Hardcover. NY, John Day Co., 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. A biography of Sun Yat-Sen, founder of the short-lived Chinese Republic. Dust jacket spine faded, bookplate inside front cover.

Hardcover. Berkeley, University of California Press, 2nd pr., 1970, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 412 pages with index. Frontis. map. Ex-lib with stamping to edges and endpapers, name on front fly leaf.

Hardcover. Hong Kong, Chinese University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 598 pages, errata slip laid in. Spine slightly cocked, light shelfwear.

Softcover. London/NY, Palgrave Macmillan, 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Softcover, 233 pages. China's role in world history has been controversial, especially as seen through an economic lens. This book presents an alternative interpretation of that role, less exclusively economic, more broadly based, and focused on the T'ang period, one of China's acknowledged golden ages. It shows how a different China, Buddhist or Taoist rather than Confucian, aristocratic as much as meritocratic, achieved, through openness to the outside world and partnership with its elites, a multiple preeminence in politics, economics, society and the intellect, not unlike that enjoyed by the United States today. Within a looser web of globalization, the T'ang period and its dynamics offers a distant mirror of our own time, casting a new light on issues in contemporary politics. Clean copy.

Softcover. Boston, MFA Publications, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 269 pages. Color and b&w reproductions of paintings throughout. A work issued in conjunction with an exhibition held in 1997, providing a survey of the extensive collection of paintings from China, including critical commentary on the work throughout, examining the cultural importance of the pieces discussed. 9 3/4" to 12" tall; interior is clean and unmarked.

Hardcover. New Haven CONNECTICUT, Yale University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 317 pages, b&w illustrations, red cloth with gilt lettering on spine. Bright dust jacket with price-clip.

Hardcover. NY, Henry Holt, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, In ancient China a jealous artist plots to eliminate the favorite architect of the emperor. Once again Demi captivatingly presents a Chinese folktale with just enough text to tell the story and keep the interest of her young readers. Rendered in vibrant reds and pale blues and yellows, her illustrations feature finely detailed buildings and costumes, all the while retaining a fresh, clean look.Clean copy.

Hardcover. Seattle, University of Washington Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Stafford worked for Commerical Press in Shanghai and his photographs capture both sides of the revolutionary struggle in China.

Hardcover. Boston, Little, Brown & Company, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, decorated binding; designed by Decorated Designers (DD). No dj. Cover lettering and design intact, with some loss of gold, but lettering has disappeared from the spine. About 50 pages of black and white photos. A vivid and intimate record of Chinese life, revealing its glamour and fascination, its callousness and disregard of human values. Minor foxing to front endpapers. Clean copy.

Hardcover. NY, WW Norton & Co,, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. As World War II came to an end, General George Marshall was renowned as the architect of Allied victory. Set to retire, he instead accepted what he thought was a final mission-this time not to win a war, but to stop one. Across the Pacific, conflict between Chinese Nationalists and Communists threatened to suck in the United States and escalate into revolution. His assignment was to broker a peace, build a Chinese democracy, and prevent a Communist takeover, all while staving off World War III. In his thirteen months in China, Marshall journeyed across battle-scarred landscapes, grappled with Mao Zedong and Zhou Enlai, and plotted and argued with Generalissimo Chiang Kai-shek and his brilliant wife, often over card games or cocktails. The results at first seemed miraculous. But as they started to come apart, Marshall was faced with a wrenching choice. Its consequences would define the rest of his career, as the secretary of state who launched the Marshall Plan and set the standard for American leadership, and the shape of the Cold War and the US-China relationship for decades to come. It would also help spark one of the darkest turns in American civic life, as Marshall and the mission became a first prominent target of McCarthyism, and the question of "who lost China" roiled American politics. Remainder dot to top edge, otherwise like new.

Hardcover. NY, John Day Company, reprint, 1969, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial cloth, 64 pages illustrated in two-colors by William Arthur Smith. SIGNED BY BUCK on the title page. Originally published 1n 1942, this is the 17th printing and was most likely signed in 1969 by Buck in Danby, Vermont, where she lived in her later years. Bright, clean copy, no dust jacket.

Softcover. UK, Cambridge University Press, 1st pbk, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 352 pages. A groundbreaking study of cultural life during a turbulent and formative decade in contemporary China, this book seeks to explode several myths about the Cultural Revolution (officially 1966-1976). Through national and local examination of the full range of cultural forms (film, operas, dance, other stage arts, music, fine arts, literature, and even architecture), Clark argues against characterizing this decade as one of chaos and destruction. Rather, he finds that innovation and creativity, promotion of participation in cultural production, and a vigorous promotion of the modern were all typical of the Cultural Revolution. Using a range of previously little-used materials, Clark forces us to fundamentally reassess our understanding of the Cultural Revolution, a period which he sees as the product of innovation in conflict with the effort by political leaders to enforce a top-down modernity. Clean copy.

Softcover. UK, Cambridge University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 231 pages, b&w illustrations. The Chinese peoples' experience of war during the Second World War, as it is known in the West, was one of suffering and stoicism in the face of dreadful conditions. China's War of Resistance began in 1937 with the Japanese invasion and ended in 1945 after eight long years. Diana Lary, one of the foremost historians of the period, tells the tragic history of China's war and its consequences from the perspective of those who went through it. Using archival evidence only recently made available, interviews with survivors, and extracts from literature, she creates a vivid and highly disturbing picture of the havoc created by the war, the destruction of towns and villages, the displacement of peoples, and the accompanying economic and social disintegration. Her focus is on families torn apart, men, women, and children left homeless and struck down by disease and famine. It is also a story of courage and survival. By 1945, the fabric of China's society had been utterly transformed, and entirely new social categories had emerged. As the author suggests in a new interpretation of modern Chinese history, far from stemming the spread of communism from the USSR, which was the Japanese pretext for invasion, the horrors of the war, and the damage it created, nurtured the Chinese Communist Party and helped it to win power in 1949. Clean copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, price-clipped dust jacket, white cloth covers with gilt design, 177 pages. B&w illustrations by Demi Hitz. Stated First Edition. INSCRIBED BY TRANSLATOR FRANCIS CARPENTER on the front fly leaf. The 1st complete translation of thousand year old classic work. Includes biography of Lu Yu. Embellished by Demi Hitz's illustrations. Includes ritual of preparation, ingredients, environment Chinese tea ceremony. Light chipping, small tape repairs to rear of dust jacket. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 371 pages. Looks into the origins and activities of a foreign-policy interest group which emerged after the Korean War and exerted pressure on the federal government not to recognize the People's Republic of China. Name on front fly leaf, otherwise clean.

Hardcover. NY, Hill & Wang, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 544 pages. A bold new history of the Deng years by a leading China scholar. Unlike the former Soviet Union and the once "socialist" countries of Eastern Europe, China's current economy is now the world's second largest and most rapidly growing. Remarkably, today's problems in China are spiritual in nature-"a crisis of faith"-stemming from the clash between capitalist realities and lingering socialist values and ideas. "The Deng Xiaoping Era "is the story of that crisis and of Deng Xiaoping's promise of socialist democracy that has degenerated into bureaucratic capitalism. Maurice Meisner shows how the social contract between the Chinese Communist Party and the people was grossly violated by the Deng regime, and why capitalism has emerged as the dynamic force in today's socioeconomic and cultural life. Now, after more than a decade of capitalist reforms, he argues that Chinese spiritual malaise is deepening with the brutal suppression of the 1989 Democracy Movement and its politically repressive aftermath. This is an indispensable study of contemporary Chinese history-from the Chinese Revolution and the founding of the Maoist state to the establishment of the Deng regime and the social consequences of Deng's reforms-as well as a formidable analysis of the failure of the world's greatest socialist experiment. Clean copy.

Softcover. Phoenix AZ, Phoenix Art Museum, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 376 pages, illustrated in b&w, some color. Cover has sunning to areas, otherwise clean.

Hardcover. NY, Aperture, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. An evocative and candid collection of some of the first photographs made in that country. Along with descriptive captions, these images describe the daily life and surroundings of an era now passed. The people are as seen through Western eyes, and the places are as traversed by foreigners. These early photographers were explorers and adventurers. They lugged huge cameras with heavy glass plates over rugged, unfamiliar terrain. Interspersed throughout the book are passages from significant texts and travelers' diaries, observations and opinions that echo and illuminate the images. For many Chinese, these photographers were the first white faces ever seen, and they carried with them previously undreamed-of contraptions. For all this, there is an unguarded air to many of the portraits, and the street scenes have the candid look of today's street photographer.

Hardcover. NY, Charles Scribner's Sons, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated in b&w and color. Clean copy.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 296 pages, b&w illustrations. This is the first full scholarly study of the Great Wall of China to appear in any language, and it challenges many deeply held ideas about Chinese history. Drawing both on primary sources and on the latest archaeology, the book first demonstrates that the standard account of the Great Wall is untrue and misleading and then presents a convincing new account. It begins by tracing the various walls and systems of frontier defences that existed in early Chinese history, and shows how the greatest of these achieved a mythical symbolic stature which long survived the Wall itself. A striking concluding chapter traces how the true history of the Wall was lost in the early twentieth century as it was gradually transformed into a Chinese national symbol explained through historical myth. The book is an important contribution to the history of China's defensive policy, and her ideological attitudes, and will be of interest both to students of Chinese history and of international relations in the pre-modern world. Clean, bright copy.

Hardcover. New Haven CT, Yale /Houston Museum of Fine Arts, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Chen Changfen (b. 1941) began to photograph the Great Wall twenty years before the Chinese government officially adopted it as the national symbol in 1984. This fascinating book presents a small fraction of his decades-long study of the monumental form and conveys the fertile range of themes and ideas that Chen has investigated, each informed by traditional Chinese art, history, and philosophy. Combining a unique blend of traditional and contemporary technical processes, Chen's richly evocative photographs at once celebrate the remarkable series of building campaigns that produced the Wall and memorialize the thousands of conscripted laborers whose lives were sacrificed to its construction.One of the most striking features of Chen's photographs is their unexpected variety of perspectives and moods, capturing the vicissitudes of weather, time, and human history that have acted upon it. By excluding the people, highways, factories, and modern buildings that encroach on and daily destroy sections of the Wall, however, Chen eliminates major aspects of the Wall's present reality from his pictures. In a thoughtful essay and interview with the artist, Anne Wilkes Tucker probes the meanings of such omissions and guides the reader through Chen's extraordinary images. The Great Wall of China is essential reading for photographers, historians, and travelers.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 408 pages. A book that casts new light on the history of China and the West at the turn of the nineteenth century. George Macartney's disastrous 1793 mission to China plays a central role in the prevailing narrative of modern Sino-European relations. Summarily dismissed by the Qing court, Macartney failed in nearly all of his objectives, perhaps setting the stage for the Opium Wars of the nineteenth century and the mistrust that still marks the relationship today. But not all European encounters with China were disastrous. The Last Embassy tells the story of the Dutch mission of 1795, bringing to light a dramatic but little-known episode that transforms our understanding of the history of China and the West. Drawing on a wealth of archival material, Tonio Andrade paints a panoramic and multifaceted portrait of an age marked by intrigues and war. China was on the brink of rebellion. In Europe, French armies were invading Holland. Enduring a harrowing voyage, the Dutch mission was to be the last European diplomatic delegation ever received in the traditional Chinese court. Andrade shows how, in contrast to the British emissaries, the Dutch were men with deep knowledge of Asia who respected regional diplomatic norms and were committed to understanding China on its own terms.

Hardcover. NY, Whittlesey House, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black and red, 50 pages illustrated in 2-colors and b&w by Plato Chan. Adapted from an Old Chinese Legend by Plato and Christina Chan. The Text by Christina Chan. The Illustrations by Plato Chan. Clean copy, no dust jacket.

Hardcover. London, Allen & Unwin, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with fading to spine. INSCRIBED BY THE TRANSLATOR INGALLS on the front fly leaf. The desperate struggle between the aging Manchu Empress T z'u-hsi and her young nephew the Emperor, at the close of the nineteenth century. A story told as a parable against both Japanese occupation and the Communist rule. Small ownersjp stamp on first page, otherwise clean.