Hardcover. New York, Thames and Hudson, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages with 52 color and 102 b&w plates. A unique portrait of the artist by an scholar, who draws on his personal experience of Bacon. A survey of his artistic development precedes critical studies of selected aspects of the artist and his work. Previously unpublished extracts of the author's conversations with Bacon are reproduced and followed by a brief account of Bacon's life.

Hardcover. Norman, OK, University of Oklahoma Press, 1st Edition, 1967, Book: Very Good, Dust Jacket: None, Two Volume set. DOMESTIC SHIPPING ONLY. Volume 1: 568 pages.Volume 2: 517 pages.Hardcovers. In slipcase, very good. B/w illustrations throughout. Decorated edges. Black cloth cover boards. Pages clean and bright. Spines straight. Bindings tight. North's reputation among historians has varied wildly, reaching its lowest point in the late 19th century, when he was depicted as a creature of the king and an incompetent who lost the American colonies.

Hardcover. NY, Arno Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt stamping, 220 pages including index. Reproduced in facsimile from the 1882 edition. One of Trollope's scarcer titles, especially in hardcover. No dust jacket issued.

Hardcover. Caldwell, Idaho, The Caxton Printers, 1st, 1938, Book: Very Good, Dust Jacket: Good, 265 pages, hardcover with dust jacket. Scarce. Illustrated by Anton Otto Fisher. A frank and detailed description of the life of a English deep-sea fisherman. Moderate edgewear to dust jacket, chipping most pronounced along top edge. Chipping to dust jacket spine as well. Foxing to all edges. Unmarked. A tight copy.

Hardcover. Boston, New Harvest, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 174 pages. Hardcover. Clean, unmarked copy with only minor wear to dust jacket. Hoban has written an insightful book into what may have made Lucian Freud the great painter he came to be. From his early days in Germany with his grandfather, Sigmund Freud, to his subsequent life in London, where his family moved before the war, we see Lucian Freud gradually developing from an intense adolescent who often resorted to physical violence in conflicts with others to the powerful figure who changed the face of Realism. His many liaisons with women are described in detail: Hoban offers us a candid sketch of who the most prominent women in his life were, his problems with commitment and other moral conundrums we are forced to consider in his character, such as his questionable demand on his lovers that they use no form of birth control, resulting in at least 14 children, most out of wedlock. Along with that, Freud's gambling addiction and his love of risk are explored by Hoban in a way that allows us a glimpse into Freud's psyche that is invaluable for anyone wanting to understand in a more in depth way the factors that might have contributed to his enormous talents and output.

Hardcover. Kent UK, Winterdown Books, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 107 pages. Limited to 375 copies. Clean copy.

Hardcover. NY, Bobbs-Merrill, reprint, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 450 pages, b&w illustrations. Biography of William Lamb, 2nd Viscount Melbourne, who served twice as Prime Minister of England during the reign of Queen Victoria. Clean copy.

Hardcover. NY, Stein and Day , 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, blue dust jacket, 311 pages with index. Color frontis, b&w illustrations. "In Grimaldi's lifetime (1779-1837) he won fame and affection for his pantomines;" Dickens reordered the memoirs into a straight narrative of Grimaldi's life." Clean copy.

Hardcover. London, Folio Society, 1st thus, 1978, Book: Very Good, Dust Jacket: None, 362 pages, with illustrations throughout, edited and introduced by Christopher Hibbert. Gilt decorations and title on orange cloth boards with slipcase, spotless and bright copy.

Hardcover. NY, Stein & Day, Book Club Ed., 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket. Frontispiece, photographs, maps, appendix, bibliography, index. Name on front fly leaf, otherwise clean.

Hardcover. New York, Harcourt, Brace, Jovanovich, Inc., 2nd Printing, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 448 pages. Illustrated with 16 pages of black & white photographs. Dust jacket with wear and darkening along top edge. Clean, tight copy.

Hardcover. London, Jonathan Cape, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. An English clergyman who was also Naval Chaplain, aircraftman, schoolmaster, barman, and hotel manager recounts a eventful life writing from a remote part of Ireland. Clean copy.

Hardcover. NY, Arcade, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, 221 pages. Hardcover. B&w photographs throughout. Red gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket. Follows the rise and fall of Iraqi-born Jewish brothers from London, Charles and Maurice Saatchi, who created some of the most memorable ad campaigns of the 1970s and 1980s, and then in 1994 were ousted from their firm by an American shareholder revolt.

Hardcover. NY, Thomas Dunne Books/St. Martin's Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages, b&w illustrations. In 1830 a Yamana Indian boy, Orundellico, was bought from his uncle in Tierra del Fuego for the price of a mother-of-pearl button. Renamed Jemmy Button, he was removed from his primitive nomadic existence, where life revolved around the hunt for food and the need for shelter, and taken halfway round the world to England, then at the height of the Industrial Revolution. Clean, in a bright dust jacket.

Hardcover. London, Hodder & Stroughton, 1st, 1923, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, blue cloth covers with gilt design. Color frontispiece portrait of the famous English architect. Illustrated with 12 color plates, 91 b&w plates (some fold-outs). Top edge gilt, clean copy with the scarce light blue dust jacket that has light edgewear with coat-of-arms on front panel, title on spine.

Hardcover. Boston, Gambit , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Emissar of Charles the First, second governor of Massachusetts, pillar of the Protectorate, and victim of Charles the Second, atypical Puritan and passionate lover, Sir Harry Vane was a man of peace who initiated genocide in the New World and found martyrdom in the Old. His experience reaches from Indian wigwam to royal palace. This is an unparalleled picture of a formative age which is with us yet. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1934, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 362 pages. Richard Steele, best known for his essays in The Tatler and The Spectator, was a powerful and humane influence in letters, the theatre and politics during the times of Queen Anne and the first George. B&w frontis. Clean copy.

Hardcover. Cleveland, OH, The World Publishing Company, Reprint, 1966, Book: Very Good, Dust Jacket: Good, 130 pages. Hardcover. B/w illustrations throughout. Gray cloth cover boards, gold gilt title on spine. Some tanning to top and bottom of spine. Dust jacket unclipped, has some agewear. "Humor, drama and beauty woven out of memories of a fantastic boyhood by Hugh Falkus..."

Hardcover. Oxford UK, Clarendon Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 171 pages. Volume 1 ONLY of a six volume set. Name and date on front fly leaf, otherwise clean, bright copy.

Hardcover. Oxford UK, Clarendon Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 639 pages. Volume 3 ONLY of a six volume set. Clean, bright copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket with a faded spine. 388 pages, b&w frontis. Name on front fly leaf, otherwise clean.

Hardcover. London, Hodder & Stoughton , 1st, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt titles on spine, 328 pages, index. Spender (1864-1926) was a leading journalist in England and later ran for office (and lost) as a Liberal candidate in 1922. He covered major events in British history for major newspapers like the Manchester Guardian and Daily News from 1899 until 1914. He was the father of poet Stephen Spender. A clean copy with minor shelf wear.

Hardcover. Chicago, University of Chicago Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages, b&w illustrations. Clean copy.

Hardcover. NY, Funk & Wagnalls, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages. First published in 1935. The Editor selected a series of letters, many of them previously unpublished, from a vast mass of material. The larger proportion of them belongs to the period before his great triumph of 1784 when, he succeeded in smashing the great 'Whig' oligarch, and brought the Constitution back to what he considered more orthodox lines. A few letters showing him from more personal aspects have also been included. Name on front fly leaf otherwise clean.

Hardcover. UK, Routledge/Thoemmes, reprint, 1992, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine, 260 pages, b&w illustrations. A reprint of the 1949 edition with a new introduction by David Berman. Clean, bright copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 29 pages. A facsimile reprint of a pamphlet published in 1727. The subject was a friend of Samuel Johnson who was pardoned after being sentenced to death for a murder in a coffeehouse altercation. The pamphlet, published anonymously, was a defense of Savage based on his character. Clean copy.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 557 pages, b&w and color illustrations. In this brilliant second and final volume of the definitive biography of Lucian Freud--one of the most influential, enigmatic and secretive artists of the twentieth century--William Feaver, the noted art critic, draws on years of daily conversations with Freud, on his private papers and letters and on interviews with his friends and family to explore the intimate life of Freud, from age forty-five to his death in 2011 at the age of eighty-nine. The final forty years of Freud's life were a period of increasing recognition and fame, and of prodigious output. He was obsessed with his art, and with the idea of producing paintings that "astonish, disturb, seduce, convince." He was equally energetic and ambitious in his private life. This book opens with his dramatic affair with Jacquetta Eliot, which led to some of his most intimate portraits and to the start of two important, lifelong friendships, with Jane Willoughby and Susanna Chancellor. Freud talks about his art at all stages, how it changed in the seventies and his first retrospective in London in 1974. Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 393 pages plus a 16 page index. With eight pages of illustrations and a frontispiece. Clean copy.

Hardcover. London, England, Hammond, Hammond & Co. Ltd., 1st Edition, 1953, Book: Very Good, Dust Jacket: Very Good, 2 Volume Set, DOMESTIC SHIPPING ONLY. 1560 total pages. Hardcovers. Black cover boards, gilt title on spine. Light tanning from age to pages. Bindings good. Spines straight. A record of one of America's most distinguished diplomatic careers.

Hardcover. NY, Free Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 478 pages, b&w illustrations. When the young, insignificant scion of an unremarkable German principality first came to England to serve as consort to the youthful Queen Victoria, no one could have guessed that he would grow to become one of Britain's great--if uncrowned--kings. Albert's life could not have been an easy one; a man of great intelligence, pride, and ambition, he was forced to move behind the scenes, playing major roles in running the Crimean War and working to keep Britain out of the Civil War being waged in the United States. He was interested in industry and technology, and worked to stage the Crystal Palace exhibition--the first World's Fair. Yet, while his wife adored him, his adopted people scorned him for his German accent, his foreign ways, and his covert activities as a surrogate ruler. Clean copy.

Softcover. London, Verso, 1st Thus, 1994, Book: Very Good, Dust Jacket: None, 174 pages. Softcover. Light marginal wear to covers. Clean & unmarked.

Hardcover. London, Routledge, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 212 pages, b&w illustrations. SIGNED and INSCRIBED by the author with a note by the author laid-in. Light edgewear to dust jacket, faint foxing to top edge. Clean, tight copy. This book discusses the home life of Queen Victoria in the context of her marriage to Prince Albert and her relationships with her children. Whittle describes the purchase, remodeling and rebuilding of Osborne House and Balmoral Castle, a subject often given little attention in other books on the couple's life together.

Hardcover. London, Weidenfeld and Nicholson, 2nd imp., 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 635 pages. Contains black and white illustrated plates, and a pull out family tree. Clean, bright copy.

Hardcover. New York, Harcourt, Brace and Company, 1st, 1941, Book: Good, 345 pages. Hardcover. INSCRIBED BY AUTHOR. Gilt title on spine, faded. Covers have some age wear. Age yellowing to edges and pages.

Hardcover. NY, Penguin Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 642 pages. Gray cloth boards with silver titles to spine. Black & white illustrations throughout. Crisp dust jacket with only minor wear. Very clean & unmarked. Crisp, tight copy.

Hardcover. Columbia OH, Ohio State University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 368 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to corners. While "freaks" have captivated our imagination since well before the nineteenth century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, "missing links," and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of "consolidation" for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of "freakery" and the unstable and sometimes conflicting ways in which freakery was understood and deployed. As the first study centralizing British culture, this collection discusses figures as varied as Joseph Merrick, "The Elephant Man"; Daniel Lambert, "King of the Fat Men"; Julia Pastrana, "The Bear Woman"; and Laloo "The Marvellous Indian Boy" and his embedded, parasitic twin. The Victorian Freaks contributors examine Victorian culture through the lens of freakery, reading the production of the freak against the landscape of capitalist consumption, the medical community, and the politics of empire, sexuality, and art. Collectively, these essays ask how freakery engaged with notions of normalcy and with its Victorian cultural context.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 440 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.