Hardcover. London ; Boston, Faber & Faber, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, b&w illustrations. Light shelf-wear and rubbing to dust jacket. Previous owner's blind stamp on front end paper, else a clean, tight copy.

Hardcover. Lokapala, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 27 pages. Illustrated with full color photographs. Clean, bright copy. INSCRIBED BY YOUNGMAN on the front fly leaf.

Hardcover. Lokapala, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 27 pages. Illustrated with full color photographs. Clean, bright copy.

Hardcover. New York, Kodansha, 2nd, 1978, Book: Very Good, Dust Jacket: Good, 300 pages. SIGNED BY BY MARIA POVEKA (MARTINEZ) AND FAMILY ON FRONT ENDPAPER. Full color and black & white photographs and illustrations. Unclipped dust jacket has some minor moisture wrinkling on back. Book has faint damp smell. Clean, tight copy.

Hardcover. New York, O'Gorman Publishing, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, 188 pages plus 4 pages of ads. Black & white photographs and illustrations. Swipe of white paint at top of spine, and stamp label beneath. Covers show light wear. Clean, tight copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhone Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951). Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.

Hardcover. New York, Kodansha, 1st US, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Illustrated with full color and black & white photographs. Previous owners inscription on front endpaper. Dust jacket shows light edgewear. Clean, tight copy.

Softcover. Santa Fe, Museum of New Mexico Press, 1st revised, 2003, Book: Very Good, Dust Jacket: None, Softcover, pages. Maria, the potter of San Ildefonso (1887-1981), is not only the most famous of Pueblo Indian potters but ranks among the best of international potters. Her work Is collected and exhibited around the world, and more than any other artist, Maria Martinez brought "signatures" to Indian art. She and other members of her family revived a dying art form and kindled a renaissance in pottery for all the Pueblos. She raised this regional art to one of international acclaim. This lavishly illustrated book draws from Spivey's 1979 classic work. Featuring entirely new photography and 120 added pots as well as a significantly expanded text, this volume considers the entirety of this artist's immense oeuvre and important works and developments in her collaboration with Julian, and after his death, with her daughter-in-law Santana, son Popovi Da, and grandson Tony Da, bringing the legacy of Maria into the bright future of Pueblo ceramics.