Hardcover. London, Thames & Hudson, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 79 pages. Hardcover with dust jacket. Illustrated by Richard Bentley, William Blake, and Kathleen Hale. Clean, tight copy.
Hardcover. NY, Clarkson Potter, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Definitive study of the pioneer American illustrator. 39 color, 165 black & white illustrations. 248 pages. Faint fade to edge, spine of orange dust jacket,
Hardcover. London, A.& C. Black, 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 12 color plates, many black & white illustrations, 269 pages. Scarce in dust jacket.
Hardcover. New York , Orchard Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated with b&w photographs and sketches by Lewin. A memoir of his brief stint as a professional wrestler.
Softcover. Decatur IL, Daniel Zimmer, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover magazine, 80 pages, color plates throughout. An issue devoted entirely to Austin Briggs and his illustrations.
Softcover. Decatur IL, Illustrated Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 80 pages illustrated in color. Covers the life and work of this iconic American illustrator.
Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. "We talked about everything imaginable," Nelson wrote-including Macdonald's often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character-"my God, everything." It's All One Case provides an open door to Macdonald at his most unguarded. The book is far more than a collection of never-before-published interviews, though. Published in a handsome, oversized format, it is a visual history of Macdonald's professional career, illustrated with rare and select items from one of the world's largest private archives of Macdonald collectibles. Featuring in full color the covers of the various editions of Macdonald's more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It's All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald's distinguished career. Full-color illustrations throughout
Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.
Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.
Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with minor closed tears to dust jacket.
Hardcover. NY, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, orange cloth spine, 176 pages. The highly public love affair of French singer-songwriter Serge Gainsbourg and British actress Jane Birkin captured the hearts and imaginations of a generation. The moment Jane and Serge met on a movie set in 1968 sparks flew. They would spend the next 12 years together, a passionate union that produced the controversial duet "Je t'aime... moi non plus" (whose explicit lyrics and orgasmic moans caused so much fuss that the Vatican declared it offensive) and, in 1971, the legendary album Melody Nelson as well as a daughter, Charlotte, who has become a successful actress in her own right. Designed by M/M (Paris), the photo album comes in a clear plastic cover with the following goodies tucked inside:Text booklet featuring an introduction by Jane Birkin and Andrew Birkin's memoir of Jane and Serge, illustrated by Birkin family childhood photos/Softcover contact sheet booklet/Fold-out poster/5 photo prints/Sticker sheet /Embroidered patch.
Hardcover. New York, Universe, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages, illustrated throughout in color. Black cloth, gilt titles to front and spine. White pictorial dust jacket with light wear to edges and slight soiling. A very nice, tight copy.
Hardcover. NY, Thomas Crowell, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated in color and b&w. Jessie Willcox Smith (1863-1935), was one of the most prominent female illustrators in the United States during the Golden Age of American illustration. She illustrated stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. Four appendices give detailed listings of the appearance of Smith's illustrations in books, magazine covers, posters, etc. Bibliography. Notes. Index. With a lightly worn dust jacket that's been price-clipped. Previous owner's inscription on front fly lead, otherwise clean.
Hardcover. NY, Harper and Brothers, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, blue boards with blue cloth spine. Tipped in frontis by Leon Underwood. Light edgewear, rubbing to cover label, spine label mostly gone, stamp on front fly leaf. 150 pages. At the age of 12, Woodward (1896-1961) had begun working in a London factory, and just one year later she had left home to take up another factory job making collars for men's shirts. Later she took positions as a receptionist and a freelance journalist, and allied herself with various socialist, suffrage, and free-thought groups. Jipping Street is "a graphic and absorbing account of growing-up in a London slum in the late 19th and early 20th centuries... [it is] a psychic reconstruction of childhood rather than a chronological narrative".
Hardcover. Seattle, WA, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 182 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. A tight copy. Filled with reproduced artwork from the comic books Little Lulu, and his creations Melvin Monster and Thirteen (Going on Eighteen); rare drawings and cartoons; and never-before-seen photographs. Bill Schelly tells Stanley's life story through interviews with his family, friends, and colleagues.
Hardcover. London, Adam and Charles Black, reprint, 1905, Book: Good, Dust Jacket: None, Hardcover, 300 pages. Contains black & white and color illustrations. Faded spine and chipping to top of spine. Foxing to front edge. Gilt top edge.
Hardcover. New York, Harcourt, Brace and Co, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with paper label on front and spine. 286 pages. B&w frontispiece and illustrations by Warren Chappell. Minor edgewear to cover and age staining to endpapers. Else a clean, tight copy.
Hardcover. Chapel Hill, North Carolina, Algonquin Young Readers, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 113 pages. Hardcover. Extensive color illustrations by James McMullan throughout. Illustrated paste downs and end papers. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. Garden City, N.Y., Doubleday, 2nd printing, 1981, Book: Very Good, Dust Jacket: Very Good, 259 pages. Biography by Issac Bashevis Singer, winner of the Nobel Prize for Literature. Paintings and drawings by Raphael Soyer. Slight yellowing to pictorial dust jacket, else a lovely copy in clear mylar cover.
Hardcover. NY, Random House Studio , 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations throughout by Claire Keane. SIGNED BY KUNKEL on the title page. In the beginning, there was a boy named Robert McCloskey, growing up in Ohio, his hands always moving, always creating. Many years later, after attending art school in Boston, he would reflect on his days wandering through Boston Garden and write the classic picture book Make Way for Ducklings. In the beginning, there was also a girl named Nancy Sch n. She grew up in Newton, Massachusetts, working in her father's greenhouse, twisting wire and boughs into wreaths. Many years later, Nancy would look at Robert's drawings in Make Way for Ducklings and get the seed of an idea. That seed became the beloved bronze sculptures of Mrs. Mallard and her eight ducklings that stand in Boston Garden today. This stunning and clever picture book biography intertwines the lives of two phenomenal artists--who were contemporaries and friends--and reveals the extraordinary impact they've had on generations of children.
Hardcover. New York , Simon and Schuster, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages, comprised of sixteen "graphic biographies" of luminaries of comics and illustration. Beautifully illustrated by artists like Mark Alan Stamaty, Peter Kuper, Drew Friedman, Arnold Roth and others.
Hardcover. US, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 224 pages. Like new in publisher's shrink-wrap. The preeminent children's book artist of the twentieth century, Maurice Sendak and his sixty-year career are celebrated in this full-color catalog of more than two hundred images being exhibited at the Society of Illustrators in New York City from June 11-August 17, 2013. Accompanied by twelve essays by such noted scholars and historians as Leonard S. Marcus, Iona Opie, Steven Heller, and Paul O. Zelinsky, Maurice Sendak: A Celebration of the Artist and His Work showcases the collection of Justin G. Schiller and Dennis M. V. David, prominent authorities on Sendak's artwork, and is a deeply personal and thoughtful tribute to a seminal artist whose singular vision has captured the imaginations of countless children and grown-ups throughout the world.
Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.
Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.
Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.
Hardcover. New York, Little, Brown and Company, 5th printing, 2011, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. INSCRIBED BY PATRICK MCDONNELL WITH DRAWING OF A MONKEY OPPOSITE TITLE PAGE. Full color illustrations. Minimal wear. Clean, tight copy. Caldectt Honor Book. McDonnell is creator of internationally syndicated comic strip Mutt & has won many awards. This is the inspiring story of the young girl who would grow up to be Dr. Jane Goodall.
Hardcover. New York, Little, Brown and Company, 5th printing, 2011, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. INSCRIBED BY PATRICK MCDONNELL WITH DRAWING OF A MONKEY OPPOSITE TITLE PAGE. Full color illustrations. Minimal wear. Clean, tight copy. Caldectt Honor Book. McDonnell is creator of internationally syndicated comic strip Mutt & has won many awards. This is the inspiring story of the young girl who would grow up to be Dr. Jane Goodall.
Hardcover. NY, Harry N. Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor wear. Selected and translated by Olga Davydoff Dax. Color illustrations by the author throughout. Mariamna Davydoff, the Russian lady who wrote and illustrated this memoir of her life before the Revolution, was born in 1871 into a large, aristocratic family whose ancestors can he traced back to the eleventh century. After fleeing Russia in 1919, she eventually settled in Brittany with a sister and there reproduced, from memory, albums of detailed text and watcrcolors that had been abandoned in Russia and were later destroyed by the Bolsheviks. The result is a unique, first-hand account of a way of life that we have previously known almost exclusively through the works of Tolstoy, Turgenev, Chekhov, and a few other writers of the late nineteenth century.
Hardcover. New York, Harry N. Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Black and white photographs throughout. Clean, toght copy with only light edge wear to dut jacket and cover boards.
Hardcover. NY, G. P. Putnam's Sons, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A 5-year-old Tomie worries over the health of his baby sister, learns to read in one weekend (with a pilfered schoolbook), and helps his father pave the new driveway (to a too-fine polish!). In the spirit of his earlier memoirs, the Newbery Honor-winning 26 Fairmount Avenue and Here We All Are, author Tomie dePaola recounts the (mostly) serene days between the end of kindergarten and the beginning of first grade. Clean copy.
Hardcover. NY, Pegasus Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Inspired by the twenty-three 'tales', Matthew Dennison takes a selection of quotations from Potter's stories and uses them to explore her multi-faceted life and character: repressed Victorian daughter; thwarted lover; artistic genius; formidable countrywoman. They chart her transformation from a young girl with a love of animals and fairy tales into a bestselling author and canny businesswoman, so deeply unusual for the Victorian era in which she grew up. Embellished with photographs of Potter's life and her own illustrations, this biography will delight anyone who has been touched by Beatrix Potter's work. Clean copy.
Softcover. Montreal , Drawn & Quarterly, 1st, 2003, Book: Very Good, Dust Jacket: None, Non paginated. Softcover. Extensive b&w illustrations by Michel Rabagliati throughout. Clean, unmarked copy with only minor wear to wrappers. Rabagliati`s strip "Paul: Apprentice Typographer" was one of the highlights of 1999`s Drawn & Quarterly anthology, and his first comic book Paul in the Country won the 2000 Harvey award for Best New Talent. This, his first graphic novel, is a sweet, unsentimental story about being a teenager and Rabagliati's crisp retro-modern 1950s drawing style. Paul Has a Summer Job continues the story of Paul, a Quebecois teenager in the 1970s, as he experiences the first conflicts of responsibility with his desire to be free.
Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. "With assistant curator of photographs Paul Martineau's intriguing biographical essay (based, in part, on the Getty's archive of Outerbridge papers), 104 stunningly beautiful plates, a chronology, checklist, and index, this catalog offers a highly visual and seductive overview. A section featuring selected photographs from Outerbridge's California years, a period missing from earlier books, makes this publication of interest to specialists as well."--ARLIS/NA Reviews
Hardcover. Woodstock NY, The Overlook Press, reprint, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 576 pages. 16 pages of black & white plates, 48 line-drawings in text (one double-page), dark grey endpapers. Excellent copy in fine unclipped pictorial dustwrapper with photographs of Mervyn Peake and Maeve Gilmore on flaps. Peake's Progress is a selection, compiled by his widow, Maeve Gilmore, from every period of his work as a writer and draughtsman. It contains a remarkable work from childhood, "The White Chief of the Umzimbooboo Kaffirs;" the early "Mr. Slaughterboard," which foreshadows the "Titus" books; two plays, "The Wit to Woo" and "Noah's Ark;" a broadcast version of "Mr. Pye," and a generous selection of Peake's short stories, poems and nonsense verses and drawings-all of them adding new perspectives on this prolific and astonishingly original writer.Including a new preface written by Mervyn Peake's son, Sebastian, this edition of Peake's Progress is published to coincide with the centenary of Peake's birth.
Hardcover. New York, DialBooks, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 340 pages. Hardcover with dust jacket. SIGNED BY STEVEN KELLOGG WITH ILLUSTRATION ON FRONT FLY LEAF. Dust jacket shows light rubbing. Cover boards show light edgewear, tight copy.
Hardcover. Boston, J.E.Tilton & Co., Rep., 1863, Book: Very Good, Dust Jacket: None, Hardcover. Black & white illustrations. (C) page states 1869. 261 pages. Red cloth with gilt illustration on spine. NIce copy.
Hardcover. Boston, Little Brown & Company, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 134 pages. Hardcover with dust jacket. Color photographs throughout. Clean, tight copy.
Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Alongside more than 172 of his drawings, cartoons, and caricatures--and in prose as spirited and wickedly pointed as his artwork--Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as a student at New York's famed High School of Music and Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York's art and literary circles.
New York, George Routledge, 1st , 1886, Book: Very Good, Dust Jacket: None, Hardcover, 216 pages, 172 B&W illustrations. An exceptionally bright, tight copy. Green beveled covers with gilt lettering, all edges gilt. Surprisingly scarce. First American Edition. A significant memoir, published in the year of Caldecott"s death.
Softcover. Raleigh NC, TwoMorrows Publishing , 1st pbk, Book: Very Good, Dust Jacket: None, Paperback, 256 pages, illustrated in color. From the 1940s to the '70s, Reed Crandall brought a unique and masterful style to American comic art. Using an illustrator's approach on everything he touched, Crandall gained a reputation as the "artist's artist" through his skillful interpretations of Golden Age super-heroes Doll Man, The Ray, and Blackhawk (his signature character); horror and sci-fi for the legendary EC Comics line; Warren Publishing's Creepy, Eerie, and Blazing Combat; the THUNDER Agents and Edgar Rice Burroughs characters; and even Flash Gordon for King Features. Comic art historian Roger Hill has compiled a complete and extensive history of Crandall's life and career, from his early years and major successes, through his tragic decline and passing in 1982. This full-color softcover includes never-before-seen photos, a wealth of rare and unpublished artwork, and over eighty thousand words of insight into one of the true illustrators of the comics. Bookplate signed by Roger Hill laid in.
Hardcover. Koln GR, Taschen, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, 464 pages. Original publisher's faux wood boards, lettered orange at the spine and front cover. Copiously illustrated in color and black and white throughout. Text in English, German and French. Many photographs By Julius Shulman. Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume.
Hardcover. New York, Alfred A. Knopf, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 79 pages. Hardcover with dust jacket. SIGNED BY STEADMAN. Clean, tight copy with light edge wear on covers.
Hardcover. Boston, Little, Brown and company, 1st, 1972, Book: Very Good, Dust Jacket: Good, 120 pages. Hardcover with dust jacket. Brodart covering dust jacket has two blue lines that bled through onto dust jacket. Internally clean and tight copy.
Kansas City, Sheed Andrews and McMeel, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Color and black & white photos and Illustrations. Clean, tight copy. Dust jacket has small chip missing on front bottom.
Hardcover. Philadelphia, Cogslea Studio Publications, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, 98 pages. Illustrated with 9 drawings. Limited edition of 500 copies, of which this is: # 462. SIGNED BY AUTHOR on front endpaper. Clean, tight copy.
Hardcover. New Haven CT, Yale University Press;, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Saul Steinberg (1914-99) described himself as a "writer who draws," thus inspiring curator Smith to characterize Steinberg's brilliantly satiric drawings as "illuminations," thus linking his work to illuminated manuscripts and, given Steinberg's love of literature, to a particular favorite, Arthur Rimbaud's Illuminations. Smith also explores Steinberg's mission to illuminate the overlooked and the absurd. In the biographical sections of his beautifully crafted critique, Smith affectingly recounts Steinberg's life as a Jew in anti-Semitic Romania and an architecture student in Fascist Milan whose distinctive cartoons served as his ticket out of Nazi Europe and onto the pages of the New Yorker. Both Smith and renowned poet Charles Simic associate Steinberg's fascination with documents with his harrowing refugee experiences, while Simic, a fellow immigrant from the Balkans and a friend of Steinberg's, offers striking insights into the artist's comic sensibility. Both commentators reflect on the great change in Steinberg's work after 1960, as his images turned hallucinatory and nightmarish, his protest against tyranny more intense. As instantly recognizable as Steinberg's kinetic, punning, and slyly skewering art is, there hasn't been a comprehensive Steinberg book in years, making this outstanding volume invaluable in its reclamation of Steinberg's agile, philosophic, and category-defying art.
Hardcover. New York, Dodd, Mead & Co, reprint, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR on half-title page. 162 pages. The story of the life of Kate Greenaway and her work with illustrating. In very good condition, some yellowing to edges of pages. The dust jacket is laminated, but cover is a bit yellowed. Minor bumping to corners, otherwise a very clean and tight copy. Small label at bottom of dj spine.