Hardcover. New York , Metropolitan Museum of Art/Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 305 pages plus bibliography. The richest collection outside of Cyprus of Cypriot antiquities. Built up by General Luigi Palma di Cesnola as the first director of the Metropolitan Museum of Art, he acquired most of the art between 1879 and 1900 with works dating from 2500 B.C. to A.D. 300. Over 450 color images with map of the regions from which the art was acquired, this represents an essential item for a knowledge of the art of Cyprus in antiquity in all its forms.

Hardcover. Chicago, Argonaut Inc, 1st, 1964, Book: Very Good, Hardcover, stated First American Edition. "A New Illustrated Edition Containing: 'Greek Dress' by Ethel Abrahams; 'Chapters on Greek Dress' by Lady Evans." Edited by Marie Johnson. Navy cloth with gold lettering on the spine. Illustrated with 20 plates and with several full-page and in-text illustrations. Combines two works on the history of ancient fashion.

Hardcover. New York , McGraw-Hill, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio, 159 pages, index, 60 beautiful tipped-in color plates of ancient Mexican sites after photographs by Irmgard Groth. Original gilt-lettered burgundy cloth in original color pictorial dust jacket that has a small chip to top of spine. The author of this book, Ignacio Bernal (1910 - 1992), was an eminent Mexican anthropologist and archaeologist. Bernal excavated much of Monte Alban, originally starting as a student of Alfonso Caso, and later led major archeological projects at Teotihuacan. In 1965 he excavated Dainzu. He was the Director of Mexico's National Museum of Anthropology 1962-68 (at the time of this publication) and again 1970-77. In 1965, he was elected a Foreign Honorary Member of the American Academy of Arts and Sciences. Bernal was awarded the Premio Nacional in 1969. He was a founding member of the Third World Academy of Sciences in 1983. This book includes 60 hand-mounted colour plates and 1 map (all framable); each chosen by Bernal photographed by Mrs. Irmgard Groth, a gifted photographer whose special field was Mexican archaeology. In these plates we see the extraordinary sculpture of the Omecs; the Pyramid of the Moon of Teotihuacan; the Maya temples of Palenque; the Pyramid of the Niches of Tajin on the Gulf Coast; the temples at the great city of Chichen Itza; the gold ornaments of the Mixtecs at Monte Alban; the temple carved by the Aztecs out of the Cliffside at Malinalco; and many other buildings and artifacts, the surviving testimonials - sometimes exquisite, sometimes aw-inspiring - to the greatness of a long-vanished culture.

Hardcover. New Haven, CT, Yale University Press. , 1st , 1929, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated in black & white, 5 color plates. 487 pages + 646 photos, 16 plates in rear. Previous owner's inscription, bookplate on front pastedown. End papers tanned.

Softcover. London, The Trustees of the British Museum / British Museum Press Ltd., 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 224 brilliant pages, laden with illustrations of Assyrian art and artifacts from The British Museum collection. 215 color and 33 black and white illustrations in addition to one map. Beautiful full-color cover with minor wear at corners only. Illustrated title page and half-title page. Crisp text pairs nicely with this rich visual collection. In very good condition overall.

Hardcover. Chicago, Art Media Resources, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 305 pages. Hardcover with dust jacket. Light edgewear to cover boards, otherwise clean bright copy. Color pictures throughout. 12x12x1 dimensions. Numbering over 250 works spanning nearly 1500 years, the Dewey collection of ancient Chinese tomb sculpture is exceptional for its breadth and outstanding quality. Representing nearly all figural types, stylistic traditions and themes, it provides a comprehensive visual record with fascinating insights into the customs and fashions, inventions and superstitions of ancient China's ruling elite during the golden age of the Great Silk Road.

Softcover. NY, Stewart Tabori & Chang, reprint, 1997, Softcover, 169 pages, illustrated in color. An authority on Pompeii and the ancient Roman Empire takes readers on a tour of Pompeii, examining every aspect of the city and its people. This presentation of over 80 amazingly diverse works of erotic art from Pompeii and nearby Herculaneum accompanies a meticulous text which discusses the works in detail, emphasizing elements of composition, style, origin, and the mythological or real-life influences that inspired their creation. 159 color photos by Antonia Mulas.

Hardcover. Dublin, Dolmen Editions, First Edition, 1977, Book: Very Good, Dust Jacket: None, 78 pages. Hardcover. Limited to 650 copies. Black cloth boards with white printed decoration & white titles to spine. Ink paintings by Louis le Brocquy in black & white throughout. Previous owner's bookplate to front endpaper. Clean, unmarked, tight copy. No dust jacket.

Hardcover. Rutland VT/Tokyo, Charles E. Tuttle, 2nd pr., 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with many fine photogravure plates, several in color. 161 pages.

Hardcover. London/NY, John Lane/ Harper & Brothers, 1st UK, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with embossed rules, gilt decoration and lettering. The letter code D-D appears on copyright page, probable first English edition. B&w halftones throughout, 306 pages plus additional pages with index, synoptic tables. Small signature on front fly leaf otherwise clean. Well preserved copy.

Hardcover. New York , Phaidon, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 286 pages, original rust colored cloth with gilt design. 270 illustrations, many in color including fold-out plates. Tipped-in color frontispiece, endpaper maps and charts in rear. Clear acetate dust jacket in very good condition. Slipcase is worn and cracked.

Hardcover. US, Prestel USA, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover in slipcase. Like new in publisher's shrink-wrap. This elegant volume is the first comprehensive published study in English of the finely carved wooden covers designed to protect fragile Tibetan Buddhist texts. From the 11th through 14th centuries, Tibetan monks worked tirelessly to transcribe the life and teachings of the Buddha onto paper. Highly skilled craftsmen then covered these pages with wooden boards that had been elaborately and painstakingly carved, gilded, and painted. The MacLean Collection, based in Chicago, has significant holdings of these extremely rare and ornately decorated objects. The first and most comprehensive of its kind, this lavishly produced, oversize volume features numerous illustrations of magnificent book covers from Tibet as well as several examples from other cultures. The volume tells the fascinating history of these objects, examines the materials from which they were carved, and traces stylistic influences from Kashmir, India, Nepal, and China.

Hardcover. New Haven, Yale University Press, reprint, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 625 pages, 700 b&w plates. Light edgewear to dust jacket, small tear; previous price sticker on front flap. Foxing to top edge. Else a clean, tight copy.

Hardcover. Geneva, Albert Skira, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Green cloth boards with gilt lettering. Clean, bright copy with tipped-in color plates throughout, 193 pages.

Softcover. Los Angeles, Getty Conservation Institute, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 138 pages illustrated in color. As the Roman Empire expanded its African settlements in the early centuries of the common era, thousands of mosaic floor pavements were fashioned to adorn the townhouses and rural estates of the African upper classes. Between the second and sixth centuries, mosaic art blossomed, particularly in Africa Proconsularis, the region comprising modern Tunisia. In contrast to the official art of imperial Rome, mosaics generally expressed the worldviews of private citizens. These artworks are remarkable for the intricate beauty of their polychromatic geometric and floral designs, as well as for figural scenes depicting the interests and activities of the patrons who commissioned them--scenes of daily life, athletic contests, gladiator spectacles, and classical literature and mythology.Abundantly illustrated throughout, Tunisian Mosaics: Treasures from Roman Africa offers the general reader a lively introduction to this extraordinary ancient art. Initial chapters survey the historical background of Roman Africa and discuss the development of mosaic art in the Mediterranean. Subsequent chapters profile Tunisia's major mosaic sites and tour the collections of important museums. A final chapter surveys current initiatives to preserve this heritage for future generations. Clean copy.