Hardcover. Chicago, University of Chicago Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages, b&w illustrations. Clean copy.

Hardcover. UK, Routledge/Thoemmes, reprint, 1992, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine, 260 pages, b&w illustrations. A reprint of the 1949 edition with a new introduction by David Berman. Clean, bright copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 29 pages. A facsimile reprint of a pamphlet published in 1727. The subject was a friend of Samuel Johnson who was pardoned after being sentenced to death for a murder in a coffeehouse altercation. The pamphlet, published anonymously, was a defense of Savage based on his character. Clean copy.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 557 pages, b&w and color illustrations. In this brilliant second and final volume of the definitive biography of Lucian Freud--one of the most influential, enigmatic and secretive artists of the twentieth century--William Feaver, the noted art critic, draws on years of daily conversations with Freud, on his private papers and letters and on interviews with his friends and family to explore the intimate life of Freud, from age forty-five to his death in 2011 at the age of eighty-nine. The final forty years of Freud's life were a period of increasing recognition and fame, and of prodigious output. He was obsessed with his art, and with the idea of producing paintings that "astonish, disturb, seduce, convince." He was equally energetic and ambitious in his private life. This book opens with his dramatic affair with Jacquetta Eliot, which led to some of his most intimate portraits and to the start of two important, lifelong friendships, with Jane Willoughby and Susanna Chancellor. Freud talks about his art at all stages, how it changed in the seventies and his first retrospective in London in 1974. Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 393 pages plus a 16 page index. With eight pages of illustrations and a frontispiece. Clean copy.

Hardcover. London, England, Hammond, Hammond & Co. Ltd., 1st Edition, 1953, Book: Very Good, Dust Jacket: Very Good, 2 Volume Set, DOMESTIC SHIPPING ONLY. 1560 total pages. Hardcovers. Black cover boards, gilt title on spine. Light tanning from age to pages. Bindings good. Spines straight. A record of one of America's most distinguished diplomatic careers.

Hardcover. NY, Free Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 478 pages, b&w illustrations. When the young, insignificant scion of an unremarkable German principality first came to England to serve as consort to the youthful Queen Victoria, no one could have guessed that he would grow to become one of Britain's great--if uncrowned--kings. Albert's life could not have been an easy one; a man of great intelligence, pride, and ambition, he was forced to move behind the scenes, playing major roles in running the Crimean War and working to keep Britain out of the Civil War being waged in the United States. He was interested in industry and technology, and worked to stage the Crystal Palace exhibition--the first World's Fair. Yet, while his wife adored him, his adopted people scorned him for his German accent, his foreign ways, and his covert activities as a surrogate ruler. Clean copy.

Softcover. London, Verso, 1st Thus, 1994, Book: Very Good, Dust Jacket: None, 174 pages. Softcover. Light marginal wear to covers. Clean & unmarked.

Hardcover. London, Routledge, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 212 pages, b&w illustrations. SIGNED and INSCRIBED by the author with a note by the author laid-in. Light edgewear to dust jacket, faint foxing to top edge. Clean, tight copy. This book discusses the home life of Queen Victoria in the context of her marriage to Prince Albert and her relationships with her children. Whittle describes the purchase, remodeling and rebuilding of Osborne House and Balmoral Castle, a subject often given little attention in other books on the couple's life together.

Hardcover. London, Weidenfeld and Nicholson, 2nd imp., 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 635 pages. Contains black and white illustrated plates, and a pull out family tree. Clean, bright copy.

Hardcover. New York, Harcourt, Brace and Company, 1st, 1941, Book: Good, 345 pages. Hardcover. INSCRIBED BY AUTHOR. Gilt title on spine, faded. Covers have some age wear. Age yellowing to edges and pages.

Hardcover. NY, Penguin Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 642 pages. Gray cloth boards with silver titles to spine. Black & white illustrations throughout. Crisp dust jacket with only minor wear. Very clean & unmarked. Crisp, tight copy.

Hardcover. Columbia OH, Ohio State University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 368 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to corners. While "freaks" have captivated our imagination since well before the nineteenth century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, "missing links," and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of "consolidation" for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of "freakery" and the unstable and sometimes conflicting ways in which freakery was understood and deployed. As the first study centralizing British culture, this collection discusses figures as varied as Joseph Merrick, "The Elephant Man"; Daniel Lambert, "King of the Fat Men"; Julia Pastrana, "The Bear Woman"; and Laloo "The Marvellous Indian Boy" and his embedded, parasitic twin. The Victorian Freaks contributors examine Victorian culture through the lens of freakery, reading the production of the freak against the landscape of capitalist consumption, the medical community, and the politics of empire, sexuality, and art. Collectively, these essays ask how freakery engaged with notions of normalcy and with its Victorian cultural context.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 440 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.

Hardcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages, color and b&w illustrations. The marriage of William Michael Rossetti and Lucy Madox Brown united two of the most resonant Pre-Raphaelite family names. Their passionate and ultimately tragic relationship provides a fresh perspective on 19th-century marriage and on the private lives of eminent Victorians.