Hardcover. NY, Macmillan, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BOTH TAN AND SHIELDS on the half-title page. On a rainy afternoon, a woman shares with three restless granddaughters her "earliest memory" from her childhood in China. Adapted from Tan's The Joy Luck Club , the haunting tale that unfolds is worthy of retelling--and of repeated rereading. The narrator, Ying-ying, recalls waking up at the age of seven on the morning of the Moon Festival; it was a steamy day, and "the sun drove rays through the bamboo curtains like knives." Filled with similarly vivid images, Tan's lilting text conveys Ying-ying's contagious excitement about the festivities. These include the appearance of the Moon Lady, who can fulfill one's secret wish. Later, celebrating with her family on a "floating teahouse," Ying-ying loses her balance and falls into the lake, where she is caught in a fisherman's net. He returns her to shore, where her secret wish is granted: she is found by her family, and thus learns a lesson about which kind of wishes come true. Tan has done a superb job of distilling this incident for young readers, who will be as mesmerized by the expressive narrative as by Schields's ornately detailed paintings, ablaze with luminous color.

Hardcover. NY, Macmillan, 3rd pr., 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. On a rainy afternoon, a woman shares with three restless granddaughters her "earliest memory" from her childhood in China. Adapted from Tan's The Joy Luck Club , the haunting tale that unfolds is worthy of retelling--and of repeated rereading. The narrator, Ying-ying, recalls waking up at the age of seven on the morning of the Moon Festival; it was a steamy day, and "the sun drove rays through the bamboo curtains like knives." Filled with similarly vivid images, Tan's lilting text conveys Ying-ying's contagious excitement about the festivities. These include the appearance of the Moon Lady, who can fulfill one's secret wish. Later, celebrating with her family on a "floating teahouse," Ying-ying loses her balance and falls into the lake, where she is caught in a fisherman's net. He returns her to shore, where her secret wish is granted: she is found by her family, and thus learns a lesson about which kind of wishes come true. Tan has done a superb job of distilling this incident for young readers, who will be as mesmerized by the expressive narrative as by Schields's ornately detailed paintings, ablaze with luminous color.

Softcover. NY, Archipelago Books, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 79 pages. The first full flowering of Chinese poetry occurred in the illustrious T'ang Dynasty, and at the beginning of this renaissance stands Meng Hao-jan (689-740 c.e.), esteemed elder to a long line of China's greatest poets. Deeply influenced by Ch'an (Zen) Buddhism, Meng was the first to make poetry from the Ch'an insight that deep understanding lies beyond words. The result was a strikingly distilled language that opened new inner depths, non-verbal insights, and outright enigma. This made Meng Hao-jan China's first master of the short imagistic landscape poem that came to typify ancient Chinese poetry. And as a lifelong intimacy with mountains dominates Meng's work, such innovative poetics made him a preeminent figure in the wilderness (literally rivers-and-mountains) tradition, and that tradition is the very heart of Chinese poetry. This is the first English translation devoted to the work of Meng Hao-jan. Meng's poetic descendents revered the wisdom he cultivated as a mountain recluse, and now we too can witness the sagacity they considered almost indistinguishable from that of rivers and mountains themselves. Clean, bright copy.

Hardcover. NY/Beijing, Chambers Fine Arts, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover copy in black boards with the artists' name embossed in darker black on the front cover, in a bright red dust jacket, with some edge-wear. This is the most complete catalog of Lu Shengzhong's works to date. The catalog was prepared to accompany the exhibition at the University at Albany Art Museum. Text In English and Chinese. Essays by a dozen scholars. Biographical sketch. 34 page illustrated chronology, records Lu Shengzhong's artworks from 1980 to 2005. Illustrated throughout in color, some black & white, vintage photographs. 11" high X 8" wide, 155 pages.

Hardcover. NY, Columbia University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small closed tear to front panel. 187 pages, 117 b.w. photos, index, bibliography, 187p., notes. A scholarly monograph, addressing our image of the Chinese artist, the painters' livelihood, studio & hand. A grand essay, giving us the kind of insights to really appreciate the full art of Chinese painters & paintings.

Softcover. Princeton NJ, Princeton University Press, 3rd pr., 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 375 pages, maps. A decade after the Soviet Union and the People's Republic of China established their formidable alliance in 1950, escalating public disagreements between them broke the international communist movement apart. In The Sino-Soviet Split, Lorenz Luthi tells the story of this rupture, which became one of the defining events of the Cold War. Identifying the primary role of disputes over Marxist-Leninist ideology, Luthi traces their devastating impact in sowing conflict between the two nations in the areas of economic development, party relations, and foreign policy. The source of this estrangement was Mao Zedong's ideological radicalization at a time when Soviet leaders, mainly Nikita Khrushchev, became committed to more pragmatic domestic and foreign policies. Using a wide array of archival and documentary sources from three continents, Luthi presents a richly detailed account of Sino-Soviet political relations in the 1950s and 1960s. He explores how Sino-Soviet relations were linked to Chinese domestic politics and to Mao's struggles with internal political rivals. Furthermore, Luthi argues, the Sino-Soviet split had far-reaching consequences for the socialist camp and its connections to the nonaligned movement, the global Cold War, and the Vietnam War. Clean copy.

NY, Hawthorn Books, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 143 pages. Yellow cloth, blue design/lettering. Color pictorial dust jacket shows very minor edgewear. Spine of dust jacket is slightly toned. B/W illustrations throughout by Marvin Besunder. Previous owners' names in ink on a blank page at back otherwise clean. " Lin Li-ti, parted from his family during the tumultuous evacuation from mainland Communist Chino to the Nationalist island of Formosa, found himself hungry and alone in a land where no one seemed to care about a lost boy." Written by a woman who lived in Taiwan, as well as other places in the world, who is a teacher and author.

Hardcover. NY, Columbia University Press, 2nd pr., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 364 pages. Tells of the Americans who came to China, openly and in secret, and their role in the ultimate U. S. decision to spurn Chinese Communist overtures of friendship and throw greater support to the sinking regime of Chiang Kai-shek. Name on front fly leaf, otherwise a clean copy.

Hardcover. NY, Green Tiger Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Chi Chung.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 391 pages. How Maoism captured the imagination of French intellectuals during the 1960s. Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless expose of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.

Hardcover. Taipei, The International Culture Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio format, 224 pages. Mostly b&w illustrations, some color. Calligraphy and painting.

Hardcover. NY, William Morrow , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, color illustrations by Winslow Pels. The beautiful but cold-hearted Princess Turandot decrees that in order to win her, suitors must answer three riddles or be executed. A Persian prince, Calaf, smitten after one look at the young woman, determines to try his luck. Though he answers her riddles correctly, she still refuses to marry him. Because he adores her, he offers her a way out. If she can guess his name, he will leave Peking. This story was introduced by the Venetian playwright Carlo Gozzi (1720-1806), whose dramatized fairy tales were enormously popular during his lifetime. His version, said to be drawn from a tale he found in The Arabian Nights, widely impressed European romantics. Clean, bright copy.

Softcover. Mason City, IA, Arrow Printing , 1st, 1956, Book: Very Good, Dust Jacket: None, 248 pages. 12mo. SIGNED BY BOTH AUTHORS on title page. Yellow wrappers wih red titles in English and Chinese. Age soil. The glue used by the printing company to attach the wrappers to the text was of poor quality; this has toned the wrappers spine to a darker yellow. Wear to top and bottom of spine.

Hardcover. NY, Reynal & Hitchcock, 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 241 pages. An historical novel of China's 1930's struggle with Japan. B&W illustrations by Margaret Ayer. Dust jacket with light edgewear, small hole in rear panel. Previous owner's signature on front fly leaf.

Softcover. London, Edinburgh House, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, 3-color frontispiece, b&w Illustrations by Mabel R. Peacock. Illustrated cardboard covers. Light soil.

Hardcover. London, Dewi Lewis Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Nonpaginated. Hardcover. Color illustrations throughout. Clean inside and out. From the back cover: "The images in Vital Signs, Harvey Benge's fourth book of photographs, have been made in Paris, London, Prague, Hong Kong and beyond. They engage both the eye and the mind, inviting viewers to examine their own experience of urban life and what that means to them."

Hardcover. Hatje Cantz, 1st, 2014, Hardcover in pictorial boards with a red cloth spine, Andy Warhol (1928-1987) flew to Beijing (via Hong Kong) in 1982, recording his impressions in brief journal entries while also photographing. His presence in China electrified Beijing's avant-garde, and his photographs record both his own delight in encountering the city's artists and their delight i30 color plates. Text in English and Chinese. Clean copy, still in publisher's shrinkwrap.

Hardcover. Hatje Cantz, 1st, 2014, Hardcover in pictorial boards with a red cloth spine, Andy Warhol (1928-1987) flew to Beijing (via Hong Kong) in 1982, recording his impressions in brief journal entries while also photographing. His presence in China electrified Beijing's avant-garde, and his photographs record both his own delight in encountering the city's artists and their delight i30 color plates. Text in English and Chinese. Clean copy, still in publisher's shrinkwrap.

Hardcover. Bangkok, Muang Boran Publishing House, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 164 pages. Hardcover. Color illustrations throughout. Navy blue cover boards (excellent), gilt title on spine and front cover board. Pages unmarked, clean. Dust jacket unclipped, has some slight shelfwear. In very good, colorful condition. Text in Thai and English. 94 pages of color photographs and 7 pages of b/w photographs of 14th-18th century mural paintings at this revered site.

Honesdale, PA, Boyds Mills Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages, Black & white illustrations by Christoher Zhong-Yun Zhn. Review copy. An intimate look at family and village life in southeastern China, approximately 50 years ago. Ying, 10, is raised by her beloved grandmother. Ah Pau is thrifty, wise, and firmly rooted in her culture's traditions and superstitions. She guides Ying and her cousins with a firm and loving hand. As in First Apple (Boyds Mills, 1994), in which the little girl was a year younger, Ying must raise an ambitious amount of money. This time, she must bargain with her mercenary cousin Kee, and deal with the class bully.

Hardcover. NY, Delacorte Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Green cloth covers with gilt titles, color illustrated dust jacket, acetate-protected, profusely illustrated with full-page color plates by Uri Shulevitz. Mild rubbing and edgewear to dust jacket, price-clipped.

Hardcover. NY, Delacorte Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Green cloth covers with gilt titles, color illustrated dust jacket, dust jacket acetate-protected, profusely illustrated with full-page color plates by Uri Shulevitz. Mild rubbing and edgewear to dust jacket, price-clipped.

Hardcover. Philadelphia, Westminster Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 47 pages. Story set in Hong Kong. An orphan raised by nine caring uncles, Yin Sun longs to become a kite maker like his best friend. Illustrated in green, maroon, blue and black by H. Tom Hall. Clean copy.

Hardcover. US, Tuttle Publishing, 1st, 2003-04-15, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 178 pages, illustrated throughout in color and b&w. Three scratches to fore-edge. Light shelf-wear to dust jacket. Previous owner's stamp on front end paper. Clean, tight copy.