Hardcover. Portland, Collectors Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 768 pages. Profusely illustrated with full color and black & white photographs and art. Light wear to corners of dust jacket at flaps. Clean, tight copy. A monumental work devoted to art depicting life in the future. The authors present the most important, thought-provoking examples from each genre using vast collections of novels, posters, magazines, movies, and more.

Hardcover. Lansing, Peregrine Books, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. SIGNED BY G. LEGMAN, ROLAND TRENARY, AND ROBERT ARRINGTON ON REAR ENDPAPER. THIS BEING HAND NUMBERED #25 OF LIMITED 100 SIGNED HARDCOVER EDITIONS. Illustrated in black & white with 4 pages in full color. Minor pea sized stain at center of foredge. Dust jacket with light wear. Clean, tight copy.

Softcover. Poughkeepsie, Father Tree Press/Warp Graphics, 1st, 1988, Book: Very Good, Dust Jacket: None, The Complete Elf Quest Graphic Novel - Book Five: Siege at Blue Mountain. Softcover. 112 pages of full color graphic novel followed by full color character gallery and black & white portfolio and comics. Illustrated by Wendy Pini in full color and black & white. Light wear. Clean, unmarked copy.

Softcover. New York, Pocket Books, 1st wraps, 1983, Book: Very Good, Dust Jacket: None, Softcover, SIGNED BY ROWENA MORRILL 26 color reproductions of her fantasy art. Paperback edition.

Hardcover. New York, Watson Guptill, 1st paperback., 1975, Book: Very Good, Dust Jacket: None, Hardcover in a bright dust jacket, 192 pages, color illustrations throughout. Minor edge wear otherwise, clean, tight and bright copy. A collection of the Fantasy illustration of the Victorian era. Includes the works of Rackham, Dulac, Beardsley and others. Beautifully illustrated, many in color.

Hardcover. Mesquite TX, Vanguard Productions, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. This book is devoted solely to the artist's single, most beloved venue, Book Cover Art. By focusing on this specific area, the book boasts room enough to feature every single one of Frazetta's famous and highly collectable illustrated book covers, beautifully and authentically reproduced at a larger size on a page to itself. All are presented in chronological order which, gives readers a unique ability to follow Frazetta's evolution as an artist. Accompanying text includes commentary, original publication titles, publishers, dates, and rare quotes from the artist himself. For this Definitive Reference to feature the Complete Collection of Frazetta's decades of book cover illustrations, in a single beautifully produced volume, is a dream come true for Frazetta fans, art and book collectors and historians alike.

Softcover. New York , Epic/Marvel Comics, 1st US, 1988, Book: Good, Dust Jacket: None, Softcovers, unpaginted. Color art throughout by Moebius. Three books, the complete series. Clean, bright set.

Softcover. NY, George Braziller , 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, published in association with the Spencer Museum of Art, University of Kansas. 192 pages illustrated in color and b&w. Clean, bright copy.

Hardcover. London, Titan Comics, 1st, 2016, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. From the very beginning in 1934, these are the original adventures of the famous comic strip detective - collected in full for the very first time! Mandrake is a master of hypnosis, whose ability causes his opponents to encounter wild illusions, giving the heroes the upper hand in a fight. His enemies cover a broad spectrum, including gangsters, mad scientists, alien creatures, and characters from other adventures. His greatest ally is Lothar, "Prince of the Seven Nations" who gave up his crown to join Mandrake in his globe-trotting adventures. They are accompanied by the beautiful Narda, princess of a European nation and Mandrake's romantic interest.

Hardcover. Napoli IT, Comicon Edizioni,, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 10 X 12". Over 330 reproductions. This impressive new exhibition book features an all-new look at the master of French comics and fantasy art. Packed with reproductions from original artwork and paintings, and essays on the themes of time and archeology. Based on an exhibit at the National Archaeological Museum of Naples (MANN) in 2021. Text in Italian and French. Here are his best known works: The Major, Arzak, the World of Edena, the Fauna of Mars and Inside Moebius, but also Greek Myths, Time and Matter, Casanova, Celtic Venice, Dante's Paradise.

Hardcover. New York, Charles Scribner's Sons, 1st Edition, 1907, Book: Very Good, Dust Jacket: None, Hardcover. 126 pages plus 50 plates. Vivid color illustrated tipped-in plates (vibrant, excellent condition) with captioned tissue guards, as well as b/w illustrations throughout. Plates glued to brown heavy stock. Cover boards bound in green cloth, gilt title on spine, gilt title and design embossed on front cover board. Some light spotting to boards and spine, bump to front cover board's right top corner (see image). Binding tight. Spine straight. Pages quite bright and unmarked. Scarce. In Peter Pan in Kensington Gardens, J.M. Barrie first created Peter Pan as an infant, living a wild and secret life with birds and fairies in the middle of turn of the century London. This edition is beautifully illustrated by Rackham, one of the leading figures of the Golden Age of British book illustration.

Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy.

Softcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: None, Flexible covers, 540 pages, 1,500 illustrations in full color. A visual survey of the scientific developments and cultural significance of robots documents the history of automatons, androids, and other forms of artificial intelligence, both of the fictional and real-world arenas, in a volume that features interviews with scientists, doctors, toy creators, science-fiction writers, and more.

Hardcover. San Diego, CA, IDW Publishing, 1st Edition, 2019, Book: Near Fine, Dust Jacket: None, 314 pages. Hardcover. Color and b/w illustrations throughout. Decorated endpapers. Decorated cover boards. Pages, clean and unmarked, bright. Binding tight. Spine straight. In beautiful condition. Krenkel's work is showcased like never before, offering old devotees the opportunity to see a beloved artist in a fresh light, and to introduce new generations to a master's work.

Hardcover. London , Thames and Hudson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Light fraying, small tape repair on spine, to dust jacket. Color pictures throughout. Adhesive residue on back cover.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.