Art Classical

Hardcover. Chicago, Argonaut Inc, 1st, 1964, Book: Very Good, Hardcover, stated First American Edition. "A New Illustrated Edition Containing: 'Greek Dress' by Ethel Abrahams; 'Chapters on Greek Dress' by Lady Evans." Edited by Marie Johnson. Navy cloth with gold lettering on the spine. Illustrated with 20 plates and with several full-page and in-text illustrations. Combines two works on the history of ancient fashion.

Hardcover. London, Country Life, 1st, 1922, Book: Very Good, Dust Jacket: None, Two volumes complete, large folio (15" X 12"). 344 and 361 pages plus 100 appendix and index pages. pale green cloth with gilt lettering and design, top edge gilt. Color frontispiece in Volume II, profusely illustrated with about 700 b&w illustrations, plans and drawings. Clean, bright set. First edition of Arthur T. Bolton's monumental monograph on the architecture of Robert (1728-1792) and James Adam (1732-1794), two Scottish brothers who were renowned neoclassical architects, interior and furniture designers.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 358 pages, color and b&w illustrations. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. Clean copy.

Hardcover. New York, Watson-Guptill Publishing, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Artist Harvey Dinnerstein writes about his personal approach to and process of painting. 144 pages, 80 color and 58 black/white reproductions of his work at various stages. Cloth bound book is in near fine condition, very clean copy; dust jacket has slight wear and a few creases around the edges.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a pictorial dust jacket with light edgewear. Housed in a cardboard slipcase. Approx. 210 pages. 96 color plates. Tipped-in color frontispiece. Clean copy.

Hardcover. New Haven, Yale University Press, reprint, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 625 pages, 700 b&w plates. Light edgewear to dust jacket, small tear; previous price sticker on front flap. Foxing to top edge. Else a clean, tight copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 328 pages with bibliography and index. A revised and abridged version of Watkins earlier work on Soane (1753-1837), concentrating on the twelve lectures the eminent architect gave to the Royal Academy between 1810 and 1820, dealing with the huge scope of the lessons to be gained from world architecture.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: None, 232 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers.