Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Hardcover. Paris, Editions Albert Morance, 1st, 1953, Book: Very Good, Dust Jacket: Fair, 320 pages. Hardcover. Text in French. Illustrated with black & white photographs and drawings of decorative cast iron. Previous owners name and date written on front interior hinge flap. Dust jacket worn with tape repair, chipping along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. Princeton, NJ, Princeton University Press, 1st, 1982, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 144 pages, b&w illustrations. Cream cloth with gilt title to spine. Black pictorial dust jacket. Beautiful copy. Like new.

Hardcover. Boston, Museum of Fine Arts, 1st, 1962, Book: Very Good, Dust Jacket: None, Two hardcover volumes, quarto, 337 + 352 pages., indices, well illustrated in color and b&w. Organized by academic artists, folk artists, visiting foreign artists and artists of the Civil War, with detail biographical information on the artists, this has become an indispensable reference work. near fine copies in gilt decorated gray boards with terra-cotta cloth spines. Clean copies.

Hardcover. NY, Macmillan, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. 721 pages.; 144, playes, 133 b/w, 11 color. Approximately 500 biographical listings of nineteenth- and early twentieth-century photographers; Includes appendix of museums and galleries in the US.

Softcover. Minneapolis, Creative Publishing International, First Edition, 2009, Book: Very Good, Dust Jacket: None, 144 pages. Softcover with french flaps. DVD ROM laid in. Full page, full color illustrations & details throughout. Clean, unmarked copy.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st Thus, 2002, Book: Very Good, Dust Jacket: Very Good, 237 pages. Hardcover. Illustrated with full color and black & white photographs. Clean, tight copy. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, 1st, February 1991, Book: Very Good, Dust Jacket: Very Good, 414 pages. illustrated throughout in color and b&w. Maroon cloth, gilt title to front and spine, pictorial dust jacket. Slight foxing to top edge and upper edge of lightly worn jacket, else a very nice, tight copy.

Hardcover. Boston, Massacusetts, D. Lothrop & Co., 1st, 1879, Book: Very Good, Dust Jacket: None, Unpaginated. Green cloth covers with black titles and gilt illustration, all edges gilt, beveled edges, multiple full page b&w tissue-protected plates, 12 chapters on different American artists. Very light foxing to tissue paper, mild wear to cover edges and spine; overall a very clean, tight copy in great condition.

Hardcover. New York, Clarkson N. Potter, Inc., 1st American Edition, 1991, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. Color and b/w illustrations throughout. Binding tight, spine straight. Decorated cover boards, red quarter cloth, white title on spine. Pages and edges clean and unmarked. In beautiful condition. Combines practical advice and fascinating narrative to teach the aspiring artist how to paint the nude.

Hardcover. New York, Praeger, 1st US, 1953, Book: Very Good, Dust Jacket: Good, 64 pages. Hardcover. Black & white illustrations. Introduction and Translation by Sibyl Moholy-Nagy. Dust jacket with chunk of paper missing at top of spine, some additional lesser chipping along edges - jacket now protected with clear plastic cover. Clean, unmarked text.

Hardcover. Cambridge MA, The MIT Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 362 pages, hardcover in a bright dust jacket. Generously illustrated account [435 b/w photo reproductions] of the photogrphy produced by various well-known Bauhaus associates such as Laszlo Moholy-Nagy, Lucia Moholy, T. Lux Feininger, Florence Henri, Herbert Bayer, and others during the mid-1920s and early 1930s. An invaluable compilation of images and information about the work of this dynamic group of artists, designers, photographers and their students who had such an important impact on Western aesthetics and culture throughout the subsequent decades of the 20th century.

Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.

Hardcover. New York, Hearst Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographs. "Celebrates the design of the book in the broadest possible meaning of the word, gathering together the most exciting examples of recent book and jacket design, it also includes work for CD booklets, publicity for industry and the arts, self-promotional and experimental work." Clean copy in a bright dust jacket.

Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.

Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.

Softcover. Cambridge MA, Boatner Norton Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, Illustrated with black & white examples of works by Robert Crumb - 4 pages in full color.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy.

Hardcover. New York, W. W. Norton & Company, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover. Full color and black & white illustrations. Remainder marks on top edge at spine. Light wear. Clean, unmarked copy.

Hardcover. New York, Thames and Hudson, 3rd Revised, 1988, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges and spine. Previous owners inscription in pen to top edge of front flyleaf. An otherwise very clean, unmarked copy with only minor edgewear. 206 photographs, 16 in color. Follows the developments in the art and science of photography from the invention of the wet-collodion process through the evolution of dry plates.

Hardcover. Tarrytown NY, Sleepy Hollow Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 310 pages. includes index, bibliography, b/w illustrations throughout the book plus middle section of full-color photos. Covers Phillipsburg Manor, Upper Mills & Van Cortland Manor and Washington Irving's Sunnyside.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 224 pages, 450 color illustrations.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 450 color illustrations.

Softcover. New York, Sotheby's, 1st, 1995, Book: Very Good, Dust Jacket: None, 75 pages. Softcover with paper warppers. Like new. Color photographs throughout.

Hardcover. Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 559 pages. First comprehensive bio-bibliography of one of the most loved children's book authors and illustrators in America and around the world. Not only does this book describe Tudor's sixty-year career, but also readers will enjoy the poignant stories about Tudor written by her two daughters, Bethany and Efner, and her editors, Patricia Gauch and Dorothy Haas. The daughter of naval architect, W. Starling Burgess, and portrait painter, Rosamond Tudor, Tasha Tudor, as a child, was greatly influenced by her father's engineering background and her mother's artistic life. She became particularly fascinated by life in the 1830's, which inspires her art, writing, and her own life. From 1938 onward, Tudor's children's books captivated a wide audience. Her fans are still intrigued by her magical stories and her romantic illustration of New England's countryside, drawn from her own experiences of family life. Her work is published in more than 90 books, which have been reprinted and republished many times. Through her eighties, Tudor remained active in publishing, meeting her fans, and autographing her books. In loving tribute, this work is illustrated with many drawings by Tudor's daughter, Bethany, as well as rare early photos of Tudor as a young woman, by Nell Dorr, and 16 pages of color photos of Tudor's book covers. The bibliography includes every known book illustrated and/or written by Tudor, including those published in the first half of 1998.

Hardcover. New Castle DE, Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust wrapper. The Hares have collected and researched Tudor's works for over 15 years, and have worked closely with her two daughters, who granted them access to surviving publisher files and records at the Library of Congress. This work catalogs all of Tudor's work as well as those of her talented daughters and her husband. 559 pages includes index, bibliography, B&W and color plates.

Hardcover. Dallas TX, Taylor Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright, unclipped dust jacket. 168 pages. A brief history with some 300 color and b&w illustrations of covers, posters, publicity shots of detective and spy stories, TV, and cinema.

Hardcover. New York, Pantheon, 1st, 1948, Book: Very Good, Dust Jacket: None, 300 pages, b&w illustrations. Title on spine: "The American Art Museum". Blue cloth, gilt title, no dust jacket. Light wear to edges and spine, slight foxing to top edge, else a very nice, tight, clean copy.

Hardcover. Garden City, NY, Doubleday & Company, Inc., 1st thus, 1970, Book: Very Good, Dust Jacket: None, 1715 pages. Hardcover. color illustrations throughout, illustrated by Salvador Dali. Pages unmarked (including back pages intedend for recording of family information). 2 red ribbon book marks attached at spine. No slipcase. Marbled decorated endpapers. leather cover boards, gilt title and decoration on spine and front cover board. Gilt edges (slightly faded). Binding beautiful. Spine straight. DOMESTIC SHIPPING ONLY.

Softcover. Greenwich CT, Fairview Printers, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, glossy pictorial stiff wraps, softcover; 187 pages plus index; black and white illustrations and photographic illustrations; very good.

Hardcover. NY, Hudson Hills Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. 243 color and 181 duo-tone illustrations. Extensive bibliography included at the back. Showcases these works by American artist Robert Motherwell (1915-1991). "Provides a definitive study of the artist's work as a printmaker. It includes a catalogue raisonne of all his graphic work from 1943 through 1984, covering nearly 350 prints in virtually every medium: engraving, lithography, silkscreen, etching, aquatint, mezzotint, monotype, collage, and others. Each work is documented and reproduced, more than 200 of them in full color." Clean copy.

Tulsa OK, Thomas Gilcrease Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with black lettering, 255 pages, b&w plates throughout. Thomas Moran (1837-1926) from Bolton, England was an American painter & printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. This catalog features 129 prints with extensive notes. Bibliography and index. Bright, clean copy.

Hardcover. Princeton, Princeton University Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 226 pages of text followed by section of corresponding black & white photographic illustrations. Hardcover. Clean, tight copy. No dust jacket.

San Francisco, Last Gasp, 1st, 2015, Book: Very Good, Hardcover, a guide to the characters of the comic series presents information on the role in the strip of and real life models for Tintin, Snowy, Captain Haddock, General Alcazar, Professor Calculus and others. Each is shown in early and late incarnations, b&w and color, with fascinating historical facts and tidbits. 131 pages include index and color throughout.

Hardcover. Cambridge MA, The MIT Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in white. 288 pages in b&w and color. In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist's books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these "small books" were sought after, collected, and loved by Ruscha's fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha's have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha's books and an appendix listing all known Ruscha book tributes. These small books revisit, imitate, honor, and parody Ruscha in form, content, and title. Some rephotograph his subjects: Thirtyfour Parking Lots, Forty Years Later. Some offer a humorous variation: Various Unbaked Cookies (which concludes, as did Ruscha's Various Small Fires, with a glass of milk), Twentynine Palms (twenty-nine photographs of palm-readers' signs). Some say something different: None of the Buildings on Sunset Strip. Some reach for a connection with Ruscha himself: 17 Parked Cars in Various Parking Lots Along Pacific Coast Highway Between My House and Ed Ruscha's.

Hardcover. Oak Knoll Press, 1st, Book: Very Good, Dust Jacket: None, Hardcover, 216 pages, no dj issued. Will H. Bradley (1868-1962) is widely regarded as one of the masters of book, magazine, and graphic design during the Art Nouveau period. This extensive work also contains a biography of Bradley, a bibliography, and author, title, and publisher indices.

Hardcover. Portsmouth, NH, Peter E. Randall Publisher, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 93 pages, with illustrations. Spotless and tight copy, with dust jacket. "A Collection with Comments" A bibliography based on the collection of Joyce Hanrahan for over 30 years, and additions she has seen. Listings include points for first editions, and price ranges. Sections on ephemera, periodicals, visuals and posters.

Hardcover. Philadelphia, Universityof Pennsylvania Press , 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 411 pages, b&w illustrations. A guide to over 1,000 documents relating to the artist and his family. Like new in a dust jacket protected by a mylar cover.

Hardcover. New Haven, Yale University Press, 1st, 1951, Book: Very Good, Dust Jacket: Good, Hardcover in near fine condition with dust jacket in good condition--tears to upper and bottom spine of book, as well as nicks to upper, front edges. ix+ 185 pp. + color frontpiece; 148 b/w illustrations. Catalogue of 1108 works by 412 known artists (127 works by unidentified artists) in all media except prints. Preface by John Marshall Phillips; portraits arranged alphabetically by subject, with biographies of each; index of artists, with list of portraits by each.