Hardcover. New Brunswick NJ, Rutgers University, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 114 pages, color and b&w photos by Pietropaolo.

Hardcover. Germany , Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 156 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs throughout. In the early 1970s, the workers at a steel smelting factory east of Havana wrote to Fidel Castro describing their housing needs. Out of this exchange a new city called Alamar was born, conceived by the same workers who would build it and live there. Today it is abandoned; Mauro D'Agati's photographs examine its eccentric spaces.

Hardcover. London, Verso, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, bright dust jacket. Seven pages with ink underlining in the text; Includes contemporary photographs. In January 1952, two young men from Buenos Aires set out to explore South America on an ancient Norton motorbike. The journey lasted six months and took them thousands of miles, all the way from Argentina to Venezuela. En route, there were disasters and discoveries, high drama, low comedy, fights, parties and a lot of serious drinking.

Hardcover. NY, Thomas Y. Crowell , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 299 pages. Name on front fly leaf, otherwise clean.

Hardcover. London, Macgibbon & Kee, 1st, 1966, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 204 pages. "A valuable well-researched study of brinkmanship and of people under pressure presented fully for the first time." Name on front fly leaf, otherwise clean.

Hardcover. London, Macgibbon & Kee, 1st, 1966, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 204 pages. "A valuable well-researched study of brinkmanship and of people under pressure presented fully for the first time." Name on front fly leaf, otherwise clean.

Hardcover. Boston, Ticknor & Fields , 1st, 1859, Book: Very Good, Dust Jacket: None, Hardcover, original textured brown cloth with publisher's embossed decoration. some light wear to spine extremities. 288 pgs, 16 pgs of ads in back. The author of "Two Year's Before the Mast", here gives vivid and interesting description of his travels in Cuba. 'Kept in the form of a journal, this is a graphic account of the author's vacation trip to Cuba in February and March 1859. He made acute observations of the land and the people'.

Hardcover. New York, William Morrow, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 295 pages. Hardcover. Dust jacket unclipped. Gilt title on spine. Deckled edges. Binding tight. In great shape, clean inside and out.

Hardcover. Montpelier, State of Vermont, 1st, 1929, Book: Good, Dust Jacket: None, 163 pages. Hardcover. Ex-library copy with stamping and marking on endpapers. Illustrated with two black & white photographs. Features historical data, Vermont Roster 1898, etc. Green cloth covers with rubbing along edges. Clean, tight.

Hardcover. New York , Pantheon, 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, 111 pages, illustrated throughout in b&w. Light edgewear and rubbing to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy. In April 1933 an editor at Lippincott asked Evans to take photographs for a polemical book by Carlton Beals, a leftist writer who was very critical of the then Cuban dictator Gerardo Machado and anxious to show how American support of Machado had created an economic catastrophe in Cuba. Evans agreed after acceptance of his conditions that he have complete freedom to choose the photographs for publication and that they be collected at the end of the book so that they appeared to be an independent entity and not simply illustration of the text. Indeed, according to legend, Evans had not read Beals's text when he went to Havana in May 1933. He was in Cuba for three weeks. When his personal funds ran out, his way was paid for by Ernest Hemingway; the two had never met before, but Hemingway was eager for the company of someone equally qualified in literary conversation and in drinking. In the end, Evans contributed thirty-one photographs to the published "The Crime of Cuba". This book, WALKER EVANS: HAVANA 1933, contains seventy of the photographs Evans took in Cuba, including most of the photographs he selected for "The Crime of Cuba". The volume is introduced by an excellent essay by Gilles Mora that gives the historical background and discusses the place of Evans's Cuban photographs in his overall body of work. The photographs were selected by Mora and by John T. Hill, who also was responsible for the sequencing of their presentation. (One of Mora's points is that Evans attached a great deal of significance to the sequencing of his photographs, any collection of which he viewed as a composite artistic/documentary statement and, as such, more important than any single photograph.)