Hardcover. Wappingers Falls NY, Kagyu Thubten Choling Publications Committee, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 120 pages. Color illustrations throughout. Clean copy.

Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Hardcover. New York, Harry N. Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. A photographic tribute to the beatified founder of the Mission of Charity visually documents her work in the impoverished streets of Calcutta, offering numerous images of her daily spiritual commitment to fighting poverty, in a volume complemented by the author's remembrances of their nearly thirty-year relationship.

Hardcover. Princeton, Princeton University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 552 pages. Hardcover. Bollingen Series C. Dust jacket with light wear, tears to edges, price clipped. Full color and black & white photographs throughout. Clean unmarked text.

Softcover. Notre Dame, University of Notre Dame Press, First Thus, 1986, Book: Very Good, Dust Jacket: None, 344 pages. Softcover. Black & white illustrations throughout including maps, photographs. Bright front cover, sunfade to rear cover. Clean, unmarked copy.

Hardcover. New York, William Morrow and Company, Inc., 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Gilt title on spine. Dust jacket has a little bit of chipping at top of spine, patched with tape. Otherwise great. Clean and unmarked inside. Gilt endpapers.

Hardcover. New York, W. W. Norton, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a very good plus dust jacket. 192 pages. Color frontispiece, color photographs, illustrations, diagrams, bibliography, index. The dust jacket has very minor edgewear. A photographic look at some of the earlier churches built in North America.

Hardcover. Indiana University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 475 pages. Rembrandt's stunning religious prints stand as evidence of the Dutch master's extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist's career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt's etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints? modest, intimate, fragile objects?are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. Clean copy.

Hardcover. Paris, Zodiaque, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 334 pages plus index. Color, b&w gravure photographs, plans of churches, cathedrals, abbeys and monasteries in France. Text in French. Ribbon marker. Clean, tight copy in a bright dust jacket.

Hardcover. Paris, Zodiaque, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 407 pages plus index. Color and b&w gravure plates, plans of medieval churches of France. French text. A clean, tight copy in a bright dust jacket.

Hardcover. Chatham UK, The Limited Editions Club, Ltd Ed, 1969, Book: Very Good, Dust Jacket: None, Hardcover, embossed gray cloth covers with gilt lettering on spine, slipcased. Illustrated with wood engravings by Reynolds Stone. No. 38 of 1500 copies, signed by the artist. Designed by Will Carter and printed by W & J Mackay & Company. Bright, clean copy with minor wear to slip case.

Hardcover. New Delhi, privately printed/Pasang Wangdu, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages., profusely illustrated throughout in color and black and white painting schematics. Parallel text in English and Tibetan. Private printing. Ribbon marker, clean copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Summit Books, 1st US, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Color illustrations through by Steadman. His take on the creation of the universe, man:- and, what we have done to the earth!

Hardcover. Garden City, NY, Doubleday & Company, Inc., 1st thus, 1970, Book: Very Good, Dust Jacket: None, 1715 pages. Hardcover. color illustrations throughout, illustrated by Salvador Dali. Pages unmarked (including back pages intedend for recording of family information). 2 red ribbon book marks attached at spine. No slipcase. Marbled decorated endpapers. leather cover boards, gilt title and decoration on spine and front cover board. Gilt edges (slightly faded). Binding beautiful. Spine straight. DOMESTIC SHIPPING ONLY.

Softcover. NY, Onassis Foundation, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 131 pages illustrated in color. The Origins of El Greco focuses on the evolution of the multifaceted relationship of Cretan painters with Western art during this rich period. The icon painters in the workshops on Crete in the 15th and 16th centuries-the setting in which El Greco was trained-were renowned for their skill in painting impeccable panels not only in the traditional Byzantine manner but also in a style inspired by Western models. The Origins of El Greco presents an extraordinary group of 15th and 16th century paintings, including works by El Greco. The color-illustrated catalogue features detailed descriptions of all 46 masterpieces included in the exhibition, some of them published for the first time, as well as 3 informative essays: Anastasia Drandaki, Curator, Byzantine Collection, Benaki Museum, Athens writes on "Between Byzantium and Venice: Icon Painting in Venetian Crete in the Fifteenth and Sixteenth Centuries", Olga Gratziou, Professor of Byzantine Art and Archaeology, University of Crete writes on "Cretan Architecture and Sculpture in the Venetian Period" and Nicos Hadjinicolaou, Professor Emeritus in Art History, University of Crete, and Honorary Fellow of the Institute for Mediterranean Studies, writes on "Early and Late El Greco". Clean, bright copy.

Hardcover. NY, George Braziller, 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in gilt, in a black cardboard slipcase. Color illustrations throughout. This powerful and breathtakingly beautiful Book of Hours was designed in the fifteenth century by one of the greatest masters of expressionism in France at the time, and executed by him (together with members of his workshop) for a royal patron. A relatively unknown masterpiece, it emerged from artistic obscurity in 1904 to widespread acclaim and critical appreciation.As Millard Meiss points out in his Introduction: "The Rohan Master cared less about what people do than what they feel. . . .Whereas his great predecessors, the Boucicaut Master and the Limbourgs, excelled in the description of novel aspects of the natural world, he explored the realm of human feeling." Clean copy.

Hardcover. Princeton, Princeton University Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 226 pages of text followed by section of corresponding black & white photographic illustrations. Hardcover. Clean, tight copy. No dust jacket.

Hardcover. University of South Carolina Press, Supreme Council, Scottish Rite of Freemasonry, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. " ...a fascinating journey through the history of Scottish Rite in America. This comprehensive pictorial history provides valuable insights into the critical role masons have played throughout our nation's history." b/w, sepia, & color plates throughout. In Valley of the Craftsmen, the story of "higher degree" Freemasonry is depicted through portraits, official papers, material objects, photographs, buildings, and stagecraft. Featuring many previously unpublished images, Valley of the Craftsmen begins with rare illustrations of the English and French philosophical sources that were projected upon an American landscape vitalized and transformed by the concept of fraternity. The story is framed by American popular culture and the serious private effort of individual men in small towns and expansive cities who were intent on developing a moral life in service to their communities. Clean copy.

Hardcover. Carbondale IL, Southern Illinois University, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 219 pages, b&w illustrations.Prostitute, saint, penitent, woman taken in adultery, the Magdalen--a Venus in sackcloth----has evolved through two thou-sand years of iconography and literature little understood, this original and pro-vocative study shows.The complex intermingling of the Mag-dalen myth in religion and culture pro-vides a fascinating chapter in the history of ideas. This important new book there-fore not only fills a gap in religious and humanistic studies but also deepens our understanding of how the ideas implanted in the Magdalen figure were sustained over the years--from her origins in Scrip-ture and Apocrypha to rock opera in our time.

Hardcover. Bangkok, Muang Boran Publishing House, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 164 pages. Hardcover. Color illustrations throughout. Navy blue cover boards (excellent), gilt title on spine and front cover board. Pages unmarked, clean. Dust jacket unclipped, has some slight shelfwear. In very good, colorful condition. Text in Thai and English. 94 pages of color photographs and 7 pages of b/w photographs of 14th-18th century mural paintings at this revered site.

Hardcover. NY, The New Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 234 pages, b&w plates. Witness Against the Beast is a groundbreaking interdisciplinary study in which the renowned social historian E.P. Thompson contends that most of the assumptions scholars have made about William Blake are misleading and unfounded. Brilliantly reexamining Blake's cultural milieu and intellectual background, Thompson detects in Blake's poetry a repeated call to resist the usury and commercialism of the ?Antichrist "embodied by contemporary society?to ?witness against the beast." Clean copy.