Hardcover. Boston, Houghton Mifflin , reprint, Book: Very Good, Dust Jacket: Fair, Hardcover in a plain tanned dust jacket with just the title and author printed on spine. Navy blue cloth with gilt stamping on spine. 214 pages, many b&w diagrams including one fold-out. A lauded scholar of art history and theory as well as a prominent art collector, Denman Waldo Ross earned his bachelors and Ph.D. at Harvard where he served as a lecturer on art and design. Copyright page states 1912, no date on title page so probably an early reprint. Light pencil notations to blank pages in rear, owner's name on front fly leaf. Otherwise a bright copy.

NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Color illustration of a stern male teasher looking down on a laughing boy. Art by Chas. A. MacLellan. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Clarkson N. Potter, Inc., 1st American Edition, 1991, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. Color and b/w illustrations throughout. Binding tight, spine straight. Decorated cover boards, red quarter cloth, white title on spine. Pages and edges clean and unmarked. In beautiful condition. Combines practical advice and fascinating narrative to teach the aspiring artist how to paint the nude.

Hardcover. New York, Praeger, 1st US, 1953, Book: Very Good, Dust Jacket: Good, 64 pages. Hardcover. Black & white illustrations. Introduction and Translation by Sibyl Moholy-Nagy. Dust jacket with chunk of paper missing at top of spine, some additional lesser chipping along edges - jacket now protected with clear plastic cover. Clean, unmarked text.

Hardcover. New York, Watson - Guptill, 1st, 1949, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated with black & white examples of pen and ink drawing and brush techniques. Previous owners signature on front endpaper and bookplate on inside front cover. Light wear to dust jacket.

Hardcover. Nieuwkoop , B. de Graaf, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth covers with gilt lettering, 159 pages with b&w diagrams and illustrations. Subjects include: The base of perspective illussions, third dimension, euclid, anamorphoses, the concave surface of the retina, Schickhardt's problem, eccentric positions of the observer's eye, rotations of the eyeball, visual size, pleudo-perspective, axial construction, rebirth of central perspective, Leon Battista Alberti, Paolo Uccello, the oblique position, Piero della Francesca etc.

Hardcover. NY, InterVisual, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover. Eight intricate and highly designed pop ups engineered by James Diaz. This book takes everyday paper and creates origami that pops! Imagine legal paper transformed into a paper bird orgiami and then it pops off the page.

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Near Fine, Dust Jacket: None,

Softcover. Rochester NY, Home Institute, 1940, Book: Very Good, Dust Jacket: None, Softcover, 40 page booklet profusely illustrated in b&w by the author who was an instructor at New York University as well as a professional illustrator. #92 in a series of self-help pamphlets published by the Home Institute. Clean, 6 X 9".

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 286 pages, a comprehensive and inspirational guide to editorial design packed with contemporary examples of sophisticated and effective solutions for virtually any design challenge. Moser's thorough understanding of the process, combined with intriguing juxtapositions of layouts, no-nonsense comments and original insight make for an entertaining and useful book. Chapters range from Grid Systems and Formats to Covers, Logos and Inside Pages, Types of Page and Themes, even a section on the design of magazine spines-illustrated with over 1500 examples from publications around the world, and drawn from the author's personal collection of over one million magazines! A great reference book for all graphic designers, art directors and editorial writers.

Paperback. Minneapolis, Art Instruction Inc., 1st wraps, Book: Very Good, Dust Jacket: None, Softcover, large format. Rubin was a journeyman illustrator of the 40's & 50's whose work appeared in many ads & magazine stories. Short biography. Color, black & whtie illust. 32 pages. Light water stain to top corner otherwise very good,

Softcover. NY, Watson-Guptill, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. For the aspiring artist who wants to become an expert comic book inker, The DC Comics Guide to Inking Comics is the definitive, one-stop resource!Americas leading comic book publisher brings its superstar creators and classic characters to the third in an authoritative series of books on how to create comics. Legendary comic book inker Klaus Janson uses DCs world-famous characters-including Batman, Superman, and Wonder Woman-to demonstrate an array of inking techniques, covering such topics as using textures, varying line weights, creating the illusion of three-dimensionality, and working with light and dark. Jansons lively, step-by-step instructions are informative, exciting-and clear enough for even beginners to follow. In addition, every technique shown in this guide conforms to actual industry standards.The perfect how-to on everything from basic inking materials to storytelling techniques, this one-stop sourcebook is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring comic artist.

Softcover. Cincinnati OH, North Light Books, 6th pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, color illustrations throughout. In 17 projects, this book details literally every component of drawing the figure -- from choosing materials to creating a setting. Clean, bright copy.

Hardcover. London, Ward Lock & Co., 4th Ed., nd, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with embossed design and bright gilt decoration, 143 pages plus publisher's ads. A standard mid-century book covering pencil-sketching, figure and object drawing, perspective and isometrical drawings, and engraving on metal and woo with 300 illustrations. Most likely late 1850s, 1860. Name on first blank page, otherwise clean, tight copy.

Softcover. NY, New York Review Books, reprint, 2025, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w illustrations. A new edition of Beetle Bailey creator Mort Walker's riotous and immensely influential handbook for drawing and reading cartoons-a book that's both a parody of humorless how-to guides and a genuine (and genuinely instructive) ode to the art of making comics. Both a send-up of lofty how-to-draw books and a sincere and hilarious love letter to the art of drawing cartoons, the Lexicon is a joyously exhaustive cheat sheet to key comics visuals that has been referenced and treasured by generations of cartoonists. This new edition includes a foreword by Chris Ware and a meticulous appendix by Mort's son Brian Walker, who delves deep into the visual language of comics. Clean copy.

Hardcover. NY, Watson-Guptill, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 142 pages illustrated in color. Charles Reid's latest book is the culmination of his organic approach to painting. Reid's aim is to show artists how to achieve a natural-looking, painterly style within the context of a progressive, step-by-step format. Each aspect of developing the figure is clearly demonstrated.

Hardcover. London, Sir Isaac Pitman & Sons, 1st, 1934, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped with gilt lettering. 144 pages plus ads in rear. Back and white diagrams and 46 vibrant tipped-in color plates. Light wear to top and bottom of spine cloth otherwise a clean, bright copy.

Hardcover. UK, David & Charles, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 128 pages in color. "Look over the shoulder" of Trevor Chamberlain and find out how an award-winning watercolorist interprets the fleeting effects of weather, light, and atmosphere in his work. See superb reproductions of landscape, marine and coastal, townscape, figure, and interior paintings, and understand the artist's approach to painting them. It's almost as if you're watching Chamberlain in action as you learn by example. Clean copy.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 374 pages. This beautifully typeset and illustrated book offers a singular collection of 35 in-depth articles on typography and the printing arts, from the earliest type design techniques to the latest in digital typeface and design development. Originally printed in Matrix, the renowned and highly respected journal of the printing arts, the articles cover a number of individual typefaces, techniques of making type using both historical and contemporary means, and arguments for the continuing use of obsolete printing technologies. Here too are detailed examinations of book design, ornamentation, and mathematical and other non-Latin typography.

Hardcover. Scranton PA, International Textbook Company, reprint, 1919, Book: Very Good, Dust Jacket: None, Hardcover, thin black textured cloth covers with embossed titles, gilt lettering on spine, marbled endpapers, 104 pages. With drawings, illustrations, a few in color, diagrams, a few as foldouts, questions and exorcises, and index. Clean, bright copy.

Hardcover. NY, Minton, Balch & Co. , 7th pr., 1938, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 178 pages. Price-clipped, clean copy.

Hardcover. New York , Watson Guptill, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages illustrated in color. The author was a successful New York illustrator and tells us her working methods in this instructional book. Bright, clean copy in a similar dust jacket.

Softcover. Waltham MA, Brandeis University Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers. Written and illustrated by master wood engraver Barry Moser, this primer on the art of wood engraving is filled with valuable knowledge including how to prepare a printing block; how to think in the mediums properties of line, shape, and ink; and how to transfer a drawing onto a block. It also offers practical advice on which tools to use for a project and which ink works best. A highly illustrated guide to this art form, Wood Engraving will be useful to experienced and beginner engravers alike. This book features stunning examples of Mosers art and skill to admire and inspire. "This primer on the art of wood engraving is filled with knowledge and instructions including how to prepare a printing block, how to think in the medium's properties of line, shape, and ink, and how to transfer a drawing onto a block". Clean copy.