Hardcover. New York, G. K. Hall & Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 319 pages. Hardcover with dust jacket. Minor dust jacket edge wear, otherwise, spotless and tight copy.

Hardcover. Philadelphia, J.B. Lippincott Company, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with some sunning to spine. Stated 1st edition. Light shelfwear, clean, no marking.

Hardcover. NY, Atheneum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with edge wear, short closed tears. The first full-length biography--and likely the authoritative one for years to come--of the flamboyant black congressman who, as civil-rights gadfly and as libertine, exemplified the gap between our nation's ideals and practices that was given a name in Gunnar Myrdal's ``American Dilemma.'' Blessed with good looks, eloquence, and a bully pulpit (he succeeded his father as head of the Abyssinian Baptist Church, the nation's largest black congregation), Powell became ``Mr. Civil Rights'' in the pre-King era by combining agitation and electoral politics. As congressman from Harlem, Powell denounced racist southern colleagues and introduced the ``Powell Amendment'' to deny federal funds to projects or organizations that practiced discrimination. In 1960, he became chairman of the House Committee on Education and Labor, then the strongest position ever held by a black in the US government. Columbia Univ. political-science professor Hamilton also highlights how the Democratic politician became a thorn in the side of ally and foe alike. Powell was a maverick seldom bound by party (he endorsed Eisenhower for President), duty (a high absentee rate), or conventional morality. Inevitably, after an income-tax evasion trial, a suit filed by a Harlem resident he called a ``bag woman,'' and a European junket with two attractive female aides, Powell was stripped of his chairmanship by the House of Representatives despite his cry of double standards for white counterparts. Blending scholarship and ironic detachment, an admirably balanced treatment of a politician who provoked anything but objectivity during his Marion Barry-like career.

Hardcover. NY, Free Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 322 pages, b&w illustrations, in a bright dust jacket. This book examines the issue of racial stereotyping and with the issue of skin color as seen by such radio show broadcasts as Amos 'N' Andy. Some Blacks did not like the show when released, while others saw it as a humane portrayal of African-American Life. Overall, the show became the most popular radio show of all time. Later, it was touted by the Civil Rights Movement as offensive and racist.

Hardcover. NY, Albert & Charles Boni, 3rd pr, 1928, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a black cloth spine. 376 pages with illustrations, endpapers, and cover design by Miguel Covarrubias. Frontispiece loose, otherwise a clean copy.

Softcover. Guilford CT, TwoDot, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. 148 pages, index. The brave pioneers who made a life on the frontier were not only male--and they were not only white. The story of African-American women in the Old West is one that has largely gone untold until now. The stories of ten African-American women are reconstructed from historic documents found in century-old archives. Some of these women slaves, some were free, and some were born into slavery and found freedom in the old west. They were laundresses, freedom advocates, journalists, educators, midwives, business proprietors, religious converts, philanthropists, mail and freight haulers, and civil and social activists. These hidden historical figures include Biddy Mason, a slave who fought for her family's freedom; Elizabeth Thorn Scott Flood, a teacher determined to educate black children and aid them in leading better lives; and the mysterious Mary Ellen Pleasant, a civil rights crusader and savvy businesswoman. Even in the face of racial prejudice, these unsung heroes never gave up hope for a brighter future. Clean copy.

Softcover. Providence RI, John Carter Brown Library, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 62 pages illustrated in b&w. Clean copy.

Hardcover. New York, Jump At The Sun/Hyperion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. SIGNED BY ANN GRIFALCONI AND JERRY PINKNEY ON TITLE PAGE. 1st edition/1st printing. Full color illustrations by Jerry Pinkney. A bright, clean copy.

Hardcover. New York, Atheneum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages. Color illustrations by Ashley Bryan. Musical arrangements by David Manning Thomas. Very good in a bright, unclipped dust jacket.

Hardcover. NY, Garland Publishing, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards, 483 pages. 160 pages of text, rest of book has a black and white photo on every page. Clean and tight, no dust jacket issued.

Hardcover. Rome, Grafica Internazionale, 1st, 1969, Book: Good, Dust Jacket: None, Hardcover, oblong format, orange cloth covers stamped in brown and white. ITALIAN TEXT. Introduction by Elio Mercuri. Poetic texts by Langston Hughes, Owen Dodson, Sterling A. Brown, James Weldon Johnson. With 32 color plates and 60 black and white illustrations. 8vo, 100 pages, Aligi Sassu created all the plates reproduced here in 1969 for the scenic cantata ''Anch'io sono l'America'' by Mario Nascimbene, inspired by the texts of contemporary black poets. The work is; had its world premiere on 20 June 1969 at the Teatro Sociale in Lecco, interpreted by Helenita Olivares and Therman Bailey. Covers with fading, light soil. Interior clean.

Hardcover. NY, Warner/Amistad, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright. unclipped dust jacket. Wonderful, inspiring stories of dozens of black women in opera and classical music. Features in-depth portrais of such notables as Sissieretta Jones, Elizabeth Taylor-Greenfield, Marie Selika, Marian Anderson, Flora Batson, Dorothy Maynor and many more. 236 pages including index. B&W photos. Inscription on front fly leaf, otherwise clean.

Softcover. NY, Penguin Books, reprint, Book: Very Good, Dust Jacket: None, Softcover. Thomas Wentworth Higginson, a Unitarian minister, was a fervent member of new England's abolitionist movement, an active participant in the Underground Railroad, and part of a group that supplied material aid to John Brown before his ill-fated raid on Harpers Ferry. When the Civil War broke out, Higginson was commissioned as a colonel of the black troops training in the Sea Islands off the coast of the Carolinas. Shaped by American Romanticism and imbued with Higginson's interest in both man and nature, Army Life in a Black Regiment ranges from detailed reports on daily life to a vivid description of the author's near escape from cannon fire, to sketches that conjure up the beauty and mystery of the Sea Islands. This edition also features a selection of Higginson's essays, including "Nat Turner's Insurrection" and "Emily Dickinson's Letters." Clean copy.

Softcover. NY, Franklin Watts, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w photos. The Contents are: Gentleman's Agreement - African Americans and Baseball's Beginning; A Ballplayer from Cooperstown - Post Reconstruction America and the Strange Career of Bud Fowler; False Spring - Fleet Walker and the Grudging Integration of the 1880s; Jim Crow Wins - Cap Anson Gets the Save; War Paint and Feathers - Jim Crow and Chief Tokohama; Second Class Immortals - Satchel Paige and the Black Babe Ruth; The Badge of Martyrdom - The Myth of Rickey and Robinson; and They Never Had It Made - from 1947 to Today; followed by Appendix: Professional Baseball Leagues Chronology; Glossary of Team Names; and an index. Clean copy.

Hardcover. Philadelphia, J.B. Lippincott, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover with price-clipped dust jacket. Dust jacket shows chipping, and wear on edges. Covered with plastic sleeve. Previous owner's name on front fly leaf,otherwise clean, tight copy.

Hardcover. NY, Harcourt Brace Janovich , 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 59 pages. Hardcover with dust jacket. Color Illustrations by Lambert Davis. Light edgewear to dust jacket , else a clean, tight copy.

Softcover. Norman OK, University of Oklahoma Press, reprint, 1979, Book: Very Good, Dust Jacket: None, Softcover, 207 pages, b&w illustrations. Few of rodeo's early heroes matched the achievements of the black cowboy Bill Pickett, and his story is recounted here for the first time in book form. Pickett grew up in Texas in the 1880s, the child of former slaves, to become nationally famous as the star of the 101 Ranch Wild West Show. Pickett was associated with such western figures as Tom Mix, Will Rogers, Milt Hinkle, and Lucille Mulhall, and earned a reputation as an all around cowboy of legendary abilities. His greatest claim to fame is as the originator of steer wrestling, the only rodeo event to the traced to one individual. Audiences all over the United States, South America, Canada, and England were amazed to see the "Dusky Demon" fell on thousand-pound steers and bring them down bite-'em style with his teeth. Clean copy.

Hardcover. Boston, Little, Brown, 1st, 1947, Book: Good, Hardcover, green cloth with black lettering. Frontis portrait. This text is an expansion of the author's 1937 article Black Hamlet : the mind of an African Negro revealed by psychoanalysis. "This is the true story of John Chavafambira. It is a unique, never-before-written account of a native African medicine man, his life experiences and inner conflicts, etched against the background of two worlds-- white and black -- in collision. It is an amazing study of seemingly irreconcilable elements, laid in South Africa where the clash of color is most violent". Clean copy but mild musty odor.

Hardcover. Metuchen NJ, Scarecrow Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with white lettering, 200 pages, b&w illustrations. SIGNED BY RUSSELL on front fly leaf. Clean, bright copy. No dust jacket issued.

Softcover. Chicago, Arcadia Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 128 pages with b&w photos. Chronicles the history of the teams and players that spent time in the "Windy City." Has black and white photos of John Henry "Pop" Lloyd, Bruce Petway, Pete Hill, Grant "Home Run" Johnson, Lou Dials, Dave Malarcher, Willie Foster, "Cannonball" Dick Redding, Ted "Double Duty" Radcliffe and many others. Clean copy.

Hardcover. Columbia, SC, State Company, 2nd, 1922, Book: Good, Dust Jacket: None, 345 pages. Hardcover with black stamped lettering on front. Rear top corner bumped. Light foxing on page block and internal pages. Light fading on edges of cover.

Hardcover. London, Soul Jazz Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to laminated boards. Black and white pictures throughout. At the start of the 1960s, jazz entered a unique period of revolution as African-American musicians redefined the art form in the context of the Civil Rights Movement, Afro-centric rhythm and thought and an ideology of black economic empowerment. John Coltrane, Ornette Coleman, Sun Ra, Pharoah Sanders, Albert Ayler and others developed a new cosmology of sound that was as revolutionary as the social and political changes that took place in America throughout the decade. From the musical explorations of John Coltrane, Cecil Taylor and Ornette Coleman to the collective and community concerns of Chciago's Association for the Advancement of Creative Musicians and the black science fiction of Sun Ra, the new jazz musicians created a musical and cultural landscape from which jazz never looked back. This large-format deluxe hardback book features hundreds of stunning photographs of the new jazz musicians in the USA throughout the 1960s, presented with an introductory essay and biographies on the many artists included in the book.

Hardcover. NY, Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, in a bright, unclipped dust jacket. Memoir of an African-American woman when she was a student at a formerly all white male private prep school.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2010, Book: Good, Dust Jacket: None, 208 pages. Softcover. Black and white photographs. Light edgewear to wrappers, spine shows chips and creases. Reprint of the B&W photo essay first published in 1967-68 examines daily lives of African-Americans during the Civil Rights era. Text adapts Freed's diary entries and interviews. 208 pages.

Softcover. Washington DC, Howard University Press, 1994, Book: Very Good, Dust Jacket: None, Softcover, 365 pages. Maps, illustrations, bibliography, index. A comparative social overview of slavery in Britain, America, and the Caribbean during the colonial period. Walvin carefully examines the external pressures exerted on coastal communities in Africa for slaves, the gradual development of a slave trading system within Africa, and the transport of over twelve million Africans across the seas. Clean copy. Several pages with dog-ear creases.

Softcover. Cambridge MA, Harvard University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 310 pages, b&w illustrations. Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together-even as deeply internalized prejudices drove them apart-but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.

Hardcover. Washington, DC, Associated Publishers, Revised Ed., 1944, Book: Very Good, Dust Jacket: None, Hardcover, 381 pages. Dark green cover with slight wear and white spotting to back. Slight soiling to edges. Binding cracked at page 45. Overall, a clean, tight copy.

Hardcover. Boston, Little, Brown & Company, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, light mauve cloth with white lettering on spine, 311 pages with index. B&w illustrations, maps. Spine with light fading, book is clean, tight copy. Stated First Edition.

Softcover. Middletown CT, Wesleyan University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 237 pages. From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it. Clean copy.

Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.

Hardcover. NY, Amistad/HarperCollins, 3rd pr., 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 540 pages, b&w illustrations, index. An important book of epic scope on America's first racially integrated, religiously-inspired political movement for change-The Underground Railroad, a movement peopled by daring heroes and heroines, and everyday folk For most, the mention of the Underground Railroad evokes images of hidden tunnels, midnight rides, and hairsbreadth escapes. Yet the Underground Railroad's epic story is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion,which brought together Easterners who had engaged in slavery primarily in the abstract alongside slaveholding Southerners and their slaves, arose a clash of values that evolved into a fierce fight for nothing less than the country's soul. Beginning six decades before the Civil War, freedom-seeking blacks and pious whites worked together to save tens of thousands of lives, often at the risk of great physical danger to themselves. Not since the American Revolution had the country engaged in an act of such vast and profound civil disobedience that not only subverted federal law but also went against prevailing mores.

Hardcover. US, Atlas & Co, 6th, 2008, 240 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. NY, Doubleday and Co., 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover. Green cloth with red illustration on front and red lettering on spine. Unclipped dust jacket has wear at extremities and some discoloration. Illustrated by author. six full-page color illustrations, five full-page black and white illustrations, and numerous black and white illustrations throughout. Story of an African American 10-year-old girl living in Germantown, Pennsylvania. 88 pages. Stated First Edition. Previous owner's inscription on blank prelim page otherwise clean.

Softcover. Oxford UK, Clarendon Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, green paper wraps, 449 pages. A study of the West Indies in the mid-nineteenth century, this book draws together the experiences of more than a dozen different sugar colonies and forms them into a coherent historical account. The first part of the book examines the West Indies on the eve of emancipation in 1830-1865, a key passage in West Indian history. Green presents a clear general picture of the sugar colonies, and places British governmental policy toward the region in the context of Victorian attitudes toward colonial questions.

Hardcover. New York, Powerhouse Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, 94 b&w photographs throughout. Textured black cloth covers with silver lettering and photo plate pasted on front. In publisher's shrinkwrap. Dixon collects 135 of his own photographs taken over a period of ten years with New York City black biker clubs such as the Imperials, Transit Wheelers, and Uptown Riders. As a member of this inconspicuous subculture, Dixon is privy to what is usually heavily guarded, and he takes on the risky task of presenting members in some of their most gritty and vulnerable positions. He includes here pictures of both public and private events, from aerial shots of bike blessings to strip parties inside clubhouses. Dixon does not glamorize any aspect of biking and even includes photographs of injured riders and funerals owing to biking accidents. Ultimately, the reader gets more than an eyeful of what is rarely seen outside of the bikers' small circle. Biker enthusiasts of all races will appreciate the polished sport bikes and Dixon's perfect action shots; the mystery and danger surrounding these photos make one long to see the entire collection.

Softcover. Charlottesville, University of Virginia Press, 1st pbk, 2007, Book: Very Good, Dust Jacket: None, Softcover. Illustrated with black and white photos.; A history of of the racially-charged integration of black players into baseball's southern minor leagues.

Softcover. Syracuse, NY, Willis N Bugbee Co, 1st, 1932, Book: Very Good, Dust Jacket: None, 16 pages. Softcover booklet. Green paper wrappers with softened edges. Light soil to paper wrappers. tight copy. Lightly faded on rear.

New York, John S. Taylor, 1st, 1836, Book: Good, Hardcover, 296 pages plus 8 pages of publisher's ads in rear. Original black boards with embossed design, gilt lettering and design with number ! on spine. Folding chart/map tipped in at page 196 with short tears. Illustrated title page. The first of three anti-slavery books published by John Taylor, a staunch abolitionist. A few brief notations on prlim pages, otherwise clean.

softcover. New York, Theatre Communications Group, reprint, 2004, Book: Very Good, Dust Jacket: None, 127 pages. Softcover. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. NY, Charles Scribner's Sons, 2nd pr., 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Blending biography and social history, this portrait of one of the first Black Americans to win fame and respect in the twentieth century draws on new interview material and translations from German press coverage. 330 pages, b&w illustrations.

Philadelphia , John Winston, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover. B&W illustrations by Cyrus Leroy Baldridge. Clean copy in a nice dust jacket, pages tanning. Caleb Willows, a 16-year-old slave, makes a break for freedom and later is a student at Fisk University in Tennessee. He becomes one of the Jubilee Singers, eleven young African Americans who tour the United States and England singing spirituals in order to raise money for the school.

Softcover. San Francisco, Backbeat Books, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 271 pages, b&w illustrations. Chasin' That Devil Music has the feel of a documentary about the making of a thrilling motion picture. The main focus is on the Delta blues singers of the early 20th century--artists such as Charley Patton, Tommy Johnson, Son House, and Blind Lemon Jefferson who've achieved near-mythic status in blues circles. In addition, many of the articles gathered in this splendidly illustrated volume capture the process and people involved in tracking long-lost recordings nearly as elusive as the performers who made them. Here, for example, is the story of author/blues scholar Gayle Dean Wardlow's three-year hunt for the death certificate of Robert Johnson, the celebrated Mississippi bluesman and a figure whose legend has grown greater with each year since his much-debated death in 1938. The text here is nearly as raw in spots as the music that sparked it, but, as with those sounds (which can be heard on a terrific CD sampler included with the book), enthusiasts will find Chasin' That Devil Music riveting. Clean, bright copy.

Hardcover. Berkeley, University Of California Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth stamped with silver lettering in a bright dust jacket, 112 pages. An immensely important record of black life in Chicago at the near end of the 1940's. Apart from a few photos of entertainers the rest capture, in fascinating detail, life in Chicago's south side. The workplace and workers, interiors of homes and bars, parades, funerals, sport and street scenes with plenty of activity. The detail in all these pictures is impressive and typical of Miller's eye to capture a scene that reveals so much. Foreword by Orville Schell. commentaries by Gordon Parks and Robert Stepto. Small color sticker on front fly leaf, otherwise clean.

Hardcover. New York, Schiffer, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Color photographs throughout. Clean, tight copy.

Hardcover. New York, McGraw Hill, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 171 pages, in a bright, unclipped dust jacket with art by Charles Lilly.

Softcover. NY, Oxford University Press, 2nd pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. George Schuyler, a renowned and controversial black journalist of the Harlem Renaissance, and Josephine Cogdell, a blond, blue-eyed Texas heiress and granddaughter of slave owners, believed that intermarriage would "invigorate" the races, thereby producing extraordinary offspring. Their daughter, Philippa Duke Schuyler, became the embodiment of this theory, and they hoped she would prove that interracial children represented the final solution to America's race problems. Able to read and write at the age of two and a half, a pianist at four, and a composer by five, Philippa was often compared to Mozart. During the 1930s and 40s she graced the pages of Time and Look magazines, the New York Herald Tribune, and The New Yorker. Philippa grew up under the adoring andinquisitive eyes of an entire nation and soon became the role model and inspiration for a generation of African-American children. But as an adult she mysteriously dropped out of sight, leaving America to wonder what had happened to the "little Harlem genius." Suffering the double sting of racismand gender bias, Philippa had been rejected by the elite classical music milieu in the United States and forced to find an audience abroad, where she flourished as a world-class performer and composer. She traveled throughout South America, Europe, Africa, and Asia performing for kings, queens, and presidents. By then Philippa had added a second career as an author and foreign correspondent reporting on events around the globe--from Albert Schweitzer's leper colony in Lamberene to the turbulent Asian theater of the 1960s. She would give a command performance for Queen Elisabeth of Belgium one day, and hide from the Viet Cong among the ancient graves of the Annam kings another.

Hardcover. Seattle, University of Washington Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth stamped in gilt, 204 pages. Dust jacket with partial fading, edgewear. Clean copy. The author's last work, a study of the Dahomean Kingdom, it's history and the part gold, colonialism and the slave trade played in it's fortunes. Scarce title.

Softcover. NY, Praeger, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 189 pages, b&w illustrations. This ground-breaking work brings dance into current discussions of the African presence in American culture. Dixon Gottschild argues that the Africanist aesthetic has been invisibilized by the pervasive force of racism. This book provides evidence to correct and balance the record, investigating the Africanist presence as a conditioning factor in shaping American performance, onstage and in everyday life. She examines the Africanist presence in American dance forms particularly in George Balanchine's Americanized style of ballet, (post)modern dance, and blackface minstrelsy. Hip hop culture and rap are related to contemporary performance, showing how a disenfranchised culture affects the culture in power. Clean copy.

Hardcover. New York, Hyperion Books for Children, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with matching dust jacket. SIGNED AND INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Clean, tight copy.

Hardcover. St. Paul MN, Minnesota Historical Society, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 143 pages, b&w photos throughout. After serving in World War II, John Glanton returned home to Minnesota and began taking his camera around the streets, parks, clubs, restaurants, and private homes of Minneapolis, capturing the sights and scenes of everyday life for African Americans in the city. The images--from intimate portraits to public gatherings--reveal a dynamic and diverse community at a time when the nation was entering the postwar boom but before the civil rights movement had taken root. Glanton's photos offer a rare look into the lives and lifestyles of families and individuals often left out of histories of Minnesota's past, showing people at work and play, young and old, happy and sad. The images highlight black-owned businesses of the day, the music and club scene, and weddings and other family occasions to depict the experiences of African American people as presented through the lens of an African American photographer. Long forgotten in the garage of a family member, the photo negatives were recently rediscovered and digitized. A selection of 200 of the more than 800 images are featured here, along with commentary that further illuminates the lives and experiences of African Americans in postwar Minnesota.