Hardcover. New Haven CT, Yale University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover in a dust jacket with fading to some areas, 338 pages. Margaret Fuller - journalist, critic, radical feminist, and political activist - traveled in Europe between 1846 and 1850 as a foreign correspondent for the New York Tribune. Her letters from England, France, and Italy, which began as engaging travel sketches, soon became moving accounts of the most widespread revolutionary upheaval within modern history. These dispatches are now reproduced in their entirety for the first time. Clean copy.

Hardcover. Baltimore MD, Johns Hopkins University Press , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 219 pages, endpapers map. Describes Jefferson's European journeys during his time as minister to the court of Louis XVI between 1784 and 1789, and explores the significance of his travels to American culture. Illustrated with some 60 b&w images from the period, and drawing on Jefferson's account books and correspondence, shows how his experiences shaped his intellectual and aesthetic development. Clean copy.

Hardcover. New York , Penguin Putnam Inc, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages, illustrated throughout with photos in b&w. Clean, unmarked copy with only minor wear to dust jacket. Elie Wiesel provides the preface to a master photographer's record of eastern Europe's Jewish communities in the years just before World War II with 160 photographs that capture the ordinary lives of Jews before the Holocaust.

Hardcover. New York, Michael Sullivan, 1st, 1886, Book: Good, Dust Jacket: None, Hardcover, 87 pages, in green cloth covers with black and gilt design. A brief first-hand account of a seven week trip to Europe, principally England, Ireland and Scotland. Uncommon. A bit worn with cracked hinges.

Softcover. Paris, ACAER/GPC, 1st, 1994, Book: Very Good, Dust Jacket: None, 68 pages. Softcover. Exhibition catalog. French and English text. Black & white photographs. From the introduction: "This catalogue has been re-edited by advanced reading copy wraps en reve architecture centre with the Georges Pompidou Centre, for the presentation in France of the exhibition "Warchitecture-Sarajevo, a wounded city". The exhibition and the catalogue were prepared by the architects of the Sarajevo association, members of the associations of Architects of Bosnia-Herzegovina DAS-SABIH". Light rubbing to cover edges, minor creases at corners. Clean, unmarked text.

Hardcover. London, Allen Lane, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 830 pages. Europe's history is littered with kingdoms, duchies, empires and republics which have now disappeared but which were once fixtures on the map of their age - 'the Empire of Aragon' which once dominated the western Mediterranean; the Grand Duchy of Lithuania, for a time the largest country in Europe; the successive kingdoms (and one duchy) of Burgundy, much of whose history is now half-remembered - or half-forgotten - at best. This book shows the reader how to peer through the cracks of mainstream history writing and listen to the echoes of lost realms across the centuries. Illustrated in color and b&w. Clean copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap. 550 pages. Seventeenth-century Delft has traditionally been viewed as a quaint town whose artists painted scenes of domestic life. This important book revises that image, showing that the small but vibrant Dutch city produced fine examples of all the major arts--including luxury goods and sophisticated paintings for the court at The Hague and for patrician collectors in Delft itself. The book traces the history and culture of Delft from the 1200s through the lifetime of the city's most renowned painter, Johannes Vermeer. The authors discuss at length some ninety major paintings (seventeen by Vermeer), forty drawings, and a choice selection of decorative arts, all of which are reproduced in full color. Among the paintings are state portraits, history pictures, still lifes, views of palaces and church interiors, illusionistic murals, and refined genre pictures by Vermeer and Pieter de Hooch. The rich works on paper encompass exquisite drawings by Delft artists and sketches of the town by visiting artists. Included in the decorative arts are tapestries, bronze statuary, silver, Delftware, and glass. The volume concludes with an essay that takes the reader on a walk through seventeenth-century Delft. It is accompanied by maps of the city's neighborhoods that indicate major monuments and the homes of patrons, art dealers, and painters.

Hardcover. New York, Princeton Architectural Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. Minor soiling to front cover of dust jacket. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. A tight copy. "A collection of exquisite large-format pen-and-ink watercolor renderings of all of Palladio's villas."

Hardcover. Chicago, University Of Chicago Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression. Covering a wide range of buildings--from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks--Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts. By looking through Alofsin's eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.

Hardcover. NY, Grosset & Dunlap, reprint, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 385 pages, illustrated with b&w photos. Tan cloth stamped in red and dark green on front and spine. No D.J.

Softcover. Bloomington, IN, Indiana University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 232 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white photographs throughout. The center of the art world before the war, Paris fired the Nazis' greed. The discovery of more than 1,500 prized paintings and drawings in a private Munich residence, as well as a recent movie about Allied attempts to recover European works of art, have brought Nazi plundering back into the headlines, but the thievery was far from being limited to works of art. From 1942 onwards, ordinary Parisian Jews-mostly poor families and recent immigrants from Eastern Europe-were robbed, not of sculptures or paintings, but of toys, saucepans, furniture, and sheets. Witnessing the Robbing of the Jews tells how this vast enterprise of plunder was implemented in the streets of Paris by analyzing images from an album of photographs found in the Federal Archives of Koblenz. Brought from Paris in 1945, the photographs were cataloged by the staff of the Munich Central Collecting Point. Beyond bearing witness to the petty acts of larceny, these images provide crucial information on how the Germans saw their work. They enable us to grasp the "Nazi gaze" and to confront the issue of the relation between greed and mass destruction.

Hardcover. London, Sampson Low, Son, and Marston, reprint, undated/c1880, Book: Good, Dust Jacket: None, Hardcover. History of the art of engraving within a European context. Undated, published c1880. Illustrated with 34 black/white reproductions of engravings. Good condition; pages have gilt edges, cloth bound book has some wear to the edges and introductory pages lightly spotted from age.

Hardcover. London, Cambridge University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This revisionist study of Allied diplomacy from 1941 to 1946 challenges Americocentric views of the period and highlights Europe's neglected role. Fraser J. Harbutt, drawing on international sources, shows that in planning for the future Churchill, Roosevelt, Stalin, and others self-consciously operated into 1945, not on "East/West" lines but within a "Europe/America" political framework characterized by the plausible prospect of Anglo-Russian collaboration and persisting American detachment. Harbutt then explains the destabilizing transformation around the time of the pivotal Yalta conference of February 1945, when a sudden series of provocative initiatives, manipulations, and miscues interacted with events to produce the breakdown of European solidarity and the Anglo-Soviet nexus, an evolving Anglo-American alignment, and new tensions that led finally to the Cold War. This fresh perspective, stressing structural, geopolitical, and traditional impulses and constraints, raises important new questions about the enduringly controversial transition from World War II to a cold war that no statesman wanted. Clean copy.

Softcover. Cambridge University Press, 1st paperback, 1996, Book: Very Good, Dust Jacket: None, 421 pages. Softcover. Wrapper very good, no rips or tears. B/w illustrations. Pages and edges have a touch of tanning from age, otherwise clean and unmarked. Binding tight. In very good shape. The first book to examine the bloody demise of the former Yugoslavia in the full light of its history and that of its ethnic mosaic.