodies; shirts & blouses; jackets; formal wear; dresses & skirts; footwear; accessories; hair, makeup & body art; David Bowie.

Softcover. Gloustershire UK, Tempus, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 120 pages illustrated in color and b&w. A collection of the British artist's drawings of archaeological sites as well as a sampling of his illustrations from the many historical books he has illustrated. Mild crease to book. Clean.

Hardcover. Berkeley, CA , University of California Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black and white illustrations throughout. This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.

Hardcover. Princeton, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 575 pages. Hardcover. Illustrated with black & white photographs. Fading to dust jacket spine. Clean, tight copy.

Hardcover. New York, Clarkson Potter, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 682 pages. Hardcover with dust jacket. Features over 750 illustrations, including 300 in full color. Light edgewear to dust jacket, faint foxing to top edge. Clean, tight copy.

Softcover. NY, Metropolitan Museum of Art, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcovers, complete in two volumes, housed in a glossy illustrated slipcase with light fading to top edge. Volume I: Paintings: Problems and Issues, 149 pages, index. Color and B&W plates. Volume II: Paintings, Drawings and Prints: Art-Historical Perspectives, 262 pages, index. B&W and color reproductions. This set is a two-volume catalogue of the Metropolitan Museum's paintings by Rembrandt as well as pictures once thought to be by the master but now recognised as the efforts of his pupils, contemporary followers, and the occasional later imitator. Bookplate on inside front covers. A heavy set. DOMESTIC SHIPPING ONLY.

Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Hardcover. New Haven CT, Yale University Press, 2nd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 519 pages, illustrated in color and b&w. This enthralling book views the lives and greatest works of the Renaissance masters through the prism of their ardent rivalry. Rona Goffen, one of the most highly respected scholars of the Italian Renaissance today, brings Michelangelo, Leonardo, Raphael, and Titian to life in this lively account of their passionate strivings to outdo both living competitors and the masters of antiquity.?Who would have thought that the serene masterpieces of the High Renaissance owed so much of their vitality to backstage brawling? Only Rona Goffen knows enough to trace these labyrinthine rivalries. In her book the artists take on cinematic vitality, making us see the artifacts produced by such creative brawlers in entirely new ways. Clean, bright copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Washington DC, National Museum of American Art and National Portrait Gallery, Smithsonian Institution, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 408 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to wrappers, else a clean, tight copy.

Hardcover. New York, Thames and Hudson, 3rd Revised, 1988, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges and spine. Previous owners inscription in pen to top edge of front flyleaf. An otherwise very clean, unmarked copy with only minor edgewear. 206 photographs, 16 in color. Follows the developments in the art and science of photography from the invention of the wet-collodion process through the evolution of dry plates.

Softcover. New Jersey, Princeton University Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 278 pages including plates. (INSCRIBED) Softcover. B/w illustrations throughout. Wrapper has a touch of age yellow, otherwise very good. A small bit of soil on bottom edge. In very good condition.

Softcover. NY, Pierpont Morgan Library,, 1979, Book: Very Good, Dust Jacket: None, Softcover, stiff paper wrappers. 298 pages. Catalogue of Rubens and Rembrandt drawings in the Pierpont Morgan Library, New York. Introduction, indexed by artists and former owners. 130 black and white plates. Index of artists. Illustrations of 57 watermarks.

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Softcover. Saratoga Springs NY, Lyrical Ballad Book Store, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Conceiving of the City of Saratoga Springs as a museum in which the exteriors of buildings are the works of art, many key examples of architecture are carefully placed within the context of local and national history and of architectural style. Illustrated with many black and white photos. Clean copy

Hardcover. Ontario CA, John Wiley & Sons, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Who was the first goaltender to wear a mask in a game? Who was the last to go without one? When did goalies start painting their masks?These are just a few of the questions that are answered in this definitive book on goalie masks. Saving Face looks at the development of the mask from its earliest days as a rudimentary face-saving device to its current high-tech design, bullet-proof construction, and cutting-edge artwork.The book offers a visual journey, too. More than 150 historic and modern photos, including thirty-plus full-page shots of some of the most famous masks ever created, support a text that weaves the tale of the mask's development. Clean copy.

Hardcover. US, Metropolitan Museum of Art, 2012-06-05, Book: Very Good, Dust Jacket: None, 324 pages, 175 color illustrations. Hardcover, like new in publishers shrink-wrap.

Hardcover. New York , Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, 324 pages, 175 color illustrations. Hardcover, like new in publishers shrink-wrap. This monograph was prepared to accompany the exhibition at the Metropolitan Museum in New York from May 10 to August 18, 2012.

Hardcover. New Haven, Yale University Press, reprint, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 625 pages, 700 b&w plates. Light edgewear to dust jacket, small tear; previous price sticker on front flap. Foxing to top edge. Else a clean, tight copy.

Hardcover. Columbia SC, Univ of South Carolina Pr, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover. B&w photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New Haven CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 328 pages, 267 b&w and color illustrations. "The only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. In detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock, the authors take the reader through the layers of a painting, from canvas or panel to varnish, in clear, readable language, de-mystifying the world of the conservator for art historians, dealers, collectors, or curators." Clean, bright copy.

Hardcover. New York, Chelsea House, 1st, 1985, Book: Good, Dust Jacket: Good, Hardcover in a bright dust jacket, 215 pages. Color and black & white illustrations of comic art. Light rubbing to extremities. A colorful exploration of an engrossing subject with illustrations by artists such as Milton Caniff, John Byrne, Ron Embleton, Richard Corben, Burton Clarke, Chester Gould, Val Mayerik and many more.

Hardcover. UK, ACC Editions, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial bpards. Felicity Green brought a new, original voice and look to the fashion pages of the '60s' Daily Mirror. For the first time in newspaper history she created fashion pages designed to appeal to both sexes as the circulation soared to more than 5 million copies a day. Great pictures, great photographers, top designers, top models - Felicity made these Swinging '60s fashion stories FUN! bringing the glamor and style of glossy magazines to the Mirror. These award-winning pages broke the fashion mould and captured the stellar time when London fashion conquered the world. Under Felicity Green's by-line comes stories of the stars of the '60s - they're all talking in this original book: Mary Quant, Barbara Hulanicki, Vidal Sassoon, Twiggy, Terry O'Neill, and a sparkling foreword by Barbara Hulanicki, of Biba fame, tells the story of a fashion collaboration/friendship whose gingham dress made fashion history. Still in publisher's shrinkwrap.

Hardcover. New York, Rizzoli, New York / South Street Seaport Museum, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout in full color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Skyhorse, 2nd, 2008, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 328 pages with bibliography and index. A revised and abridged version of Watkins earlier work on Soane (1753-1837), concentrating on the twelve lectures the eminent architect gave to the Royal Academy between 1810 and 1820, dealing with the huge scope of the lessons to be gained from world architecture.

Hardcover. London, Chatto & Windus/Hogarth Press, 1st, 1985, Book: Very Good, Dust Jacket: None, 69 pages. hardcover with laminated boards. Clean, tight copy with little to no wear to edges.

Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.

Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.

Hardcover. Middletown Conn. , Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages, 94 black/white illustrations. Study of American artists influenced by Dada and their relationship with American avant-garde. Orange cloth, gilt lettering to spine. Pictorial dust jacket shows light wear and rubbing along edges and faded spine, else a very nice, tight, clean copy.

Hardcover. Middletown Conn. , Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, 283 pages, 94 black/white illustrations. Study of American artists influenced by Dada and their relationship with American avant-garde. Orange cloth, gilt lettering to spine. A very nice, tight, clean copy.

Hardcover. Middletown, Connecticut, Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Study of American artists influenced by Dada and their relationship with American avant-garde. 283 pages, 94 black/white illustrations. Cloth bound book in near fine condition, only sign of wear is slight discoloration to the top edges of pages (light spotting), not visible when reading the book.

Hardcover. New York, Harry N Abrams, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Presents selections from comic books from 1938 to 1955 that feature the adventures of characters such as Superman, Batman, Pogo, Captain Marvel, and Donald Duck. A list of comics included: Action Comics #1 (First appearance of Superman); Detective Comics #29 (Origin of Bat-man); All-American Comics #20-#14 (First appearance of the Red Tornado, and other Red Tornado stories); Police Comics #1 and #13 (First appearance of Plastic Man, and Woozy Winks); Captain Marvel Adventures #100 (Captain Marvel Battles the Plot Against the Universe); Sub-Mariner #4 (Dr. Dimwit by Basil Wolverton); Tessie the Typist #8 (Powerhouse Pepper by Basil Wolverton); Jingle Jangle Comics #5, 24#, (The Pie-faced Prince by George Carlson); Little Lulu Four Color 74 and Little Lulu #38, #40, #80; Walt Disney's Christmas Parade #1 (Donald Duck Christmas story by Carl Barks); Animal Comics #1, Pogo Possum #3, #8 (Pogo the Possum and Gang by Walt Kelly); The Spirit supplements August 10, 1941, September 5, 1948, September 11, 1949 (Great Spirit stories by Will Eisner); The EC Collection (Frontline Combat No. #4, Two-Fisted Tales #25, Mad #4 (Superduperman vs. Captain Marbles), Mad # 18, Impact #1).

Hardcover. New York , Smithsonian/ Abrams, 5th pr., 1986, Book: Very Good, Dust Jacket: Very Good, 336 pages illustrated in color and b&w. Clean, bright copy. Large, oversize folio in a very good, unclipped dust jacket.

Hardcover. New Haven, CT, William Edwin Rudge, 1st, 1941, Book: Very Good, Dust Jacket: None, 73 pages. Dark gray cloth covers, gilt titles, b&w photographic frontispiece, top edge red. Clean covers with slight wear to corners, pages crisp and unmarked, stiff binding; a very neat tight copy in great condition.

Hardcover. New York , Harry N. Abrams, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publisher's shrink-wrap. The long-awaited collection of comic strips created in the early 1970s by some 169 contributors from 15 countries from C.C. Beck to Art Spiegelman. What started out as a special insert for Rolling Stone took on a life of its own as writer/editor Michel Choquette traveled the world, commissioning this visual chronicle of the 1960s, only to find himself without a publishing partner or the financial support to continue. Forty years later, readers finally get to experience this legendary anthology as Choquette celebrate the birth, death, and resurrection of The Someday Funnies. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Softcover. London, Green Wood Publishing, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, approx. 90 pages. A visual history of comic book cover art from England, all space-related. Color illustrations throughout. Clean, bright copy.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2018, Book: Very Good, Dust Jacket: None, 307 pages. Softcover with light edgewaer to paper wrappers. Clean, tight copy.