Hardcover. New York, D. Appleton, 1st, 1895, Book: Very Good, Dust Jacket: None, 2 Volumes. Elephant Folios. 3/4 leather. Raised bands on spines. Titles in gilt. Designed by Stanford White, a.e.g. with marbled end papers. Set is 16 5/8 inches tall. Profusely illustrated with textual illustrations with fifty photogravures in color on heavy stock. There are also one hundred and twenty full-page typogravures in black and white. One plate with chipped edges - E. L. Weeks - "Three Beggars of Cordova". Rubbing to corner covers and along spines. Interiors clean and unmarked. Both volumes Very Good. Combined volumes weigh approximately 30 lbs - please contact us concerning shipping costs.

Hardcover. Rutland VT, Charles E. Tuttle, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Illustrated with 190 pages of Cruikshank's drawings. Clean copy in a bright dust jacket. the author's third art monograph, reproducing Cruikshank's illustrations of Dickens, Ainsworth, Sterne, Smollett, and others, with extensive commentary and context. Clean copy.

Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: Good, 403 pages. Hardcover. 65 illustrations, 40 in full color. Price clipped dust jacket worn with tape repairs, fading - jacket now protected with clear plastic cover. "An account of the life and death of an art, of the men who made it and of the lusty age in which they flourished. 65 illustrations, including 40 in full color." Index, glossary, bibliography, appendices, artist biographies, chronology. Clean, tight copy.

Hardcover. London, The Nonesuch Press, 1st Ltd. Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover. In patterned paper covered boards, printed title label to spine, 8vo, 38 pages + proofs of Blake's blocks in their original state and sixteen of Blake's designs for the wood-engravings. No. 969 of a limited edition of 1000 copies printed at the Curwen Press. Inserted into a pocket at the rear of the book in a blue paper folder are 17 wood-engravings taken direct from electrotypes of the wood blocks and printed on Japon paper. Small inscription on inside front cover, light wear yo top of spine. Otherwise very good.

Hardcover. NY, Knoedler Publishers, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 362 pages. 219 color plates and 75 black and white illustrations. White buckram with tipped in color illustration of elephants on front panel, embossed gilt lettering on the spine. This beautifully produced book contains four color reproductions of every serigraph, lithograph and etching that Neiman has published since he began making prints to 1980. Says "Book-of-the-Month-Club Selection" on front flap of DJ, though the quality of the book appears to be an original printing. Tight, clean and crisp. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Hudson Hills Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. 243 color and 181 duo-tone illustrations. Extensive bibliography included at the back. Showcases these works by American artist Robert Motherwell (1915-1991). "Provides a definitive study of the artist's work as a printmaker. It includes a catalogue raisonne of all his graphic work from 1943 through 1984, covering nearly 350 prints in virtually every medium: engraving, lithography, silkscreen, etching, aquatint, mezzotint, monotype, collage, and others. Each work is documented and reproduced, more than 200 of them in full color." Clean copy.

Tulsa OK, Thomas Gilcrease Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with black lettering, 255 pages, b&w plates throughout. Thomas Moran (1837-1926) from Bolton, England was an American painter & printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. This catalog features 129 prints with extensive notes. Bibliography and index. Bright, clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. No dust jacket. Profusely illustrated throughout in black & white and color. 433 pages. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Clean, bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Cambridge MA, Harvard University Press, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, original blue cloth-backed boards. Quarto. 17 pages & 8 plates. From a limited printing of 385 copies under the direction of Bruce Rogers. Also laid in :2 color photos and one b&w photo of the medallion. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 203 pages, approximately 200 color plates. In publisher's shrinkwrap.

Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Near Fine, Dust Jacket: None, Softcover, 203 pages, approximately 200 color plates. In publisher's shrinkwrap.

Hardcover. New York, Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 368 pages plus fold-out list of plates. Hardcover. 54 full color plates plus hundreds of black & white works by Toulouse-Lautrec. Dust jacket protected with clear plastic cover. Clean, tight copy. Complete coverage of works in lithography and drypoint including fine prints, posters, illustrations, book jackets, sheet music, etc.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 551 pages, profusely illustrated in color and b&w. Clean, tight copy in a bright dust jacket. 894 illustrations, with 163 in full color. An exhaustive and lavishly illustrated history of the legendary print publisher Universal Limited Art Editions, and its founders Tatyana and Maurice Grosman. NOTE: THIS LARGE HEAVY VOLUME UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Softcover. Paris, E. Teriade, 1st wraps, 1938, Book: Very Good, Dust Jacket: None, Includes: Original Cover by Bonnard, witing by Malraux, Valery, art by Matisse, Klee, Miro, Chagall, photos by Andre, Verger, others. Very good condition. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Hudson Hills Press, 1st, January 25, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages with 60 color and 117 b&w plates. Still wrapped in plastic. Oversized. A bright, beautiful copy. This comprehensive book brings together nearly two hundred illustrations from Ore, The Inland Printer, The Chap-Book, Collier's Weekly, and other periodicals, books advertisements, and ephemera. Adding to the volume's reference value are an extensive list of Bradley's published works, bibliography, lists of public collections and exhibitions, and an appendix reprinting his "Primer of Ornament and Design," including previously unpublished material.

Hardcover. New York, Clarkson N. Potter, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover. B/w illustrations throughout. Gilt title on spine. Boards are lightly faded. Slight wear to dust jacket due to age. Clean inside. This book marks the first time that examples of Eichenberg's work have been collected together in one volume.

Hardcover. New York, Bounty Books, reprint, 1969, Book: Very Good, Dust Jacket: Good, Hardcover, 204 pages, illustrated throughout in b&w. Yellow cloth with gilt title to spine, light wear to edges and small stain to upper corner of front cover. Yellow pictorial dust jacket with slight wear to edges and upper edge of spine torn and chipped. Overall a nice, tight copy.

Hardcover. GR, Gestalten, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 128 pages, hardcover, illustrated in color. A monograph on a popular German street artist who stencils images of women on buildings in Berlin. Like new in publisher's shrink-wrap.