Softcover. Paris, S.N.E.P., 1st, 1952, Book: Very Good, Dust Jacket: None, Softcover. very good. 116 tipped-in color plates, folio, printed beige boards. Paris: Editions SNEP, (1952). Very good (+). The evolution of painting in Europe, from the Middle Ages to the 18th century. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This intellectual tour de force draws on interviews with such key artists as Jean-Jacques Lebel, Mimi Parent, and Jean Benoit, and uses primary sources to advance our knowledge of the work of the better-known Surrealists, from Hans Bellmer to Meret Oppenheim. The Second World War, the Algerian War, and May 1968 are related in new ways to surrealism as a major countercultural force throughout this critical period in French history. By documenting the ways in which the Surrealists used sound, lighting, special effects, and performance art to create a living, theatrical environment, Dr. Mahon sheds new light on topics central to understanding art in our time.

Softcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. 224 pages, b&w illustrations. Provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of 'primitivism,' and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II.

Hardcover. San Francisco, CA, Weldonowen, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Switched On takes you back to a time of looming social and cultural upheaval, when a cadre of energetic, creative, forward-thinking women explored undiscovered fashion terrain, and painted the backdrop for a transformative ten years. Lavishly illustrated with more than 250 photographs from the likes of David Bailey, Bert Stern, Milton H. Greene, Patrick Lichfield, Gianni Penati, Sam Levin, Arthur Evans, Loomis Dean, Susan Wood, Veronique Bucossi, David Hurn, Alan Pappe, Bud Fraker, and Malcolm Bulloch.

Hardcover. Chicago, University of Chicago Press;, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lazlo Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact. With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.

Hardcover. New York, Bloomsbury , 1st US, 2004-07-02, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Bloomsbury USA, 1st US, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Titan Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 167 pages, illustrated throughout in color. Clean, tight copy. Burne Hogarth is one of the most famous artists in the history of comic strips - at the peak with Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant). In 1936 he followed Foster on the massively popular Tarzan comic strip, and set a new standard for dynamics and excitement. This is the first of four exclusive volumes that collects Hogarth's entire run, beginning with Tarzan and the Golden City. Restored and reproduced in an oversized format, these editions will finally do justice to one of the most lauded illustrators of all time, whose work has been out of print for more than a decade. Full-color restorations of the newspaper strips, reproduced in the oversized full-page format.

Hardcover. New York, Farrar Straus and Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 434 pages, b&w illustrations. Like new condition. When we picture the 1950s, we hear the sound of early rock and roll. The Ten-Cent Plague shows how -- years before music -- comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

Hardcover. London, Art / Books Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Terence Donovan was one of the foremost photographers of his generation--among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography, and--alongside David Bailey and Brian Duffy (photographers of a similar working-class background)--he captured and helped create the Swinging London of the 1960s. Donovan socialized with celebrities and royalty, and found himself elevated to stardom in his own right, and yet, despite his success and status, there has never been a serious evaluation of Donovan's fashion work: he allowed no monographs to be published during his lifetime. Terence Donovan Fashion is therefore the first publication of his fashion photographs. Arranged chronologically, and with an illuminating text by Robin Muir (ex-picture editor of Vogue), the book considers Donovan in the social and cultural context of his time, showing how his constant experimentation not only set him apart, but also influenced generations to come. Designed by former art director of Nova magazine and Pentagram partner David Hillman, and with images selected by Hillman, the artist's widow Diana Donovan and Grace Coddington, creative director of American Vogue, this volume is indisputably a landmark publication in the history of fashion photography.

Hardcover. San Diego, Clover Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 164 pages in large format. The saga continues in Terry and the Pirates Volume 6, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs! Invader soldiers scatter the occupants of Singh-Singh's outpost, forcing Pat, Blaze, and April to flee. They take refuge at Raven Sherman's orphanage just in time for an outbreak of cholera (this is refuge?). Returning to the city, Raven meets the mysterious Hu Shee, while Pat is reunited with Terry, Big Stoop, and Connie and crosses paths with old friend Dude Hennick. All the newcomers to the cast--together with the Dragon Lady, no less!--fall prey to the schemes of Chopstick Joe. A strike by invader forces separate Terry and Hu Shee from the others, setting up an encounter with the elusive Chinese guerrilla leader known only as the Blue Tiger! This tabloid-sized Volume 6 containing the 1940 dailies and Sundays is an unparalleled upgrade that no Terry fan can afford to pass up. Still in publisher's shrinkwrap. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Henry Holt and Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 252 pages. B&W and color animation throughout. Pictorial dust jacket, slight wear to covers, edges, and spine. Dust jacket price-clipped. Blue boards with gilt title to spine. Overall, a clean, tight copy.

Softcover. NY, Princeton Architectural Press, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, illustrated in three colors throughout. Clean copy.

Softcover. Washington DC, National Gallery of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 430 pages. This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide. It is the most comprehensive history of the Accademia to be published in more than forty years, and the first in nearly two hundred years to be based almost entirely on new primary and documentary material. In reconstructing the early history of the institution, the volume also provides a new basis for tracking the careers of painters, sculptors, and architects working in Rome in the early 16th century, and for understanding the artistic and professional issues that engaged them.

Softcover. Hermes Press, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Long out of print, The Adventurous Decade is now available again, covering the background and art of such strips as Buck Rogers, Flash Gordon, Tarzan, Scorchy Smith, Dick Tracy, Terry and the Pirates, Prince Valiant, The Phantom, Brick Bradford, The Spirit, and Don Winslow together with many seldom-discussed strips such as Bronc Peeler, Tex Throne, Roy Powers, Dan Dunn and Tailspin Tommy. While the text of the book, based on interviews with such comic strip luminaries as Noel Sickles, Milton Caniff, Roy Crane, Alfred Andriola, Dick Moore, Mel Graff, Leslie Turner and other improtant strip artists, remains unchanged (why change a classic?), the book has been totally redesigned in a 9 inch by 12 inch landscape format to showcase the fabulous artwork from these strips. The reprint is printed on deluxe heavy paper stock with all new illustrations, many taken from rarely seen original artwork.

Hardcover. New York, Universe Publishing, 2nd printing, 2009, Book: Very Good, Dust Jacket: None, Non paginated. Hardcover. Six pages of pop-ups in excellent condition, each page has several smaller pop-ups laid in. Bright cover boards & bright illustrations throughout by illustrator, Anton Radevsky. A magnificent journey through the history of architecture. Featuring amazing three-dimensional replications of famous buildings from ancient to modern times, The Architecture Pop-Up Book showcases artwork, photographs, pop-ups, and detailed text of the ancient Egyptian pyramids; the great constructions of Greece and Rome, such as the Parthenon and the Colosseum; majestic Asian wonders, including the Taj Mahal; Gothic and Neoclassical masterpieces, such as Notre Dame and the Florence Duomo; and the work of such important modern architects as Gaudi, Frank Lloyd Wright, and Frank Gehry. From a brilliantly elaborate Gothic cathedral nave to a telescoping Chrysler Building skyscraper, the talent and imagination of architects and builders from all eras and from all over the world are displayed and compared here.Clean, unmarked & tight copy.

Softcover. NY, Da Capo Press , reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 315 pages, b&w illustrations. This same volume was originally published by Heinemann in 1968, and reissued by Da Capo in 1982. Clean copy.

Hardcover. New York, William Morrow & Co, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor shelfwear to dust jacket. This beautiful book is a spectacular overview of McCarthy's exciting Western work, presenting colorful paintings from his fine art career. Color illustrations throughout.

Hardcover. NY, Abrams, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Harvey Kurtzman discovered Robert Crumb and gave Gloria Steinem her first job in publishing when he hired her as his assistant. Terry Gilliam also started at his side, met an unknown John Cleese in the process, and the genesis of Monty Python was formed. Art Spiegelman has stated on record that he owes his career to him. And he's one of Playboy publisher Hugh Hefner's favorite artists.Harvey Kurtzman had a Midas touch for talent, but was himself an astonishingly talented and influential artist, writer, editor, and satirist. The creator of MAD and Playboy's "Little Annie Fanny" was called, "One of the most important figures in postwar America" by the New York Times. Kurtzman's groundbreaking "realistic" war comics of the early '50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists. Without Kurtzman, it's unlikely we'd have had Airplane, SNL, or National Lampoon.The Art of Harvey Kurtzman is the first and only authorized celebration of this "Master of American Comics." This definitive book includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives

Hardcover. Hermes Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature.To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as "perfect... consistent in drawing and humor," Hermes Press is publishing the definitive art monograph on the subject.This book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto. Clean, bright copy.

Hardcover. Cambridge MA, Harvard University Press , 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 313 pages. Reprint of the 1864 original. Edited by Benjamin Rowland, Jr. Blue cloth, gilt lettering to spine and front cover. A very crisp, clean and well preserved copy

Hardcover. NY/London, Sotheby's Parke Bernet, Revised Ed., 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages. 26 illustrations in color, and 420 in black and white. Originally published in 1979. John Harris was one of England's leading Architectural Historians at the time this book was written. He was curator of the Drawing Collection for RIBA. (Royal Institute of British Architects). Each section introduces a period such as: the Age of Estate Cartographers and the Garden Converstations, The Country House and Sporting Art: John Wootton, Peter Tillemans and Others, Caneletto and the Architectural Topographers, Gainsborough and the Picturesque, The Art of Turner and Constable. Harris comments on the artists , their style and pictures.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. How does the artist's self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline-Poussin's hands became shaky, Titian's eyesight dimmed. For others, psychological symptoms emerged. The book's cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.

Softcover. NY, Shapolsky Publishers, 2nd Ed., 1988, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, b&w photos throughout. Introduction by Thomas Hess. Fred McDarrah (1926-2007) was a photojournalist, author, and staff photographer for the Village Voice known for documenting the Beat Generation and the New York art world. The present work is a vital document of an exuberant moment in cultural history. Clean copy.