Hardcover. US, Taschen, 1st, 1999-10-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket, else a clean, tight copy.

Hardcover. Rutland, Vermont, Charles E. Tuttle Co, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Huge survey of Japanese prints, with many tipped-in and folding plates. 257 plates including 55 tipped-in full color plates, acetate protected color dust jacket, cloth bound cover with gilt lettering on spine, pattern of oriental woman on fabric sewn into cover. Price-clipped, slight chipping to top of dust jacket spine; a tight, attractive copy. DOMESTIC SHIPPING ONLY.

Softcover. Middletown CT, Wesleyan University Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. Mostly b&w with some color. Catalogue of a traveling exhibition to be held at the Center for the Arts, Wesleyan University and other institutions, March 27, 1978 to November 18, 1979. Clean copy.

Hardcover. New York, The Museum of Modern Art, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover. Published to accompany an exhibition celebrating the prints of Jasper Johns. Includes 106 reproductions (43 color, many full-page) of pieces by Johns. Also contains many statements by the artist within the essay by Riva Castleman. Near fine condition, only slight wrinkling on the dust jacket.

Hardcover. Paris, Maeght Editeur, 1st Ltd. Ed., 1977, Book: Very Good, Dust Jacket: Very Good, 217 pages, #647 of 5000, off-white cloth covers with black lettering on spine. Color and b&w illustrations including 5 original lithographic plates and lithographic wrap-around dust jacket. Dust jacket with minor edgewear, acetate wrapper chipped, worn.

Softcover. Columbia, University of Missouri Press, 1st, 1967, Book: Very Good, Dust Jacket: None, Softcover, 62 pages. 69 B&W plates. White pictorial cover with slight soiling to spine and back cover. Overall, a clean, tight copy.

Hardcover. New York, Hudson Hills, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 304 pages with 233 color plates and illustrations. Like new in publishers shrink-wrap. This comprehensive book includes a catalogue raisonne of the edition prints. A very nice catalogue. Includes text contributions by Eric Denker, Andrew Stevens, Robert Flyn Johnson and Thomas Garver. This book serves as the catalogue for an exhibition which was held at The Corcoran Gallery of Art titled "Joseph Goldyne: Selected Prints," which ran from October 6 to December 17, 2001.

Softcover. New York, Hudson Hills, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, softcover 304 pages with 233 color plates and illustrations. This comprehensive book includes a catalogue raisonne of the edition prints. A very nice catalogue. Includes text contributions by Eric Denker, Andrew Stevens, Robert Flyn Johnson and Thomas Garver. This book serves as the catalogue for an exhibition which was held at The Corcoran Gallery of Art titled "Joseph Goldyne: Selected Prints," which ran from October 6 to December 17, 2001. DOMESTIC SHIPPING ONLY.

Hardcover. East Petersburg PA, Fox Chapel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Cigar box labels in the late 19th and early 20th centuries were not only amusing and beautiful to admire, they were a testament to the printing process of chromolithography and an important precursor to today's methods of product advertising. Labeling America: Popular Culture on Cigar Box Labels showcases the unique collection of John Grossman which covers 90 years of cigar box labels and bands printed by four generations of George Schlegel Lithographers. What makes this archive unique is that the Schlegel Company kept meticulous sample albums and files showing an unbroken record of American graphic style evolution. The work of many other lithographers of that era either destroyed or irreversibly dispersed their work.Now housed at the Winterthur Museum in Delaware, the carefully cataloged Grossman collection gives a glimpse into life at the turn of the century, when over 5 billion cigars were being sold in the United States via boxes with colorful labels depicting everything from women, animals, and sports icons to actors, heroes, and political figures. This book takes these beautifully printed slices of American culture and combines them with the history of chromolithography into an interesting story of America's changing tastes. Clean, bright copy.

Hardcover. London, The Cresset Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 297 pages + 26 b&w plates. English language edition. Translated from the German and with an introduction by Innes and and Gustav Herdan. Contains very clever and funny remarks on Hogarth's engravings by an 18th century German professor of physics. Small owner's stamp on front fly leaf, otherwise clean.

Softcover. Washington DC, Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Press, 1st, 1978, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog. 108 pages, illustrated in color and b&w. Gray pictorial stiff wrappers. Minor wear to edges and spine, else like new.

Hardcover. Watkins Glen, NY, Century House, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 192 pages illustrated in color and b&w. Purple leatherette, pictorial dust jacket. Like new. In shrinkwrap. Definitive biography of Louis Prang, Victorian color lithographer, artist, and art educator. Includes a checklist of Prang's chromolithographs, annotated bibliography, appendices, index. 16 full-page color plates, and countless illustrations.

Hardcover. Los Angeles, Los Angeles County Museum of Art, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Artwork by John Baldessari, Chris Burden. Contributions by Bruce Davis.

Hardcover. Bowdoin College Museum of Art , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages. During the nineteenth century, Americans celebrated their towns and cities through printed landscapes. In Maine, lithographs were commissioned from such leading artists as Fitz Henry Lane and talented, lesser known local artists, such as Esteria Butler. This book reproduces many of these works and provides insights into how these growing centers of commerce and industry viewed themselves and wished to be viewed by others. Still in publisher's shrinkwrap.

Softcover. New York, Abbeville, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 154 pages, color illustrations throughout. Very light wear to corners. Else a very clean, tight copy. Mary Cassatt's paintings and prints have long been treasured as some of the finest examples of Impressionist art. A rebel by the Victorian standards of her time, Mary Cassatt moved from the art schools of staid Philadelphia to the boulevards of Paris, where the young Impressionist movement was flourishing. Degas, her friend and mentor, encouraged her involvement in the new art movement.Cassatt's luminous, observant, and innovative works-chiefly interiors with women and children-helped define Impressionism and have been compared to Raphael's paintings for their beauty and dignity. Frank Getlein, noted art critic and historian, has selected 72 of Cassatt's finest works, each reproduced here in full color. His accompanying text relates the intimate details of her life to her paintings while clearly defining her relation to fellow artists and her place in modern art.

Softcover. Tokyo/NY, Kodansha USA, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Softcover with a dust jacket, 152 pages. Highlights over 130 outstanding examples from the vast holdings of the Victoria and Albert Museum in London. Strikingly original and sumptuously colored, the ukiyo-e in these pages recapture the spirit of the period in which they were created. Here can be found the glamorous courtesans of the Yoshiwara pleasure quarters, the flamboyant vigor of kabuki theater, and the diversities of the Japanese landscape. Clean copy

Hardcover. New York, George Braziller, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 231 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. 124 color prints. 13 gatefold illustrations especially valuable: nearly 5 feet wide when opened. Textual material includes descriptions of each screen reproduced, a glossary, and short biographies of the artists whose work is presented.

Paperback. np, Book: Good, Dust Jacket: None, Unpaginated. Delicate softcover in green wraps, with white spine. 9.5" x 15". Cover is faded with some rubbing. 18 prints on rice paper from the urns at the Mieu Temple in Vietnam. No date or publisher.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. In publisher's shrinkwrap.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Spine slightly cocked. Else a clean, tight copy.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Previous price sticker on back cover. Else a clean, tight copy.

Hardcover. Boston, Joseph Knight, 1st, 1892, Book: Very Good, Dust Jacket: None, Floral decorated boards with a green cloth spine that has an ornate gilt design. Ten pages printed on thin Japanese tissue tipped to heavier paper. Earliest work by the Victorian photographer Mrs. Mary A.N. Gray Bartlett. The words done in calligraphy. Moderate foxing to title page and some light foxing to a few other pages. Mother Goose page has vertical crease across Mother Goose image, and very fine ripples in paper. Despite the fragility of the plates, all are intact. Scarce.

Hardcover. Berkeley CA, University of California Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages. In Origins of the Chinese Avant-Garde, Xiaobing Tang studies the art and art theories of the first half of the twentieth century, when modern Chinese art and literature emerged. He argues that the most consequential expression of the avant-garde was the modern woodcut movement that thrived in China in the 1930s. In this innovative study--also the first comprehensive account of this Chinese movement available in English--Tang examines the aesthetic, intellectual, and social appeal of the modern woodcut and places the movement at the intersection of historical events, individual efforts, and competing discourses on art. He also shows how the woodcut movement drew upon international inspiration--from German Expressionism, Soviet wood engravings, and Japanese creative prints.

Hardcover. NY, Curt Valentin, 1st, 1948, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 150 pages, 67 illustrations (frontispiece in color). A greatly expanded version of the catalogue published the previous year for the exhibition of Picasso's lithographs from 1945-1947.