Hardcover. NY, Arcade, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, 221 pages. Hardcover. B&w photographs throughout. Red gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket. Follows the rise and fall of Iraqi-born Jewish brothers from London, Charles and Maurice Saatchi, who created some of the most memorable ad campaigns of the 1970s and 1980s, and then in 1994 were ousted from their firm by an American shareholder revolt.

Hardcover. Cleveland, OH, The World Publishing Company, Reprint, 1966, Book: Very Good, Dust Jacket: Good, 130 pages. Hardcover. B/w illustrations throughout. Gray cloth cover boards, gold gilt title on spine. Some tanning to top and bottom of spine. Dust jacket unclipped, has some agewear. "Humor, drama and beauty woven out of memories of a fantastic boyhood by Hugh Falkus..."

Hardcover. London, Faber and Faber, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 292 pages, b&w plates. An affectionate and mostly literal account of the early years of Williamson's growing family, based in part on a series of articles called 'Tales of My Children' which he had contributed to 'Family' in 1935. With a frontispiece and sixteen photographs by the author. Mild shelf wear, clean copy.

Hardcover. London, Hodder & Stoughton , 1st, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt titles on spine, 328 pages, index. Spender (1864-1926) was a leading journalist in England and later ran for office (and lost) as a Liberal candidate in 1922. He covered major events in British history for major newspapers like the Manchester Guardian and Daily News from 1899 until 1914. He was the father of poet Stephen Spender. A clean copy with minor shelf wear.

Hardcover. Oxford UK, Clarendon Press, 1st, 1965, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 550 pages. Fold-out chart in rear. "Stevens is included in the D.N.B. as a poet; he was much admired and liked by Anna Seward, The Swan of Lichfield. The journal is pre-eminantly a human document, the frank and full account of his meetings with Fanny Coutts and their love for one another. It is a period peice with an unhappy ending". Bookplate inside front cover, light stamp to copyright page.

Hardcover. London, Sampson, Low, Marston, Searle & Rivington, 1st, 1885, Book: Good, Dust Jacket: None, Hardcover, 300 pages + 32 ads in rear. Original brown endpapers, in the original binding of blue cloth decorated in red, black and gilt, spine titled in gilt. Also published under title: The Society of London. Originally attributed to Mme. Juliette Adam; more recently this and other similar works have been accredited with strong probability to Elie de Cyon." (Trove) Catherine Radziwill was the first to use the pseudonym Count Paul Vasili with a gossipy book called Berlin Society, a pen-name that was then taken up by other anonymous writers. Previous owner's name in ink on title page, otherwise clean, tight copy.

Hardcover. NY, E.P. Dutton , 1st, 1932, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped in red, 235 pages. A masterpiece of humanism, Time Stood Still recounts Paul Cohen-Portheim's years of internment in England as an enemy alien during World War One. An artist and theatre designer, he at first viewed internment as a sort of holiday: 'Should I bring my bathing things and evening dress?' he asked the policeman taking him prisoner. Though confined in a 'gentleman's camp' near Wakefield, as Cohen-Portheim shows with grace, humor, and deep compassion, even under the best conditions, the simple act of being confined and placed in a sort of limbo is a form of torture: 'Where there is no aim, no object, no sense, there is no time.' Time Stood Still is a passionate but balanced argument against internment and its inherently dehumanizing effects. Paul Cohen-Portheim (1880-1932) was an Austrian artist, travel writer and linquist. When WWI broke out, he was painting in Devonshire, England and found himself interned for the length of the war. Flap copy pasted to front fly leaf, stamp to endpapers (Harvard Club of Boston), some light notations as well to endpapers.