Hardcover. Ithaca NY, Cornell University Press, 2nd pr., 1975, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, rubbed dust jacket, 576 pages. Name on front fly leaf, otherwise clean.

Hardcover. NY, Negro Universities Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Hardcover, 175 pages. Brown cloth covers with gilt lettering. Originally published in 1864 by the American Anti-Slavery Society. Introduction by William Lloyd Garrison, President. Name on front fly leaf, otherwise clean.

Hardcover. Westport CT, Negro Universities Press, reprint, 1970, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth, 176 pages. Name on front fly leaf, otherwise clean.

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with laminated boards. Clean, tight copy with color illustrations throughout. Inspired by magazines like Mad and traditional superhero comics, Real Deal magazine was a self-published,independent comic book created in the 1990s by Lawrence Hubbard (a.k.a "RawDog") and H.P. McElwee (a.k.a. "R.D. Bone"). Peopled with a cast out of a blaxploitation movie - convicts, hustlers, drug addicts,crack whores, car thieves,and murderers - these cult-classic comics straddle the line between satirizing and showing the harsh realities of urban life.

Softcover. NY, W. W. Norton & Company, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 348 pages. Reflections in Black, the first comprehensive history of black photographers, is a groundbreaking pictorial collection of African American life. Featuring the work of undisputed masters such as James VanDerZee, Gordon Parks, and Carrie Mae Weems among dozens of others, this book is a refutation of the gross caricature of black life that many mainstream photographers have manifested by continually emphasizing poverty over family, despair over hope. Nearly 600 images offer rich, moving glimpses of everyday black life, from slavery to the Great Migration to contemporary suburban life, including rare antebellum daguerrotypes, photojournalism of the civil rights era, and multimedia portraits of middle-class families. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Hampton, VA, Hampton Institute Press, 1st, 1927, Book: Very Good, Dust Jacket: Poor, Hardcover, dark blue cloth with gilt lettering on front cover and spine, 236 pages plus appendix. A scarce collection of traditional hymns, gospel, folk songs and "Songs of Tribulation" of the American Negro. An historical document of African-American culture and the history of slavery. Songs in musical score with lyrics. A tight, generally unmarked and clean volume with nice cloth and clear gilt, In a poor dust jacket with chipping and tape repairs. Name on front fly leaf otherwise clean.

Hardcover. NY, The New Press , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover book with a bright dust jacket in a slipcase that also includes interview tapes. A startling first-person history of slavery. Using excerpts from the thousands of interviews conducted with ex-slaves in the 1930s by researchers working with the Federal Writers' Project, the astonishing audiotapes made available the only known recordings of people who actually experienced enslavement-recordings that had gathered dust in the Library of Congress until they were rendered audible for the first time specifically for this set. Two sixty-minute audiotapes: the first is original recordings of former slaves recorded in the 1930s, the second features dramatic readings by Esther Rolle, James Earl Jones and other black artists. Foreword by Robin D. G. Kelley.

Hardcover. Orangeburg SC, Sandlapper Publishing, 2nd pr., 1987, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, b&w illustrations. The author documents the customs and lifestyles of a proud group of Sea Island blacks. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century. INSCRIBED BY DAISE on the half-title page. Clean copy with color fading to dust jacket spine and part of front cover.

Softcover. Columbia SC, S.C. Department of Archives and History, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, b&w illustrations. Clean copy.

NY, Farrar, Straus and Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a very worn, chipped dust jacket, 312 pages. This autobiography details the struggle of a young Negroe's struggle to rise from a Knoxville slum to reach the ministry in the first half of the 20th century.

Hardcover. San Francisco, Pomegranate Communications, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. San Francisco, Pomegranate Communications, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. San Francisco, Pomegranate Communications, 1st, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. New York , Parents Magazine Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 48 pages with b&w photos by Gloir Kitt Lindauer and Carmel Roth. Clean, bright copy with unclipped dust jacket, $3.95. Mild soil to jacket.

Hardcover. NY, Oxford University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 455 pages, b&w illustrations. From John Hope Franklin, America's foremost African American historian, comes this groundbreaking analysis of slave resistance and escape. A sweeping panorama of plantation life before the Civil War, this book reveals that slaves frequently rebelled against their masters and ran away from their plantations whenever they could.For generations, important aspects about slave life on the plantations of the American South have remained shrouded. Historians thought, for instance, that slaves were generally pliant and resigned to their roles as human chattel, and that racial violence on the plantation was an aberration. In this precedent setting book, John Hope Franklin and Loren Schweninger demonstrate that, contrary to popular belief, significant numbers of slaves did in fact frequently rebel against their masters and struggled to attain their freedom. By surveying a wealth of documents, such as planters' records, petitions to county courts and state legislatures, and local newspapers, this book shows how slaves resisted, when, where, and how they escaped, where they fled to, how long they remained in hiding, and how they survived away from the plantation. Of equal importance, it examines the reactions of the white slaveholding class, revealing how they marshaled considerable effort to prevent runaways,meted out severe punishments, and established patrols to hunt down escaped slaves. Clean copy.

Hardcover. US, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. a celebration of jazz legend Sonny Rollin's incredibly prolific career. This intimate appreciation in pictures and words combines the images of John Abbott, who was Rollin's photographer of choice for the past twernty years has captured the saxophonist at home and at work, and the essays of Bob Blumenthal, a jazz critic who has chronicled Rollins and his art for nearly four decades.

Hardcover. New York, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. A celebration of jazz legend Sonny Rollin's incredibly prolific career. This intimate appreciation in pictures and words combines the images of John Abbott, who was Rollin's photographer of choice for the past twernty years has captured the saxophonist at home and at work, and the essays of Bob Blumenthal, a jazz critic who has chronicled Rollins and his art for nearly four decades.

Hardcover. NY, The New Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Ellis and Smith provide a unique anthology of African American voices over the past 100 years. In doing so, they give voice to the voiceless with transcribed speeches of leading African American speakers of the twentieth century. Included are 2 80-minute CDs. Includes speeches by: Mary McLeod Bethune,Julian Bond, Stokely Carmichael, Shirley Chisholm, Louis Farrakhan, Marcus Garvey, Jesse Jackson, Martin Luther King Jr., Thurgood Marshall, Booker T. Washington, Walter White, others, Clean copy.

Hardcover. NY, Random House, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 429 pages. Brown cloth with embossed red image of Seale gagged and bound in the courtroom during the Chicago 8 Trial. A gorgeous copy of Bobby Seale's narration of the Black Panther Party's origins and his relationship with Huey P Newton. Written as Seale was on trial as part of the Panther 14 in New Haven and during the Chicago 8/7 Conspiracy trial. Dust jacket is bright with original $6.95 price intact and unclipped. Stated First Edition on copyright page. Clean copy.

Hardcover. NY, Birch Lane Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, white cloth covers with black lettering on spine, no dust jacket. 238 pages with b&w photos. Biography by nephew of Malcolm X. Clean copy.

Hardcover. NY, Helga M. Rogers, reprint, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright dust jacket. In the Sex and Race series, first published in the 1940s, historian Joel Augustus Rogers questioned the concept of race, the origins of racial differentiation, and the root of the "color problem." Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called "the bran of history"--the uncollected, unexamined history of black people--in the hope that these neglected parts of history would become part of the mainstream body of Western history. Drawing on a vast amount of research, Rogers was attempting to point out the absurdity of racial divisions. Indeed his belief in one race--humanity--precluded the idea of several different ethnic races. The series marshals the data he had collected as evidence to prove his underlying humanistic thesis: that people were one large family without racial boundaries. Self-trained and self-published, Rogers and his work were immensely popular and influential during his day, even cited by Malcolm X. Clean copy.

Hardcover. New York, Thomas Nelson & Sons, 1st, 1938, Book: Good, Dust Jacket: None, Hardbound, 82 pages. Black & white illustrations by Erick Berry. Pink stain front cover. Story of a slave girl who lived at Mt. Vernon and was Nellie Custis's servant. Takes place at Mount Vernon in the years immediately following the Revolutionary War. No dust jacket.

Softcover. Urbana IL, University of Illinois Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 433 pages. From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, enslaved people created expansive forms of music from the United States to the West Indies and South America. Dena J. Epstein's classic work traces the course of early black folk music in all its guises. Anchored by groundbreaking scholarship, it redefined the study of black music in the slavery era by presenting the little-known development of black folk music in the United States. Her findings include the use of drums, the banjo, and other instruments originating in Africa; a wealth of eyewitness accounts and illustrations; in-depth look at a wide range of topics; and a collection of musical examples. This edition offers an author's preface that looks back on the twenty-five years of changes in scholarship that followed the book's original publication. Clean copy.